The document provides an overview of important sites, structures, artworks, and artifacts from ancient Roman civilization, including:
1) Maps and diagrams of sites like the Roman Forum, Villa of the Mysteries in Pompeii, and Pont Du Gard aqueduct.
2) Sculptures such as the Augustus of Primaporta, and statues of emperors like Trajan, Marcus Aurelius, and Constantine.
3) Architectural works including the Pantheon, Colosseum, Arch of Titus, and Baths of Caracalla.
Art and Culture - Module 05 - Hellenism and RomeRandy Connolly
Fifth module for GNED 1201 (Aesthetic Experience and Ideas). This one covers the art and culture of first the Hellenistic world, then that of Republican and Imperial Rome. Presentation focuses on the Second Century Crisis and cultural and aesthetic responses to it.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
The document lists various works of art from different periods including sarcophagi from the Etruscan and early Christian periods, sculptures and buildings from ancient Rome like the Colosseum and Pantheon, Byzantine works like the mosaics in San Vitale and Hagia Sophia, Islamic structures like the Dome of the Rock, illuminated manuscripts from the Hiberno-Saxon period, Ottonian bronzes and buildings, Romanesque works from France, Italy and Germany, as well as paintings from the early Netherlandish masters and French Renaissance artists.
The document compares and contrasts various classical and post-classical architectural works and artworks. It discusses similarities between the Erechtheion and Hadrian's Villa in their use of caryatids. It also notes similarities between sculptures like the Sleeping Satyr and Michelangelo's Adam, as well as between the Maison Carrée and Jefferson's design for the Virginia State Capitol building. Many entries highlight how later architects and artists drew from classical precedents in their use of forms, materials and stylistic elements.
This document provides an overview of Roman art from 27 BC to 476 AD, during the Roman Empire period. It lists important dates and examples of Roman architecture, sculpture, and other art forms from this era, including the Altar of Augustan Peace, Temple of Portunus, Pont du Gard aqueduct, plans of Pompeii, Villa of the Mysteries, House of the Silver Wedding in Pompeii, Colosseum, Pantheon, Arch of Titus, sculptures of Roman emperors, and the Arch of Constantine.
The document discusses Greek architecture, specifically theaters and public buildings. It provides details on the architectural plans of Greek theaters including the theaters at Epidauros and Dionysus, describing their cavea (seating sections), orchestra, and skene (stage building). It also lists and briefly describes some common public buildings in Greek cities, including the agora (marketplace), stoa (colonnade), bouleuterion (council house), and odeion (indoor theater). The document contains several images of Greek theaters and architectural plans.
Art History Final Exam Summer Session 1guest892962
The document appears to be a list of various architectural structures from different periods in history ranging from Etruscan to Gothic. The list includes temples, tombs, houses, churches, cathedrals and other buildings from cultures such as Etruscan, Roman, Early Christian, Byzantine, Carolingian, Ottonian, Romanesque and Gothic architectural periods. Many of the structures are religious in nature and located across Europe.
The document summarizes key aspects of Roman art and architecture from the 1st century BCE to the 4th century CE. It describes important works like the Ara Pacis, which commemorated Augustus' return from Gaul, and the Colosseum built under the Flavian emperors. Hadrian and Trajan made contributions like the Pantheon and Trajan's Forum. Constantine's rule marked a shift toward Christianity and the division of the empire into western and eastern sections.
The document discusses aspects of Greek and Roman theater spaces and staging techniques. It provides reconstructions of early Greek theaters like the Theater of Dionysus. It also shows the evolution of the skene (backstage area) and stages over time from wooden structures to more elaborate stone Roman theaters. Finally, it describes depictions of comic stages and properties on ancient Greek vases from the 5th-4th centuries BC.
Art and Culture - Module 05 - Hellenism and RomeRandy Connolly
Fifth module for GNED 1201 (Aesthetic Experience and Ideas). This one covers the art and culture of first the Hellenistic world, then that of Republican and Imperial Rome. Presentation focuses on the Second Century Crisis and cultural and aesthetic responses to it.
This course is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Art History and Culture course. Some of the content overlaps with my other Gen Ed course.
The document lists various works of art from different periods including sarcophagi from the Etruscan and early Christian periods, sculptures and buildings from ancient Rome like the Colosseum and Pantheon, Byzantine works like the mosaics in San Vitale and Hagia Sophia, Islamic structures like the Dome of the Rock, illuminated manuscripts from the Hiberno-Saxon period, Ottonian bronzes and buildings, Romanesque works from France, Italy and Germany, as well as paintings from the early Netherlandish masters and French Renaissance artists.
The document compares and contrasts various classical and post-classical architectural works and artworks. It discusses similarities between the Erechtheion and Hadrian's Villa in their use of caryatids. It also notes similarities between sculptures like the Sleeping Satyr and Michelangelo's Adam, as well as between the Maison Carrée and Jefferson's design for the Virginia State Capitol building. Many entries highlight how later architects and artists drew from classical precedents in their use of forms, materials and stylistic elements.
This document provides an overview of Roman art from 27 BC to 476 AD, during the Roman Empire period. It lists important dates and examples of Roman architecture, sculpture, and other art forms from this era, including the Altar of Augustan Peace, Temple of Portunus, Pont du Gard aqueduct, plans of Pompeii, Villa of the Mysteries, House of the Silver Wedding in Pompeii, Colosseum, Pantheon, Arch of Titus, sculptures of Roman emperors, and the Arch of Constantine.
The document discusses Greek architecture, specifically theaters and public buildings. It provides details on the architectural plans of Greek theaters including the theaters at Epidauros and Dionysus, describing their cavea (seating sections), orchestra, and skene (stage building). It also lists and briefly describes some common public buildings in Greek cities, including the agora (marketplace), stoa (colonnade), bouleuterion (council house), and odeion (indoor theater). The document contains several images of Greek theaters and architectural plans.
Art History Final Exam Summer Session 1guest892962
The document appears to be a list of various architectural structures from different periods in history ranging from Etruscan to Gothic. The list includes temples, tombs, houses, churches, cathedrals and other buildings from cultures such as Etruscan, Roman, Early Christian, Byzantine, Carolingian, Ottonian, Romanesque and Gothic architectural periods. Many of the structures are religious in nature and located across Europe.
