Atomos Range Brochure

1© 2016 Atomos Global | atomos.com
April 2016

2 3Atomos © 2016 Atomos Global | atomos.com
CONTENTS
03 Introduction
04 What We Do – Rec / Play / Mon / Edit
10 Field Monitor-Recorders
12 Inferno
14 Flame Series
16 Blade Series
18 Ninja Recorders
20 Power Station
22 Calibration
23 HDMI Cables
24 Broadcast & Pro AV
26 Shogun Studio
28 Ronin
30 Converters
32 Accessories / CFast / Warranty / Education
34 Specifications
Credit: Abandon Visuals
HDR is here. We’re determined
to open it up to everyone.
At Atomos we’re proud of our track record at
breaking open cutting edge technology to
filmmakers of all walks of life. Whether it was the
changeover from MPEG to ProRes or the upgrade
to 4K, we focus on helping creative professionals
grasp the latest technology at a faster rate and
at a lower cost. This lets you not only create
more powerful stories but through greater
efficiencies deliver more profit for your business.
This year we’ve focused on ensuring the exciting
breakthrough that is HDR becomes part of every
filmmakers arsenal by making it easier to use and
available at a range of price points. Read on to
discover more & we look forward to seeing your
creative visions come to life in 2016.
Jeromy Young
Co-founder
Ian Overliese
Co-founder

Overcome the DSLR 30min
Recording Limit
Recording externally to the camera
means that the traditional 29m59s
barrier imposed by many DSLR
cameras does not apply.
More accurate 4:2:2 color
While every pixel’s luminance
information is captured, color is
sampled for smaller file sizes. With the
4:2:2 standard, Atomos have higher
color sampling than conventional 4:2:0
for more accurate colors with increased
color resolution.
Avoid lossy, MPEG camera
compression
To limit file size some camera’s only
capture frame to frame changes rather
than every frame. All Atomos recorders
capture full “I” frame information just
like film, making manipulation in post
production easier and higher quality.
High resolution & High
bit rate
Recording resolution alone isn’t
enough. Even 4K might be rejected in
Post if the bit rate is too low. Internal
camera 4K is typically recorded up
to 100Mb/s, whereas with ProRes &
DNxHR you can record up to 880Mb/s,
maintaining the best possible quality.
Higher Resolution
10-bit Color
Recording to 8-bit only allows for a
maximum of 256 gradations in chroma
and luminance per channel of RGB. All
Atomos monitor-recorders record to 10-
bit (1024 gradations) for smoother color
transitions.
Record longer & Reduce
media costs
Cameras use low capacity, high price/
GB media. Atomos uses high volume,
high capacity computer SSD’s & HDD’s
from the world’s most trusted media
brands, allowing easy access anytime,
anywhere in the world.
With a single connection, video professionals add recording
direct from the camera sensor to Hollywood-ready formats
like Apple ProRes and Avid DNxHR onto affordable & high
capacity HDD/SSD media.
Along side professional recording, the calibrated touchscreen
is an audio and video monitor with an array of shot setup
scopes and a playback device with on-board controls for
instant shot review, tagging and playout to larger monitors,
making it a swiss army knife for Production, Post-production
& Digital signage.
Professional Recording, Playback, Monitoring & Editing
that will unleash the hidden potential of your camera from
DSLR to Cinema.
RECORDING WHAT WE DO
Every camera records, however the internal recording often isn’t
suitable in professional applications. Atomos overcome many of
the limitations professionals face with their camera.
Atomos partner with brands like Apple & AVID to create
professional touchscreens for leading camera brands
such as Canon, Sony, Panasonic, Nikon, Arri, JVC & Red.

Record to
ProRes &
DNxHR
On affordable
media
High resolution,
calibrated SuperAtom
monitor
Discover the full list of compatible cameras and media:
www.atomos.com/cameras
www.atomos.com/media

MONITORING
AtomOS is our custom-built operating system designed specifically for filmmakers to keep the
Atomos feature set a single touch away. Its incredibly fast, intuitive and evolving with regular
free updates for new features.
AtomHDR is a proprietary image processing technology, delivering the high brightness range
of Post Production HDR in a field monitor. All you need is the Log output from your camera
(Sony, Canon, Panasonic, Arri, JVC, Red) and to activate AtomHDR on the Inferno, Flame,
Blade or Studio series to reveal the HDR magic. The Inferno & Flames also have 1500nit
brightness panel and 10-bit color processing for HDR with a wider brightness range and
smoother color transitions.
AtomOS
Atomos combine external recording with a professional touchscreen monitor
that is armed with scopes and tools for perfect shot setup.
TOOLS & SCOPES HDR CONTROLS
Focus Assist Luma Parade
Zebra Pattern Vectorscope Zoom
2:1 Zoom RGB Parade
1:1 Zoom Vectorscope
False Color
Blue Only
Anamorphic
Safe Area
AtomHDR
Select camera log signal type
& toggle viewing environment
Log to Video
Convert Log to Rec709
Native Video Source
Shoot native Rec709 or Log, up to
a maximum of 1500nit brightness
Custom Looks
For SDR shooting upload your own
.cube files for custom “Looks”

Works with all NLE’s
Dock and drop files straight into the timeline of all
major NLE’s on both Mac and PC.
PQ I/O for HDR Editing
Take PQ out into larger HDR compatible
larger screens or feed HDR from your NLE
into the PQ input for HDR grading using your
Atomos product.
Custom Playlist
Create custom playlists using Favorite,
entire clip or loop functions for reviewing
compilation of dailies for clients or digital
signage playout.
Review with confidence
Use the suite of monitoring tools to
check color, focus, exposure on
recorded or uploaded content.
Tag as you shoot or review
Tag clips during recording or playback to create
an FCPX project with tagged footage.
4K UHD to HD downscale
4K models can downscale to HD for output
to lower resolution devices.
Playback controls
Review footage on the product or out
to a larger monitor. Scrub, slow and
fast motion control for detailed edit and
review (available with OS7.1)
PLAY BACK EDITING
Instantly review and collaborate on set. Edit on the fly and finalize in post using your NLE
of choice.
“The footage plays
natively without any codec
issues and plays instantly
without having to do any
transcoding”
Abandon Visuals

