Uploaded byjoansoco
747 views

Clarinetics

Embed presentation

Downloaded 38 times
Solo clarinet For Louisa  Clarinetics 1.THE FULL WORK-OUT (*suggested breath marks.) By Stephen Davies. Freely q = c69                                         mf warm vib. 3  *  3 3 3                  6 Pesante q = c40                                                   f      rit..... 5 ff A In Tempo q = 81 5     lean heavily on the accents                                                                        mf mf f 8                                                                            11                                                                                B Maestoso q = 69                Hold back        5                           5  14   rit..... ff molto espres........ A Tempo q = 81  3     C   19                                                     3         rit..... mp snapped together! 24                                                                                                  f            28                                                                           ff www.saxtetpublications.com © Saxtet Publications-All Rights Reserved info@saxtetpublications.com
2 Clarinetics D                    L                            L       32                  f        mp mf  Ossia 8va basso,but don't!            E          35                                            ff       38                                                                          mf   40                                                      f                       20 41                42 F Like an 'echo' effect   9 9 9 9                                                       mp ff 43 9 9 9 9                                        mp ff 44 9 9 9 9                                              mp ff 45 9 9 9 9                                                                mp ff mp rit.............................. info@saxtetpublications.com www.saxtetpublications.com
3 Clarinetics G A Tempo q = 81                  47                   e=e                            f      mf                    wildly! sim. 6    50   6                              mf    ff  ff                                                 54                                                 mf          Lots down the bottom, less up top!     59                                                                                          mp mp f                                       H                          63                    ff       65                                                               I                  67                                         f  mf        69                                          mf                                 70      f         Long Loud Pause! hold back                 71                     ff accell................................... accell   www.saxtetpublications.com info@saxtetpublications.com
4 2. A WELL EARNED REST Free & Easy q = c50 freely interpret tempo throughout....  3              74    3                                         mp molto espres... vib.                          3        77          mf 5 f          J                      81                 mp espres. e vib.                                     85                     mf f 5 mf mp                                            a little rushed       90 (A Tempo)                 f espres. accell...................... mp 3   K A Tempo        94 3                                      mf slight rit..                   L 98                 rushed               sub. mf f                              (A Tempo) 103           molto espres.....     accell e cresc................................... sub. mp M Slower.      107                      plainly     long, long pause slowly dying away to nothing.....        110                    rit e molto dim........................................................................ info@saxtetpublications.com www.saxtetpublications.com
5 3. THE DRIVE HOME Vigorously q = c140            114                                                             f top gear throughout!!                              117                            3            ff mf                                                                120            ff sub. mp mf N                                       123                         f        ff  mf                                3 3 126                                    mf ff  O                                                                   129                    f f sub. mp sub. mp    P Con Moto                                             132                       ff                         135                     mf accell................. .        (A Tempo) 137                                           intensely  ff                         139                        mp         141                                     mp mp  accell....... www.saxtetpublications.com info@saxtetpublications.com
6 Clarinetics 143                                              Q  A Tempo                          145                 rall........ ff   147                                                f   mp    149                               3                   f   mp 6  151 6                                        mf                                            7 7                   6     153  6               R A Tempo                   7 7            7                        155     molto rit........ ff Maintain volume & drive to the end... 157                      3                                                                        159                     ff                  mf                              162                   ff    mf 164                                                                info@saxtetpublications.com © Saxtet Publication-All Rights Reserved www.saxtetpublications.com

More Related Content

PDF
La embocadura del clarinetista
byjoansoco
 
PDF
John deere 820 mower conditioner service repair manual (tm1547)
byfhjsekfksemert
 
