This 3 sentence summary provides the high level information from the document:
Gian Lorenzo Bernini was an Italian artist who lived from 1598 to 1680. This document presents a selection of art by Gian Lorenzo Bernini. The images in this presentation can be used for purposes like teaching, study, and scholarly publications under ARTstor's Terms and Conditions of Use and Images for Academic Publishing initiative.
Bernini created a work of architecture for the Jesuits that gave him deep gratification and consolation when he sought respite from his labors. The architecture represented free will and grace, two important concepts in Jesuit theology. Bernini found personal meaning and satisfaction in creating a work that visually depicted these theological ideas.
Caravaggio's artworks are presented and available for teaching, study, and scholarly publications under ARTstor's Terms and Conditions of Use and Images for Academic Publishing initiative, which permit uses such as inclusion in academic publications.
Gianlorenzo Bernini was an Italian artist who worked primarily in Rome. He received his first major commission at age 25 from Pope Paul V and went on to receive over 30 commissions from Pope Urban VIII. Bernini's most famous works include his designs for St. Peter's Basilica such as the baldachin and piazza. He established the Baroque style of sculptural drama and illumination in works like the Ecstasy of Saint Teresa.
This document provides information about an art history course on Gian Lorenzo Bernini taught in the spring of 2011. It lists the instructor, Fr. Gregory Waldrop, SJ, and includes a self-portrait of Bernini. The syllabus is available in hard copy. The next class will introduce the Baroque period and discuss a chapter on the question of style, with student reporters, respondents, and questions to follow the instructor's concluding remarks.
This document provides instructions for writing a response paper analyzing Gian Lorenzo Bernini's sculpture "Apollo and Daphne". It asks the student to:
1) Formally analyze the observable properties and artistic elements of the sculpture.
2) Interpret the sculpture by researching its historical context, meaning, Bernini's artistic choices, and scholarly reception when it was created.
3) Cite sources in APA or MLA format, write at least 500 words single spaced, and submit as a Word or rtf attachment. The paper will be graded on content, readability and style, and mechanics.
Glenaldo Gregorio Pena has worked as a district advisor for the Contra Costa County Office of Education, where he has helped streamline the financial records of 16 school districts. When he is not saving schools time and money, Glenaldo G. "Glenn" Pena enjoys traveling and sightseeing, and has traveled to Rome, Italy.
Este documento proporciona información sobre la vida y obra del escultor barroco italiano Gian Lorenzo Bernini. Nació en Nápoles en 1598 y se trasladó a Roma bajo el amparo del cardenal Scipione Borghese, sobrino del papa Pablo V. Bernini destacó por su perfección técnica en el mármol y por fusionar este material con el bronce. Sus esculturas se caracterizaron por capturar el movimiento y transmitir sentimientos dramáticos. Algunas de sus obras más famosas fueron el Rap
Francesco Borromini was an Italian architect active in Rome in the 17th century and a leading figure in Roman Baroque architecture. Some of his most famous works include San Carlo alle Quattro Fontane, Sant'Agnese in Agone, and Sant'Ivo alla Sapienza. Borromini's architecture adapted classical elements to a more innovative style characterized by organic curved lines and a complicated interplay of geometric forms, with his facades and bell towers taking shape from repeating geometric patterns.
Bernini created a work of architecture for the Jesuits that gave him deep gratification and consolation when he sought respite from his labors. The architecture represented free will and grace, two important concepts in Jesuit theology. Bernini found personal meaning and satisfaction in creating a work that visually depicted these theological ideas.
Caravaggio's artworks are presented and available for teaching, study, and scholarly publications under ARTstor's Terms and Conditions of Use and Images for Academic Publishing initiative, which permit uses such as inclusion in academic publications.
Gianlorenzo Bernini was an Italian artist who worked primarily in Rome. He received his first major commission at age 25 from Pope Paul V and went on to receive over 30 commissions from Pope Urban VIII. Bernini's most famous works include his designs for St. Peter's Basilica such as the baldachin and piazza. He established the Baroque style of sculptural drama and illumination in works like the Ecstasy of Saint Teresa.