Credit: Cloakroom Media Flying Dragon
Clarity, Detail, Brightness
When we began to setup the Shogun Flame, we powered up
our video link and instantly we all were taken back from the
image we were seeing. The image was so bright and clear;
it was hard to believe it was real at first. It’s super impressive,
I don’t think there is any monitor that displays such clarity,
detail and brightness all in one, let alone function as a 4K
recorder. Its a combination of the AtomHDR mode and the
1500 nit screen that work together to give you that awesome
display.
SDI and HDMI Flexibility
We shot the Tesla from a leading van on the track, which had
a Shogun Flame tethered to the RED Dragon via HD SDI.
From inside the vehicle we dialed up HDR mode the beauty
of this is that the finer detail in the image becomes more
apparent. Our DP for this shoot Matt Wood was in awe! There is
something about seeing a DP of Matt’s level getting excited like
a little kid – it tends to rub off on the rest of the crew.
Long Battery Life
Both Ninja Flame and Shogun Flame have dual battery plates
so you can hot swap batteries whilst in use. We used the dual
Sony L series batteries which lasted well over the entire 4-hour
race track sequence even when recording the whole time. This
brings me back to my experience with the Ninja Blade with
continuous power which I still use with my C100mkII.
The New Monitoring Standard
In conclusion, for this Tesla shoot both the Shogun and
Ninja Flames performed beyond our expectation. It can run
all day without a hiccup and the monitoring in AtomHDR
mode needs to be seen to be believed – It’s going to be very
difficult to use any other screen besides the Flame now. I am
confident that AtomHDR will be the new monitoring standard
among productions of all scales, and I can not wait to get it
on set again for my clients to take advantage of this new and
innovative technology.
“AtomHDR mode needs to be seen
to be believed – It’s going to be very
difficult to use any other screen
besides the Flame now”
Cloakroom Media
FIELD MONITOR RECORDERS
SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR
CASE STUDY: TESLA
Cloakroom Media Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia.
We were given two production days to complete the filming and put together some cutting edge kit
to film from the land and the skies (a pair of Freefly ALTA’s coupled with MoVI M15’s Red Epic
Dragons as well as a Freefly TERO). We were delighted to be invited to test out two pre release
products labeled the Atomos Ninja Flame Shogun Flame.

SHOGUN
INFERNO
For Standard Dynamic Range (SDR)
shooting ramp the brightness slider
up to 1500 nit for hood-free outdoor
monitoring.
Apply a custom look to SDR footage by
uploading an applying “.cube” 3D LUT’s.
View in full/half mode on screen, output
it to a monitor or record into the footage.
AtomHDR lets you shoot with the high
brightness range of your camera’s Log
profile and preview the final, vibrant
post production HDR result.
10-bit monitor processing increases
the number of colors from 16.7 million
for standard 8-bit panels to 1.07 billion,
minimizing color banding on screen.
Record to visually lossless Apple ProRes
or AVID DNxHD as an edit friendly,
visually lossless industry benchmark
independent of the camera brand used.
larger screens or feed HDR from your
NLE into the PQ input for HDR grading
using your Atomos product.
MONITOR EDIT
Apart from 4K recording, high frame
rate HD from 50p to 240p can be
recorded from cameras that output
these high frame rates.
Capture the RAW output from Sony FS5/
FS7/FS700 and Canon C300MKII/C500
over SDI, recording to either ProRes,
DNxHR or CDNG.
The Quad SDI inputs let you connect
from cameras with multiple 1.5/3/6/12G
SDI outputs without the need for
converters.

Record and play out pristine ProRes/
DNxHR in 4K resolution and
24/25/30/50/60p frame rates.
Create playlists easily, either entire clips
or tagged parts of clips, for playback on
the unit or out to a larger screen.
Our patent pending Continuous power
system automatically swaps to the
second battery when power is low for
uninterrupted recording in the field.
RECORD PLAY
SHOGUN INFERNO
INFERNO SERIES CORE FEATURES
Shogun Inferno combines advanced HDR High
brightness monitor technologies with High frame rate
Raw recording capability along with playback editing
functionality that encourages on set collaboration.
Simply put it is the most advanced field monitor
most advanced external recorder combined to make
mastering a high resolution, high frame rate, high
dynamic range workflow available to all filmmakers.
Where 4K increases the number of pixels, HDR increases the brightness range – displaying brighter and darker parts in a
scene at the same time. In consumer terms it means scenes are more vivid and life-like while in filmmaking terms you no
longer clip highlights or sacrifice shadow detail. With AtomHDR shoot in Log from your camera and preview post production
HDR on the monitor to judge exposure perfectly for final delivery in either HDR or SDR in Post.
Log AtomHDR
PERFECT FOR:
Music Video Multi cam HDR/4K from
Quad SDI cameras
Sports High frame rate
Broadcast ISO recordings
Cinema Latest HDR and 4K 60p
technologies
Specifications correct at time of printing EOE

NINJA FLAME
Apart from 4K recording, high frame
rate HD up to and including 50/60/120p
can be recorded from cameras that
output these high frame rates.
Edit friendly Apple ProRes AVID
DNxHD in 422 for improved color
accuracy 10-bit for the extended color
depth demanded in post production.
The SDI/HDMI Shogun Flame and
HDMI only Ninja Flame can input from
cameras, PC’s, game consoles etc and
output for larger monitors and TV’s.

Record and play out pristine ProRes/
DNxHR in 4K resolution and 24/25/30p
frame rates.
For Standard Dynamic Range (SDR)
shooting ramp the brightness slider
up to 1500 nit for hood-free outdoor
monitoring.
Apply a custom look to SDR footage by
uploading an applying “.cube” 3D LUT’s.
View in full/half mode on screen, output
it to a monitor or record into the footage.
10-bit monitor processing increases
the number of colors from 16.7 million
for standard 8-bit panels to 1.07 billion,
minimizing color banding on screen.
Create playlists easily, either entire clips
or tagged parts of clips, for playback on
the unit or out to a larger screen.
RECORD MONITORPLAY EDIT
The Flame series will change the way you shoot
with Log from the camera, combining 3 core monitor
technologies - AtomHDR, a High Brightness 1500nit
panel and 10-bit color processing - to get the
brightness range of HDR Log but with bright, natural
colors. This lets you monitor the way you see and
record direct to 4K/HD 4:2:2 ProRes / DNxHR Log for
HDR or SDR processing in post production.
NINJA FLAMESHOGUN FLAME
FLAME SERIES CORE FEATURES
MODEL COMPARISON
FLAME SERIES
PERFECT FOR:
Corporate Outdoor/studio monitor,
faster ProRes workflow
Indie As director’s monitor,
on gimbals or with DSLR’s
Gaming 4K/HD from the console,
live audio monitoring
tagging for edit
Underwater 3rd party housings that
bring 4K HDR underwater
Wildlife Pre-roll cache recording,
long record times
NINJA FLAME
Perfect for HDMI mirrorless/DSLR cameras
HDMI in/out
N/A
N/A
Line audio in / out
N/A
SHOGUN FLAME
Perfect for RAW and SDI cameras
1.5/3/6G SDI HDMI in/out
Sony Canon Raw recording
Bi-directional SDI/HDMI conversion
XLR in/out (cable included)
Genlock / LTC input

