Inspired by the wild. https://www.the-floristry.com The Floristry offers a curated collection of florals, botanicals and lifestyle objects all with an emphasis on bringing elements of nature to our homes and lives. We believe nature should be interwoven into our everyday life and flowers not just reserved for special occasions. For the home The Floristry offers wild-inspired edits of curated pieces for the home. From wildly-scented candles to rustic tableware and floral printed textiles. We have everything you need to bring some wild home. All our bouquets come wrapped in hessian fabric, tied with brown string and placed in our signature wild tote bags. Our flower jars, refills and home products come in recyclable paper bags. We deliver flowers to Hong Kong, London UK, and Singapore.

1. Wild-Inspired Living

2. 2 3
All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.
Amy Lowell

3. 4
Creative Direction
Jess Piatigorsky
Production
Kalaina Hughes
Floral Design
Tracy Tsang
Publisher
The Floristry
Discover More Online
the-floristry.com
@thefloristryofficial
Models
Dixie
Image Credits
Season Ahead
Laura Gonzalez: Interiors, Rizzoli New
York. Flowers, Art Institute Of Chicago.
Behind the Flora
Diana Hunting, Guillaume Seignac
(1870–1924)
Full moon and branches,
Ganapathy Kumar
Playlist
White flowers at sunset, Irina Iriser
Printing
Asia One Printing Ltd.
Contributors
Photographer Charlotte Bland shoots film
and photographs real life from her
Dulwich Village home in London.
She also runs annual creative retreats
in Tuscany.
Documenting her home renovation and
evolving interior design, Zoë Carter-Mackay
is a London-based creative and
interiors consultant.
Filippa Edghill is a Swedish / Barbadian
artist living and working on Bundjalung
Country in Byron Shire, Australia.
Folklore, mythological symbolism, nature
and the female form are recurring themes
in her work.
Lebanese-born Pamela Edmondson
collaborates with sustainable brands
as a writer, photographer, and
cinematographer based in New Zealand.
MUSINGS
Allure Of Autumn
THE SEASON AHEAD
Harvest
BEHIND THE FLORA
Harvest Moon
PLANTING ROOTS
A De Beauvoir Home
TABLE TALK
Capturing The Light
MY LIFE IN FLOWERS
A Beautiful Chaos
WINDING ROADS
Sacred Lands
COLLABORATION
A Floral Narrative
REFLECTIONS
The Significations Of Harvest
THE STORY
An Alchemy Of Artistry
PLAYLIST
First Light
6
8
10
12
20
28
32
36
38
40
54

4. 6 7
Allure Of Autumn
[ M U S I N G S ]
As summer gracefully fades, the warm and earthy hues of autumn envelop us, inviting you
to immerse yourself in a tapestry of captivating stories
As the sun’s golden rays dance upon ripened fields, and
the air carries the scent of the earth’s bounty, the time of
harvest arrives. Autumn, often referred to as fall, heralds
a time of transition and change. It’s a season where nature
itself undergoes a metamorphosis, shedding its lush greenery
to reveal a tapestry of fiery reds, warm oranges, and golden
yellows. Trees, once adorned with emerald leaves, don a
breathtaking array of colours that dance like flames against
the backdrop of clear blue skies. The allure lies not only in
the visual spectacle but also in the knowledge that this grand
transformation is a cyclic reminder of the ever-changing
nature of life.
As the vibrant hues of summer give way to the rich and warm
palette of autumn, we welcome you to the captivating pages
of our Harvest Issue of Field Notes. With each turning leaf
and the soft embrace of a crisp breeze, the essence of autumn
infuses the air, as we bring you a collection of features that
celebrate the unique beauty and creativity this season offers.
This season’s floral designs capture the very essence of
autumn’s magic, from rustic bouquets that mirror the changing
landscape to opulent flower jars that infuse warmth into indoor
spaces. Discover them all dotted through the following pages
and shop online now at the-floristry.com.
Explore the intricate artistry behind our seasonal bouquet
Harvest Moon on pp10-11 and discover the symbols and
significations embedded within it.
In this season’s Planting Roots, creative consultant Zoë Carter-
Mackay shows us around her London home and the story
behind her renovation project. Discover her inspiring curation
of vintage and modern pieces on pp12-19.
As we gather around the table for hearty feasts and intimate
gatherings, photographer Charlotte Bland shares her tips on
creating autumnal tablescapes that echo the beauty of the
season and her soulful connection between nature and light
(as well as her go-to seasonal apple cake recipe!) on pp20-26.
Filippa Edghill’s work echoes an alluring narrative filled with
symbolism and myth. On pp28-31 she shares insights on the
florals threaded throughout her practice, both figuratively and
in the wild flower garden she recently sowed.
As the leaves fall and nature prepares for a period of rest,
we also delve into the wild world and rituals of Pamela
Edmondson– the practices that connect her to the earth’s
rhythms and help us find balance in an ever-changing world.
Explore her wild New Zealand journey on pp32-34.
With another season upon us, we collaborate with another
artist on our seasonal message cards. For Harvest, we found
the botanical illustrations of Georgia Beaumont a majestic fit.
We chat with the illustrator on pp36-37, and be sure to collect
one of her illustrated message cards, complimentary with all
orders this season.
On pp38-39, we embark on a journey through the myths and
symbolism of autumn harvest, where the act of gathering
and reaping becomes a metaphor for life’s cycles of growth
and reflection.
Finally, we took to the dusty and subdued halls of an antiquity
studio to showcase this season’s most-loved bouquet, Harvest
Moon. Draped in dust sheets and surrounded by relics of the
past, we revelled in the contemplative spirit of the season on
pp40-53.
So as autumn sets in, we invite you to bring the mood of the
season indoors. Revel in the soothing sounds of the season
with our Harvest Playlist (find the link on pp54) and fill your
home with autumnal bouquets to welcome the spirit of this
transitional time.