This document provides information about an art history course on Gian Lorenzo Bernini taught in the spring of 2011. It lists the instructor, Fr. Gregory Waldrop, SJ, and includes a self-portrait of Bernini. The syllabus is available in hard copy. The next class will introduce the Baroque period and discuss a chapter on the question of style, with student reporters, respondents, and questions to follow the instructor's concluding remarks.
This document provides instructions for writing a response paper analyzing Gian Lorenzo Bernini's sculpture "Apollo and Daphne". It asks the student to:
1) Formally analyze the observable properties and artistic elements of the sculpture.
2) Interpret the sculpture by researching its historical context, meaning, Bernini's artistic choices, and scholarly reception when it was created.
3) Cite sources in APA or MLA format, write at least 500 words single spaced, and submit as a Word or rtf attachment. The paper will be graded on content, readability and style, and mechanics.
Glenaldo Gregorio Pena has worked as a district advisor for the Contra Costa County Office of Education, where he has helped streamline the financial records of 16 school districts. When he is not saving schools time and money, Glenaldo G. "Glenn" Pena enjoys traveling and sightseeing, and has traveled to Rome, Italy.
Este documento proporciona información sobre la vida y obra del escultor barroco italiano Gian Lorenzo Bernini. Nació en Nápoles en 1598 y se trasladó a Roma bajo el amparo del cardenal Scipione Borghese, sobrino del papa Pablo V. Bernini destacó por su perfección técnica en el mármol y por fusionar este material con el bronce. Sus esculturas se caracterizaron por capturar el movimiento y transmitir sentimientos dramáticos. Algunas de sus obras más famosas fueron el Rap
Francesco Borromini was an Italian architect active in Rome in the 17th century and a leading figure in Roman Baroque architecture. Some of his most famous works include San Carlo alle Quattro Fontane, Sant'Agnese in Agone, and Sant'Ivo alla Sapienza. Borromini's architecture adapted classical elements to a more innovative style characterized by organic curved lines and a complicated interplay of geometric forms, with his facades and bell towers taking shape from repeating geometric patterns.
Bernini was an influential 17th century Italian artist and architect known for creating sculptures like Apollo and Daphne and The Ecstasy of Saint Teresa. He worked principally in Rome and was a leading sculptor of the Baroque period, credited with developing the Baroque style. In addition to sculpture, Bernini also painted, wrote plays, and designed metalwork, stage sets, and architectural structures like the Scala Regia.
Gian Lorenzo Bernini fue un destacado escultor, arquitecto y pintor italiano del siglo XVII conocido por su habilidad para crear escenas narrativas dramáticas en sus esculturas. Nació en Nápoles en 1598 y se trasladó a Roma donde vivió y trabajó bajo el patrocinio de varios papas, realizando numerosas obras arquitectónicas y escultóricas. Bernini gozó de gran fama durante su vida y fue considerado el sucesor de Miguel Ángel, aunque tuvo
Este documento resume las diferencias entre la escultura de David de Miguel Ángel del siglo XVI y la escultura de David de Bernini del siglo XVII. Si bien ambas representan el mismo tema bíblico de David frente a Goliat, difieren en su estilo, enfoque y época: mientras Miguel Ángel representa un David sereno e idealizado propio del Renacimiento, Bernini muestra un David más dinámico y emocional acorde con el dramatismo barroco.
ARCHINT: Baroque Period (Interior Design + Furniture Design)ArchiEducPH
The document provides an overview of Baroque architecture and art from the 17th-18th centuries. It describes the Baroque style as elaborate with dramatic effects that appealed to the senses. Key characteristics included bright colors, naturalistic rather than idealized forms, and designs that heightened spirituality through emotion. Examples are given of Baroque interior design elements and color schemes. Furniture from France, Italy, and England during this period featured ornate carvings, gilding, and intricate inlays.
This document provides an overview of Baroque architecture, painting, and sculpture. It notes that Baroque architecture featured curved lines on columns, light effects, and rich ornamentation and materials. The paintings of this period were characterized by realism, a sense of movement and energy, and a depiction of strong emotions across a variety of subjects. Sculpture emphasized realism, intense feelings, movement, energy, and the effects of light. Key artists mentioned include Bernini, Borromini, Mansart, Wren, Caravaggio, Rembrandt, Rubens, Velazquez, Ribera, Zurbaran, and Murillo.
