This document provides instructions for five beading projects that use brick stitch. It begins by introducing brick stitch as a beadweaving technique and describes some of its characteristics. It then provides multi-sentence project descriptions for each of the five projects, which include a round bangle, zodiac dog tag pendants, a crystal brooch, a deco bracelet, and a periwinkle flower choker. Basic instructions are also provided for the brick stitch technique. Photos accompany the project descriptions. The document aims to teach brick stitch and provide free beading patterns for readers.
This document introduces an ebook with instructions for 5 free beaded necklace patterns. It includes necklaces that are long and short, simple and elaborate, using materials like fiber-wrapped beads, seed beads, pearls, crystals, and chain mail techniques. The editor warns that making these necklaces may lead to an addiction to necklace making and accumulating many unfinished and finished necklaces. Each necklace pattern is credited to a different designer and includes photos and step-by-step instructions.
Scott David Plumlee developed an infinity chain mail pattern in 2002 using four wire gauges in an overlapping design. The pattern uses smaller rings to create an infinity pattern on the larger rings on one side of the chain only, giving it a front and back. The document provides instructions on making the chain using various sized silver jump rings.
- The document is a resume for Subramanya Rai B V seeking a middle level position in sales, retail management, or operations with over 16 years of relevant experience.
- He has extensive experience in retail sector management, business development, sales, marketing, and people development.
- His career highlights include several roles with increasing responsibility in retail operations, sales, and business excellence for companies like Timex, Tata Docomo, Vodafone, and Hindustan Lever Limited.
This document provides instructions for six free wire wrapping jewelry projects. It introduces wire wrapping as a popular jewelry making technique and provides profiles of six jewelry designers, each presenting a different wire wrapping project. The projects include ballpoint earrings, a spiraled toggle bracelet, a bangle bracelet, a geometric bracelet, a Moroccan dangle necklace, and a Queen of Hearts necklace. Basic wire wrapping techniques are also included at the end.
This document provides instructions for making beaded beads using various stitching techniques. It includes directions for four bead projects:
1) Beaded Pillow Beads by Carol Huber Cypher which are triangle shaped beads made through peyote stitching and stuffed for decoration.
2) D'oh Nuts by Mel Jonassen which are bead shapes that can be used for earrings, hair accessories or miniature car tires.
3) Party Girl Necklace by Robin Cowart features wireworked links connecting the beaded beads for a unique twist.
4) Going Bananas by Lynn Davy uses five different bead stitches - peyote, herringbone, ladder, square and brick
This document provides instructions for making 5 different beaded bracelet patterns. It begins by introducing the editor and their love of beaded bracelets. It then provides a brief overview of each of the 5 bracelet patterns, including the designer and materials used. The rest of the document consists of detailed step-by-step instructions for making each of the 5 bracelet patterns.
In this presentation I approach jewelry-making from the perspective of an arts integration teacher. I found a number of connections to math, science, English and social-studies. Additionally, I developed "educational empathy" by stepping into the shoes of being a student.
This document provides instructions for making a ladder ring out of seed beads. The ring is made by creating a ladder stitch with size 8 beads and then connecting the ends to form a ring. Size 11 beads are then added along each side of the ladder to embellish and finish the edges. Optional embellishments like adding bars of smaller beads can further decorate the ring. The instructions are accompanied by illustrations and state that the finished ring can be worn on the finger.
This document introduces an ebook with instructions for 5 free beaded necklace patterns. It includes necklaces that are long and short, simple and elaborate, using materials like fiber-wrapped beads, seed beads, pearls, crystals, and chain mail techniques. The editor warns that making these necklaces may lead to an addiction to necklace making and accumulating many unfinished and finished necklaces. Each necklace pattern is credited to a different designer and includes photos and step-by-step instructions.
Scott David Plumlee developed an infinity chain mail pattern in 2002 using four wire gauges in an overlapping design. The pattern uses smaller rings to create an infinity pattern on the larger rings on one side of the chain only, giving it a front and back. The document provides instructions on making the chain using various sized silver jump rings.
- The document is a resume for Subramanya Rai B V seeking a middle level position in sales, retail management, or operations with over 16 years of relevant experience.
- He has extensive experience in retail sector management, business development, sales, marketing, and people development.
- His career highlights include several roles with increasing responsibility in retail operations, sales, and business excellence for companies like Timex, Tata Docomo, Vodafone, and Hindustan Lever Limited.
This document provides instructions for six free wire wrapping jewelry projects. It introduces wire wrapping as a popular jewelry making technique and provides profiles of six jewelry designers, each presenting a different wire wrapping project. The projects include ballpoint earrings, a spiraled toggle bracelet, a bangle bracelet, a geometric bracelet, a Moroccan dangle necklace, and a Queen of Hearts necklace. Basic wire wrapping techniques are also included at the end.