5. 8 9
Harvest
[ T H E S E A S O N A H E A D ]
GROW
Celebrate the bountiful harvest of
autumn with a journey into the world
of fruits. Blackberries, damsons, pears,
plums, raspberries, rhubarb, and
strawberries take the spotlight. Join the
tradition of jam making, turning these
flavourful fruits into delicious preserves
that capture the essence of the season.
GIVE
This season welcomes the return of our Harvest Moon
Bouquet. Celebrate Mid-Autumn with our new season
collection including new dinner candles to lay a wild-inspired
autumn table.
For the gift of design, Laura Gonzalez: Interiors, is a visual journey
through the diverse and evocative interiors designed by
Laura Gonzalez. With a keen eye for detail and a passion for
storytelling, Gonzalez’s work spans from luxury hotels to chic
residences, creating immersive environments that captivate the
senses. The book captures her distinct style and showcases her
ability to seamlessly weave tradition and innovation into every
project. Published by Rizzoli on 3 October (above).
GAZE
Indulge in art that merges dimensions
and nature at the Hong Kong Museum
of Art. Dimensions Plus The Seasons
Field, is a site-specific installation that
transforms space and perception,
inviting you to engage with art in a
whole new way. Until 25 October.
Witness the fusion of creativity and
design at Singapore’s Emerge @
Find, 21–23 September. This event
showcases innovative works from
designers, creators, and artists. Explore
a world of unique perspectives and
inspiring creations.
Whether you’re a music lover, a food enthusiast, or simply seeking to connect with the
changing rhythms of nature, an array of events and experiences awaits this season.
In Singapore immerse yourself in a
world of music and arts at the Sunda
Festival. With a blend of diverse sounds
and captivating visuals, this festival
promises a unique experience. From
live performances to art installations,
Sunda Festival is the prefect gathering
for creativity and inspiration, from 30
September - 1 October.
Join us in Hong Kong for our seasonal
line-up of floral workshops including
flower jar crafting and tablescaping.
GATHER
Celebrate the beauty of orchards and
the art of cultivation at the London
Orchard Summit on 23 September.
Engage in discussions, workshops, and
activities that highlight the significance
of orchards in our environment
and culture.
The celestial dance continues as we
journey through September and
October, graced by the luminous beauty
of the full moon. The Full Corn Moon,
also known as the Harvest Moon,
illuminates the sky on 29 September. As
summer wanes, this moon’s glow bathes
the fields of ripened corn, serving as
a guide for farmers and harvesters.
Embrace this full moon as a time to
reap what you’ve sown and celebrate
the bounties of life.
The Full Hunter’s Moon arrives on
28 October. Traditionally, this moonlit
night facilitated hunting as animals
fattened up for the winter ahead. Use
its energy to seek clarity, self-awareness,
and a deeper understanding of
your path.
The dahlia, a flower that symbolizes
elegance and commitment, graces us
during this season. Explore the beauty
and meaning behind this exquisite
bloom as it adorns both gardens and
floral arrangements. Experience the
charm of the dahlia, a true emblem
of autumn’s splendour in our Harvest
Moon and Aurora’s Call Bouquets.

6. 10 1
1
Harvest Moon
[ B E H I N D T H E F L O R A ]
A dance of earth and sky, this season’s bouquet marks the quiet and
tender transition into a moonlit season.
Slow footsteps softly crunching the newly dried earth below.
A very faint breeze carries whispers of a new season ahead.
We’re stirred by it and urged to look up, to reflect, to gaze
upon the low-hanging moon in all her silver glory. For this is
the Harvest Moon, a symbol of all we are grateful for, rising
and calling us to give thanks.
Our Harvest Moon bouquet is inspired by the magic and
wonder of this season and the dreamy imagery this full moon
conjures. Having long been the ruler of the realms of water,
the moon is known to be the mother and goddess of all things
growing, living and breathing. A symbol of Mother Nature.
And, at her fullest, a representation of realised potential and
fertility fulfilled. A full belly, a full pantry, a full womb and
a full life we all strive for. This full moon’s shimmering light
illuminates romance and rituals in equal measure. She urges us
to reflect, to be thankful and to tiptoe out beneath her night-
time light to meet the affections and passions of secret lovers.
Deep maroon and dusky pink flowers dance within wispy
dried grasses and earthy plumes in this season’s design. This
bouquet does not merely stand still on our tables and mantles,
she dances, inviting us to join her.
A celebration of the harvest season, this lunar-inspired bouquet
seeks to capture the spirit of moonrise. An ode to Artemis,
the goddess of the moon and the wilderness. A huntress, her
golden arrows a symbol of feminine strength.
So we invite you to adorn your table with these seasonal flowers,
prepare your feast, gather your loved ones and welcome in the
Harvest once more.
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
CARL SANDBURG