The document summarizes key aspects of Roman art and architecture from the 1st century BCE to the 4th century CE. It describes important works like the Ara Pacis, which commemorated Augustus' return from Gaul, and the Colosseum built under the Flavian emperors. Hadrian and Trajan made contributions like the Pantheon and Trajan's Forum. Constantine's rule marked a shift toward Christianity and the division of the empire into western and eastern sections.
The document discusses aspects of Greek and Roman theater spaces and staging techniques. It provides reconstructions of early Greek theaters like the Theater of Dionysus. It also shows the evolution of the skene (backstage area) and stages over time from wooden structures to more elaborate stone Roman theaters. Finally, it describes depictions of comic stages and properties on ancient Greek vases from the 5th-4th centuries BC.
The document provides an overview of Roman sculpture, painting, and architecture from the Roman Empire's peak in the 2nd century CE through the 1st century CE. It features descriptions and images of busts and statues of prominent Roman figures like Caesar, Augustus, and Trajan. Additionally, it showcases examples of Roman wall paintings, mosaics, and sarcophagi from sites like Pompeii, Herculaneum, and the Domus Aurea, highlighting the progression of Roman painting styles over time.
The document provides an overview of landmarks and historical sites in Rome, Italy. It lists areas like the Forum, Palatine Hill, Colosseum, and landmarks such as the Arch of Constantine, Temple of Caesar, and Trajan's Column. It also mentions ruins, theaters, and fountains like the Fountain of Trevi that give insight into Rome's rich history under Roman emperors like Caesar and Severus.
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and libraries. Additional sites described include the Via Appia road, Arch of Titus, Palatine Hill where Romulus and Remus were said to be found, Basilica of Maxentius, House of the Vestal Virgins, Temples of Castor and Pollux and Saturn, and the Arch of
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend says they were cared for by a she-wolf, Basilica of Maxentius, Temples of Vesta, Castor and Pollux, and Saturn, and the Arch
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and libraries. Additional sites described include the Via Appia road, Arch of Titus, Palatine Hill where Romulus and Remus were said to be found, Basilica of Maxentius, House of the Vestal Virgins, Temples of Castor and Pollux and Saturn, and the Arch of
From Palaikastro Marine-style octopus flask, ca. 1500 B.docxhanneloremccaffery
From Palaikastro:
Marine-style
octopus flask,
ca. 1500 BCE
Harvesters Vase, from Hagia Triada,
ca. 1500 BCE. Steatite, with gold leaf;
bottom is reconstructed.
View from sea of Thera (Santorini), a volcanic island north of Crete
View toward caldera of volcano and emerging island of hardened lava
Street with houses, Akrotiri (pre-1628 BCE)
Collapsed staircase
Inside of house, Akrotiri
Brazier, above, and storage jar, right.
From Akrotiri, covered by eruption of
volcano, 1628 BCE
Plaster cast of bed frame (and some cordage), from house at Akrotiri
From Akrotiri (Thera),
young fisherman,
before 1628 BCE
From Akrotiri (Thera),
young woman,
gathering crocus flowers
(before 1628 BCE)
From Akrotiri (Thera): Spring fresco, before 1628 BCE
From Akrotiri (Thera): Ship flotilla fresco, showing overseas
expedition (before 1628 BCE)
View of citadel of Mycenae
Plan, citadel of Mycenae: 1) entrance (Lion Gate) 2) Grave Circle A 3) Megaron
4) Redoubt with sally port and hidden spring Ca. 1300 BCE
H. Schliemann and
friends at Lion Gate,
Mycenae
Lion Gate, Mycenae, and projecting bastion at right
Entrance to Megaron of palace at Mycenae
View to south over existing remains of Megaron (hearth is under tarp) to plain of Argos
Reconstruction of Megaron of Pylos (Palace of Nestor)
View of Grave Circle A at Mycenae, enclosed Shaft Graves, ca. 1600 BCE
Reconstructed drawing of Grave Circle A, with retaining wall and stelai
From Shaft Graves: Mask of “Agamemnon,” ca. 1600 BCE
From Shaft Graves: funerary sheets of gold for a child’s body
Lion Rhyton,
from Shaft Graves,
Mycenae
Inlaid daggers,
from Shaft Graves,
Mycenae. Now in
National Museum,
Athens.
Bronze blade with lion hunt in a Minoan style, inlaid gold, silver, and
electrum, using niello technique (niello is the black background,
made of copper, lead, sulphur, borax).
Tholos tomb, called the “Treasury of Atreus,” ca. 1300 BCE
Detail, showing relieving triangle
Reconstructed façade
of Treasury of Atreus
Section, tholos tomb
Half-column, partly
restored, from
Treasury of Atreus,
now in Athens
Note enormous lintel block inside the “Treasury of Atreus”
Inner corbelled dome of “Treasury of Atreus”
Warrior Vase (krater, for mixing wine), from Mycenae, ca. 1200 BCE
Suit of Mycenaean armor, with
boars’-tusk helmet, from tholos at Dendra,
now in Nafplion Museum. Ca. 1300 BCE
Imports founds at Mycenae:
jewelry and vessels from Egypt;
below, Canaanite transport
amphorae (from area of Syria)
Phaistos Disk, Linear A
Linear B tablets,
National Museum,
Athens
The Ancient Near East
Copper portrait of an Akkadian
ruler,
perhaps Naram-Sin
(ruled 2254-2218 BCE)
Found in Nineveh, mutilated in
antiquity, probably 612 BCE
Jacques de Morgan seated by
Stele of Naram-Sin, found at
Susa (Iran), ph ...
Ancient rome 2015-16 Mrs.Hill, Art History, CCAkaychill
1) The document describes several important sites from the Roman Republic and Empire, including temples, imperial fora, triumphal arches, baths, and amphitheaters.
2) Many of the sites showcase Roman architectural innovations like concrete construction and the use of arches and barrel vaults. Sculptures and reliefs at sites like the Arch of Titus depicted important historical events.
3) Portraits of emperors like Augustus, Trajan, and Marcus Aurelius emphasized their idealized and sometimes divine attributes, reflecting the importance of imperial imagery. Interior frescoes from Pompeii illustrate the evolution of painting styles over time in the Roman world.
The Theatre at Leptis Magna was a Roman theatre commissioned in 1-2 AD by a local merchant named Annobal Rufus. It featured a cavea (seating area) divided into three levels, with vomitoria (passageways) underneath for entrance and exit. The stage building, or scaena, had three semicircular recesses and was decorated with columns. Additions later included temples dedicated to Ceres-Augusta and deified emperors, showing Roman influence and promotion of the empire.