This document provides instructions for making beaded beads using various stitching techniques. It includes directions for four bead projects:
1) Beaded Pillow Beads by Carol Huber Cypher which are triangle shaped beads made through peyote stitching and stuffed for decoration.
2) D'oh Nuts by Mel Jonassen which are bead shapes that can be used for earrings, hair accessories or miniature car tires.
3) Party Girl Necklace by Robin Cowart features wireworked links connecting the beaded beads for a unique twist.
4) Going Bananas by Lynn Davy uses five different bead stitches - peyote, herringbone, ladder, square and brick
This document provides instructions for making 5 different beaded bracelet patterns. It begins by introducing the editor and their love of beaded bracelets. It then provides a brief overview of each of the 5 bracelet patterns, including the designer and materials used. The rest of the document consists of detailed step-by-step instructions for making each of the 5 bracelet patterns.
In this presentation I approach jewelry-making from the perspective of an arts integration teacher. I found a number of connections to math, science, English and social-studies. Additionally, I developed "educational empathy" by stepping into the shoes of being a student.
This document provides instructions for making a ladder ring out of seed beads. The ring is made by creating a ladder stitch with size 8 beads and then connecting the ends to form a ring. Size 11 beads are then added along each side of the ladder to embellish and finish the edges. Optional embellishments like adding bars of smaller beads can further decorate the ring. The instructions are accompanied by illustrations and state that the finished ring can be worn on the finger.
Este documento presenta a Huellas Artesanales CCS, una iniciativa surgida de artesanos caraqueños para dar visibilidad al oficio artesanal a través de eventos especiales. La organización se formó en 2016 y ha realizado ferias artesanales desde 2018 de manera presencial y virtual durante la pandemia. Su visión es promover el respeto, la colaboración y el desarrollo de actividades culturales y formativas entre los artesanos para mejorar de manera continua la promoción y comercialización del arte artesanal.
Este documento presenta una ordenanza municipal que busca fomentar y promover la actividad artesanal en el municipio de Chacao, Venezuela. La ordenanza establece lineamientos para apoyar a los artesanos locales, crear un registro de artesanos, organizar ferias y eventos para exhibir y vender productos artesanales, y designar un organismo municipal responsable de implementar iniciativas de promoción y capacitación para los artesanos. El objetivo general es reconocer la importancia cultural y económica de la artesanía y crear una
Este documento describe la producción artesanal en Venezuela. Explica que la producción artesanal transforma materias primas naturales básicas a través de procesos manuales que requieren habilidades físicas y mentales. Además, destaca que la producción artesanal ha sido importante en la identidad venezolana desde los primeros tiempos y continúa siendo relevante a pesar de la producción masiva. Finalmente, define la producción artesanal como un proceso manual que enfatiza la calidad sobre la cantidad.
Este documento propone una ley para promover y proteger la actividad artesanal en Venezuela. Establece el marco jurídico para reconocer a los artesanos como constructores de identidad cultural con derechos. El objetivo es regular el desarrollo sostenible de la artesanía preservando las tradiciones, promoviendo las técnicas y creando conciencia sobre su importancia económica, social y cultural. También busca establecer políticas públicas, planes de desarrollo, y apoyo financiero e institucional para los artesanos.
La ley establece la creación de una Dirección Nacional de Artesanías en Venezuela para promover el desarrollo artesanal. La ley crea consejos regionales de artesanía, un registro nacional de artesanos y fondos de apoyo. La Dirección Nacional de Artesanías será responsable de implementar políticas para fomentar, proteger y coordinar el desarrollo artesanal en el país.
El documento describe la artesanía como la actividad humana más antigua, que surgió cuando los primeros humanos usaron pieles de animales para vestirse y cubrirse del frío. La artesanía se diferencia del trabajo industrial porque involucra destrezas manuales y creativas individuales. Aunque la industrialización ha relegado la artesanía a un ámbito más íntimo, para muchos artesanos es una forma de vida que les permite ganarse la vida y expresar su creatividad.
El documento es una carta en la que un individuo se ofrece a adherirse al Sistema Nacional de las Culturas Populares de Venezuela. El individuo cree que su trabajo en artesanía ayuda a promover valores culturales y de solidaridad. El Sistema Nacional busca organizar el trabajo entre instituciones culturales públicas y privadas para promover y difundir las manifestaciones culturales tradicionales. El individuo ofrece compartir sus conocimientos y experiencias para contribuir a la construcción de la identidad nacional.