7. 12 13
A De Beauvoir Home
[ P L A N T I N G R O O T S ]
Interiors consultant Zoë Carter-Mackay shares her creative journey in curating her
characterful London home
My taste is fuelled by
life experiences and
gut instincts for what
resonates with me
I’ve always been a creative person; that trait was ingrained in
me from a young age. Creating beautiful, functional, calm, and
inspiring spaces is my passion. These days, I would describe
myself as a Creative and Interiors Consultant. I’ve been
fortunate to have a 20-year career in fashion VM, marketing,
and retail design in London and New York for some amazing
brands: All Saints, Reiss, Burberry, and most recently, as a
Creative Director at Free People. Alongside that job and while
raising a family, I started documenting our home renovation
on @DeBeauvoirHome, and a new outlet for my obsession
with interiors emerged! Earlier this year, I decided to step back
from corporate life and embrace a slower pace with more
balance for the things I love. Besides working on freelance
creative and interior projects, I manage our home as a location
house and am more present for my young family.
Home is De Beauvoir Town in Hackney. My husband and I
lived in New York for six years, and after having our daughter,
we began dreaming of buying a house with a garden. As much
as we loved our Brooklyn loft apartment, it made less sense for
family life. After the purchase of a Brownstone in Greenpoint
fell through, we took it as a sign and decided to move back
home to the UK. Returning to London, after a few months of
searching, we found this beautiful 1840s house in De Beauvoir
in need of a full renovation. I love North East London; it’s a
truly creative part of an incredible city, and despite being so
central, De Beauvoir has a genuine village feel and a wonderful
community. We feel very fortunate!

8. 14 15
Our time in New York, our
travels, our family, and our
life have most shaped our
home. I draw a significant
amount of inspiration from
places I’ve visited and the
work of others I admire, but
I always strive to adapt to
make it feel uniquely ours
We began with a stunning late Georgian/early Victorian house
with generous proportions and a wealth of period features. I
knew it would require a lot of work, but I never wanted to
strip it of its soul. I was staunchly protective of retaining any
original features we could, while also creating spaces that
suited our family’s life. In the end, it took over 3 years from
viewing to moving in, spanning through Covid and beyond.
Honestly, we continue to slowly invest in this house, more than
5 years since we purchased it! Ultimately, we’re so pleased with
the unique family home we’ve been able to create in such a
special part of London.
Without any formal training in Interior Design, my taste is
fuelled by life experiences and gut instincts for what resonates
with me. Our time in New York, our travels, our family, and
our life have most shaped our home. I draw a significant
amount of inspiration from places I’ve visited and the work
of others I admire, but I always strive to adapt to make it feel
uniquely ours. You can see a blend of influences from where
we’ve lived and travelled in our home, ranging from New
York industrialism and Parisian apartments to the impressions
of Africa and Mediterranean getaways. I strongly believe
that your home should reflect who you are and how you
live, rather than just following trends or colour schemes. We
aim to fill our home with objects and art that hold history,
beauty, and meaning for us, with the hope that our choices will
naturally evolve.

9. 16 17
Some of my most significant influences from the design
world have been Joseph Dirand, Vincent Van Duysen, Axel
Vervoordt, Rose Uniacke, Ilse Crawford, Jake Arnold, Athena
Calderone, and the styling work of Colin King. While I find
their refined palettes, heritage pieces, material use, and elegant
simplicity very admirable, I wouldn’t apply all their styles to
my own home. However, I consider them all to be incredibly
inspiring. Additionally, there’s a vast community of creatives
on Instagram that I find endlessly inspiring and supportive.
When selecting pieces for our home, much of it is based on gut
instinct. Do I love it? What will it bring to the space? Will it
work for us? Will it fit? Natural materials, second-hand or hand-
made pieces with texture and soul resonate with me the most. I
struggle with buying mass-produced and new items. That’s not
to say I never do it, but it’s generally not my preferred choice.
If I do, it’s often for practical reasons or for a design classic I’ve
long dreamed of owning. Rummaging through a market or
reclamation yard has been my idea of heaven for as long as I
can remember. I also love to bring something home from a trip
whenever possible. Instagram is also fantastic for connecting
small, often female-run businesses to consumers.
My favourite objects in my home are naturally the sentimental
ones—drawings my children have made, a small statue
that once belonged to my grandmother, gifts from friends,
and furniture my husband and I have chosen together over
the years. I vividly recall picking up some of them in New
York flea markets and squeezing them into a yellow cab for
the ride home! Nevertheless, I also adore the vintage marble
coffee table we acquired from Anna Unwin. It’s such a unique
piece and fits the dimensions and tones of our reception
room perfectly!
If I had to choose my favourite room in the house, it would be
our Double Reception room. It’s a serene, indulgent “grown-
up” space flooded with sunlight throughout the day. Here,
we treated ourselves to collecting some pieces that were true
wishlist items. These pieces are complemented by the original
cornice, shutters, marble fireplaces, and restored wood floors.
I enjoy spending time here reading or working; it’s where I feel
most creatively at ease. It’s also where my husband and I wind
down as a couple at the end of each day, once the kids are
in bed.
I often find excessive pattern and colours overstimulating.
For me, a calm, refined neutral base with a focus on natural,
honest materials and complementary tonal textures is the ideal
starting point, upon which I layer items that resonate and
add depth.
When we approached the design of the house, ensuring that
the kitchen doors opened up to connect the kitchen and
garden as a single space was one of our top priorities. It feels
like we’re cooking outdoors, which is simply magical in the
summer months. The use of natural materials is integral to my
design taste; wood, marble, linen, wool, and lime wash paint
feature prominently. Growing up in the countryside, biophilic
design seems an obvious way to counterbalance some of the
downsides of our decision to live in the city. Surrounding
myself with houseplants and fresh flowers every week is one
of the luxuries I try to prioritise, as it has such an impact on
my wellbeing. To me, a room isn’t complete without plants
or flowers.

