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FRAME 1
Speed up the typing section, as this is slow and takes up a lot of
  time on the cut.
FRAME 7
Fast walk into the workshop from the desk, this will make the music sound
   more realistic and incorporate a fast pace of editing.
FRAME 9
Keep up the fast walk until the light switch shot
FRAME 12
Add in the close-up of the vice (This got cut out of the rough cut)
FRAME 13
Bang the cupboard doors, make this faster (faster pace of editing)
FRAME 16
Either edit (make it faster) or delete the file shot. File looks feeble against
    the previous shot of the saw.
FRAME 17
Bang the brasso down harder – More of a thriller convention of sudden
   sound.
FRAME 19
Shorten down the turning of the Brasso cap.
FRAME 20
Make the blade down the sleeve brighter, so the audience can see what the
   character is doing.
FRAME 21
Add in putting on the coat to block out the camera
FRAME 22
Add slow-motion of sparks – We didn’t do this for the rough cut as we were
   stretched for time and it’s technical

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Rough cut ‘analysis’

  • 1.
  • 2. FRAME 1 Speed up the typing section, as this is slow and takes up a lot of time on the cut.
  • 3. FRAME 7 Fast walk into the workshop from the desk, this will make the music sound more realistic and incorporate a fast pace of editing.
  • 4. FRAME 9 Keep up the fast walk until the light switch shot
  • 5. FRAME 12 Add in the close-up of the vice (This got cut out of the rough cut)
  • 6. FRAME 13 Bang the cupboard doors, make this faster (faster pace of editing)
  • 7. FRAME 16 Either edit (make it faster) or delete the file shot. File looks feeble against the previous shot of the saw.
  • 8. FRAME 17 Bang the brasso down harder – More of a thriller convention of sudden sound.
  • 9. FRAME 19 Shorten down the turning of the Brasso cap.
  • 10. FRAME 20 Make the blade down the sleeve brighter, so the audience can see what the character is doing.
  • 11. FRAME 21 Add in putting on the coat to block out the camera
  • 12. FRAME 22 Add slow-motion of sparks – We didn’t do this for the rough cut as we were stretched for time and it’s technical