El documento habla sobre la importancia de apoyar y proteger la artesanía venezolana ante la amenaza de la importación masiva de artículos artesanales. Señala que los artesanos deben ofrecer piezas originales y de calidad para competir, y que las instituciones gubernamentales deben implementar políticas que apoyen al sector artesanal, como impuestos más altos a los productos importados o etiquetar claramente el origen de cada pieza. También resalta la necesidad de capacitar a los artesanos y facilit
El documento resume las actividades recientes de la Asamblea de Artesanos de Caracas. La asamblea surgió de mesas de trabajo para apoyar a los artesanos y promover la ordenanza municipal. Recientemente organizaron con éxito la primera Feria de Artesanos en la Plaza de los Saberes, con presentaciones artísticas y talleres demostrativos. También están trabajando con el Ministerio de Cultura para actualizar el Registro Nacional de Artesanos. La asamblea busca mejorar las condiciones de los artesanos a través de ferias
El documento resume una toma cultural-artesanal realizada en la entrada de la UCV el 2 de noviembre. El Movimiento Artístico Cultural y Ecológico "M.E.R.U." lideró el evento donde hubo espectáculos, malabares y pasapalos. El objetivo principal es visibilizar la artesanía y rescatar las Zonas de Protección Artesanal. También se recogieron firmas para apoyar la Ley de Fomento y Protección al Desarrollo Artesanal.
Proyecto de Ley de Fomento y Proteccion Artesanal de la republica Bolivariana...Jose Miguel Lopez Garcia
Este documento presenta un proyecto de ley para promover y proteger la actividad artesanal en Venezuela. El proyecto busca reconocer a los artesanos como constructores de identidad cultural y regular el desarrollo sostenible de la actividad artesanal. Define términos como artesano, artesanía e identifica diferentes tipos de artesanía. Además, establece objetivos como promover el desarrollo de los artesanos, recuperar valores culturales vinculados a la artesanía y facilitar el acceso al financiamiento y
El Ministerio de Cultura de Venezuela convoca a artistas, escritores y agrupaciones culturales a participar en la segunda edición de la "Gran Explosión Cultural Bicentenaria" con el objetivo de reconocer las expresiones culturales que reivindican la diversidad cultural del país. Se establecen certámenes a nivel municipal, estadal y nacional en diferentes categorías como artes escénicas, literatura y cine, con premios en efectivo. Las inscripciones son gratuitas y se realizarán hasta enero de 2012 en las oficinas del Ministerio de Cultura
Este documento presenta las bases para un certamen de artesanía a nivel municipal en Venezuela. Los participantes podrán presentar piezas de diversas artesanías como textiles, cerámica, carpintería, entre otras. Las obras deberán centrarse en el proceso histórico venezolano y valores como la identidad nacional, la paz y la justicia. Los participantes podrán inscribirse hasta el 31 de marzo de 2012 presentando datos y fotografía de su obra. Los veredictos a nivel municipal serán el 31 de mayo y a n
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help enhance one's emotional well-being and mental clarity.
This article provides instructions for making a crystal Christmas tree pendant by first trimming a small artificial tree with crystals and wire. The supplies needed include an artificial Christmas tree, crystals, wire cutters, and wire. The steps involve attaching crystals to the tree using wire wrapped around each branch and stem.
Este documento presenta a Huellas Artesanales CCS, una iniciativa surgida de artesanos caraqueños para dar visibilidad al oficio artesanal a través de eventos especiales. La organización se formó en 2016 y ha realizado ferias artesanales desde 2018 de manera presencial y virtual durante la pandemia. Su visión es promover el respeto, la colaboración y el desarrollo de actividades culturales y formativas entre los artesanos para mejorar de manera continua la promoción y comercialización del arte artesanal.
Este documento presenta una ordenanza municipal que busca fomentar y promover la actividad artesanal en el municipio de Chacao, Venezuela. La ordenanza establece lineamientos para apoyar a los artesanos locales, crear un registro de artesanos, organizar ferias y eventos para exhibir y vender productos artesanales, y designar un organismo municipal responsable de implementar iniciativas de promoción y capacitación para los artesanos. El objetivo general es reconocer la importancia cultural y económica de la artesanía y crear una
Este documento describe la producción artesanal en Venezuela. Explica que la producción artesanal transforma materias primas naturales básicas a través de procesos manuales que requieren habilidades físicas y mentales. Además, destaca que la producción artesanal ha sido importante en la identidad venezolana desde los primeros tiempos y continúa siendo relevante a pesar de la producción masiva. Finalmente, define la producción artesanal como un proceso manual que enfatiza la calidad sobre la cantidad.