10. 18 19
As autumn arrives in
London and our home,
there is a welcome return
of evening rituals like
turning on our collection
of lamps and lighting a
candle as dusk creeps in
As autumn arrives in London and in our home, we welcome
back evening rituals like turning on our collection of lamps
and lighting a candle as dusk approaches. This creates such a
cosy, relaxing, and homely atmosphere. We also start reaching
for jumpers and layers again and return to indoor gatherings
with friends and food. Personally, I love cooking a roast
dinner! While people often travel and leave the city during
the summer, autumn brings people back home, creating a
sense of togetherness. It’s a wonderful time to gather and
eat in London, whether that’s at home or in local restaurants
and pubs.
Although the delicate and vibrant blooms of summer are
undeniably beautiful, I appreciate the more foliage-heavy
arrangements of the colder months. Perhaps there’s something
that feels more authentic about them; I’m not quite sure.
But I do love a neutral palette and foliage that seems to last
for weeks!
This year, I’ve embarked on setting up my own business
and taking on various projects as I find my footing outside
of corporate life. One lovely realisation is that all the work
invested in projects, building connections and friendships, and
slowly gaining experience over the years begins to yield natural
results once you decide to follow your heart and pursue what
you love. I feel incredibly lucky and grateful to be able to walk
a new but familiar path. I’m excited to see where it leads me.
Follow Zoë’s characterful world of interiors @debeauvoirhome

11. 20 21
Capturing The Light
[ T A B L E T A L K ]
Discover photographer Charlotte Bland’s instinctual creative process and how
she seamlessly blends sunlight and candlelight to craft captivating tablescapes.
I love watching the way
light falls in the same place
throughout the day, how
the shadows change and
how the light moves.
How would you describe your journey in photography?
Taking photos is the only thing I ever wanted to do. I grew up
in Devon by the sea and the changing seasons and everyday life
I photographed there as a child shaped my future work. Later
on I did a history of art degree which helped hone how I see
and cemented a natural feel for composition.
Tell us about your creative process
Mostly it is instinct, it’s very hard to describe! I think I take my
favourite photos when I’m not really looking for them, when I
see excellent light and have to capture it. Everything else drops
away at that moment apart from the way the light falls and
how the shot feels.
Who, where and what inspires your tablescapes?
Sunlight or candlelight, preferably both together. And objects
that I’ve collected over the years. I have some antique French
ceramic jam pots that create a beautiful, warm glow with
tealights inside and I use linens and tablecloths I find in Italy
while on my Bland Badger retreat.
Setting the table is something I’ve always found fun and
inspiring. It’s nice to create little surprises like posies of herbs
in place of flowers, in unusual vessels like Campari bottles,
placed down the table.
Are there any recurring themes in your work?
I love watching the way light falls in the same place throughout
the day, how the shadows change and how the light moves.

12. 22 23
I am driven by capturing
everyday life and my
immediate surroundings,
and the seasons directly
affect this.
How does nature play a role in your life and your work?
I’m lucky to have a small London garden. It is densely planted
and hovers on the edge of being completely wild but creates
a really nice green view at the back of the house and there’s
always something interesting to photograph out there.
How do the seasons inspire your work?
I am driven by capturing everyday life and my immediate
surroundings, and the seasons directly affect this. There is a
cherry tree outside my bedroom window that fills the view
with green leaves in the summer, red leaves in the autumn and
winter and incredible, pink blossom in the spring. The way
sunlight falls through the leaves and flowers at different times
of year is endlessly fascinating.
What to you makes a beautiful and balanced tablescape?
Beautiful objects with enough room to eat! Setting the table
is mostly about practicality, making sure people have what
they need in glasses, cutlery etc. and have space to move these
things around, while adding objects and colour to make it
interesting. My splatterware crockery, made in Cortona by
Giulio Lucarini for Ivo Angel Store in traditional Tuscan
yellow and green, is a lovely starting point that complements
foliage and candlelight.
What are your favourite recipes or ingredients to use during the
Autumn season?
I cook with a lot of autumnal fruit: apples, pears and
blackberries in the UK and in Italy eat dishes with
fantastic autumnal greens, chestnuts and mushrooms.

13. 24 25
What are your go-to items in styling an autumnal table?
Candles, candles, candles.
Any favourite autumnal flowers?
In Umbria we create floral arrangements with flowers and
foliage foraged from the local area. Wild artichoke flowers
grow by the roadside with bright yellow heads like miniature
sunflowers on long, elegant stems. We pair them with olive
leaves and seed heads, rosehips and tiny acorns still attached
to oak branches.
What do you love most about this time of year?
Autumn in London can be lovely, those crisp sunny British
autumnal days always sound like a cliché but when they
happen (which, admittedly, can be rare) they’re magical.
I spend time every autumn in Umbria in Italy where I run the
Bland Badger creative retreat with my friend Ros Badger. We
bring groups of people together for a creative house party in
a 15th century villa in the Umbrian countryside at arguably
the best time of year in Italy… warm, sunny days with crisp
evenings and misty mornings.
What do your creative retreats entail?
The retreat is an opportunity for people to take some time
out of their daily lives and reconnect with their creativity. We
decorate the villa with seasonal foliage and candles and warm
up after sunrise swims with coffees by the huge kitchen fire.
We host workshops - on things like calligraphy, print making
and floral arranging - outdoors, where we also eat fantastic
food at a long table in the villa courtyard, surrounded by some
of the most beautiful countryside views in Italy. We take our
guests to some of Italy’s best flea markets and also host our
own ‘Bland Badger Brocante’ at the villa with local vintage
linen and ceramics dealers who have some of the best value
and unique pieces I’ve ever seen. That’s where I found my
treasured, antique ‘Buon Giorno’ breakfast tablecloth, (below,
right) something I use at home in London all the time.
Any upcoming projects this season?
Swimming outdoors is one of my favourite things to do and
over the years I’ve captured lots of pools, lakes, beaches
and ponds so I’m thrilled to be launching a small range of
swimming pool photographic prints in the autumn / winter
that will be available to purchase online. Hopefully they will
be a nice reminder of sunny, poolside days and those to come!
Autumn in London can be
lovely, those crisp sunny
British autumnal days
they’re magical.