Cameras, iPads, and Apps, Oh My: Using Technology in Research and Archival W...Jaleh Fazelian
This document discusses using technology like cameras, iPads, and apps to aid in research and archival work. It presents an agenda covering workflow, demonstrating mobile apps, discussing camera use in archives, and tools for organizing information. The presentation then demonstrates scanning apps, provides photography tips, and allows hands-on use of apps like Evernote, Zotero, Devonthink, Exif Editor, FastStone ImageViewer, Corkulous, and others. It concludes with questions and contact information for the presenters.
This document discusses several topics related to digital humanities pedagogy:
1) Even when not the primary goal, DH or technology-assisted projects in instructional settings can encourage student engagement, ownership of content, peer teaching, and learning about documentation and context.
2) Ongoing DH projects are well-suited for incorporating students and giving them responsibilities to real audiences, as seen in examples of digital editions projects.
3) Combining content/theory and making/DH in one course is challenging, with approaches including dedicating different sessions to each or adding lab components; support is needed.
4) The DH field is not equal, as the digital divide and uneven digitization across languages are issues
This document discusses strategies for using various social media platforms for marketing purposes. It begins by focusing on using Twitter to build relationships and share useful content while emphasizing hashtags and timing of posts. Next, it explores how to reach the 500 million Facebook users by defining target audiences and goals and creating fresh, engaging content. Finally, it summarizes other platforms like Pinterest, Instagram, Vine and Foursquare, providing tips for using content and images to market a university library's services in an inspirational, local way. Key recommendations include developing a social media plan, considering the target audience, and dedicating 30 minutes a day to social media marketing.
This document provides information about various smartphone photography apps including Twitter, Instagram, Vine, Animoto, Pocketbooth, and Streamzoo. It discusses features of each app such as maximum video length, sharing capabilities, and availability on iPhone and Android platforms. Brief descriptions of each app are given. The document also provides contact information for questions.
This document provides information on how to take better photos with a smartphone. It discusses smartphone camera capabilities and compares them to digital cameras. It provides tips for smartphone photography such as changing angles, using the rule of thirds, and playing with the HDR option. It also discusses apps like Twitter, Streamzoo, Snapseed, and others that allow instant sharing of photos taken with a smartphone. The document aims to show how smartphones can replace stand-alone cameras for casual photo needs and sharing due to their convenience and built-in sharing abilities.
This document discusses strategies for taking better photos with smartphones. It provides tips on camera positioning, lighting, editing apps, and sharing photos on social media platforms like Instagram and Twitter. Examples are given of photos taken with smartphones that went viral after being shared online.
The document discusses how Twitter has been used to organize and spread awareness of social movements. It provides examples of movements that utilized hashtags like #IranElection, #OccupyWallStreet, and #FreePussyRiot. Twitter allows for real-time sharing of information which has helped publicize causes and apply social accountability. Hashtags and retweeting have helped spread awareness of issues and empowered individuals to champion causes.
The document announces four Twitter classes being offered by the libraries in the fall semester. Twitter 101 on September 20th will cover the basics of using Twitter. Twitter 201 on September 27th will discuss Twitter's role in social movements. Another Twitter 201 class on October 18th will focus on photo sharing through Twitter. The final Twitter 201 class on November 29th will explore how to use Twitter for professional networking. All classes will be held in the Olin Library Arc and registration can be done through the provided link.
This document discusses how Twitter has been used in social movements to organize, raise awareness, and spread information. Key aspects covered include common Twitter terminology like hashtags and retweets, examples of social movements that utilized Twitter like the Arab Spring and Iran's 2009 election protests, and how censorship and mobile access have impacted Twitter's role in social activism. The power of viral hashtags to trend topics and spread messages globally is also examined.
This document provides an overview of key Twitter terminology and functions:
- A tweet is an individual message that can be up to 140 characters. Users can follow other accounts to receive their tweets and be followed to have their tweets seen.
- URLs are automatically shortened in tweets. Direct messages allow for private communication between users who follow each other. Retweets spread messages across Twitter by reposting tweets with credit to the original user.
- Hashtags group tweets by topic and allow tweets with the same hashtag to be searched. Trending topics show the most discussed terms on Twitter at a given time. Lists help users organize the accounts they follow based on topics or interests.