PDF
Afinación del clarinete
byjoansoco
 
PDF
Caalentamiento clarinete-Robert Spring
byjoansoco
 
PDF
16 estudios de dinámica e interpretación
byjoansoco
 
PDF
Capitulo 7 control estadistico de la calidad y seis sigma
byJ Martinez
 
PDF
Locais provisorios de votação
byPortal NE10
 
PDF
iPhone App How-To：Send message To Twitter
byRyan Chung
 
La embocadura del clarinetista
byjoansoco
 
John deere 820 mower conditioner service repair manual (tm1547)
byfhjsekfksemert
 
Afinación del clarinete
byjoansoco
 
Caalentamiento clarinete-Robert Spring
byjoansoco
 
16 estudios de dinámica e interpretación
byjoansoco
 
Capitulo 7 control estadistico de la calidad y seis sigma
byJ Martinez
 
Locais provisorios de votação
byPortal NE10
 
iPhone App How-To：Send message To Twitter
byRyan Chung
 

Viewers also liked

PDF
Solo de Concurso/ MIgel Yuste/ Análisis/ Tomás Gilabert
byjoansoco
 
PDF
sholem-alekhem rov feidman clarinet
byjoansoco
 
PDF
Erwin.Meister.Clarinete y piano.Primera parte
byjoansoco
 
PDF
Saint saens. introducción y rondó caprichoso
byjoansoco
 
PDF
Anlisisconciertoprimerconciertodeweber
byjoansoco
 
PDF
Posición correcta de las manos y los dedos, para tocar el clarinete
byjoansoco
 
PDF
Catálogo vídeos publicados en http://jose-antoniosole.blogspot.com.es/
byjoansoco
 
PDF
Analisis interpretativo de la sonata nº 2 brahms
byjoansoco
 
PDF
Afinacion del clarinete
byjoansoco
 
PDF
Patologias muscoesqueleticas en Clarinetistas
byjoansoco
 
PDF
Miguel YUste y su música
byjoansoco
 
PDF
432Hz/,440 Hz
byjoansoco
 
PDF
Articulación
byjoansoco
 
PDF
D. José Talens Sebastiá
byjoansoco
 
PDF
Bach
byjoansoco
 
Solo de Concurso/ MIgel Yuste/ Análisis/ Tomás Gilabert
byjoansoco
 
sholem-alekhem rov feidman clarinet
byjoansoco
 
Erwin.Meister.Clarinete y piano.Primera parte
byjoansoco
 
Saint saens. introducción y rondó caprichoso
byjoansoco
 
Anlisisconciertoprimerconciertodeweber
byjoansoco
 
Posición correcta de las manos y los dedos, para tocar el clarinete
byjoansoco
 
Catálogo vídeos publicados en http://jose-antoniosole.blogspot.com.es/
byjoansoco
 