NINJA FLAME
Frame accurate timecode and start/
stop triggers from the leading camera
brands over SDI (Samurai) or HDMI
(Ninja).
The SDI Samurai Blade and HDMI Ninja
Blade have an input for connection with
cameras, PC’s, game consoles etc and
output for larger monitors and TV’s.
Mark content in recording or playback
as Favorite/Reject and save as an XML
file with your content for faster editing
in FCPX.
The 5” SuperAtom IPS capacitive
touchscreen is 1280 x 720 with 325ppi
and overlay to ensure you see your
image crisply cleanly as you monitor.
Suite of monitor tools including
waveform, RGB parade, luma parade,
vectorscope, focus peaking, false color
blue only.
AtomHDR brings post production HDR
images to the field. The Blade series 8-bit,
400nit version previews HDR on screen
whereas the full AtomHDR (10-bit 1500nit
range) adds PQ in/out.
Colors you can trust with both out
of the box and ongoing calibration
(optional X-Rite unit) to SMPTE
Rec.709 D65 white point.
We support affordable HDD or SSD from
the world’s leading media brands. HDD is
the most affordable option, while SSD is
suitable for vibration sensitive shoots.
Mark content in recording or playback
using 10 different tags and save as an
XML file with your content for faster
editing in FCPX.
MODEL COMPARISON
NINJA BLADE
NINJA BLADE
Perfect for HDMI DSLR cameras
HDMI in/out
Canon Nikon battery plates included
SAMURAI BLADE
Perfect for Proxy and SDI cameras
HD/SD SDI in/out
D-Tap adapter included
BLADE SERIES CORE FEATURES
BLADE SERIES
SAMURAI BLADE
PERFECT FOR:
Weddings Calibrated monitor, long
recordings on affordable
media
Indie Films Proxy recorder focus
pulling monitor for
Cinema cameras
Documentary Lightweight ProRes
Monitor add on to
DSLR’s
The Blade series adds the professional video
functionality missing in HDMI and SDI cameras.
Monitor on a larger 5” calibrated screen with
waveform and focus assist tools, bypass the
internal lossy MPEG recording by capturing 10-
bit 4:2:2 ProRes or DNxHD and even play back
and start tagging footage immediately on set to
make post production more efficient.

NINJA
RECORDERS
NINJA FLAME
Compatible with HD and SD video for
recording and playout.
Record to visually lossless Apple
ProRes as an edit friendly, visually
lossless, camera independent industry
benchmark. DNxHD available as well
on the Ninja 2.
Frame accurate timecode and start/stop
triggers from the leading camera brands.
Recorded footage can be played back
and controlled on screen (Ninja2) or
out to larger monitors for client viewing.
Our low power design means that long
battery life (5hrs+) is realized.
Extract 24P/30P from 60i 25P from
50i or pSF equivalents in real time.
The HDMI input and output allows you
to connect and record from any HDMI
device or loop out to larger monitors for
client review.

Recording externally to the camera
means that the traditional 29.59min
barrier imposed on many DSLR cameras
does not apply.
Ninja2 only; The 4.3” resistive
touchscreen is 800 x 480 with 220ppi.
Perfect to navigate menu options and as
a comfort monitor on set.
Synchronize with the camera’s timecode
via HDMI embedded for independent
external recording.
Ninja Star only; The world’s smallest,
lightest Apple ProRes recorder at only
130g (4.6oz) and 95mm wide (3.7”).
NINJA STAR
Perfect for Drones recording with existing monitors
HDMI (micro) in/out
No monitor
95 x 60 x 25mm, 3.7 x 2.4 x 1.0”
Apple ProRes
CFast 2.0/1.0 media
NINJA 2
Perfect Recording Upgrade for DSLR’s
HDMI (Full) in/out
4.3” touchscreen
115 x 87 x 41mm, 4.5 x 3.4 x 1.6”
Apple ProRes AVID DNxHD
2.5” SSD / HDD media
MODEL COMPARISON
NINJA STARNINJA 2
NINJA RECORDERS CORE FEATURES
These lightweight Ninja models are the most
affordable and compact way to record professional,
visually lossless Apple ProRes direct from the sensor
of your DSLR camera or any HDMI source. They also
extend the record time beyond the 30min DSLR barrier
and offer an affordable playout solution for reviewing
with larger monitors on set.
PERFECT FOR:
Underwater Small footprint, low
buoyancy ProRes recorder
Youtube ProRes HD recording
talent monitor combined
Education Add ProRes to older MPEG
video cameras.
Perfect for Canon 5DMKIII

1 x Atomos Power Station
2 x NP-F960 7800mAh Batteries
1 x Soft Carry Case
1 x DC to DC Cable (for Shogun/Ninja Assassin)
1 x 15V 60W AC/DC Adapter
6 x Velcro Straps
5 x Battery Adapters
1 x Canon LP-EN6 battery adapter for 5D MKIII
1 x Sony NP-FW50 battery adapter for A7s
1 x Sony NP-F L series battery adapter for compatible Sony cameras
1 x Panasonic DMW-BLF19 battery adapter for GH4
1 x Nikon EN-EL15 battery adapter for D800/D810
INCLUDED ACCESSORIES
POWER STATION
POWER STATION CORE FEATURES
POWER STATION
EXTEND CAMERA RUNTIME.
CHARGE 3x FASTER.
CONTINUOUS POWER.
Power Input
DC Input voltage 12V to 19V
D-tap input voltage
(via adapter)
12V to 19V
Battery input voltage 7.4V System (8.4V Max), 2 slots
Compatible Batteries Sony NPF series mount.
Nikon and Canon batteries via optional
Atomos adapters
Power Output
On DC power 2 DC outputs at 8.4V, 4A Max Total
USB Charging 2 USB outputs at 5V, 3A Max Total
Max Total Output Power 32W
Operational Temperature 0°C - 40°C (32°F 104°F)
Continuous Power
Our patented Continuous Power dual battery system
allows batteries to be hot swapped ensuring you will
never be without power in the field.
3x Faster Charge
The DC input lets you connect to AC power to
charge the provided batteries up to 3x the rate
of conventional chargers.
Extend Run Time
Extend your camera run time beyond the
manufacturers own battery capacity.
USB Quick Charge
A flexible dual USB power source allows you to
charge 2 USB devices (up to 3A) eg. cameras,
tablets smart phones.
LED Readouts
The independent left and right LED displays on the
front of Power Station give a quick 5 step visual guide
on the power remaining for each battery from 100%
down to 5%.
DC Battery Adapters
Dummy batteries available to power popular cameras
such as the Sony A7s/A7RII, Panasonic GH4, Nikon
800/810, Canon 5D MKIII and Sony camcorders using
NP-F L series.
Weight
Without batteries 143g / 5oz
With batteries 719g / 25.4oz
Dimensions (W x H x D mm) 160 x 55 x 35mm
Construction High quality lightweight ABS Polycarbonate
for durability portability
Battery Management
Battery Charging (on DC
power only)
2 x 1.6A fast chargers (approx three hours
to simultaneously charge a 2x NP-F570
batteries)
Battery Level Indicators Charge remaining indicators for both
batteries
Continuous Power *Patent
Pending
Primary-Secondary battery system. Change
batteries without losing power. Loop bat-
teries continuously. Falls back on battery
power if mains power lost.