This document provides an overview of Twitter and how it can be used. It discusses the history and growth of Twitter, common Twitter terminology like tweets and hashtags, and how Twitter can be used for current awareness, teaching, and scholarly communities. Suggested uses include assigning students to summarize class discussions, track word usage, follow professionals in their field, and recreate historical events through Twitter accounts. Questions are welcomed about Twitter and additional resources are provided.
The document provides historical context on the war in Afghanistan, discussing key events from the Soviet invasion in 1979 to the rise of the Taliban in the 1990s and their takeover of Kabul in 1996 with Pakistani support. It then analyzes wider geopolitical implications, including concerns over instability in Central Asia, the Gulf, the Indian Ocean region, and the strategic interests and rivalries of major powers like China, India, Russia, Iran and Pakistan in gaining access to the region's oil and gas resources.
SlideShare is a website that allows users to upload and share presentations and documents. Users can embed slideshows on their blogs or websites, share files publicly or privately, and add audio to synchronize with slides. Others can find thousands of presentations on SlideShare to learn from or reuse in their own work by signing up for a free account, uploading files, and publishing slides to get an embeddable URL.
Bernini was an influential 17th century Italian artist and architect known for creating sculptures like Apollo and Daphne and The Ecstasy of Saint Teresa. He worked principally in Rome and was a leading sculptor of the Baroque period, credited with developing the Baroque style. In addition to sculpture, Bernini also painted, wrote plays, and designed metalwork, stage sets, and architectural structures like the Scala Regia.
Gian Lorenzo Bernini fue un destacado escultor, arquitecto y pintor italiano del siglo XVII conocido por su habilidad para crear escenas narrativas dramáticas en sus esculturas. Nació en Nápoles en 1598 y se trasladó a Roma donde vivió y trabajó bajo el patrocinio de varios papas, realizando numerosas obras arquitectónicas y escultóricas. Bernini gozó de gran fama durante su vida y fue considerado el sucesor de Miguel Ángel, aunque tuvo
Este documento resume las diferencias entre la escultura de David de Miguel Ángel del siglo XVI y la escultura de David de Bernini del siglo XVII. Si bien ambas representan el mismo tema bíblico de David frente a Goliat, difieren en su estilo, enfoque y época: mientras Miguel Ángel representa un David sereno e idealizado propio del Renacimiento, Bernini muestra un David más dinámico y emocional acorde con el dramatismo barroco.
ARCHINT: Baroque Period (Interior Design + Furniture Design)ArchiEducPH
The document provides an overview of Baroque architecture and art from the 17th-18th centuries. It describes the Baroque style as elaborate with dramatic effects that appealed to the senses. Key characteristics included bright colors, naturalistic rather than idealized forms, and designs that heightened spirituality through emotion. Examples are given of Baroque interior design elements and color schemes. Furniture from France, Italy, and England during this period featured ornate carvings, gilding, and intricate inlays.
This document provides an overview of Baroque architecture, painting, and sculpture. It notes that Baroque architecture featured curved lines on columns, light effects, and rich ornamentation and materials. The paintings of this period were characterized by realism, a sense of movement and energy, and a depiction of strong emotions across a variety of subjects. Sculpture emphasized realism, intense feelings, movement, energy, and the effects of light. Key artists mentioned include Bernini, Borromini, Mansart, Wren, Caravaggio, Rembrandt, Rubens, Velazquez, Ribera, Zurbaran, and Murillo.
Cameras, iPads, and Apps, Oh My: Using Technology in Research and Archival W...Jaleh Fazelian
This document discusses using technology like cameras, iPads, and apps to aid in research and archival work. It presents an agenda covering workflow, demonstrating mobile apps, discussing camera use in archives, and tools for organizing information. The presentation then demonstrates scanning apps, provides photography tips, and allows hands-on use of apps like Evernote, Zotero, Devonthink, Exif Editor, FastStone ImageViewer, Corkulous, and others. It concludes with questions and contact information for the presenters.
This document discusses several topics related to digital humanities pedagogy:
1) Even when not the primary goal, DH or technology-assisted projects in instructional settings can encourage student engagement, ownership of content, peer teaching, and learning about documentation and context.
2) Ongoing DH projects are well-suited for incorporating students and giving them responsibilities to real audiences, as seen in examples of digital editions projects.