14. 26 27
York for art school. For a long time NY felt like home, but
moving back to LA and rediscovering it has made me realise
what a wonderful place it is and how lucky I am to have my
family here.
Los Angeles has a lot to offer whether it’s the beach, art, a
variety of cuisines, music – it really is a treasure hunt for
uncovering neighbourhoods from just about every culture. The
variety, the sunshine and the diversity are probably my favourite
parts. Summer is by far my favourite season here. I love how
carefree and youthful it feels. Lots of beach and pool time (and
sunscreen!). I’d say LA is both yellow and orange – both happy,
positive and bright colours that exude a sense of warmth. That’s
how I’d describe my LA.
How would you describe your interior style?
I love the hunt for vintage, so my place is filled with a lot of flea
market finds and mid-century. There’s a lot of colour, orange
and green, art on the walls, lots of Danish wood furniture,
quirky objects and coffee table books. I have a painting my mom
did from her early 20s that I absolutely love and it means a lot
to have her work represented in my home. Lots of natural light
is key, surround yourself with objects and colours that make you
feel good and keep it somewhat tidy.
Where are your favourite places to travel to?
I truly can find beauty in many different places whether it’s
Europe or a quick trip outside LA. I’ve been fortunate to travel
to many places, but I recently went to Biarritz and loved it for its
laid-back lifestyle, it’s kind of a cross between an LA mentality
Films By The Floristry
For the wild-inspired life: seasonal short films,
interviews, rituals and inspiration all in one place.
Discover us on YouTube:
@thefloristry
Charlotte’s go-to autumnal recipe
This apple cake is from one of my childhood cookbooks and
I’ve been making it all my life. I’ve never found a better apple
cake recipe.
Slab Apple Cake
You will need:
A deep 20cm cake tin
Ingredients
200g self raising flour
100g butter at room temperature
2 eggs
2 tablespoons milk
400g cooking apples
50g granulated sugar
25g soft brown sugar
Method
Grease the cake tin with a little butter and line the base with
greaseproof paper.
Preheat the oven to 180 degrees.
Peel, quarter and slice the apples and place them in a pan with
2 tablespoons of water.
Place the lid on the pan and cook very gently for 3-4 minutes
until the apples just begin to soften. Remove from the heat and
leave to cool.
Sift the flour into a mixing bowl. Add the butter, cut up into
small pieces, and rub it in with your fingertips. Stir in the
granulated sugar.
Beat the eggs and the milk together and stir into the dry
ingredients with a wooden spoon.
Place half the mixture into the base of the tin.
Spread the apple filling over it and then add the remaining
mixture on top. Sprinkle with the brown sugar.
Bake in the oven for 60 minutes until firm in the centre and
golden brown.
Allow to cool a little before slicing and serve warm with cold
single cream (it also makes a wonderful breakfast with a strong
coffee).
Follow the light with @charlottebland and her creative
retreats @blandbadger

15. 28 29
A Beautiful Chaos
[ M Y L I F E I N F L O W E R S ]
Explore how artist Filippa Edghill’s connection to nature, folklore, and
mythological symbolism weaves through her life and work.
I am entirely self-taught in the various techniques I practise.
My artistic journey began at a very young age with guidance
from my father. Since then, I’ve embarked on an ongoing art
school of sorts, continuously adding mediums, techniques, and
disciplines. The archetype of an artist has always been present
in my personality. During my younger years, my artistic
journey revolved around making space for art in my life as a
profession, allowing the artist archetype to become a full-time
presence. Now, as a young mother, my artistic journey involves
striking a balance, as the archetype of a mother is the only one
Folklore and mythological
symbolism wield great
influence over my work...
Symbols from various
mythologies find their way
into my work, as I’m drawn
to their enigmatic histories.
greater than that of an artist and certainly requires more time.
This period of life is short, and I am embracing its chaotic and
beautiful nature, which is rich with inspiration.
For many years, I exclusively worked monochromatically, using
just one colour for extended periods. I’ve explored intense
shades like ocean blue, warm walnut brown, deep printing
press black, and now a faded pink created from clays. These
colours never coexist on the same canvas or paper. My current
endeavour involves using a full palette of colours and learning
how they complement each other. Despite the diversity, the
colours I use are primarily derived from natural materials,
such as flowers pressed into ink or clay transformed into fine
pigments later used in oil painting.
The female form and spirit serve as boundless sources of
inspiration for me. Equally inspiring are the numerous artists
over the decades who draw from this infinite well of beauty.
Folklore and mythological symbolism wield great influence
over my work. Growing up in Sweden, I was immersed in a
culture rich in pagan lore, interwoven into our calendar much
like other cultures integrate religion into theirs. These stories
resonatewithme,aspaganmythologiesarerootedinnatureand
enriched by the vivid art of storytelling. Symbols from various
mythologies find their way into my work, as I’m drawn to their
enigmatic histories.
Nature is an ever-present element in both my materials and
subject matter. Since my recent move to Australia, nature holds
an even more substantial presence, likely due to its pronounced
geographical impact. Unlike Western Europe, vast expanses
of open land characterise this region. This transition has been
intriguing for me, a person who relies on bikes and feet for
transportation. Now, distance, silence, and wilderness define
my daily life, and I am excited to see how this shift influences
my art.
I am currently witnessing the growth of my first flower garden,
primarilyintendedforpressingflowersintomyCyanotypework.
This process is exhilarating, as things grow swiftly in Australia’s
Northern Rivers. Having moved here just four months ago and
never before having my own garden, I was both thrilled and
uncertain about planting my first bed. I approached it with a
technique I call “Chaos Gardening,” where I scattered seeds
down with a little cross-my-heart-and-hope-to-grow! Today, a

