Crazy Little Thing - Program - Tamryn Delport - 2010

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DEVISED & DIRECTED BY:
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FROM THE CREATORS OF *HEADSHOTS''
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PROUDLY PRESENTS:
'rJ-i/,r!'l Jl J J-L-i Jlll

Scene
Crazv Little Thins Called Love
Devised and directed bv:
Anton Luitinsh & Duane Alexander
Pape number
Scene 1: Prologue
Scene 2: Uptown girls; Girls just wanna have fun
Scene 3: Sexy montage
Scene 4: Reality bites; Fantasy sucks
Scene 5: I sleep with everyone
Scene 6: love is hard
Scene 7: I'm not that girl
Scene 8: Fight the urge
Scene 9: The birds and the bees
Scene 10: Papa don't preach
Scene 11: Unto us
Scene 12: Mama who bore us
Scene 13: Love thy self
Scene 14: What is this feeling?
Scene 15: Defzing gravity
Scene 16: Coming out
Scene 17: Both sides now
Scene 18: STD Party
Scene 19: Afterthought
Scene 20: My heart with you
Scene 21: Mama who bore me (reprise)
Scene 22: Abuse
Scene 23: Keep holding on
Scene 24: Statistics
Scene 25: All you need is love
Scene 26: Crazy little thing called love
Scene 27: I wanna know what love is
Scene 28: L.O.V.E
Scene 29: We belong

Scene 1: Prologue
f,'ront
Milat:l
Cassandra(r) Ipslry
Stef(:.s)
l.syAndrew-Emma1.sy
Milaf:l Caraig)
Sara(z)
1z;Akhona Henklr.s; Thakirarr)
Mila: love a wildly misunderstood although a highly desirable malfunction of the heart which
weakens the brain causing your eyes to sparkle, cheeks to glow, blood pressure to rise and lips
to pucker
OTIE MUSIC!
I wanna know what love is
Track 1
I wannq know what love is
I want you to show me
I wannafeel what love is
I lmow yolt can show me
0:18
0:45
OUE MUSIC!
Cellphone cacophony
Voice over......
. ..da da da daaaa
OUE MUSIC!
Girls iust wann? have fun/Uptown girls
frack 4

Scene 2: Uptown girls; Girls iust wanna have fun
Front
Henk(+)
Martinr:l
Steven(s)
James(z)
Mila(rt
Emmalz; Els(+)
Stefrr) Sarah(:) Natalie(s)
Kassandra(r., Gabi(:.s)
Andrewlr) Ipsloy Margaux(t.s)Carar:) Skye(+.rJadene(o)
Pa da pa pa ;pa da pa da
Pa da pa pa ;pa da pa da
LIGHTS UP
The phone rings
Att the sirt{
Els;
Emma;
Mila;
STRAIGHTEN ARM UP TO DIAGIONALLY ABOVE HEAD AND BACK TO
E,AR,OTHER ARM ON HIP
in the middle of the night
CIRCLES ARMS ANTI-CLOCKWISE,BACK TO EAR
0:09
My fother yells
PULL PHONE AWAY FROM EAR AND INCLINE HEAD TO THE RIGHT
what yon gonna do with )tour life.
HEAD SIDE TO SIDE(RIGHT,LE,FT,RIGHT) ON DO,WITH YOU,LIFE PUT
PHONE DOWN
Oh daddy dear yott know yott still number one
PICK UP LIP STICK AND 'TURN IT OUT'(REPRESENTING ONE)
Bwt girls
SWAY ONTO RIGHT LEG(LEFT LEG BENT)WHILE PUTTING LIPSTICK ON
TOP LIP
they want to hlve