3) Combining content/theory and making/DH in one course is challenging, with approaches including dedicating different sessions to each or adding lab components; support is needed.
4) The DH field is not equal, as the digital divide and uneven digitization across languages are issues
This document discusses strategies for using various social media platforms for marketing purposes. It begins by focusing on using Twitter to build relationships and share useful content while emphasizing hashtags and timing of posts. Next, it explores how to reach the 500 million Facebook users by defining target audiences and goals and creating fresh, engaging content. Finally, it summarizes other platforms like Pinterest, Instagram, Vine and Foursquare, providing tips for using content and images to market a university library's services in an inspirational, local way. Key recommendations include developing a social media plan, considering the target audience, and dedicating 30 minutes a day to social media marketing.
This document provides information about various smartphone photography apps including Twitter, Instagram, Vine, Animoto, Pocketbooth, and Streamzoo. It discusses features of each app such as maximum video length, sharing capabilities, and availability on iPhone and Android platforms. Brief descriptions of each app are given. The document also provides contact information for questions.
This document provides information on how to take better photos with a smartphone. It discusses smartphone camera capabilities and compares them to digital cameras. It provides tips for smartphone photography such as changing angles, using the rule of thirds, and playing with the HDR option. It also discusses apps like Twitter, Streamzoo, Snapseed, and others that allow instant sharing of photos taken with a smartphone. The document aims to show how smartphones can replace stand-alone cameras for casual photo needs and sharing due to their convenience and built-in sharing abilities.
This document discusses strategies for taking better photos with smartphones. It provides tips on camera positioning, lighting, editing apps, and sharing photos on social media platforms like Instagram and Twitter. Examples are given of photos taken with smartphones that went viral after being shared online.
The document discusses how Twitter has been used to organize and spread awareness of social movements. It provides examples of movements that utilized hashtags like #IranElection, #OccupyWallStreet, and #FreePussyRiot. Twitter allows for real-time sharing of information which has helped publicize causes and apply social accountability. Hashtags and retweeting have helped spread awareness of issues and empowered individuals to champion causes.
The document announces four Twitter classes being offered by the libraries in the fall semester. Twitter 101 on September 20th will cover the basics of using Twitter. Twitter 201 on September 27th will discuss Twitter's role in social movements. Another Twitter 201 class on October 18th will focus on photo sharing through Twitter. The final Twitter 201 class on November 29th will explore how to use Twitter for professional networking. All classes will be held in the Olin Library Arc and registration can be done through the provided link.
This document discusses how Twitter has been used in social movements to organize, raise awareness, and spread information. Key aspects covered include common Twitter terminology like hashtags and retweets, examples of social movements that utilized Twitter like the Arab Spring and Iran's 2009 election protests, and how censorship and mobile access have impacted Twitter's role in social activism. The power of viral hashtags to trend topics and spread messages globally is also examined.
This document provides an overview of key Twitter terminology and functions:
- A tweet is an individual message that can be up to 140 characters. Users can follow other accounts to receive their tweets and be followed to have their tweets seen.
- URLs are automatically shortened in tweets. Direct messages allow for private communication between users who follow each other. Retweets spread messages across Twitter by reposting tweets with credit to the original user.
- Hashtags group tweets by topic and allow tweets with the same hashtag to be searched. Trending topics show the most discussed terms on Twitter at a given time. Lists help users organize the accounts they follow based on topics or interests.
This document provides an overview of Twitter and how it can be used. It discusses the history and growth of Twitter, common Twitter terminology like tweets and hashtags, and how Twitter can be used for current awareness, teaching, and scholarly communities. Suggested uses include assigning students to summarize class discussions, track word usage, follow professionals in their field, and recreate historical events through Twitter accounts. Questions are welcomed about Twitter and additional resources are provided.
The document provides historical context on the war in Afghanistan, discussing key events from the Soviet invasion in 1979 to the rise of the Taliban in the 1990s and their takeover of Kabul in 1996 with Pakistani support. It then analyzes wider geopolitical implications, including concerns over instability in Central Asia, the Gulf, the Indian Ocean region, and the strategic interests and rivalries of major powers like China, India, Russia, Iran and Pakistan in gaining access to the region's oil and gas resources.