This document provides an overview of American abstract expressionist artists and their works from the 1940s-1960s. It mentions Clement Greenberg and his views on avant-garde art. Key figures discussed include Arshile Gorky, Willem de Kooning, Jackson Pollock, Lee Krasner, Robert Motherwell, Franz Kline, Philip Guston, Elaine de Kooning, Mark Rothko, Barnett Newman, Ad Reinhardt, David Smith, Mark di Suvero, John Chamberlain, and Joseph Cornell. Their abstract, expressionist paintings and sculptures from this period pushed boundaries and represented new artistic techniques.
Surrealism is defined as psychic automatism that aims to express the functioning of thought through verbal or written means, free of rational control or moral/aesthetic concerns. Several surrealist artists are mentioned, including Salvador Dali, Joan Miro, Rene Magritte, and Max Ernst. Their works often featured dreamlike, illogical images and situations. The document also summarizes American art movements before WWII such as the Ashcan School, Alfred Stieglitz and his photography, the Harlem Renaissance, American Regionalism, and Mexican artists Frida Kahlo and Diego Rivera.
This document discusses several influential artists and architects active in Europe during the early 20th century who experimented with new styles and ideas that paved the way for modern art and design. It focuses on pioneers like Modigliani, Matisse and Picasso in France; De Stijl movement members like Mondrian in the Netherlands; and Bauhaus founders Walter Gropius and László Moholy-Nagy in Germany who integrated art, craft and architecture. Many developed modernist styles that rejected realistic representation in favor of abstraction and minimal forms inspired by industrial materials and processes.
This document provides an overview of Pablo Picasso and the development of Cubism. It traces Picasso's early influences including Iberian sculpture. It then examines his pioneering Cubist works from 1907 to 1912 with Georges Braque, in which they broke forms down into geometric facets. Guillaume Apollinaire coined the term "Cubism" in 1912. The document outlines Analytical Cubism's emphasis on multiple perspectives and Synthetic Cubism's incorporation of collage. It concludes by exploring Cubism's influence on later artists and architects like Frank Lloyd Wright and Marc Chagall.
The document provides an overview of several early 20th century art movements including Futurism, Vorticism, Cubo-Futurism, Suprematism, Constructivism, Dada, and Die Neue Sachlichkeit. It lists important artists associated with each movement such as Giacomo Balla, Umberto Boccioni, Percy Wyndham Lewis, Kazimir Malevich, El Lissitzky, Marcel Duchamp, George Grosz, and Otto Dix. Each movement rejected traditional aesthetics and embraced new technological and industrial elements in their artistic works.
This document provides an overview of several early 20th century avant-garde art movements including Fauvism, Cubism, Expressionism, and Der Blaue Reiter. It mentions key artists such as Matisse, Derain, Brancusi, Kandinsky, Marc, Macke, who pioneered abstract and expressive styles that broke from realism and traditional techniques. Philosophers like Nietzsche, Riegl, and Lipps influenced these movements with ideas questioning established norms and emphasizing empathy and purpose in art.
02 impressionism through post impressionismextremecraft
This document provides an overview of major art movements and artists from the late 19th and early 20th centuries. It covers Impressionism and key Impressionist painters like Monet, Renoir, and Degas. It then discusses Post-Impressionism and artists such as Cézanne, Seurat, Van Gogh, and Gauguin. Later sections cover Symbolism, Rodin, early Expressionism, Art Nouveau, and major figures within each movement such as Munch, Mucha, Gaudí, and Beardsley.
This document provides brief biographies and descriptions of many important artists from 1450 to the late 1800s, spanning movements from the Renaissance to Realism. It touches on masters like Piero Antonio Martini, Canaletto, Jacques-Louis David, Francisco Goya, John Constable, Joseph Mallord William Turner, Gustave Courbet, Jean-François Millet, the Pre-Raphaelite Brotherhood, Édouard Manet and others, as well as early photography pioneers. The works and styles of these artists from different eras are summarized concisely.
This document discusses principles of design including unity, balance through asymmetry, symmetry, and radial forms, emphasis, subordination, scale, proportion, rhythm, contrast, and movement. Specific artists are mentioned like Joseph Cornell, Takeshi Murakami, and Hagop Sandaljian in the context of exploring these principles.
This document discusses various elements of art including complementary colors, color theory terms like monochromatic and analogous, cool and warm colors, color value and intensity, CMYK and RGB color systems, color halftones, pointillism, actual and visual textures, patterns in fabric and art, 2D and 3D space, perspectives like foreshortening and isometric, lines, shapes, and forms. It also references artists like Olafur Eliasson, Chris Offilli, Bridget Riley, and Egon Schiele.
The document provides an overview of Roman sculpture, painting, and architecture from the Roman Empire's peak in the 2nd century CE through the 1st century CE. It features descriptions and images of busts and statues of prominent Roman figures like Caesar, Augustus, and Trajan. Additionally, it showcases examples of Roman wall paintings, mosaics, and sarcophagi from sites like Pompeii, Herculaneum, and the Domus Aurea, highlighting the progression of Roman painting styles over time.
The document provides an overview of landmarks and historical sites in Rome, Italy. It lists areas like the Forum, Palatine Hill, Colosseum, and landmarks such as the Arch of Constantine, Temple of Caesar, and Trajan's Column. It also mentions ruins, theaters, and fountains like the Fountain of Trevi that give insight into Rome's rich history under Roman emperors like Caesar and Severus.
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and libraries. Additional sites described include the Via Appia road, Arch of Titus, Palatine Hill where Romulus and Remus were said to be found, Basilica of Maxentius, House of the Vestal Virgins, Temples of Castor and Pollux and Saturn, and the Arch of
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend says they were cared for by a she-wolf, Basilica of Maxentius, Temples of Vesta, Castor and Pollux, and Saturn, and the Arch
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and library. Further sites described include the Appian Way road, Arch of Titus, Palatine Hill where Romulus and Remus legend originates, Basilica of Maxentius, Temple of Vestal Virgins, Temple of Castor and Pollux, Temple of Saturn, Arch of Septimius Sever
The document provides descriptions of various landmarks and structures in ancient Rome. It discusses the construction of the Colosseum between 70-80 AD and its use for gladiator shows and animal fights. It also mentions the Arch of Constantine located between the Colosseum and Palatine Hill, the Circus Maximus chariot racing stadium, and the Baths of Caracalla public baths and libraries. Additional sites described include the Via Appia road, Arch of Titus, Palatine Hill where Romulus and Remus were said to be found, Basilica of Maxentius, House of the Vestal Virgins, Temples of Castor and Pollux and Saturn, and the Arch of
From Palaikastro Marine-style octopus flask, ca. 1500 B.docxhanneloremccaffery
From Palaikastro:
Marine-style
octopus flask,
ca. 1500 BCE
Harvesters Vase, from Hagia Triada,
ca. 1500 BCE. Steatite, with gold leaf;
bottom is reconstructed.