Este documento propone una ley para promover y proteger la actividad artesanal en Venezuela. Establece el marco jurídico para reconocer a los artesanos como constructores de identidad cultural con derechos. El objetivo es regular el desarrollo sostenible de la artesanía preservando las tradiciones, promoviendo las técnicas y creando conciencia sobre su importancia económica, social y cultural. También busca establecer políticas públicas, planes de desarrollo, y apoyo financiero e institucional para los artesanos.
La ley establece la creación de una Dirección Nacional de Artesanías en Venezuela para promover el desarrollo artesanal. La ley crea consejos regionales de artesanía, un registro nacional de artesanos y fondos de apoyo. La Dirección Nacional de Artesanías será responsable de implementar políticas para fomentar, proteger y coordinar el desarrollo artesanal en el país.
El documento describe la artesanía como la actividad humana más antigua, que surgió cuando los primeros humanos usaron pieles de animales para vestirse y cubrirse del frío. La artesanía se diferencia del trabajo industrial porque involucra destrezas manuales y creativas individuales. Aunque la industrialización ha relegado la artesanía a un ámbito más íntimo, para muchos artesanos es una forma de vida que les permite ganarse la vida y expresar su creatividad.
El documento es una carta en la que un individuo se ofrece a adherirse al Sistema Nacional de las Culturas Populares de Venezuela. El individuo cree que su trabajo en artesanía ayuda a promover valores culturales y de solidaridad. El Sistema Nacional busca organizar el trabajo entre instituciones culturales públicas y privadas para promover y difundir las manifestaciones culturales tradicionales. El individuo ofrece compartir sus conocimientos y experiencias para contribuir a la construcción de la identidad nacional.
El documento habla sobre la importancia de apoyar y proteger la artesanía venezolana ante la amenaza de la importación masiva de artículos artesanales. Señala que los artesanos deben ofrecer piezas originales y de calidad para competir, y que las instituciones gubernamentales deben implementar políticas que apoyen al sector artesanal, como impuestos más altos a los productos importados o etiquetar claramente el origen de cada pieza. También resalta la necesidad de capacitar a los artesanos y facilit
El documento resume las actividades recientes de la Asamblea de Artesanos de Caracas. La asamblea surgió de mesas de trabajo para apoyar a los artesanos y promover la ordenanza municipal. Recientemente organizaron con éxito la primera Feria de Artesanos en la Plaza de los Saberes, con presentaciones artísticas y talleres demostrativos. También están trabajando con el Ministerio de Cultura para actualizar el Registro Nacional de Artesanos. La asamblea busca mejorar las condiciones de los artesanos a través de ferias
El documento resume una toma cultural-artesanal realizada en la entrada de la UCV el 2 de noviembre. El Movimiento Artístico Cultural y Ecológico "M.E.R.U." lideró el evento donde hubo espectáculos, malabares y pasapalos. El objetivo principal es visibilizar la artesanía y rescatar las Zonas de Protección Artesanal. También se recogieron firmas para apoyar la Ley de Fomento y Protección al Desarrollo Artesanal.
Proyecto de Ley de Fomento y Proteccion Artesanal de la republica Bolivariana...Jose Miguel Lopez Garcia
Este documento presenta un proyecto de ley para promover y proteger la actividad artesanal en Venezuela. El proyecto busca reconocer a los artesanos como constructores de identidad cultural y regular el desarrollo sostenible de la actividad artesanal. Define términos como artesano, artesanía e identifica diferentes tipos de artesanía. Además, establece objetivos como promover el desarrollo de los artesanos, recuperar valores culturales vinculados a la artesanía y facilitar el acceso al financiamiento y
El Ministerio de Cultura de Venezuela convoca a artistas, escritores y agrupaciones culturales a participar en la segunda edición de la "Gran Explosión Cultural Bicentenaria" con el objetivo de reconocer las expresiones culturales que reivindican la diversidad cultural del país. Se establecen certámenes a nivel municipal, estadal y nacional en diferentes categorías como artes escénicas, literatura y cine, con premios en efectivo. Las inscripciones son gratuitas y se realizarán hasta enero de 2012 en las oficinas del Ministerio de Cultura
Este documento presenta las bases para un certamen de artesanía a nivel municipal en Venezuela. Los participantes podrán presentar piezas de diversas artesanías como textiles, cerámica, carpintería, entre otras. Las obras deberán centrarse en el proceso histórico venezolano y valores como la identidad nacional, la paz y la justicia. Los participantes podrán inscribirse hasta el 31 de marzo de 2012 presentando datos y fotografía de su obra. Los veredictos a nivel municipal serán el 31 de mayo y a n
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help enhance one's emotional well-being and mental clarity.