SlideShare is a website that allows users to upload and share presentations and documents. Users can embed slideshows on their blogs or websites, share files publicly or privately, and add audio to synchronize with slides. Others can find thousands of presentations on SlideShare to learn from or reuse in their own work by signing up for a free account, uploading files, and publishing slides to get an embeddable URL.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart Final Matka Satta Matta Matka 143 Kalyan Chart Satta fix Jodi Kalyan Final ank Matka Boss Satta 143 Matka 420 Golden Matka Final Satta Kalyan Penal Chart Dpboss 143 Guessing Kalyan Night Chart
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
1. A Selection of Art by Gian Lorenzo
Bernini (1598-1680)
All images in this presentation are available for uses permitted under
the ARTstor Terms and Conditions of Use, such as teaching and study,
as well as for scholarly publications, through the Images for Academic
Publishing (IAP) initiative.
Editor's Notes
Creator: Gian Lorenzo Bernini (1598-1680)
Title: Truth
Work Type: sculpture
Date: 1645
Description: inv. RF 1690
Repository: Musée du Louvre, Paris, France
Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)
ID Number: 40-11-25/64
Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES
Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini (1598-1680)
Title: Pope Paul V Borghese (r. 1605-1621)
Work Type: sculpture
Date: c. 1620
Material: bronze
Description: inv. Dep. 47
Repository: Statens Museum for Kunst, Copenhagen, Denmark
Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)
ID Number: 40-07-11/17
Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES
Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini (1598-1680)
Title: Bust of Pope Urban VIII (r. 1623-1644)
Work Type: sculpture
Date: c. 1640
Material: bronze
Description: ex coll. Louis XIV
Repository: Musée du Louvre, Paris, France
Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)
ID Number: 40-01-04/ 6
Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES
Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Ecstasy of Saint Theresa of Ávila
Date: 1645-1652
Location: Cornaro Chapel, S. Maria della Vittoria, Rome, Italy
Material: marble
Measurements: height of group 11' 6' (3.5 m)
Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)
ID Number: 40-07-11/16
Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES
Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini (1598-1680)
Title: Angel Carrying the Crown of Thorns
Work Type: sculpture
Date: c. 1667
Material: terracotta
Description: Bozzetto for a marble sculpture intended for the Ponte Sant'Angelo in Rome and now in the church of Sant'Andrea delle Fratte in Rome.
Repository: Musée du Louvre, Paris, France
Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)
ID Number: 40-08-13/55
Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES
Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: The Magdalene
Work Type: sculpture
Date: 1661-1663
Location: Duomo di Siena
Material: marble
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Angel with Crown of Thorns
Work Type: sculpture
Location: Sant'Andrea delle Fratte (Rome, Italy)
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: The Goat Amalthea with the Infant Jupiter and Faun
Work Type: sculpture
Date: c. 1609
Material: marble
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: David
Work Type: sculpture
Date: 1623-24
Material: white marble
Measurements: height: 170 cm
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
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Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Cardinal de Richelieu
Work Type: sculpture
Repository: Musée du Louvre
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Francesco I d'Este
Work Type: sculpture
Repository: Galleria estense di Modena
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Basilica di San Pietro in Vaticano; Saint Peter's Throne (Cathedra Petri)
Work Type: throne
Date: 1657-1666
Location: Basilica di San Pietro in Vaticano
Material: marble, stucco, red jasper, bronze and gilt bronze
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: St. Peter's Square; view from the dome of the Basilica
Work Type: architecture
Date: 1656-1667
Location: Rome
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Baldacchino, with view of Crossing of Saint Peter's
Work Type: sculpture
Date: 1624-33
Location: Basilica di San Pietro in Vaticano
Material: gilt bronze
Measurements: height: 28.5 m
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Self-Portrait
Work Type: painting
Date: c. 1635
Material: oil on canvas
Measurements: 62 x 46 cm
Repository: Galleria delgi Uffizi, Florence, Italy, Inv. 1890 n. 1692
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Fountain of the Rivers
Title: detail of figures at base
Work Type: sculpture
Date: 1648-1651
Location: Piazza Navona (Rome, Italy)
Material: marble
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Sant'Andrea al Quirinale, Facade
Work Type: architecture
Date: 1658-61
Location: Chiesa di S. Andrea al Quirinale (Rome, Italy)
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Angel with the Superscription 'I.N.R.I.'