Analisis interpretativo de la sonata nº 2 brahms
byjoansoco
 
Afinacion del clarinete
byjoansoco
 
Patologias muscoesqueleticas en Clarinetistas
byjoansoco
 
Miguel YUste y su música
byjoansoco
 
432Hz/,440 Hz
byjoansoco
 
Articulación
byjoansoco
 
D. José Talens Sebastiá
byjoansoco
 
Bach
byjoansoco
 

More from joansoco

PDF
Beethoven septet op-20
byjoansoco
 
PDF
Beethoven septet op-20
byjoansoco
 
PDF
Weber, quinteto para clarinete y cuarteto de cuerda
byjoansoco
 
PDF
duo ritmico para dos clarinetes
byjoansoco
 
PDF
Prelude para clarinete solo. Penderecki
byjoansoco
 
PDF
Teleman concierto para dos chalumeau
byjoansoco
 
PDF
Teleman;Concierto para dos Chalumeaux
byjoansoco
 
PDF
Miguel Yuste/ GLORIA ARACELI RODRIGUEZ LORENZO
byjoansoco
 
PDF
El cuidado de la cara en los instrumentistas de viento
byjoansoco
 
PDF
Cartel curso de clarinete
byjoansoco
 
PDF
Estudio de articulación número 1
byjoansoco
 
PDF
Las enfermedades laborales en los músicos
byjoansoco
 
PDF
A Vivaldi, Concerto per la solennità di San Lorenzo RV 556
byjoansoco
 
PDF
J /brahms serenade no.2__op.16
byjoansoco
 
PDF
Sonatas para violín solo bach
byjoansoco
 
PDF
Sonatas para violín solo bach
byjoansoco
 
PDF
Estudio de articulación núm 3
byjoansoco
 
PDF
estudio número 5-1.mus
byjoansoco
 
PDF
Estudio de articulación num 2
byjoansoco
 
PDF
Triptico curso clarinete_perez_piquer
byjoansoco
 
Beethoven septet op-20
byjoansoco
 
Beethoven septet op-20
byjoansoco
 
Weber, quinteto para clarinete y cuarteto de cuerda
byjoansoco
 
duo ritmico para dos clarinetes
byjoansoco
 
Prelude para clarinete solo. Penderecki
byjoansoco
 
Teleman concierto para dos chalumeau
byjoansoco
 
Teleman;Concierto para dos Chalumeaux
byjoansoco
 
Miguel Yuste/ GLORIA ARACELI RODRIGUEZ LORENZO
byjoansoco
 
El cuidado de la cara en los instrumentistas de viento
byjoansoco
 
Cartel curso de clarinete
byjoansoco
 
Estudio de articulación número 1
byjoansoco
 
Las enfermedades laborales en los músicos
byjoansoco
 
A Vivaldi, Concerto per la solennità di San Lorenzo RV 556
byjoansoco
 
J /brahms serenade no.2__op.16
byjoansoco
 
Sonatas para violín solo bach
byjoansoco
 
Sonatas para violín solo bach
byjoansoco
 
Estudio de articulación núm 3
byjoansoco
 
estudio número 5-1.mus
byjoansoco
 
Estudio de articulación num 2
byjoansoco
 
Triptico curso clarinete_perez_piquer
byjoansoco
 

Clarinetics

  • 1.
    Solo clarinet For Louisa  Clarinetics 1.THE FULL WORK-OUT (*suggested breath marks.) By Stephen Davies. Freely q = c69                                         mf warm vib. 3  *  3 3 3                  6 Pesante q = c40                                                   f      rit..... 5 ff A In Tempo q = 81 5     lean heavily on the accents                                                                        mf mf f 8                                                                            11                                                                                B Maestoso q = 69                Hold back        5                           5  14   rit..... ff molto espres........ A Tempo q = 81  3     C   19                                                     3         rit..... mp snapped together! 24                                                                                                  f            28                                                                           ff www.saxtetpublications.com © Saxtet Publications-All Rights Reserved info@saxtetpublications.com
  • 2.
    2 Clarinetics D                    L                            L       32                  f        mp mf  Ossia 8va basso,but don't!            E          35                                            ff       38                                                                          mf   40                                                      f                       20 41                42 F Like an 'echo' effect   9 9 9 9                                                       mp ff 43 9 9 9 9                                        mp ff 44 9 9 9 9                                              mp ff 45 9 9 9 9                                                                mp ff mp rit.............................. info@saxtetpublications.com www.saxtetpublications.com
  • 3.
    3 Clarinetics G A Tempo q = 81                  47                   e=e                            f      mf                    wildly! sim. 6    50   6                              mf    ff  ff                                                 54                                                 mf          Lots down the bottom, less up top!     59                                                                                          mp mp f                                       H                          63                    ff       65                                                               I                  67                                         f  mf        69                                          mf                                 70      f         Long Loud Pause! hold back                 71                     ff accell................................... accell   www.saxtetpublications.com info@saxtetpublications.com
  • 4.
    4 2. A WELL EARNED REST Free & Easy q = c50 freely interpret tempo throughout....  3              74    3                                         mp molto espres... vib.                          3        77          mf 5 f          J                      81                 mp espres. e vib.                                     85                     mf f 5 mf mp                                            a little rushed       90 (A Tempo)                 f espres. accell...................... mp 3   K A Tempo        94 3                                      mf slight rit..                   L 98                 rushed               sub. mf f                              (A Tempo) 103           molto espres.....     accell e cresc................................... sub. mp M Slower.      107                      plainly     long, long pause slowly dying away to nothing.....        110                    rit e molto dim........................................................................ info@saxtetpublications.com www.saxtetpublications.com
  • 5.
    5 3. THE DRIVE HOME Vigorously q = c140            114                                                             f top gear throughout!!                              117                            3            ff mf                                                                120            ff sub. mp mf N                                       123                         f        ff  mf                                3 3 126                                    mf ff  O                                                                   129                    f f sub. mp sub. mp    P Con Moto                                             132                       ff                         135                     mf accell................. .        (A Tempo) 137                                           intensely  ff                         139                        mp         141                                     mp mp  accell....... www.saxtetpublications.com info@saxtetpublications.com
  • 6.
    6 Clarinetics 143                                              Q  A Tempo                          145                 rall........ ff   147                                                f   mp    149                               3                   f   mp 6  151 6                                        mf                                            7 7                   6     153  6               R A Tempo                   7 7            7                        155     molto rit........ ff Maintain volume & drive to the end... 157                      3                                                                        159                     ff                  mf                              162                   ff    mf 164                                                                info@saxtetpublications.com © Saxtet Publication-All Rights Reserved www.saxtetpublications.com