This article provides instructions for making a crystal Christmas tree pendant by first trimming a small artificial tree with crystals and wire. The supplies needed include an artificial Christmas tree, crystals, wire cutters, and wire. The steps involve attaching crystals to the tree using wire wrapped around each branch and stem.
3. Beading Patterns from beadingdaily:
5 free
brick stitch
beading projects
When Round About, our easy bangle Brick stitch combines really well with other stitches. Many artists
project by Dottie Hoeschen was first add it to the edge of an even-count peyote strip to make it odd-
published, I thought it was funny how count. A nifty trick, which works because brick looks like peyote
many people told me they learned brick stitch turned on its side–the beads fit together in the same way,
stitch just so they could make it. The but the thread stitching method differs.
funny part is that you can learn brick
Both Nancy Zellers’ stylish Deco Deluxe bracelet and Kerrie
stitch from this project! Even if you
Slade’s lovely Periwinkle Choker combine brick stitch with
never worked in brick stitch before,
other stitches. These more advanced patterns will challenge
you’ll find two projects in this collection
beginners but are well worth the learning curve. Start with the
to teach you–Round About and What’s Your Sign?, my
bangle and zodiac projects, and grow from there. It’s sure to
zodiac dog tag pendants.
become a staple in your beadweaving repertoire. Have fun,
Brick stitch is a personal favorite of mine. It is sturdy yet flexible, bead by bead, and thanks for being part of Beading Daily!
and holds a firm, flat shape but easily curls into cuffs, tubes and rings.
It’s adaptable to many bead sizes, and increases and decreases in a
logical way. Brick stitch can be worked flat, tubular or circular, as in Leslie Rogalski
the fabulous Crystal Radiance Brooch by Tina Koyama. Editor, Beading Daily.com
1 Round About
Dottie HoescHen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 4
This easy bangle uses size 8 seed beads and can include your favorite accents. It’s a
great first project if you’re new to brick stitch.
2 What’s Your sign?
LesLie RogALski . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 6 B E A D I N g P AT T E R N S
F R o M B e a D i n g D a i ly :
Learn brick stitch and how to increase and decrease along the outside edges. Follow 5 F R E E B R I C K ST I TC H
the patterns (one for each sign of the zodiac) row by row to create cosmic pendants BEADINg PRojECTS
for everyone you know. EDIToR, BEADINg DAILY Leslie Rogalski
3 crystal Radiance Brooch
CoNTRIBuTINg EDIToR Michelle Mach
CREATIvE SERvICES
tinA koYAmA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 9 DESIgNERjanice Tapia, Lee Ann Short,
Tammy Beard, Liz Mrofka
This brooch of concentric circles of brick stitch requires making gradual increases in each PHoTogRAPHY Frank DeSantis,
new circle, changing bead sizes as well as changing the number of beads in each round. Ann Swanson, joe Coca
4 Deco Deluxe
nAncY ZeLLeRs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 11
ILLuSTRATIoN Dustin Wedekind,
Bonnie Brooks, julie Ann Smith
Projects and information are for inspiration
Characteristic of the Art Deco era, this bracelet has strong graphic shapes in rich and personal use only. BeadingDaily,
colors. Square stitch and ladder stitch are incorporated in this unique design.
5 Periwinkle choker
Beadwork do not recommend, approve, or
endorse any of the advertisers, products,
services, or views advertised in this
keRRie sLADe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 13 publication. Nor does Beadwork or
BeadingDaily evaluate the advertisers’ claims
Cleverly combine two types of brick stitch to form perfectly shaped flowers. Attach in any way. You should, therefore, use your
them from petal to petal for a pretty choker-style necklace. This project incorporates own judgment in evaluating the advertisers,
ladder stitch and netting, too. products, services, and views advertised in
Beadwork or BeadingDaily.
Basic techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAge 15
Table of Contents presented by beadingdaily 3
5. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
Go back up through bead 6. Pick up bead 7, go under the next the wire to a 90° angle.
loop between beads 2 and 3 and back up through bead 7. Pick Grasp the tip of the wire
up bead 8, go through the loop between beads 1 and 2, and and rotate the pliers so the
back up through bead 8. wire rolls back on itself,
creating a nice round loop.
Push all the components
snugly next to each other.
For the other end of your
bracelet, grasp the wire
Pick up beads 9 and 10, go under the loop between beads 8
just above the spacer bead
and 7, and go back up through bead 10.
and bend it to a 90° angle.
Trim the bent section to
1
⁄2" (if necessary) then create a simple loop as before.