CALIBRATION
Every brand of monitor in the field and in the editing suite
naturally drifts in color over time. Atomos have partnered
with calibration leader X-Rite to open up professional
monitor calibration to all filmmakers.
Ensure your HDMI cables aren’t the weakest link
on set. Featuring high quality connectors,
high speed HDMI 2.0 for the latest high frame rate
recordings and a coiled cable for neater cable
management on the rig. These are the only HDMI
cables specifically designed for filmmakers.
FIELD MONITORS
Make judgments on color and
luminance in the field with
the confidence of a calibrated
monitor.
EDITING MONITORS
Final editing decisions need to
be made on a calibrated screen.
The same X-Rite model used
in the field can also be used to
calibrate monitors in the
editing suite.
USB TO SERIAL
Use the same X-Rite i1Display
Pro model already trusted by
professionals around the world.
There is no “special” model,
simply purchase the Atomos
USB to serial cable and get to
work calibrating the monitors in
your workflow.
FAST AND ACCURATE
The X-Rite i1Display Pro model
is renowned for its speed and
accuracy – a simple 3 step
process is all it takes to ensure
your Atomos monitor-recorders
are always color accurate.
HDMI 2.0 READY
Passes the high speed tests laid
out in HDMI 2.0. 4K 60p and HD
240p are fully supported.
HDR READY
Compatible with High Dynamic
Range (HDR) product line up.
4K 60p READY
The perfect cable for Atomos
Inferno and connecting
other high frame rate 4K 60p
infrastructure.
ATOMFLEX COILED CABLE
Coiled cable to give flexibility on
the rig, extending retracting as
you need to minimize clutter.
HDMI CABLES
HDMI Cables
Part number Connector (Atomos) Connector (Camera) Cable type Length (cm) Length (inches)
ATOM4K60C1 HDMI Full HDMI Micro (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)
ATOM4K60C2 HDMI Full HDMI Micro (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)
ATOM4K60C3 HDMI Full HDMI Mini (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)
ATOM4K60C4 HDMI Full HDMI Mini (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)
ATOM4K60C5 HDMI Full HDMI Full (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)
ATOM4K60C6 HDMI Full HDMI Full (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)
INFERNO
STUDIO FLAME
BLADE
i1Display Pro supported on Atomos Inferno, Flame, Blade and Studio series

Client Demanded ProRes Delivery
The client requested that the production was to be captured
in 4K for archiving and a future 4K delivery. The specific
requirement was 4K ProRes HQ, making the footage 10bit,
low compressed and edit ready for Final Cut Pro. We set
out to achieve the best possible image capture which
required technologies that we would not usually use for a
multi-cam recording.
Best of the Best in Multi-cam
The camera of choice was the Sony PMW-F55 CineAlta,
20 of them to be exact. The large sensor, low light and 4K
capabilities made this camera a no brainer. We also had two
Phantom Flex 4K cameras and a few Arri Alexa’s for additional
stylized shots. These cameras were paired with Fujinon and
Canon cinema zoom lenses. To add to the list of toys we had
4x techno cranes, a Helicopter with a Cineflex stabilizer and 6x
remotely operated hot heads, that, coupled with some of the
best camera operators Australia has to offer.
Challenge; 4K Data Wrangling
With all of these camera rigs equipped to capture amazing
pictures, the next challenge was to get them feeding back to
the OB compound. We ran fiber from each camera back to the
OB into the Sony Baseband processors and then distributed
the 4K signal into the final link of the chain, the Atomos Shogun
Studio. In fact we used a combination of Shogun and Shogun
studios just in case we decided to get some units mobilized.
Easy to use Rack-based Monitoring
Recording
This rack set up was the most impressive in the production,
it seemed to be a favorite for the producers and the client.
Having such a vivid image displayed on these monitors with
all of the tools just a touch away was instrumental in our
success. The fact that this rack was our 4k Record seemed
to be just a bonus.
Making the Complex, Simple
The Shogun Studio integrated perfectly to our ecosystem,
locking signal and timecode flawlessly. The simplicity of the
Atomos system in such a complex environment makes it a
breath of fresh air once that record button is tapped.
The Shogun studio proved to be the perfect solution for
recording 4k Multi-cam large scale events. We can now take on
any 4K event knowing that we can confidently capture pristine
footage that is immediately edit-ready.
“The perfect solution for recording
4K Multi-cam large scale events”
Chris Davies, Senior Broadcast Engineer,
Gearhouse Broadcast
BROADCAST PRO AV
SHOGUN INFERNO
PAGE 12
SHOGUN STUDIO RONIN
Gearhouse Broadcast were commissioned to facilitate the 4K production of the Sydney leg of what
proved to be one of the top grossing tours of 2015. To have an understanding of the scale of this
event, the size of the production crew was 300 – and that was just the Recording/OB crew alone!
CASE STUDY: WORLD MUSIC TOUR
Credit: Gearhouse Broadcast
CONNECT-AC CONNECT