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scruffy yet blossoming garden exists, and my excitement about
it exceeds what I dare to admit. It connects me to the divine
process of growth, a creative force of nature that dwarfs all
other forms of artistic expression.
Tulips have become a recurring theme in my works; I adore
their elegant simplicity. I am always on the lookout for
Marigolds in abundance, as they yield a beautiful ink that I
use frequently. Jasmine carries a nostalgic scent, particularly
after my recent departure from France. The coastal town of
Biarritz, which was my home for the past seven years, has
a distinct jasmine season, filling the streets with an inviting
aroma that lingers. The scent of elderflower also evokes
memories of Sweden, where elderflower hedges bloom and
families gather delicate white flowers to soak in lemon water
throughout the summer. The mere thought of it makes my
nose wiggle in a joyful dance.
The hurried morning ritual of Earl Grey tea, the one with
the little blue flowers in it, is a small pleasure. Observing those
delicate flowers swirl and expand in my cup creates a slow-
motion moment that unfolds against the backdrop of the
morning toddler chaos. With autumn’s arrival, roses transition
into rosehips, invoking memories of home. Rosehip soup
is in my DNA, much like most Swedish kids. The intriguing
mystery is why roses thrive worldwide, yet rosehip soup is a
rarity we all should pause to consider.
My upbringing in a region with distinct seasons, marked not
only by temperature shifts but also dramatic daylight changes,
accustomed me to life’s ebb and flow. Winter calls for extended
studio days, a celebration of the indoors. I relish stillness; it’s
a state I adore. Sometimes, I forget about my body, leaving it
stationary as my mind drifts in thought on the page. Life feels
so rich inside me, and stillness allows me to truly experience it.
When summer arrives, I’m motivated to get up and embrace
my body—whether on a mountain or under a crashing wave.
It’s a different kind of life force, and that’s the beauty of the
seasons for me.
During summer, my use of colour tends to be more
exuberant, reflecting a desire to savour the delicacy of
pastels. In autumn, I rein in my palette, adhering to a self-
imposed monochromatic rule. The inclination towards a
single colour tends to intensify as the months grow colder.
This season, I’m launching an outdoor life drawing class in
Australia’s Northern Rivers, where I reside. Instead of the
traditional indoor setting, we’ll be amidst the Australian bush.
There’s something profoundly beautiful about a nude body
in nature, and I’m eager to share these moments, drawing
together with others. My partner coined the name “BUSH
life drawing,” cheeky yet fitting. This endeavour allows me
to share creative moments while working in solitude on three
exhibitions that have been in progress for quite some time
and are nearly ready. Exhibitions are a gradual process these
days, as I balance them with caring for my little boy full time.
Progress is steady, aligned with the pace I can manage at this
moment, and that’s all I could hope for.
Discover Filippa’s tender work @filippaedghill
The hurried morning ritual
of Earl Grey tea, the one
with the little blue flowers
in it, is a small pleasure.
Observing those delicate
flowers swirl and expand
in my cup creates a
slow-motion moment
that unfolds against the
backdrop of the morning
toddler chaos.