5: Using your hands (go slowly), gradually bend the tube
into an oval shape to fit around your wrist. Lay this part
aside. Focal point beads.
Notice how each time you “step up” to a new row you pick up 6: Using the remaining 6" of wire, begin a wrapped loop at one
2 beads. This creates an in-out pattern along the sides of your end. See basic techniques on page 14 for Basic Wire Wrap. Be
strip. Continue brick stitching rows until you reach the length sure to attach the simple loop on your beaded tube (created in
you have calculated (8" for mine). Step 4) before you complete the wire wrap in this step.
3: When you’re done, fold the strip 7: Slide the following embellishment beads onto the wire,
lengthwise so that the 2 long sides next to your wrapped loop: 9mm spacer, 1 accent bead,
come together like a zipper. See 9mm spacer, the focal bead, 9mm spacer, 1 accent bead,
how the in out pattern fits together? and 9mm spacer.
Connect the 2 sides by weaving back 8: Begin another wrapped loop on the end, being sure to
and forth, passing through the beads connect simple loop from the beaded tube before you complete
that extend out from each side. Pass the wrap in this step. Trim the excess wire. To finish your
through the first and last beads you wrapped loops, gently squeeze the cut ends into the coil to
connect in this row several times to eliminate any rough edges. If you like, use jump rings to hang
reinforce the edges. Weave the thread one or two charms from the loops for added embellishment.
back into your work, zigzagging about
1" to secure it. Trim ends. Dottie Hoeschen began her artistic life as a painter but
4: Cut a 14" length of wire and then slide it carefully has been beading almost exclusively for the last six years.
through the tube you have created. Slide a 5mm spacer She finds beading is not unlike small sculpture! Dottie
bead onto each side of the wire. Using round nose pliers, lives in Pennsylvania where she works and teaches at My
grasp one of the wire ends about 1⁄2" from the tip. Bend Father’s Beads.
Round About Dottie Hoeschen presented by beadingdaily 5
7. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
getting started Continue stitching 1 bead at a time, sewing under the thread
1: Create a ladder stitch foundation row 23 beads across in loop and exiting up through the bead just picked up.
color A. Push the beads into place with your fingers so the holes
are vertical. Pull each stitch firmly. The beads sit straighter when
you add more rows. End with your needle exiting up through an
end bead. Work your piece from bottom to top.
3: Stitch 4 rows, increasing at both ends of each row to form
the bottom corners of the dog tags. To increase by 1 bead at
the end of a row, pick up 1 bead and sew under the last thread
bridge of the previous row again, sharing this loop with the
previous bead added. Exit up through the new bead. Repeat
increasing Steps 2 and 3 for a total of 4 rows.
2: Always pick up 2 beads to start a new row in brick stitch.
Pick up 2 beads, then stitch under the thread loop that bridges
between the first 2 beads in the previous row, and exit up
through the second new bead you just picked up. One of your
new beads will extend a little beyond the end bead below.
What’s Your Sign Leslie Rogalski presented by beadingdaily 7
8. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
Tip: Watch for your color change where the pattern symbol 6: Continue sewing across the row 1 bead at a time. Remember
begins in the second or third rows, depending on which to end the new row at a decrease on the other side.
symbol you create. (Color change is not accurately shown
in our illustration.) The increases form the bottom curved
corners of the dogtag shape.
4: After the 4 increased rows, the dog tag sides are parallel for
12 more rows, for a total of 16 rows. The sides should look
somewhat like zipper teeth, as every other row will have both
ends of the row show an increase or a decrease. Your 16th row 7: To end the thread and add new thread: With about 6" left in
will show “out” beads at the end. your working thread, make a figure eight by weaving diagonally
down back into 3 beads in the piece, across to an adjacent bead,
Decreasing then up through 3 other beads on a diagonal so your thread
5: The 17th row is the first decreased row for the top rounded paths cross each other. Before trimming your tail, note from
corners. Pick up 2 beads to begin the new decreased row. Sew which bead the tail exits—this is where your new thread should
through the second thread loop in the previous row and exit the exit to continue. Trim the tail. Start a new thread in a similar
second bead you just added figure eight to secure your tail. Continue stitching.