SHOGUN
STUDIO
SHOGUN STUDIO
Shogun Studio provide continuous
4K/HD recording with the ability to
automatically record onto the 2nd drive
when the first is full.
SDI HDMI Rec Start / Stop triggers
that can be cascaded across multiple
devices as well as the ability to remotely
control the Studio via 9pin RS422
Machine control or AMP over Ethernet.
Record camera ISO feeds directly from
the sensor via HDMI or SDI turning any
camera into a studio head. Increased
quality 4:2:2 10-bit ProRes/DNxHR/HD
with file naming Metadata.
Shogun Studio has both HDMI and 12G SDI
in/out (back compatible with 1.5/3/6G SDI).
You can convert between HDMI and SDI
(both ways) and downscale from 4K to HD
on the outputs.
Spectacular 7.1” 1920x1200 over 320PPI
SuperAtom IPS capacitive touch-screen
record indicators. Calibrated in the factory
to Rec.709 calibrate anytime using the
optional X-Rite unit.
Monitor more than just the composition
of the shot with wave form Luma,
RGB parade and vector scope. Check
exposure, focus and critical focus with
2:1 zoom.
Supports up to 12 tracks 24bit 48k
Audio on SDI, 2 channels XLR in at
mic or line level, 48V phantom and
Audio Delay as well as 2 XLR outputs
per Recorder.
In Playback mode customer playlists
can be created from Favorites (even
respecting subclip i/o points), selected
clips or a combination of the two.
or AVID DNxHR as an edit friendly,
Shogun Studio benefits from redundant
dual auto load balancing power supplies
and industry standard IEC connectors
making it easy to connect to your rack
PDU or UPS.
SHOGUN STUDIO CORE FEATURES
Harnessing the latest 4K/HD recorder, monitor
and playback technologies the Shogun Studio
enhances existing HD workflows and provides
an affordable rack mount solution for creating
4K Masters.
PERFECT FOR:
Event Playout 4K/HD playout with GenLock and
Playlist
Sports Multi camera 4K ProRes record
with Waveform
OB Vans 3RU all in one record/monitor/test/
convert/playout

RONIN
RONIN
Record to visually lossless Apple
ProRes or AVID DNxHD as an edit
friendly, visually lossless industry
benchmark independent of the camera
brand used.
Dual Ronins provide continuous
recording for extra long shoots. Loop
out to the second Ronin and start
recording as the first drive fills.
Ronin is compatible with HD and SD
video for recording and playout.
SDI input for connection with cameras
broadcast infrastructure and output
for larger monitors and TV’s.
Forget buttons tape, move to
touchscreens HDD/SSD. Adjust audio
channels on screen monitor feeds with
intuitive feedback.
A 5” resistive touchscreen (800 x 480)
to navigate menu options and as a
comfort monitor during recording.
2 channels of XLR balanced analog
(48kHz 16-bit) in addition to the 12
channels embedded in the SDI signal.
Synchronize with the camera’s timecode
record run, free run, time-of-day time
codes for independent external recording.
We support affordable, readily available
HDD or SSD. For mastering and
archiving, they outperform DVD’s and
Blu-ray significantly in size of cost.
Recorded footage can be played back
and controlled on screen or out to larger
monitors for client viewing.
AC power drives the Ronin with
continuous battery backup for
emergency situations.
RONIN CORE FEATURES
Designed for fixed facility studios and OB
vans, Ronin lets you standardize ISO, Live and
Switched HD or SD recording feeds direct to
Apple ProRes or Avid DNxHD ready immediately
for post production.
PERFECT FOR:
Concerts – High capacity, affordable
media for long run times.
Broadcast – standardize iso, live and
switched recordings
OB Vans - Continuous recording with
dual Ronins test/convert/playout
Dual Ronin also available

The internal battery lasts 2 hours with a fully
charged battery mounted lasts 10 hours.
Weight Dimensions 113g (without battery) / 213g (with battery)
45.0mm (w) x 76.5mm (l) x 34.0mm (h)
Power Consumption 2W while converting
Batteries • Internal up to 1 hour • 2600mAh - 10hrs (included)
• 5200mAh (NP Series, 7.4V - 16.8V) - 20hrs (optional)
• 7800mAh - 30hrs (optional) • AC Power
Supply 100-240V (included) • DTap Adapter (optional)
Continuous Power Connect acts as a battery, feeding continuous power
(Patent Pending) into your Ninja, Samurai, or another Connect.
Built-in 3:2 • 25PSF (50i)25P • 30PSF (60i) 30P • 24p (3:2-60i) 24P
Pulldown Removal
Test Pattern Generator SMPTE 75%, Color Bars 75 100%, SDI EQ/PLL
Pathological, Audio Tone 1kHz @ -20dBfs
USB Interface Firmware Update Interface ONLY
Video Input H2S: HDMI x 1 S2H: 3G/HD/SD-SDI x1
Video Out H2S: 3G/HD/SD-SDI x 2 S2H: 3G/HD/SD-SDI x1 and HDMI x1
Audio (In/Out) Embedded Audio 2ch, 24, 20 or 16-bit
Timecode SDI: Sony, Canon, Panasonic, Arri, RED
Rec Trigger Exchange HDMI: Sony, Canon Timecode, Canon Start/Stop
Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94,
1080i50, 1080p30, 1080p29.97,1080p25, 1080p24,
1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25,
1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50,
486i59.94, 480i59.94, 576i50
All specifications correct when published, subject to EOE.
Rack Mountable
H2S S2H
There is an optional rack mount kit to
hold up to 4 Connect AC converters.
Weight Dimensions 115g (without battery) / 215g (with battery)
85.0mm (w) x 90.0mm (l) x 25.0mm (h)
AC Power 100-240VAC, 0.2A, 50-60Hz
Power Consumption 2W while converting
2:2 Pulldown Removal • 25PSF (50i)25P • 30PSF (60i) 30P • 24PSF 24P
Test Pattern Generator SMPTE 75%, Color Bars 75 100%, SDI EQ/PLL Pathological,
Audio Tone 1kHz @ -20dBfs
USB Interface Firmware Update Interface ONLY
Video Input S2H: 3G/HD/SD-SDI x 1 H2S: HDMI x 1
Video Out S2H: 3G/HD/SD-SDI x 1 and HDMI x 1 H2S: 3G/HD/SD-SDI x 2
Audio (In/Out) Embedded Audio 2ch, 16, 20 or 24-bit
Timecode SDI: Sony, Canon, Panasonic, Arri, RED
Rec Trigger Exchange HDMI: Sony, Canon Timecode, Canon Start/Stop
Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94,
1080i50, 1080p30, 1080p29.97,1080p25, 1080p24,
1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25,
1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50,
486i59.94, 480i59.94, 576i50
All specifications correct when published, subject to EOE.
CONVERTERS
CONNECT H2S/S2H SPECS CONNECT-AC S2H / CONNECT-AC H2S SPECS
H2S S2H
10HRS
BATTERY
CONNECT
THE WORLD’S SMALLEST BATTERY
POWERED VIDEO CONVERTER.
CONNECT-AC
THE WORLD’S SMALLEST AC POWERED
VIDEO CONVERTER.
Test Pattern Audio Tone Generator
A test pattern audio tone generator is built in to use as a
line testing tool. A time saver for system technicians system
integrators in the field or in the studio.
3:2 2:2 Pulldown
Extract 24P/30P from 60i 25P from 50i or pSF equivalents
in real time.
Flash light
A built in LED torch so you can see what you’re
connecting to in the dark.
Timecode Trigger pass through
Allow for pass through of timecode and start/stop trigger
between devices.
Internal battery
External Battery
D-Tap/AC
Power
They are stackable too. With the AC power
supply included, you can charge up to three
Connect units simultaneously.
CONNECT/CONNECT-AC CORE FEATURES

