SlideShare a Scribd company logo
1 of 1
Shot List

Names:                                                   Project:



Shot        Shot Type/Movement (e.g. Close up)   Shot Description
Number
1           Point of view.                       Focuses on all the props and nothing else.


2           Establishing shot.                   To establish the location and key character. (Jay)


3           Tracking shot.                       To show another key character and to focus on the
                                                 character. (Leon)

4           Tracking shot.                       Keep following characters movement. (Jay)


5           Close up.                            To show expressions on characters face during
                                                 phone call. (Jay)

6           Mid shot.                            To show the spontaneous meeting of two
                                                 characters and to see their full attire. (Leon)

7           Mid shot.                            Keep the character in a bigger view for the audience
                                                 for time to establish an opinion of the characters
                                                 appearance. (Leon)
8           Long shot.                           To see the character running and also to see him in
                                                 full view. (Jay)

9           Mid shot.                            To show the character still walking down the street
                                                 slowly. (Leon)

10          Long shot.                           To see a random civilian in the background and also
                                                 to focus on two characters meeting. (Jay and Leon)

11          Two-Shot.                            See both of the key characters in one picture.
                                                 Focuses on only them and what they are
                                                 exchanging. (Jay and Leon)
12          Close up.                            See the facial expressions and to emphasise the
                                                 nervousness of the character. (Jay)

13          Long shot.                           See the character walking off leaving the film
                                                 opening and the audience in an enigmatic tension.
                                                 What is going to Happen next? (Jay)
14

More Related Content

What's hot (20)

Director research
Director researchDirector research
Director research
 
Shot types
Shot typesShot types
Shot types
 
Shooting Schedule
Shooting ScheduleShooting Schedule
Shooting Schedule
 
Joe Johnson (film director)
Joe Johnson (film director)Joe Johnson (film director)
Joe Johnson (film director)
 
pFloor plans
pFloor planspFloor plans
pFloor plans
 
Floor planss
Floor planssFloor planss
Floor planss
 
lFloor plans
lFloor planslFloor plans
lFloor plans
 
Shot list
Shot listShot list
Shot list
 
Re
ReRe
Re
 
The Wall
The WallThe Wall
The Wall
 
Unit 12 pp
Unit 12 ppUnit 12 pp
Unit 12 pp
 
Shaun of the Dead - Camera Shots, Angles, Focus
Shaun of the Dead - Camera Shots, Angles, FocusShaun of the Dead - Camera Shots, Angles, Focus
Shaun of the Dead - Camera Shots, Angles, Focus
 
Saw presentation
Saw presentationSaw presentation
Saw presentation
 
Action sequences
Action sequencesAction sequences
Action sequences
 
Filmmaking shorter version
Filmmaking shorter versionFilmmaking shorter version
Filmmaking shorter version
 
Shot types
Shot typesShot types
Shot types
 
Media shots
Media shotsMedia shots
Media shots
 
6 a films
6 a films6 a films
6 a films
 
FMP Context Research
FMP Context ResearchFMP Context Research
FMP Context Research
 
Storyboard
StoryboardStoryboard
Storyboard
 

Shot list

  • 1. Shot List Names: Project: Shot Shot Type/Movement (e.g. Close up) Shot Description Number 1 Point of view. Focuses on all the props and nothing else. 2 Establishing shot. To establish the location and key character. (Jay) 3 Tracking shot. To show another key character and to focus on the character. (Leon) 4 Tracking shot. Keep following characters movement. (Jay) 5 Close up. To show expressions on characters face during phone call. (Jay) 6 Mid shot. To show the spontaneous meeting of two characters and to see their full attire. (Leon) 7 Mid shot. Keep the character in a bigger view for the audience for time to establish an opinion of the characters appearance. (Leon) 8 Long shot. To see the character running and also to see him in full view. (Jay) 9 Mid shot. To show the character still walking down the street slowly. (Leon) 10 Long shot. To see a random civilian in the background and also to focus on two characters meeting. (Jay and Leon) 11 Two-Shot. See both of the key characters in one picture. Focuses on only them and what they are exchanging. (Jay and Leon) 12 Close up. See the facial expressions and to emphasise the nervousness of the character. (Jay) 13 Long shot. See the character walking off leaving the film opening and the audience in an enigmatic tension. What is going to Happen next? (Jay) 14