8: To make the bead bail loop, determine the top end of the
dog tag so the symbol hangs correctly. Using a new 12" piece
of thread, sew through the space between the middle beads,
between rows 2 and 3, leaving a 6" tail. String 15A beads. Sew
around through the dog tag and through the loop of beads 2–3
times. Weave the working thread and tail securely back into the
beadwork as in Step 6. Trim. Wear on cord of choice! F
What’s Your Sign Leslie Rogalski presented by beadingdaily 8
10. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
getting started Round 6: Use size 11° seed beads with pin back feels wobbly, weave through
1: Foundation. Use 6' of thread to string 12 increases (40 total). the beads again to reinforce. F
the 10mm crystal, leaving a 6" tail. Pass Round 7: Use size 11° seed beads with 4
through the crystal again, wrapping the increases (44 total). Beadwork artist and writer Tina Koyama
thread along the side of the crystal; repeat, Round 8: Use size 11° cylinder hex beads teaches at Fusion Beads in Seattle, Wash-
wrapping the thread along the opposite with 15 increases (59 total). ington. View Tina’s work at www.tina
side of the crystal. Pass through twice Round 9: Use size 8° hex beads with 15 koyama.com.
more so that two strands of thread are on decreases (44 total).
each side of the crystal. Pull tight and tie RESOURCES
a half hitch knot to stabilize the threads 3: Crystal picots. Tie a knot to secure the Check with your local bead shop or contact:
around the crystal (Figure 1). thread, then exit the top of a hex bead in All beads: Fusion Beads, (888) 781-3559,
the last round. *String 1 size 11° seed bead, www.fusionbeads.com.
one 4mm bicone, and 3 size 15°s. Snug the
beads close to the work, then pass back
through the crystal. String 1 size 11° seed
bead and pass down through the next hex
bead. Pass up through the following hex
bead and repeat from *, alternating 6mm
and 4mm bicones. Tie a knot to secure the
thread, then pass back through the beads
to exit the sixth round.
Figure 1
4: Pin back. Open the pin and center
2: Brick stitch. Work brick stitch around it on the back of the work above the
the crystal, anchoring the first round to center crystal. Weave through the beads
the foundation thread, and switching bead to exit near a hole at one end of the pin Increasing and Decreasing
size for each round. back. String 3 size 11° seed beads and
pass through the pin and to the right You will need to work a different number
Round 1: String 2 size 11° cylinder beads
side of the beadwork. Pass through 1 of beads in each round to maintain a flat
and pass under the foundation thread
and back through the last bead strung. or 2 beads and to the back of the work circle; where you place each increase or
String 1 size 11° cylinder and pass under to exit the opposite side of the same decrease is not important as long as you
the thread and back through the bead pinhole. String 3 size 11° seed beads spread them around the circumference
just strung; repeat all around for a total and pass through the same pinhole to fairly evenly. For example, if you know you
of 19 beads. Step up at the end of each the front of the work (Figure 2). Repeat will need to increase the round by four
round by passing down through the first beads, you can place each increase about
bead and up through the last bead. one-quarter of the way around. Bead
Round 2: String 2 size 11° seed beads; counts are provided for this project; to fig-
*pass under the loop between the next ure your own counts for different beads,
2 beads of the previous round and back try counting the number of beads worked
through the last bead just strung. String
and the number of loops of thread remain-
1 size 11° seed bead and repeat from
ing to plan placement of the remaining
* around, working 1 increase halfway
around the circle (20 beads total). increases or decreases. With experience,
Round 3: Use size 11° cylinder hex beads you will know an increase is needed when
with 11 increases (31 total). Figure 2 the loop of thread for the next stitch seems
Round 4: Use size 11° seed beads with 1 longer than the others (or shorter, indicat-
decrease (30 total). to secure each hole of the pin back, ing the need for a decrease).
Round 5: Use size 8° hex beads with 2 passing through beads as needed to
decreases (28 total). avoid exposing any bare thread. If the
Crystal Radiance Brooch Tina Koyama presented by beadingdaily 10
12. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
2: Oval left side. Work the ovals with square stitch and dark 4: Connecting. Hold one corner of a square centered over 3
topaz beads (Figure 2). Because decreases are easier to work rows at one end of an oval. Pass through beads of both pieces
than increases, each oval is worked in two sections, beginning several times to secure, then trim (Figure 3). Stitch another
with one of the widest rows as follows: square to the other end of the oval in the same manner.
Repeat to connect each piece into a strip, placing the squares
4 on top of the ovals.
3
2
1
5 a
6
7
8
9
10
11
12
Figure 2
Row 1: Use 4' of thread to string 1 bead and pass through Figure 3
it again to form a tension bead, leaving a 4" tail. String 15 5: Snap. Sew one half of the snap on top of the last oval, and
beads. the other half of the snap on the bottom of the first square, so
Row 2: Work 15 beads. To prepare for a 1-bead decrease at that they mimic the stitched pieces when snapped together.
the beginning of the next row, pass through 2 beads of the
previous row and the second-to-last bead of this row. 6: Rope. Use 4' of thread and black beads to ladder-stitch 4
Row 3: Work 13 beads. beads, leaving an 8" tail. Pass through the first and last beads
Row 4: Work 11 beads. to form a foundation ring for tubular brick stitch. Work
Row 5: Pass back through the preceding rows to exit the first 4 beads in each round for about 71⁄2". Attach one half of the clasp,
row. Work 6 beads. passing through the beads and clasp several times to reinforce.