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New Zealand is home, currently. I live in its quirky capital,
Wellington, dubbed “the coolest little capital in the world”.
Life here involves a continuous hunt for the best coffee in
town, delighting in seasonal dishes at tiny establishments, and
perusing boutiques and markets for local goods. Wellington
is small, which means I can walk everywhere, and I’m never
too far from the sea. The coastline meanders endlessly, so
it’s incredibly scenic. Wellingtonians consist simultaneously
of artists and public-sector workers, fostering a strong sense
of community and innovation. It has been home for the last
five years.
I used New Zealand as a command centre for the complex
mission of healing and rediscovery. When I arrived, I didn’t
know what I wanted from the experience or from life. It all
seemed too complex, so I distilled it down to my simplest wish;
I wanted to be in nature more. I explored the length of New
Zealand in a variety of ways, and it became a mechanism for
processing trauma, getting realigned, and igniting creativity.
It was also when I fell in love with a New Zealander, which
was not part of the plan… we’re still together five years later.
New Zealand became home in a way I haven’t felt in a long
time. There is spectacular beauty, yes. But I also aligned with
its culture of Manaakitanga, slow living, and permission to be
whoever I wanted. I reconstructed myself on these pillars and
was finally able to tap into my potential.
I had to adapt significantly. Previously, I lived my life fast, but
that didn’t work in New Zealand. The sudden change of pace
cracked me open. Not only did it shine a light on everything
I was running from, but it pushed me to re-evaluate what
matters in life. It brought me from a state of disconnection
and disintegration to connection and integration. The process
took a long time. It wasn’t the smoothest journey, and I’m still
not finished. But these days, I wake up a bit slower. I prioritise
friends and community. I indulge in joy in many ways, from
simple to sinful. I’m still a bit of a work junkie… I’m not sure
I’ll ever shake that habit. But at least it’s aimed at something
I believe in.
New Zealand is very remote. It is a geological wonder
with incredibly diverse landscapes and a place where one
Sacred Lands
[ W I N D I N G R O A D S ]
In an ode to New Zealand, Pamela Edmondson takes us on an inspiring
journey through the country’s wild landscape and her connection its land.
can experience the forces of nature firsthand - I’ve still not
acclimated to earthquakes. Because there are no predators,
the bird kingdom evolved generously, and the range of unique
species culminates into the most beautiful birdsong. New
Zealanders are spiritually connected to the land, and it’s not
uncommon for someone to disappear on holiday for weeks in
the bush. The values of slow living and reverence for nature
are pillars of the culture here.
I’ve formed a spiritual connection to nature in New Zealand.
In a way, I can hear the trees and mountains talking to me. I
use these wild spaces for my healing rituals, so my relationship
to them is quite sacred. The beauty and privacy of it all enable
my most cherished practices, like meditation, yoga, running,
and writing. Nature is where I go to be alone. It’s also where
I go to reconnect with my friends or my beloved. It feels like
home, an important reminder that the universe is a kind and
gentle place and that I was put on this earth to enjoy its artistry.
Each region has something special. In the summer, I need
the pristine beaches of Northland. Autumn and winter call
for the wild of the South Island; Aoraki and Milford Sound
are particular gems. For spring, I love the wildflowers scattered
across Wellington, and it is usually a time when we break from
our travels to reground at home.
Each season here brings a different set of crops, so my
favourite seasonal ritual is venturing into the countryside
and sampling from honesty boxes. Many farms will often sell
their produce in small batches, particularly those along the
main road. If you’re lucky, they will also include homemade
jams, preserves, and honey. It’s a wonderful way to spend a
Sunday… no matter the season, we cruise through the scenic
pastures, collecting locally-grown produce, the New Zealand
farm-to-table experience.
New Zealand native trees are evergreen, so there is no
hallmark “golden autumn” in Wellington. However, it’s a
great time for nature walks in that crisp, sunny weather. It’s
also an exciting time in the kitchen as the markets (and honesty
boxes) fill with pumpkins, walnuts, and lemons. If I’m feeling
particularly drawn to a golden autumn, I may book a trip

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south to Arrowtown. The deciduous trees - albeit invasive -
are dense across the hills there, and it’s a spectacular display
of orange, red, and gold. It’s also when the village hosts the
Autumn Festival, featuring a procession of markets and events,
and crowds gather in intimate pubs and charming eateries.
There’s a certain comfort in autumn, the cosy layers and
early sunsets. What I love most about this time of year is the
re-emergence of my tea rituals. After a hot summer, I love
the shortened days and temperate weather, so I can light my
candles and have a cup of tea. It’s my happy place, where I
can have all my best thoughts and catch up with my emotions.
Autumn also casts a buttery sunset, and I love going for evening
walks without cutting too close to my bedtime.
I capture autumn in my photography by its emotion, wrapped
in a thick knit during the blue hour with the insinuation of
crisp weather. I capture autumn by its harvest, with a basket
full of lemons and walnuts and jars of preserves. I capture
autumn by the steady Wellington rain, casting low clouds over
the hills and making a turbulent sea.
Follow Pamela’s wild journey @nutbrownrose_

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A Floral Narrative
[ C O L L A B O R A T I O N ]
We worked with artist Georgia Beaumont on this season’s illustrated message
cards. Here we explore her creative approach and delve into the inspiration
behind the intricate tapestry of her interconnected works.
Tell us about your influences and inspirations
I believe a broad appreciation for art, coupled with a sense of
wonder at its myriad formats and mediums, is the foremost
source of inspiration. Visiting galleries and museums, and
recognizing art as a universal language that all artists are
striving to communicate with, is profoundly powerful and
inspiring. To me, it feels as if there’s a collective creative life
force, and I’m compelled to be a part of it. I consistently find
inspiration in artists like Peter Doig, as well as remarkable
female artists such as Agnes Pelton, Georgia O’Keeffe, and
Kiki Smith.
Just as we gather and lay out
our fruits of the harvest to give
thanks, these flowers dance
upon the altar of nature.
How do you approach a new project?
Every new creation I undertake is an extension of the
preceding one, which is why I rarely experience significant
distinctions between new works and projects. I like to envision
everything I create as a form of world-building, where each
painting or sketch contributes to the narrative. I often come
full circle, revisiting older paintings and drawing from them,
refining, altering, and assembling my new works. I commence
each piece with paint and craft the composition as I progress,
guided by memory, intuition, and my existing body of work.
How does the wild inspire your work?
I’ve always been captivated by the unconventional, organic
shapes found in nature and flowers, as well as the boundless
beauty they exude. The subject is so rich and fertile that I
never tire of it. My initial inspiration to paint natural forms
has resulted in a self-fulfilling, expanding cycle. The more I
paint nature, the more inspiration I receive, and the deeper
my sensitivity to it grows. I’m more attuned to it now than ever
before in my life.
Tell us about life in your studio
My studio is nestled in a quaint corner of London known as De
Beauvoir, situated between Islington and Dalston. It’s a serene
space along the canal, and lately, I’ve been enjoying leisurely
afternoon walks while observing the flowers in neighbours’
front gardens. I’m fortunate to work in a lovely, aged building
that brims with life and a strong sense of community.
What do you love most about this season?
The soft, milky autumn light that fills my studio is truly
enchanting. Autumn brings about a gentler disposition within
me, and a hint of dreaminess. The hues of autumn are
gradually finding their way onto my palette, as I delve into
browns and red-greens. I have a fondness for chestnuts and
acorns during this season; they possess a captivating beauty.
The delicately scalloped edges of oak leaves also hold a special
place in my heart.
What was your inspiration behind the illustration you’ve chosen
for the collaboration with The Floristry?
This painting’s totemic structure is inspired by the idea of
celebrating the seasons, just as we gather and lay out our fruits
of the harvest to give thanks, these flowers dance upon the
altar of nature. The threaded floral garlands decorate and call
in the new season.
What’s next for you?
I’m excited to announce that I’ll be releasing a collection of
small works with Wilder Gallery this September. Additionally,
anticipate the unveiling of some expansive, large-scale works
later in the year – a realm I’ve been eagerly exploring. I’m also
yearning to return to Mexico and seek out a vast, mountainous
landscape view. Rest assured, I’ll be embarking on new
adventures in due time.
Receive a complimentary illustrated card (right) by Georgia with any
purchase this season.
Follow Georgia’s wild-inspired work and life @georgiabeaumont__

