Crítica a mi obra DR. pantigoso Univ. Ricardo Palma Lima

1. Approachestopaint Aminta Henrich
By: Manuel Pantigoso
Steeped in multipleexperiences, thepaintings of Aminta Henrich
concentrated in thereceptacle of thecanvas - oronthe veranda
of hiswindow - feelings and memories , commuter and
environment , dailylife and transcendence, individual and social
experiences , dreams and realities, ieteeminghistory and
populatedgeography
of
subjectivity
and
a
wholeinnerwealththatseeksitsintegratorchannel
in
theplasticproductcharacterizedby
configure
atmospheresbothdilutedwithgentlestrokesthatclothethedeserte
ddrawing
as
condensedthroughstrongfillingsthat
are
stonysolidityorbrightness of thesubject.
From the darkness of the cave or symbolically standing water
comes life. Recall that the artist is also a biologist , and
therefore know that all creation comes from the roots or
vestiges of humanity ( the plains of Nazca , for example ) to
achieve that life energy configuration wrapped in mystery in the
unknowns of the cosmos, as a way to find a synthesis between
the roots and rootlessness , closeness and distance , the joy and
melancholy , built by the alternation of cold and warm , defined
and abstract from where colors are defined in light of the
existence .

2. The dialectic of essence of life - full of harmonies and
disharmonies , thus appears to be the leitmotif of the painting
Aminta Henrich , their transcendental investigations, and their
achievements , full of sun and shadows , silences , rumblings , of
order and disorder . From the bottom of the box as a
permanent chisel mystery suggestive art , namely , that
emotion of being that talented plasma through reminiscences
and revelations of the mind is to emerge .
Furrow, November2013 .