Rows 6–10: Work 5 beads. Weave the rope through the squares and ovals to check the
Rows 11–12: Work 6 beads. To make a 1-bead increase at the length of the rope, then use the tail thread to attach the other
end of a row, string 3 beads, pass through the last stitched half of the clasp so that the clasp is hidden under the snap. F
bead and the 3 beads just strung; the last 2 beads become
the first 2 beads of the new row. Nancy Zellers is very fond of the Art Deco era and its decorative
arts. She has designed several pieces in that style. You can contact
3: Oval right side. Secure a new thread that exits from the her at nzbeads@aol.com or visit her website, www.nzbeads.com.
right side of the first row (Figure 2a). Work the right side of
the oval, increasing and adding bridge beads to connect with RESOURCES
the left side, then decreasing the final 2 rows. Weave the tail Check your local bead shop or contact: Cylinder and seed beads: Caravan
threads back through each side of the oval to reinforce; secure Beads, (800) 230-8941, www.caravanbeads.com. Clasp: Fire Mountain
the thread and trim. Gems and Beads, (800) 355-2137, www.firemountaingems .com. Snap:
Repeat from Step 2 for a total of 5 ovals. Jo-Ann, www.joann.com.
Deco Deluxe Nancy Zellers presented by beadingdaily 12
14. Beading Patterns from beadingdaily: 5 free brick stitch beading projects
getting started Row 2: Work three 3-stack brick the adjacent petal that lines up with the
1: Flower center. Use 7' of conditioned stitches. other attached petals. Weave through
thread to string 1 amethyst round, leav- Row 3: Work two 3-stack brick stitches. the beads several times to reinforce.
ing a 12" tail. Pass through the round two Petal tip: String 1A and pass down Carefully attach a jump ring to the size
more times. Arrange the outside threads through the opposite stack, weaving 6° (Figure 7). Attach 1 split ring to the
so they are on opposite sides of the round. through the base-round beads to posi- jump ring. Repeat entire step at the
Repeat several more times to make a tion for the next petal (Figure 5). other end of the choker.
strong base on each side of the round.
Round 1: String 2B and pass under the
thread base near the hole. Pass up
through the second bead just strung
(Figure 1). Use B to continue working
circular brick stitch around the base
for a total of 14B. Work the last stitch
by weaving the last and first beads
together (Figure 2). Figure 7
Round 2: Work around using A: Start
Attach the clasp to 1 split ring and the
Figure 5
chain to the other.
Use the head pin to string 1B and 1
Repeat entire step around the flower amethyst round. Form a wrapped loop.
Figure 1 Figure 2 center for a total of 8 petals. Don’t cut Use 1 split ring to attach the dangle to
the working or tail threads. the free end of the chain (Figure 8). F
by working 1 increase. Work 2 regular Repeat Steps 1 and 2 for a total of 7 flow-
stitches, then work another increase ers (for a larger size, repeat for a total of
(Figure 3). Repeat around, working 8 flowers).
an increase on every third stitch for a
total of 19A. 3: Assembly. Line up the flowers in a
straight line so all the holes of the ame-
thyst rounds lie in the same direction.
Figure 8
Use the working and tail threads of the
Figure 3
flowers to ladder-stitch 2 adjacent petals
of one flower to the corresponding 2 pet- Kerrie Slade has been beading for about
Round 3: Repeat Round 2, skipping the last als of another flower (Figure 6). Repeat five years and sells her original designs at
stitch instead of the increase that would across to connect all the flowers in a craft fairs and galleries. Her work regularly
logically follow, for a total of 24A. straight line. Secure and trim all but the appears in several beading publications in
threads at the end of the choker. the United States and the United Kingdom.
2: Petals. Work the petals in flat brick Visit her website, www.kerrieslade.co.uk.
stitch:
Row 1: Use A to work 4 brick stitches, each RESOURCES
stitch stacked 3 beads high (Figure 4). Check your local bead shop or contact: Simi-
lar seed beads and amethyst rounds: Fire
Mountain Gems and Beads, (800) 355-2137,
www.firemountaingems.com.
Figure 6
4: Clasp. Use the thread at one end of
the choker to string 4A, 1 size 6°, and
Figure 4 4A. Pass through the 1A at the tip of
Periwinkle Choker Kerrie Slade presented by beadingdaily 14