View from sea of Thera (Santorini), a volcanic island north of Crete
View toward caldera of volcano and emerging island of hardened lava
Street with houses, Akrotiri (pre-1628 BCE)
Collapsed staircase
Inside of house, Akrotiri
Brazier, above, and storage jar, right.
From Akrotiri, covered by eruption of
volcano, 1628 BCE
Plaster cast of bed frame (and some cordage), from house at Akrotiri
From Akrotiri (Thera),
young fisherman,
before 1628 BCE
From Akrotiri (Thera),
young woman,
gathering crocus flowers
(before 1628 BCE)
From Akrotiri (Thera): Spring fresco, before 1628 BCE
From Akrotiri (Thera): Ship flotilla fresco, showing overseas
expedition (before 1628 BCE)
View of citadel of Mycenae
Plan, citadel of Mycenae: 1) entrance (Lion Gate) 2) Grave Circle A 3) Megaron
4) Redoubt with sally port and hidden spring Ca. 1300 BCE
H. Schliemann and
friends at Lion Gate,
Mycenae
Lion Gate, Mycenae, and projecting bastion at right
Entrance to Megaron of palace at Mycenae
View to south over existing remains of Megaron (hearth is under tarp) to plain of Argos
Reconstruction of Megaron of Pylos (Palace of Nestor)
View of Grave Circle A at Mycenae, enclosed Shaft Graves, ca. 1600 BCE
Reconstructed drawing of Grave Circle A, with retaining wall and stelai
From Shaft Graves: Mask of “Agamemnon,” ca. 1600 BCE
From Shaft Graves: funerary sheets of gold for a child’s body
Lion Rhyton,
from Shaft Graves,
Mycenae
Inlaid daggers,
from Shaft Graves,
Mycenae. Now in
National Museum,
Athens.
Bronze blade with lion hunt in a Minoan style, inlaid gold, silver, and
electrum, using niello technique (niello is the black background,
made of copper, lead, sulphur, borax).
Tholos tomb, called the “Treasury of Atreus,” ca. 1300 BCE
Detail, showing relieving triangle
Reconstructed façade
of Treasury of Atreus
Section, tholos tomb
Half-column, partly
restored, from
Treasury of Atreus,
now in Athens
Note enormous lintel block inside the “Treasury of Atreus”
Inner corbelled dome of “Treasury of Atreus”
Warrior Vase (krater, for mixing wine), from Mycenae, ca. 1200 BCE
Suit of Mycenaean armor, with
boars’-tusk helmet, from tholos at Dendra,
now in Nafplion Museum. Ca. 1300 BCE
Imports founds at Mycenae:
jewelry and vessels from Egypt;
below, Canaanite transport
amphorae (from area of Syria)
Phaistos Disk, Linear A
Linear B tablets,
National Museum,
Athens
The Ancient Near East
Copper portrait of an Akkadian
ruler,
perhaps Naram-Sin
(ruled 2254-2218 BCE)
Found in Nineveh, mutilated in
antiquity, probably 612 BCE
Jacques de Morgan seated by
Stele of Naram-Sin, found at
Susa (Iran), ph ...
Ancient rome 2015-16 Mrs.Hill, Art History, CCAkaychill
1) The document describes several important sites from the Roman Republic and Empire, including temples, imperial fora, triumphal arches, baths, and amphitheaters.
2) Many of the sites showcase Roman architectural innovations like concrete construction and the use of arches and barrel vaults. Sculptures and reliefs at sites like the Arch of Titus depicted important historical events.
3) Portraits of emperors like Augustus, Trajan, and Marcus Aurelius emphasized their idealized and sometimes divine attributes, reflecting the importance of imperial imagery. Interior frescoes from Pompeii illustrate the evolution of painting styles over time in the Roman world.
The Theatre at Leptis Magna was a Roman theatre commissioned in 1-2 AD by a local merchant named Annobal Rufus. It featured a cavea (seating area) divided into three levels, with vomitoria (passageways) underneath for entrance and exit. The stage building, or scaena, had three semicircular recesses and was decorated with columns. Additions later included temples dedicated to Ceres-Augusta and deified emperors, showing Roman influence and promotion of the empire.
This document provides an overview of American abstract expressionist artists and their works from the 1940s-1960s. It mentions Clement Greenberg and his views on avant-garde art. Key figures discussed include Arshile Gorky, Willem de Kooning, Jackson Pollock, Lee Krasner, Robert Motherwell, Franz Kline, Philip Guston, Elaine de Kooning, Mark Rothko, Barnett Newman, Ad Reinhardt, David Smith, Mark di Suvero, John Chamberlain, and Joseph Cornell. Their abstract, expressionist paintings and sculptures from this period pushed boundaries and represented new artistic techniques.
Surrealism is defined as psychic automatism that aims to express the functioning of thought through verbal or written means, free of rational control or moral/aesthetic concerns. Several surrealist artists are mentioned, including Salvador Dali, Joan Miro, Rene Magritte, and Max Ernst. Their works often featured dreamlike, illogical images and situations. The document also summarizes American art movements before WWII such as the Ashcan School, Alfred Stieglitz and his photography, the Harlem Renaissance, American Regionalism, and Mexican artists Frida Kahlo and Diego Rivera.
This document discusses several influential artists and architects active in Europe during the early 20th century who experimented with new styles and ideas that paved the way for modern art and design. It focuses on pioneers like Modigliani, Matisse and Picasso in France; De Stijl movement members like Mondrian in the Netherlands; and Bauhaus founders Walter Gropius and László Moholy-Nagy in Germany who integrated art, craft and architecture. Many developed modernist styles that rejected realistic representation in favor of abstraction and minimal forms inspired by industrial materials and processes.