Title: detail
Work Type: sculpture
Date: 1668-69
Location: Sant'Andrea delle Fratte, Rome, Italy
Material: marble
Measurements: over life-size
Description: created for the Ponte Sant'Angelo
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: St. Peter's Square
Title: view of St. Peter's Square looking toward St. Peter's Basilica
Work Type: architecture
Date: 1656-1667
Location: Vatican City
Description: Bernini was responsible for laying out the square and designing the statues above the colannades. The project was carried out during the papacy of Alexander VII.
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Truth Unveiled by Time
Work Type: sculpture
Date: 1647-1652
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Martyrdom of Saint Lawrence
Work Type: sculpture
Repository: Galleria degli Uffizi
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Portrait of a Young Man
Work Type: painting
Date: c. 1635
Material: oil on canvas
Measurements: 67.6 x 50.1 cm
Repository: Pinacoteca Vaticana, Vatican City (Inv. no. 2409)
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
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Creator: Gian Lorenzo Bernini
Title: Self Portrait as a Young Man
Work Type: painting
Date: c. 1623
Material: oil on canvas
Measurements: 39 x 31 cm
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Saint Viviana
Work Type: sculpture
Date: 1624-1626
Location: Santa Bibiana (Rome, Italy)
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
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Creator: Gian Lorenzo Bernini
Title: Fountain of the Rivers; Ganges
Work Type: fountain
Date: 1648-1651
Location: Piazza Navona (Rome, Italy)
Material: marble
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Aeneas, Anchises and Ascanius Leaving Troy
Work Type: sculpture
Date: 1618-1619
Material: marble
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Rape of Proserpine; three-quarters view from left
Work Type: sculpture
Date: 1621-1622
Material: marble
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini
Title: Apollo and Daphne; view from behind
Work Type: sculpture
Date: 1622-1624
Material: marble
Measurements: height: 2.43 m
Repository: Galleria Borghese
Collection: Italian and other European Art (Scala Archives)
Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Source: http://www.scalarchives.com
Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini and François Girardon
Title: Château de Versailles, Park, Equestrian Statue of Louis XIV as Marcus Curtius
Work Type: sculpture
Date: executed in Rome, 1671-74, arrived in Versailles 1685
Location: Versailles, France
Material: white marble
Description: Bernini's statue of Louis XIV was transformed into Marcus Curtius by Girardon in 1687.
Accession Number: INV 1850 n°9659
Collection: Réunion des Musées Nationaux (RMN)
Source: Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.
Source: http://www.artres.com/c/htm/Home.aspx
Rights: Contact information: Ryan Jensen, General Manager, Art Resource, 536 Broadway (5th floor), New York, N.Y. 10012; Tel No: (212) 505-8700; Fax: (212) 505-2653; Email: RJensen@artres.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini, Nocola Salvi, Guiseppe Pannini
Title: Trevi Fountain; overview
Date: 1762
Date: Image: 10/1/2011
Location: junction of three roads at terminus of the Acqu Vergine, Rome, Italy
Description: The custom of early Rome was to terminate aqueducts at a beautiful fountain. This was revived during the Renaissance when Pope Urban VIII in 1629 asked Bernini to sketch a possible fountain. A fountain was built but torn down and replaced by one designed by Nicola Salvi. Many of Bernini's touches remain. This exuberant fountain is perhaps one of the most famous in the world with a spectacular backdrop of the Palazzo Poli.
Collection: Contemporary Architecture, Urban Design and Public Art (ART on FILE Collection)
ID Number: OLDROME-15-11
Source: Image and original data provided by ART on FILE, www.artonfile.com
Rights: For more information, please contact: Rob Wilkinson, President, ART on FILE, 1837 East Shelby Street, Seattle, WA 98112, 206-300-0702 (phone), 206-322-2560 (fax), rob@artonfile.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Gian Lorenzo Bernini, Nocola Salvi, Guiseppe Pannini
Title: Trevi Fountain; overview with light standard
Date: 1762
Date: Image: 10/1/2011
Location: junction of three roads at terminus of the Acqu Vergine, Rome, Italy
Description: The custom of early Rome was to terminate aqueducts at a beautiful fountain. This was revived during the Renaissance when Pope Urban VIII in 1629 asked Bernini to sketch a possible fountain. A fountain was built but torn down and replaced by one designed by Nicola Salvi. Many of Bernini's touches remain. This exuberant fountain is perhaps one of the most famous in the world with a spectacular backdrop of the Palazzo Poli.