BATTERIES
2600mAh 2 cell 5200mAh 4 cell
battery
HDD/SSD CADDIES x 5
For all Recorders
DOCKING STATION
Dock SSD/HDD to Mac/PC
CANON NIKON
BATTERY ADAPTER
CFAST READER DOCK
Dock CFast to Mac/PC
POWER STATION BATTERY ADAPTERS
Power Station battery adapters for Sony FW-50,
Panasonic BLF19, Canon LP-E6, Sony NP-F570,
Nikon EN-EL15
AC POWER ADAPTER
Replacement AC power for all
monitor-recorders
FAST BATTERY CHARGER
Fast single battery charger
for Atomos and Sony NP style
batteries
CONNECT-AC RACK KIT
Fits four Connect-ACs
RONIN RACK KIT
Fits two Ronins XLR BREAKOUT CABLE
Replacement breakout XLR cable
for Shogun
25%
EDUCATION
D I S C O U N T
To make it easier for students to learn the right way, Atomos offer one of the most
generous discounts in the industry to students. A 25% discount from the MSRP is
available to students with proof of enrollment in media/film/photo studies or purchasing
on behalf of a University/School. Available for Atomos products with MSRP greater than
$500. Institution with more complex needs are welcome to contact their local Atomos
office (atomos.com/contact) to design a customized Atomos bundle.
For more details visit: www.atomos.com/school
Registering your Atomos product is easy and rewarding.
You’ll be the first to know about new features and firmware and your warranty will
be tripled from the standard 1 year to 3 years warranty (extended warranty applies
to Atomos product greater than $500 MSRP on products registered within 1 year
of purchase)
Learn more and register your product at: www.atomos.com/registration
ACCESSORIES
Specs ATOMCFT64 ATOMCFT128
Size 64GB* 128GB*
CFast version CFast 1.0
Write Speed 80MB/s
Read Speed 200MB/s
Operating temperature -25 to 45 degrees Celsius
-13 to 113 degrees Fahrenheit
* Some of the listed storage capacity is used for formatting and other purposes and
is not available for data storage
CFast Media
CFast speed size, made affordable by Atomos
USB TO SERIAL CABLE
Calibration cable to connect with
optional X-Rite calibration unit
HARD CASE
Hard carry case and
replacements foams available
LCD PROTECTOR
Matte protector sheet for 7” models
TRAVEL CASE
Smaller footprint travel case for
Shogun, Ninja Assassin and Blade
series
ARMOR BUMPER
Protection from bumps and knock
on Shogun and Ninja Assassin
SUNHOOD
Optional sun hood available for Shogun,
Ninja Assassin, Samurai/Ninja Blade,
Ninja 2. Replacement available for hoods
included with Inferno and Flame models
DC TO D TAP COILED CABLE
For all 7” recorders
YEARWARRANTY3R E G I S T E R E D P R O D U C T S

Weight
Without batteries media 709g / 25.0oz 650g / 22.9oz 620g / 21.9oz 345g / 12oz 311g / 11oz 300g / 11oz 130g / 4.6oz
With batteries media 1153g / 40.7oz 1094g / 38.6oz 1064g / 37.5oz 696g / 25oz 662g / 23oz 651g / 23oz 249g / 8.8oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 153 x 87 x 48mm, 6.0 x 3.4 x 1.9” 136 x 87 x 48mm, 5.4 x 3.4 x 1.9” 115 x 87 x 41mm, 4.5 x 3.4 x 1.6” 95 x 60 x 25mm, 3.7 x 2.4 x 1.0”
Construction
High quality lightweight ABS Polycarbonate for
durability portability
Aircraft-grade Aluminum for durability portability Aircraft-grade Aluminum for durability portability Aircraft-grade Aluminum for durability portability Aircraft-grade Aluminum for durability portability
Built-in armor protection Built-in armor protection Built-in armor protection
Power
Operating power (including SSD) 10 - 27W 10 - 24W 10 - 24W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.0W (Rec, Mon, Play) 3.5W / 4.5W (Rec,Play)
Compatible batteries NP series and supporting accessories NP series and supporting accessories NP series and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories
Input voltage (battery) 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V
Battery time (based on 7.4V) - - - 2600mAh - up to 4hrs 2600mAh - up to 4hrs 2600mAh - up to 5hrs 2600mAh - up to 5hrs
5200mAh - up to 1.5hrs (monitor record 4K 30p) 5200mAh - up to 1.5hrs (monitor record 4K 30p) 5200mAh - up to 1.5hrs (monitor record 4K 30p) 5200mAh - up to 8hrs 5200mAh - up to 8hrs 5200mAh - up to 9hrs 5200mAh - up to 9hrs
7800mAh - up to 2.2hrs (monitor record 4K 30p) 7800mAh - up to 2.2hrs (monitor record 4K 30p) 7800mAh - up to 2.2hrs (monitor record 4K 30p) 7800mAh - up to 12hrs 7800mAh - up to 12hrs 7800mAh - up to 14hrs 7800mAh - up to 14hrs
DC In 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) - - - -
Continuous power
* Patent pending
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
via optional Power Station
Touchscreen
Size 7.1” 7.1” 7.1” 5” 5” 4.3” -
Resolution 1920 x 1200 1920 x 1200 1920 x 1200 1280 x 720 1280 x 720 800 x 480 -
PPI 325 325 325 325 325 220 -
Aspect ratio 16:9 native 16:9 native 16:9 native 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox -
Color Gamut REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV SMPTE -
Look up table (LUT) support 3D LUT (.cube file format) 3D LUT (.cube file format) 3D LUT (.cube file format) 1D LUT 1D LUT - -
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 - - - -
Technology
SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit
LCD (Resistive touch) -
HDR
AtomHDR Yes Yes Yes Yes Yes No No
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
N/A N/A
Supported Gamuts
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Panasonic V Gamut
Panasonic V Gamut
Native gamut (no conversion) Native gamut (no conversion) N/A N/A
Bit depth 10-bit (8+2 FRC) 10-bit (8+2 FRC) 10-bit (8+2 FRC) 8-bit 8-bit 8-bit N/A
Brightness 1500nit (+/- 10%) 1500nit (+/- 10%) 1500nit (+/- 10%) 400nit 400nit N/A
PQ in/out
In = Post Out = Monitor
Yes / Yes Yes / Yes Yes / Yes No / No No / No N/A N/A
Video input/loop out
HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)
SDI Quad link 4 x 3G SDI or up to 12G single link SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) - 1 x HD/SD-SDI (SMPTE) - - -
Signal
Uncompressed true 10-bit or 8-bit 422
(camera dependent)
(camera dependent)
(camera dependent)
(camera dependent)
(camera dependent)
(camera dependent)
(camera dependent)
Video output (play out)
HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G - 1 x HD/SD-SDI - - -
Signal
(playback file dependent)
Supported loop out formats
HDMI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
-
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SDI to SDI
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*
2160p 24/25/30
-
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30
- - -
Video signal conversion
HDMI to SDI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/120*
2160p 24/25/30
- - - - -
SDI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*
2160p 24/25/30
- - - - -
SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR
* Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI

Supported Codecs frame rates (record playback)
Raw to CDNG (Record only)*
Codecs
Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Varicam
RAW*)
Frame rates
4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Codecs
Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Varicam
RAW*)
Frame rates
4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
N/A N/A N/A N/A N/A
Raw to ProRes / DNxHR
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates
4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
Codecs
Frame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
N/A N/A N/A N/A N/A
Video to ProRes / DNxHR
Codecs
Frame rates
4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
Codecs
Frame rates
4K UHD; 24/25/30
1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Codecs
Frame rates
4K UHD; 24/25/30
1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Codecs
AVID DNxHD 220x, 220, 145, 36
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Codecs
AVID DNxHD 220x, 220, 145, 36
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Codecs
AVID DNxHD 220x, 220, 145, 36
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Codecs
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Onboard processing
Pulldown removal
24/25/30pSF 24/25/30p (2:2 pulldown)
60i 24p (3:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback - - - -
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent - 2ch 48kHz 16-bit 2ch 48kHz 16-bit 2ch 48kHz 16-bit (no gain control)
SDI 12ch 48kHz 24-bit 12ch 48kHz 24-bit - 12ch 48kHz 16-bit - - -
Audio
2ch balanced XLR analog in/out
Dynamic range 90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
2ch balanced XLR analog in/out
Dynamic range 90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Line in / Mic in / Headphone out 2ch 48kHz 24-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in 2ch 48kHz 16-bit
Remote start/stop
HDMI
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open
Standard
Auto HDMI Trigger
Standard
Auto HDMI Trigger
Standard
-
Auto HDMI Trigger
Standard
Auto HDMI Trigger
Standard
Auto HDMI Trigger
Standard
SDI SDI trigger camera selectable SDI trigger camera selectable - SDI trigger camera selectable - - -
Other LANC control - Slave LANC control - Slave LANC control - Slave LANC control - Slave LANC control – Slave - -
Playback
Playlist Yes Yes Yes - - - -
Genlock/LTC Yes / Yes Yes / Yes - - - - -
Recording
Pre-roll record Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) - - - -
Custom timelapse Yes Yes Yes - - - -
Meta data tagging Yes (10 tags available) Yes (10 tags available) Yes (10 tags available) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject)
Supported media (Approved List Only)
4K / HD (50/60/120p)
SSD 2.5”, HDD (7,200 up to 1080p60)
HD
SSD 2.5”, HDD (5,400 up to 1080p30)
4K / HD (50/60/120p)
SSD 2.5”, HDD (7,200 up to 1080p60)
HD
SSD 2.5”, HDD (5,400 up to 1080p30)
4K / HD (50/60/120p)
SSD 2.5”, HDD (7,200 up to 1080p60)
HD
SSD 2.5”, HDD (5,400 up to 1080p30)
SSD 2.5”
HDD (5,400 to 7,200rpm)
SSD 2.5”
HDD (5,400 to 7,200rpm)
SSD 2.5”
HDD (5,400 to 7,200rpm)
Atomos CFast approved 3rd party CFast
Master caddy case
Master Caddy II (included)
75mm x 105mm x 12mm
75mm x 105mm x 12mm
75mm x 105mm x 12mm
Master Caddy 1 (included)
75mm x 105mm x 12mm
75mm x 105mm x 12mm
75mm x 105mm x 12mm
-
Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 USB 2.0/3.0 CFast card reader
Supported applications
Supported Applications FCPX/FCP7+ / Media Compos-
er 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
Autodesk Smoke 2015
Autodesk Smoke 2015
Autodesk Smoke 2015
er 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+
/ Lightworks /
Autodesk Smoke 2015
Autodesk Smoke 2015
Autodesk Smoke 2015
FCPX XML native, FCP7 supported with conversion
(Adobe compatible)XML support
(Adobe compatible)
(Adobe compatible)
(Adobe compatible)
(Adobe compatible)
(Adobe compatible)
(Adobe compatible)
Accessories included
Shogun Inferno unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger DC power), HDR sunhood
Shogun Flame unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger DC power), HDR sunhood
Ninja Flame unit, Custom red HPRC case, Control
cable, 2x NP-F750 5200mAh batteries, Fast battery
charger, SATA 3/2 to USB 3/2 HDD/SSD docking
station, DC to D-Tap coiled cable, Master Caddy II x
5, 12V-3A AC adapter x 2 (Fast charger DC power),
HDR sunhood
Samurai Blade unit, Universal battery charger 110-
240V, AC adapter car charger, docking station
leads, 2 x master caddy cases, 1 x Atomos 2600mAh
battery, Rugged carry case, D-Tap adapter, 2.5mm “Y”
adapter cable for LANC
Ninja Blade unit, Universal battery charger 110-240V,
AC adapter car charger, docking station leads, 2
x master caddy cases, 1 x Atomos 2600mAh battery,
Rugged carry case, Canon Nikon adapter plates,
2.5mm “Y” adapter cable for LANC
Ninja 2 unit, Universal battery charger 110-240V, dock-
ing station leads, 2 x master caddy cases, 1 x Atomos
2600mAh battery, Canon Nikon adapter plates
Ninja Star unit, Universal battery charger 110-240V, AC
adapter car charger, CFast card reader, 1 x Atomos
2600mAh battery, Rugged carry case, Cheese plate
mounting adapter
Optional extras Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration
5 x Master caddy cases, Sunhood, Carry cases, Canon
Nikon adapter plates, Connect H2S converter,
Connect S2H converter, Power Station
5 x Master caddy cases, Sunhood, D-Tap adapter,
Carry cases, Connect H2S converter, Connect S2H
converter, Power Station
5 x Master caddy cases, Sunhood, D-Tap adapter, car
adapter, Carry cases, Connect H2S converter, Connect
S2H converter, Power Station
D-Tap adapter, Canon Nikon adapter plates, Connect
H2S converter, Connect S2H converter, CFast cards,
Atomos specialty HDMI cables, Power Station
SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STARSHOGUN INFERNO

