rijksmuseum
2+3D Photography 2017 – INV 1 Shooting the sound. A report on the Rijksmuseum's musical instrument collection photo campaign - Giovanni Paolo di Stefano
2+3D Photography 2017 – INV 2 Save for later: How Cooper Hewitt’s Pen allows visitors to bring its collection home - Micah Walter
2+3D Photography 2017 – INV 3 Location photography Of Louis Comfort Tiffany's architectural mosaics - Andrew Fortune
2+3D Photography 2017 – INV 5 Visualizing Spaces for Music: The Berlin Philharmonic and Pierre Boulez Saal - Chris Edwards
2+3D Photography 2017 – SP 2 Color Management for cultural heritage objects using RTI - Peter Fornaro
2+3D Photography 2017 – INV 8 A new target with a new approach for the photography of 3D objects - Hans van Dormolen
2+3D Photography 2017 – SP 3 Photogrammetry and postproduction workflow for 3D reproduction of artworks: lessons learned from the French museums - François Bougnères
2+3D Photography 2017 – INV 12 The Making of an Online Exhibition: The Legacy of Ancient Palmyra - Liz McDermott and Frances Terpak
2+3D Photography 2017 – INV 13 A critical reflection on the use of 3D technologies for the documentation of endangered heritage - Hendrik Hameeuw
2+3D Photography 2017 – SP 5 Oversized Imaging at Stanford: the Ōmi Kuni-ezu Tax Map, 1837 - Deardra Fuzzell
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2+3D Photography 2017 – INV 18 From Project to Programmatic: International Standards and Advanced Imaging at the Metropolitan Museum of Art - Scott Geffert
2+3D Photography 2017 – P 1 Victoria & Albert Museum Photographic Studio Archive 1857 to Present - Ken Jackson (poster)
2+3D Photography 2017 – P 2 Color accurate reproduction of original artwork using custom profiles in Adobe Camera Raw - Franz Herbert
2+3D Photography 2017 – P 3 Quantitative Monitoring of Works of Art on Paper with Spectral Imaging - Roberto Padoan
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