Collection: Contemporary Architecture, Urban Design and Public Art (ART on FILE Collection)
ID Number: OLDROME-15-19
Source: Image and original data provided by ART on FILE, www.artonfile.com
Rights: For more information, please contact: Rob Wilkinson, President, ART on FILE, 1837 East Shelby Street, Seattle, WA 98112, 206-300-0702 (phone), 206-322-2560 (fax), rob@artonfile.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Obelisk commissioned by Emperor Domitian; Fountain commissioned by Pope Innocent X and created by Gian Loernzo Bernini
Title: Piazza Navona - Fountain of the Four Rivers topped by the Obelisk of Domitian
Date: Obelisk created in the 1st century AD, after 80 AD; moved by Maxentius in 309 AD; repaired in 1648 and erected on the fountain in 1649; fountain created from 1648 to 1651; erected in 1651; restored from 2006 to 2008
Location: Rome, Italy
Style Period: Obelisk is from the Roman period, in Egyptian style; fountain is Baroque
Description: The Fountain of the Four Rivers (Fontana dei Quattro Fiumi) in Piazza Navona is the work of Gian Lorenzo Bernini. It was created from 1648 to 1651, and was erected in 1651 in front of the Church of Sant'Agnese in Agone. The four gods in the corners represent the four major rivers of the world, known at the time: Nile, Danube, Ganges and Rio de la Plata. The obelisk was erected by Domitian after the fire of 80 AD, and most likely it decorated the Serapeum in Campus Martius. In 309 AD Maxentius moved the obelisk to his circus. The fountain was meant to celebrate the glory of Pope Innocent X (1644-55), whose family crest - a dove holding an olive branch - decorates the top of the obelisk.
Collection: Sites and Photos
ID Number: R40180689
Source: Image and original data provided by Shmuel Magal, Sites and Photos
Source: http://www.sites-and-photos.com
Rights: For uses beyond the ARTstor Terms and Conditions of Use, please contact Samuel Magal, Owner and Head Photographer at Samuel@sites-and-photos.com or Ronit Marco, Content Manager, at ronit@sites-and-photos.com; Website: www.sites-and-photos.com; Address: 84 Goshen Blvd. Kiryat Motzkin 26301 Israel; Tel. +972 4 6904 503; Fax +972 4 6904 855; Cell. +972 544 799 642
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Obelisk commissioned by Emperor Domitian; Fountain commissioned by Pope Innocent X and created by Gian Loernzo Bernini
Title: Piazza Navona - Fountain of the Four Rivers topped by the Obelisk of Domitian
Date: Obelisk created in the 1st century AD, after 80 AD; moved by Maxentius in 309 AD; repaired in 1648 and erected on the fountain in 1649; fountain created from 1648 to 1651; erected in 1651; restored from 2006 to 2008
Location: Rome, Italy
Style Period: Obelisk is from the Roman period, in Egyptian style; fountain is Baroque
Description: The Fountain of the Four Rivers (Fontana dei Quattro Fiumi) in Piazza Navona is the work of Gian Lorenzo Bernini. It was created from 1648 to 1651, and was erected in 1651 in front of the Church of Sant'Agnese in Agone. The four gods in the corners represent the four major rivers of the world, known at the time: Nile, Danube, Ganges and Rio de la Plata. The obelisk was erected by Domitian after the fire of 80 AD, and most likely it decorated the Serapeum in Campus Martius. In 309 AD Maxentius moved the obelisk to his circus. The fountain was meant to celebrate the glory of Pope Innocent X (1644-55), whose family crest - a dove holding an olive branch - decorates the top of the obelisk.
Collection: Sites and Photos
ID Number: R40180687
Source: Image and original data provided by Shmuel Magal, Sites and Photos
Source: http://www.sitesandphotos.com
Rights: Contact information: Shmuel Magal, Photographer/archaeologist, Manot 54, Doar-Na-Misgav 20184, ISRAEL; Tel.: 972-52-5261666; Fax: 972-4-998316;
shmulik@sitesandphotos.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.