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The Significations Of Harvest
[ R E F L E C T I O N S ]
Discover the myths and symbolism woven into the timeless tradition of
harvest as we explore the profound significance of gathering crops.
A timeless tradition deeply intertwined with human history,
the act of gathering crops signals not only the culmination
of hard work but also holds a rich tapestry of myths and
symbolism across cultures. Harvest embodies the essence of
nature’s generosity and humankind’s reliance on the Earth’s
providence. Let us delve into the fascinating world of harvest
myths and the profound symbolism they carry.
From ancient civilizations to modern societies, the significance
of harvest has been etched into the collective consciousness.
In many cultures, harvest myths are interwoven with creation
narratives. These myths often feature deities or spirits
responsible for bringing forth the fruits of the land. Ancient
Egyptians revered Osiris, the god of fertility and agriculture,
as the bringer of crops and a symbol of resurrection.
The cycle of planting, growth, and harvest mirrors the cycle of
life itself. Many cultures view the act of harvest as a reflection
of the human journey from birth to death. The ripe crops are
seen as a reward for the hard work put into nurturing the land,
drawing a parallel to the joys of reaping the rewards of one’s
efforts in life. The act of cutting down the mature crops, on
the other hand, is often seen as a metaphor for the inevitability
of death and the need to let go of the old to make way for
the new.
Harvest celebrations have manifested in various forms
across cultures, with festivals that pay homage to the earth’s
generosity. In China, the Mid-Autumn Festival, also known as
the Moon Festival, is a time for families to gather, give thanks,
and share mooncakes that symbolize the full moon and unity.
Similarly, the American holiday of Thanksgiving is a deeply
rooted tradition that commemorates the Pilgrims’ successful
harvest and their gratitude for the blessings of the land.
Harvest is synonymous with abundance, and the overflowing
yields of the land serve as a symbol of prosperity and
sustenance. The cornucopia, a horn-shaped basket often
depicted brimming with fruits and vegetables, represents the
boundless gifts of nature. It is also a reminder to be grateful
for the nourishment and sustenance provided by the Earth.
The act of giving thanks for the harvest is a universal gesture
of acknowledging the interconnectedness between nature and
human beings.
In Greek mythology, the story of Demeter and Persephone
speaks to the changing seasons. Demeter, the goddess of
agriculture, grieves when her daughter Persephone is taken to
the underworld by Hades. During this time, the earth becomes
barren. When Persephone returns, Demeter’s joy leads to the
revival of the land, explaining the cyclical nature of growth
and dormancy.
The journey from sowing seeds to reaping the harvest
teaches patience, dedication, and the value of hard work. It
underscores the concept that success requires time and effort,
mirroring the larger truths of life. The act of nurturing the
land serves as a reminder that by working in harmony with
nature, one can yield a fruitful reward.
As we gather the fruits of our labour, harvest also offers a
moment for introspection. It’s a time to reflect on the efforts
invested, the lessons learned, and the growth achieved. Just
as each season brings its unique offerings, each phase of life
contributes to our personal journey.
In the symphony of harvest, myths and symbolism converge
to create a profound narrative that touches on themes of
life, death, rebirth, gratitude, and interconnectedness. As we
partake in the act of gathering, let us embrace the age-old
wisdom woven into the cycle of nature, recognizing the beauty
and meaning that harvest brings to our lives.

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An Alchemy Of Artistry
[ T H E S T O R Y ]
Step into a world where classical treasures meet wild-inspired
flowers, as our new season collection unfurls.

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First Light
The soundtrack to seasonal gatherings
and autumnal journeys
Scan to listen and follow us on Spotify
[ P L AY L I S T ]
Post your flowers and earn points
How do you style our flowers? Share your photos by
tagging @thefloristryofficial and if we repost your
content, earn points towards The Floristry membership.
@debeauvoirhome
@comfortsjournal
@bryonyrae
@chrisyuenying

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Coming Soon
Togetherness, festivities and
armfuls of foliage…
Winter 2023