Weight dimensions
Weight 5.0kg / 11lb
1.8kg / 3lb 15oz (Ronin)
4.8kg / 10lb 9oz (Ronin Duo)
Rack height 3Ru 3Ru
Rack mounting Removable rack ears Optional rack shelf
Dimensions (W x H x D mm)
447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
202 x 120 x 160mm, 8.0 x 4.7 x 6.3” (Ronin)
490 x 120 x 160mm, 19.3 x 4.7 x 6.3” (Ronin Duo)
Construction Steel construction for durability Steel construction for durablility
Cooling Actively controlled fan with heat sinks Heat sink, fanless
Power
Operating power (including SSD) 20 - 60W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
Redundant PSU Yes No
Compatible batteries No NP series, D-Tap and supporting accessories
Input voltage (battery) - 6.2V to 16.8V
DC Out No Yes
Continuous power
* Patent pending
- AC, battery DC
Touchscreen
Size 7.1” 5”
Resolution 1920 x 1200 800 x 480
PPI 320 220
Aspect ratio 16:9 native 16:9 native / 4:3 Letterbox
Color standard Rec.709 HDTV SMPTE
Look up table (LUT) support 3D LUT (.cube file format) No
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit LCD (resistive touch)
Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom No
Calibration
Calibration in factory to Rec.709, in field
calibration with optional X-Rite unit
No
HDR
AtomHDR Yes No
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red
LogFilm
N/A
Supported Gamuts
Panasonic V Gamut
N/A
Bit depth 8-bit 8-bit
Brightness 400nit
PQ in/out
In = Post Out = Monitor
Yes / Yes
Video input/loop out
HDMI 1 x HDMI (1.4b) per channel No
SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel 1 x HD/SD-SDI 1.5G (SMPTE)
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
(camera dependent)
Video output (play out)
HDMI 1 x HDMI (1.4b) per channel No
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel 1 x HD/SD-SDI 1.5G (SMPTE)
Signal
Supported Codecs frame rates (record playback)
Raw to CDNG (Record only)
Codecs
Cinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500,
Panasonic Varicam RAW*)
Frame rates
4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
N/A
Raw to ProRes / DNxHR
Codecs
Frame rates
4K DCI / 4K UHD; 24/25/30
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
N/A
Video to ProRes / DNxHR
Codecs
Frame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Codecs
AVID DNxHD 220x, 220, 145, 36
Frame rates
1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Onboard processing
HDMI
24/25/30pSF 24/25/30p (2:2 pulldown)
24/25/30pSF 24/25/30p (2:2 pulldown)
SDI Yes - Always on via optional Connect converter
Analogue audio On HDMI/SDI loop out (Rec Playout) No
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent No
SDI 12ch 48kHz 24-bit 12ch 48kHz 16-bit
Analogue audio
2 x XLR in 2 x XLR out on rear per record
channel.
Mic or line level with phantom 48V
2 x XLR in 2 x XLR out on rear per record
channel.
Processing Gain control on line in headphone output Gain control on line in headphone output
Maximum audio quality 24-bit, 48kHz 16-bit, 48kHz
Audio delay Delay setting +1 to 99 frames No
Remote control
HDMI
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
No
SDI SDI trigger camera selectable SDI trigger camera selectable
RS422 RS422 machine control No
AMP via Ethernet RJ45 10/100 No
Serial Calibration (front) LANC control - slave
Timecode
HDMI Embedded timecode from camera or video device No
SDI Embedded timecode from camera or video device Embedded timecode from camera or video device
LTC In Yes (LTC loop back) No
GenLock In Yes (GenLock loop back) No
Playback
Playlist Yes (run down or reverse order) for selected, favorite or all clips No
Playback options Loop in out markets Loop in out markets
Recording
Dual channel
Record 4K master with HD proxies. Record both ProRes DNxHR versions, indepen-
dent dual channel record.
No
Continuous record
Single channel 4K / HD recording automatically switches between drive when at
capacity
No
Pre-roll record Yes (HD 8s, 4K 2s) No
Custom timelapse
Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from
internal clock).
No
Meta data tagging Yes (10 tags available) Yes (Favorite, Reject)
Recording media
Drive slots 2 (1 per record channel) 1 per device
Drive connection types SATA SATA
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60)
HD
CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
HD
CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case
75mm x 105mm x 12mm
Master Caddy I (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0
Supported applications
FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ /
Lightworks / Autodesk Smoke 2015
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS
6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible)
Accessories included
Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies
4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth
Ronin unit, docking station leads, 5 x master caddy cases, 2 x Atomos 2600mAh
battery, D-Tap adapter
Optional extras Master Caddy II x 5, X-Rite calibration Rack mount adapter, Connect H2S converter, Connect s2H converter
Warranty 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration
RONIN RONINSHOGUN STUDIO SHOGUN STUDIO

40 Atomos
ATOMOS USA
Atomos Inc
2056 NW Aloclek Drive,
Suite #303 Hillsboro, OR, 97124
Tel: +1 503 388 3236
ATOMOS EUROPE
Europe, Middle East Africa
Atomos GmbH
Hohe Str. 21
56410 Montabaur, Germany
Tel: + 49 2602 839 180 0
(English German)
ATOMOS JAPAN
Atomos Co. Ltd
AY bld. 1-2-3 Nihonbashi Horidomecho
Chuo-ku,
Tokyo 103-0012
Tel: +81 3 6661 2827
ATOMOS CHINA
Atomos China Co., Ltd.
1208, Golden Tower,
No.1 Xibahe South Road,
Chaoyang District, 100028, Beijing,
China
Tel: +86 10 6440 3688
® 2016 Atomos Global. “Atomos” and product names are registered trademarks.
Join the Atomos community.
/atomosglobal /atomosvideo @Atomos_News /AtomosVideo @atomos_news
Atomos (HQ)
29 Nott Street, Port Melbourne
VIC 3207 Australia
Email sales@atomos.com
Tel +61 3 9999 5908

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