This document provides an overview of Pablo Picasso and the development of Cubism. It traces Picasso's early influences including Iberian sculpture. It then examines his pioneering Cubist works from 1907 to 1912 with Georges Braque, in which they broke forms down into geometric facets. Guillaume Apollinaire coined the term "Cubism" in 1912. The document outlines Analytical Cubism's emphasis on multiple perspectives and Synthetic Cubism's incorporation of collage. It concludes by exploring Cubism's influence on later artists and architects like Frank Lloyd Wright and Marc Chagall.
The document provides an overview of several early 20th century art movements including Futurism, Vorticism, Cubo-Futurism, Suprematism, Constructivism, Dada, and Die Neue Sachlichkeit. It lists important artists associated with each movement such as Giacomo Balla, Umberto Boccioni, Percy Wyndham Lewis, Kazimir Malevich, El Lissitzky, Marcel Duchamp, George Grosz, and Otto Dix. Each movement rejected traditional aesthetics and embraced new technological and industrial elements in their artistic works.
This document provides an overview of several early 20th century avant-garde art movements including Fauvism, Cubism, Expressionism, and Der Blaue Reiter. It mentions key artists such as Matisse, Derain, Brancusi, Kandinsky, Marc, Macke, who pioneered abstract and expressive styles that broke from realism and traditional techniques. Philosophers like Nietzsche, Riegl, and Lipps influenced these movements with ideas questioning established norms and emphasizing empathy and purpose in art.
02 impressionism through post impressionismextremecraft
This document provides an overview of major art movements and artists from the late 19th and early 20th centuries. It covers Impressionism and key Impressionist painters like Monet, Renoir, and Degas. It then discusses Post-Impressionism and artists such as Cézanne, Seurat, Van Gogh, and Gauguin. Later sections cover Symbolism, Rodin, early Expressionism, Art Nouveau, and major figures within each movement such as Munch, Mucha, Gaudí, and Beardsley.
This document provides brief biographies and descriptions of many important artists from 1450 to the late 1800s, spanning movements from the Renaissance to Realism. It touches on masters like Piero Antonio Martini, Canaletto, Jacques-Louis David, Francisco Goya, John Constable, Joseph Mallord William Turner, Gustave Courbet, Jean-François Millet, the Pre-Raphaelite Brotherhood, Édouard Manet and others, as well as early photography pioneers. The works and styles of these artists from different eras are summarized concisely.
This document discusses principles of design including unity, balance through asymmetry, symmetry, and radial forms, emphasis, subordination, scale, proportion, rhythm, contrast, and movement. Specific artists are mentioned like Joseph Cornell, Takeshi Murakami, and Hagop Sandaljian in the context of exploring these principles.
This document discusses various elements of art including complementary colors, color theory terms like monochromatic and analogous, cool and warm colors, color value and intensity, CMYK and RGB color systems, color halftones, pointillism, actual and visual textures, patterns in fabric and art, 2D and 3D space, perspectives like foreshortening and isometric, lines, shapes, and forms. It also references artists like Olafur Eliasson, Chris Offilli, Bridget Riley, and Egon Schiele.
The document lists influential artists from the 18th through early 20th centuries including Jacques-Louis David, Francisco Goya, Caspar David Friedrich, John Constable, Thomas Cole, Louis Daguerre, Gustave Courbet, Jean-François Millet, Rosa Bonheur, Honoré Daumier, William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, Thomas Eakins, James Abbott McNeill Whistler, Édouard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, Edgar Degas, Mary Cassatt, Berthe Morisot, Paul Cézanne, Vincent van Gogh, Paul G
This document provides an overview of European art and architecture from the mid-18th century through the early 19th century, mentioning numerous artists, architects, patrons, and locations. Key figures and developments discussed include Joseph Wright, Johann Zoffany, Giovanni Battista Tiepolo, Jean-Antoine Watteau, François Boucher, Jean-Honoré Fragonard, Rosalba Carriera, Canaletto, Giovanni Battista Piranesi, Johann Joachim Winckelmann, Antonio Canova, Horace Walpole, Josiah Wedgwood, William Hogarth, Joshua Reynolds, Thomas Gainsborough, Thomas Lawrence, Benjamin West, John Henry Fuseli,
This document lists several famous Japanese artists from different historical periods including woodblock print artists from the Edo period such as Katsushika Hokusai, Utagawa Hiroshige, and Kitagawa Utamaro as well as painters from the Muromachi, Momoyama, and early modern periods such as Sesshu, Kano Eitoku, and Hasegawa Tohaku. It also mentions philosophers, tea masters, and landscape features from different eras of Japanese history.
This document lists and briefly describes numerous prominent European artists and their works from the 16th-17th centuries, including Bernini, Borromini, Carracci, Caravaggio, Gentileschi, Velázquez, Murillo, Rubens, Van Dyck, Rembrandt, Vermeer, Mansart and Le Brun. It also mentions specific works and architectural features such as Bernini's Ecstasy of Saint Teresa, Borromini's San Carlo alle Quattro Fontane, Caravaggio's Calling of Saint Matthew, Velázquez's Las Meninas, Rembrandt's Night Watch, Vermeer's View of Delft and the Hall of Mirrors at
The document discusses Chinese artists from different dynasties including the Song, Yuan, and Ming dynasties. It mentions painters such as Zhao Mengfu, Ni Zan, Yin Hong, Qiu Ying, Dong Qichang, Shen Zhou, Shitao, and modern artists Cai Guo-Qiang and An Gyeon. The artists worked in different styles and eras, from the Song dynasty kilns through to Ming dynasty ink painters and contemporary conceptual artists.
The document provides the titles of various artworks and architectural structures from India and surrounding regions. It includes titles related to Hindu and Buddhist mythology like Mithuna Figures and Birth of Mahavira Kalpa Sutra. It also lists famous temples like Kandariya Mahadeva temple and architectural elements like the Outer gopura of the Minakshi-Sundareshvara Temple. Historical figures like Akbar the Great and Shah Jahan are mentioned alongside structures from their reigns. Artworks spanning different media are referenced, ranging from the Shwe-Dagon Stupa to paintings like Krishna and the Gopis to contemporary works by artists like Raqib Shaw.
