The document discusses Johann Sebastian Bach's classical and baroque compositional styles, particularly his skill in melody and part writing, mixing harmony and counterpoint. It also examines three different performances of Bach's Suite No. 3 in C Major, BWV 1009, noting the performers, tempos between 126-172 BPM, and use of dynamics and expression.

1. AURAL SKILLS:
RESONATION RENOVATION
BY: JAKE Z. ANDERSON

2. JOHANN SEBASTIAN BACH:
MELODY/PART WRITING
UTILIZED CLASSICAL/BAROQUE WRITING STYLES
BASS LINE/FIGURED BASS
MOST FAMOUS FOR MELODIC CONSTRUCTION

3. JOHANN SEBASTIAN BACH:
HARMONY
MIXED WITH HARMONY AND COUNTERPOINT
ARTICULATION WITH HARMONIC PROGRESSION
EXPERIMENTED WITH ALL HARMONIC POSSIBILITIES

4. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: ROSTROPOVICH
BETWEEN 140 AND 160 B.P.M. (ALLEGRO)
DYNAMICS
EXPRESSION

5. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: CHIARA MASSINI
BETWEEN 126 AND 132 B.P.M. (ALLEGRO)
DYNAMICS
EXPRESSION

6. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: PAUL GILBERT
BETWEEN 169 AND 172 (PRESTO)
DYNAMICS
EXPRESSION