You can easily change/correct a name on your flight ticket under the American Airlines name change policy. The airline provides multiple online and offline modes to place a name change request. To learn more about how to change a name on American Airlines ticket, you can directly approach the airline’s customer support. Moreover, you can connect with a flight expert at +1-866-738-0741 for quick assistance.
Nature of the task 1. write a paragraph about your trip to dubai and what ar...solutionaia
1. write a paragraph about your trip to dubai and what are the facts responsible for the heavy rainfall in dubai that caused havec ?
2. mention any five major tourist attaction of dubai
Mathematics: a student a visit her family her father converted Rs. 1,15,000 inr currency for dubai airport theexpedite in the trip is given below
1. Curreny name of India and dubai
2. Conversions amount
3. Total Converted amount
4. cost of food
5. cost of sightseeing
6. cost of shoping
7. cost of saving
Explore Architectural Wonders and Vibrant Culture With Naples ToursNaples Tours
Discover the historical gems and vivid culture of Naples with our guided tours. From the vivid narrow streets of Spaccanapoli to the ancient ruins of Pompeii, the city offers a mixed bag of adventurous experiences. Book your tickets today https://www.naples.tours/ and experience the best of Naples!
Our excursions in tahiti offer stunning lagoon tours, vibrant marine life encounters, and cultural experiences. We ensure unforgettable adventures amidst breathtaking landscapes and serene waters. For more information, mail us at tracey@uniquetahiti.com.
The Ultimate Travel Guide to Hawaii Island Hopping in 2024adventuressabifn
island hopping in Hawaii. This magical place offers a number of experiences, as each island has its own charm. Do you love adventure? Then, hike through volcanoes or kayak along an amazing coastline. If you want relaxation, then Hawaii is perfect because it has the most amazing beaches. In this blog, I will help you make an itinerary for your Hawaii Island Hopping. Every island offers something special. The Big Island offers some of the most perfect volcanoes as well as stargazing. Maui will pamper you with beaches and luxury. Kauai has some of the most lush rainforests with dramatic cliffs, and Oahu can offer a taste of city life and historical significance.
How To Change Your Name On American Airlines Aadvantage.pptxedqour001namechange
American Airlines permits passengers to change/correct names on their AAdvantage account. Also, you can request a name change both online via a web portal and offline over the phone. For further information on how to change your name on American Airlines Advantage, get in touch with the airline’s customer service. Also, you can reach out to a consolidation desk at +1-866-738-0741 for quick assistance.
Prepare for cold weather rafting with proper gear: layering for warmth, insulated headgear, gloves, waterproof footwear, and essential accessories like sunglasses and sunscreen. Prioritize safety with a life jacket and maintain gear for optimal performance. Stay warm, dry, and ready for adventure on the rapids!
bangalore metro routes, stations, timingsnarinav14
Bangalore Metro, also known as Namma Metro, is a rapid transit system serving the city of Bangalore, Karnataka, India. It is the second longest operational metro network in India after the Delhi Metro.
How do I plan a Kilimanjaro Climb?
Planning to climb Mount Kilimanjaro is an exciting yet detailed process. Here’s a step-by-step guide to help you prepare for this incredible adventure.
Wayanad-The-Touristry-Heaven to the tour.pptxcosmo-soil
Wayanad, nestled in Kerala's Western Ghats, is a lush paradise renowned for its scenic landscapes, rich biodiversity, and cultural heritage. From trekking Chembra Peak to exploring ancient Edakkal Caves, Wayanad offers thrilling adventures and serene experiences. Its vibrant economy, driven by agriculture and tourism, highlights a harmonious blend of nature, tradition, and modernity.
Golden Gate Bridge: Magnificent Architecture in San Francisco | CIO Women Mag...CIOWomenMagazine
The famous suspension bridge connects the city of San Francisco to Marin County in California. Golden Gate Bridge carries both U.S. Route 101 and California State Route 1 across the strait and is about one mile wide. In this article, we will explore the history and significance that have shaped the iconic monument it is known as today.
Ibiza, situated in the Balearic Islands, stands out as a destination that encompasses everything: stunning landscapes, hidden gems to explore, a vibrant social scene, rich cultural life, and exceptional gastronomy. Opting for ‘Ibiza Rent A Boat’ to experience an unforgettable vacation on the White Island is certainly worthwhile, prompting a deeper exploration of the unique and fascinating aspects of Ibiza.
Un viaje a Buenos Aires y sus alrededoresJudy Hochberg
A travelogue of my recent trip to Argentina, most to Buenos Aires, but including excursion to Iguazú waterfalls, Tigre, and Colonia del Sacramento in Uruguay
What Challenges Await Beginners in SnowshoeingSnowshoe Tahoe
Discover the exhilarating world of snowshoeing through our presentation, highlighting the challenges faced by beginners. From physical exertion to technical finesse and braving harsh winter conditions, each step in the snow brings new obstacles and unforgettable adventures. Embrace the challenge and conquer the winter wonderland with confidence!
What Outdoor Adventures Await Young Adults in Montreal's Surrounding NatureSpade & Palacio Tours
Experience Montreal's vibrant culture and thrilling outdoor adventures. From hiking scenic trails at Mont-Saint-Bruno to kayaking the Saint Lawrence River, there's something for every adventurous young adult. Explore street art, camp under the stars, and immerse yourself in nature's beauty just beyond the city's bustling streets.
37. Plan of the Villa of the Mysteries. Pompeii, Early Second Century BCE 1) Entrance Foyer, 2) Peristyle, 3) Atrium, 4) Pool (Water Basin), 5) Tablinium (office, official Reception Room), 6) Room with Paintings of Mysteries, 7) Terrace, 8) Bedroom
Artist: n/a Title: She-Wolf Medium: Bronze, glass-paste eyes Size: height 33½" (85 cm) Date: c. 500 BCE, or 450–430 BCE with 15th or 16th century additions (the twins) Source/Museum: Museo Capitolino, Rome
Artist: n/a Title: The Roman Republic and Empire Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Elements of Architecture: Arch, Vault, and Dome Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Porta Augusta, Perugia Medium: n/a Size: n/a Date: 3rd to 2nd century BCE Source/Museum: Perugia, Italy
Artist: n/a Title: Reconstruction of an Etruscan Temple Medium: n/a Size: n/a Date: n/a Source/Museum: Based on archaeological evidence and descriptions by Vitruvius. University of Rome, Istituto di Etruscologia e Antichità Italiche
Artist: n/a Title: Plan of an Etruscan Temple Medium: n/a Size: n/a Date: n/a Source/Museum: Based on descriptions by Vitruvius
Artist: Master sculptor Vulca (?) Title: Apollo of Veii Medium: Painted terra cotta Size: height 5'10" (1.8 m) Date: c. 510–500 BCE Source/Museum: Temple of Minerva, Portenaccio, Veii. / Museo Nazionale di Villa Giulia, Rome
Artist: n/a Title: Burial chamber, Tomb of the Reliefs Medium: n/a Size: n/a Date: 3rd century BCE Source/Museum: Cerveteri
Artist: n/a Title: Sarcophagus Medium: Terra cotta Size: length 6"7" (2.06 m) Date: c. 520 BCE Source/Museum: Fom Cerveteri. /Museo Nazionale di Villa Giulia, Rome
Artist: n/a Title: Head of a man (known as Brutus) Medium: Bronze, eyes of painted ivory Size: height 12½" (31.8 cm) Date: c. mid-3rd century BCE Source/Museum: Palazzo dei Conservatori, Rome
Artist: n/a Title: Aulus Metellus Medium: Bronze Size: height 5'11" (1.8 m) Date: c. 80 BCE Source/Museum: Found near Perugia. / Museo Archeologico Nazionale, Florence
Artist: n/a Title: Portrait of Pompey the Great Medium: Marble Size: height 9 ¼" (24.8 cm) Date: 30 CE. copy of sculpture of c. 50 BCE Source/Museum: Ny Carlsberg Glyptotek, Copenhagen
Artist: n/a Title: Denarius with Portrait of Julius Caesar Medium: Silver Size: diameter approximately ¾" (1.9 cm) Date: 44 BCE Source/Museum: American Numismatic Society, New York
Artist: n/a Title: Pont Du Gard Medium: n/a Size: n/a Date: Late 1st century BCE Source/Museum: Nîmes, France
Artist: n/a Title: Model of the Sanctuary of Fortuna Primigenia. Palestrina, Italy Medium: n/a Size: n/a Date: Late 2nd Century BCE Source/Museum: Museo Archeologico Nazionale, Italy
Artist: n/a Title: Plan of Temple Forum Boarium (Cattle Market), Rome Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Maison Carrée Medium: n/a Size: n/a Date: c. 20 BCE Source/Museum: Nîmes, France
Artist: n/a Title: View of the Roman Forum Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Augustus of Primaporta Medium: Marble (originally colored) Size: height 6'8" (2.03 m) Date: Early 1st century CE. Perhaps a copy of a bronze statue of c. 20 BCE Source/Museum: Musei Vaticani, Braccio Nuovo, Rome
Artist: n/a Title: Augustus of Primaporta Medium: A copy with color restored Size: n/a Date: n/a Source/Museum: Vatican Museum, Rome
Artist: n/a Title: Ara Pacis Augustae (altar of Augustan Peace), view of west side Medium: Marble Size: approx. 34'5" (10.5 m) X 38' (11.6 m) Date: 13–9 BCE Source/Museum: Rome
Artist: n/a Title: Imperial Procession Medium: n/a Size: height 5'2" (1.6 m) Date: n/a Source/Museum: Detail of a relief on the south side of the Ara Pacis
Artist: n/a Title: Allegory of Peace Medium: n/a Size: height 5'2" (1.6 m) Date: n/a Source/Museum: Relief on the east side of the Ara Pacis
Artist: n/a Title: Gemma Augustea Medium: Onyx Size: 7½ X 9" (19 X 23 cm) Date: Early 1st century CE Source/Museum: Kunsthistorisches Museum, Vienna
Artist: n/a Title: Aerial View of The City of Pompeii Medium: n/a Size: n/a Date: 79 CE Source/Museum: n/a
Artist: n/a Title: Street In Pompeii Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Plan of the Villa of the Mysteries. Pompeii, Early Second Century BCE 1) Entrance Foyer, 2) Peristyle, 3) Atrium, 4) Pool (Water Basin), 5) Tablinium (office, official Reception Room), 6) Room with Paintings of Mysteries, 7) Terrace, 8) Bedroom Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Peristyle Garden, House of The Vettii Medium: n/a Size: n/a Date: Rebuilt 62–79 CE Source/Museum: Pompeii
Artist: n/a Title: Initiation Rites of the Cult of Bacchus (?) Medium: Wall painting Size: n/a Date: c. 60–50 BCE Source/Museum: In the Villa of the Mysteries, Pompeii
Artist: n/a Title: Garden Scene Medium: Detail of a wall painting Size: n/a Date: Late 1st century BCE Source/Museum: From the dining room of the Villa of Livia at Primaporta, near Rome. / Museo Nazionale Romano, Rome
Artist: n/a Title: Reconstructed bedroom Medium: n/a Size: n/a Date: Late 1st century BCE, with later furnishings. Source/Museum: House of Publius Fannius Synistor, Boscoreale, near Pompeii. / The Metropolitan Museum of Art, New York. Rogers Fund, 1903 (03.14.13)
Artist: n/a Title: Cityscape Medium: Detail of a wall painting Size: n/a Date: Late 1st century CE Source/Museum: From a bedroom in the House of Publius Fannius Synistor, Boscoreale. / The Metropolitan Museum of Art, New York. Rogers Fund, 1903 (03.14.13
Artist: n/a Title: Detail of A Wall Painting Medium: n/a Size: n/a Date: Mid-1st century CE Source/Museum: In the house of M. Lucretius Fronto, Pompeii
Artist: n/a Title: Still Life Medium: Detail of a wall painting Size: approx. 1'2" X 1 ½" (35.5 X 31.7 cm) Date: Before 79 CE Source/Museum: From House of the Stags (Cervi), Herculaneum. / Museo Nazionale, Naples.
Artist: n/a Title: Young Woman Writing Medium: Detail of a wall painting Size: diameter 14 ⅝ " (37 cm) Date: Before 79 CE Source/Museum: From Pompeii. / Museo Archeològico Nazionale, Naples
Artist: n/a Title: The Arch of Titus Medium: Concrete and white marble Size: height 50' (15 m) Date: c. 81 CE (Restored 1822–24) Source/Museum: Rome
Artist: n/a Title: Spoils from the Temple of Solomon, Jerusalem Medium: Marble Size: height 6'8" (2.03 m) Date: n/a Source/Museum: Relief in the passageway of the Arch of Titus
Artist: n/a Title: Triumphal Procession, Titus In Chariot Medium: Marble Size: height 6'8" (2.03 m) Date: n/a Source/Museum: Relief in the passageway of the Arch of Titus.
Artist: n/a Title: Flavian Amphitheater (Colosseum) from the air Medium: n/a Size: n/a Date: 70–80 CE Source/Museum: Rome
Artist: n/a Title: A Young Flavian Woman Medium: Marble Size: height 25" (65.5 cm) Date: c. 90 CE Source/Museum: Museo Capitolino, Rome
Artist: n/a Title: A Young Flavian Woman Medium: Marble Size: height 25" (65.5 cm) Date: c. 90 CE Source/Museum: Museo Capitolino, Rome
Artist: n/a Title: Middle-Aged Flavian Woman Medium: Marble Size: height 9 ½" (24.1 cm) Date: Late 1st century CE Source/Museum: Musei Vaticani, Museo Gregoriano Etrusco, Rome. Profano, ex-Lateranese, Rome
Artist: n/a Title: Middle-Aged Flavian Woman Medium: Marble Size: height 9 ½" (24.1 cm) Date: Late 1st century CE Source/Museum: Musei Vaticani, Museo Gregoriano Etrusco, Rome. Profano, ex-Lateranese, Rome
Artist: n/a Title: Model of the Forum Romanum and Imperial Forums, Rome Medium: n/a Size: n/a Date: c. 325 CE Source/Museum: n/a
Artist: n/a Title: Plan of Trajan's Forum Medium: n/a Size: n/a Date: c. 110–113 CE Source/Museum: n/a
Artist: Drawn by Gilbert Gorski.Trajan’s architect was Apollodorus of Damascus Title: Restored perspective view of the central hall, Basilica Ulpia, Rome Medium: n/a Size: n/a Date: c. 112 CE Source/Museum: n/a
Artist: n/a Title: Main Hall, Markets of Trajan, Rome Medium: n/a Size: n/a Date: 100–12 CE Source/Museum: n/a
Artist: n/a Title: Column of Trajan Medium: Marble Size: overall height with base 125' (38 m), column alone 97'8" (29.77 m) relief 625' (190.5 m) long Date: 113–16 or after 117 CE Source/Museum: Rome
Artist: n/a Title: Romans Crossing The Danube and Building A Fort Medium: Marble Size: height of the spiral band approx. 36" (91 cm) Date: 113–16 or after 117 CE Source/Museum: Detail of the lowest part of the Column of Trajan
Bust of Trajan, British Museum
Artist: n/a Title: Pantheon Medium: n/a Size: n/a Date: c. 118–128 CE Source/Museum: Rome
Artist: n/a Title: Reconstruction Drawing of the Pantheon Medium: n/a Size: n/a Date: n/a Source/Museum: Rome
Artist: n/a Title: Dome of the Pantheon with light from the oculus on its coffered ceiling Medium: Brick, concrete, marble, veneer Size: diameter of dome 143' (43.5 m) Date: 125–128 CE Source/Museum: Rome
Artist: n/a Title: Circle section of the Pantheon Medium: n/a Size: n/a Date: n/a Source/Museum: Rome
Artist: n/a Title: Hadrian’s Wall Medium: n/a Size: n/a Date: 2nd century CE Source/Museum: Great Britain. View from near Housesteads, England
Artist: Herakleitos Title: The Unswept Floor Medium: Mosaic variant of a 2nd-century BCE painting by Sosos of Pergamon Size: n/a Date: 2nd century CE Source/Museum: Musei Vaticani, Museo Gregoriano Profano, Rome
Damnatio Memoriae
Artist: n/a Title: Equestrian Statue of Marcus Aurelius Medium: Bronze, originally gilded Size: height of statue 11'6" (3.5 m) Date: c. 176 CE Source/Museum: Museo Capitolino, Rome
Artist: n/a Title: Commodus as Hercules Medium: Marble Size: height 46 ½" (118 cm) Date: c. 191–92 CE Source/Museum: Esquiline Hill, Rome / Palazzo dei Conservatori, Rome
Artist: n/a Title: Septimius Severus, Julia Domna, and Their Children, Geta and Caracalla Medium: Painted wood Size: diameter 14" (35.6 cm) Date: c. 200 CE Source/Museum: Fayum, Egypt / Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Antikensammlung
Artist: n/a Title: Caracalla Medium: Marble Size: height 14 ½" (36.2 cm) Date: Early 3rd century CE Source/Museum: The Metropolitan Museum of Art, New York. Samuel D. Lee Fund, 1940 (40.11.1A)
Artist: n/a Title: Baths of Caracalla Medium: n/a Size: n/a Date: c. 211–17 CE Source/Museum: Rome
Artist: n/a Title: Plan of The Baths of Caracalla, Rome Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Church of Santa Maria Degli Angeli (Baths of Diocletian) Medium: n/a Size: n/a Date: c. 298–306 CE. Converted into a church by Michelangelo in 1563 Source/Museum: n/a
Artist: n/a Title: The Tetrarchs Medium: Porphyry Size: height of figures 51" (129 cm) Date: c. 300 CE Source/Museum: Brought from Constantinople in 1204, installed at the corner of the façade of the Cathedral of Saint Mark, Venice
Artist: n/a Title: Audience Hall of Constantine Chlorus (now known as the Basilica). Interior: view of the nave. Medium: n/a Size: height of room 100' (30.5 m) Date: Early 4th century Source/Museum: Trier, Germany
Artist: n/a Title: Audience Hall of Constantine Chlorus (now known as the Basilica). Exterior. Medium: n/a Size: n/a Date: Early 4th century Source/Museum: Trier, Germany
Artist: n/a Title: Constantine The Great Medium: Marble Size: height of head 8'6" (2.6 m) Date: 325–26 CE Source/Museum: Basilica of Maxentius and Constantine, Rome / Palazzo dei Conservatori, Rome
Artist: n/a Title: Arch of Constantine Medium: n/a Size: n/a Date: 312–15 CE (dedicated July 25, 315) Source/Museum: Rome
Artist: n/a Title: Basilica of Maxentius and Constantine (Basilica Nova) Medium: n/a Size: n/a Date: 306–13 CE Source/Museum: Rome