Els;
Mila;
Emma
Ail
Girls
SWAY ONTO LEFT LEG(RIGHT LEG BENT) WHILE PUTTING LIPSTICK ON
BOTTOM LIP
Ftt-
SWAY ONTO RIGHT LEG(LEFT LEG BENT)WHILE PUTTING LIPSTICK
ON TOP LIP
;-un
SWAY ONTO LEFT LEG(RIGHT LE,G BENT) WHILE PUTTING LIPSTICK ON
BOTTOM LIP
Oh girls just want to have- 0:25
TURN LIPSTICK BACK INTO TUBE AND PUT DOWN ON DESIOBAG
That's
STEP RIGHT LEG OUT AND CROSS RIGHT ARM STRAIGHT ACROSS BODY
TO LEFT WALL('FLEXED', HAND)
Ail
CROSS LEFT ARM STRAIGHT OVER RIGHT('FLEXED' HAND)
They really
.UNFOLD' HANDS(SO PALM OF BOTH HANDS FACING UPWARDS)WHILST
MOVING ARMS TO RIGHT SIDE(FACING RIGHT WALL)
Wqnt
.UNFOLD' HANDS AGAIN('FLE,XE,D' HANDS),RIGHT ARM SLIDES DOWN
LEFT ARM MOVING ARMS ABOVE THE, HEAD STARTING A HIP
ROLL,RIGHT ARM CONTINUES SLIDING TO BEHIND HEADA{ECK WHILST
LEFT ARM LOWERS TO SECOND ENDING THE HIP ROLL,ARMS CROSS
AROTIND BODYRIGHT OVER LEFT('GIVING URSELF A HUG')WHILST
BRINGING RIGHT LEG IN NEXT TO LEF'T(RIGHT BENT)
Some

Au
Girls
SHOOT RIGHT ARM UP DIAGIONALLY ABOVE HEAD(OPEN V)
fr-
SHOOT LEFT ARM UP DIAGIONALLY ABOVE HEAD(OPEN V)
Un..un..un
FLICK HANDS(WHILST LOWERING ARMS),HIP AND HEAD
RIGHT,LEFT,RIGHT SINCRONISED WITH FLICK OF HANDS,
Wen the working day is done
FIX HAIR,MAKE UP ETC
Oh girlsthey want to have
RIGHT ARM UP NEXT TO EAR,LEFT NEXT TO SIDE(HANDS-
FISTS),LOOKTNG DOWN AT FLOOR,TURN TO YOUR LEFT WHrLE BEATIG
RIGHT FOOT
Fu-
STEP OUT ON RIGHT LEG,REACH WITH RIGHT ARM OUT CURL RIST
WHILE BRINGING IT TO THE RIGHT HIP AND CLICKING IT
-un
STEP LEFT LEG OUT,REACH WITH LEFT ARM OUT CURL RIST WHILE
BRINGING IT IN TO THE, LE,FT HIP AND CLICKING IT
Ah girls
SWAY HIP TO RIGHT
just want
SWAY HIP TO LE,FT
to have fun(ah ah) 0:42

Ail
, Boys
Uptown girl
SPRAY DEODERANT AROUND HEAD(RIGHT ARM-FRONT OF HEAD TO
BACK OF HEAD),PUT DEODERANT DOWN
She's been living in her uptown world,
START BUTTONING SHIRT(FROM THE BOTTOM);GIRLS START PUTTING
LEFT EARING ON
I bet she never had a back street g.ry
I bet lter mama never told her why
GIRLS START PUTTING RIGHT EARING ON
tr'm gonna !ry
FLICK COLLER ON TRY
for an ttptown girl
FASTED BELT;GIRLS START PICKING UP MASCARA
She's been living in her white bread world l: 16
STEP RIGHT LEG DIG LEFT LEG NEXT TO RIGHT TO AUDIENCE,CLICK
RIGHT HAND AT HIP,STEP LEFT LEG BACK DIG RIGHT NEXT TO
LEFT,CLICK RIGHT HAND AT HIP,STEP RIGHT LEG OUT TO SIDE(NOW
ACING THE, AUDIENCE)
d world....
R LEFT EYES LASHES
ith hot blood can
HANDS);PUT MASCARA STICK IN TUBE
d can.".
R RIGHT EYES LASHES

Ail
Boys
And now she's lookingfor
ARMS SLIDE DOWN SIDES OF BODY AND POINT INDE,X FINGERS OF
BOTH HANDS TO THE FRONT AT HIP LEVEL
a downtown man(all boys).......downtown man(all girls)
STEP DIG(TOWARDS CHAIR),STE,P DIG(AWAY FROM CHAIR)
Tltat's what I am I :25
STEP AND JOIN OTHER LEG TOGETHER(TOWARDS CHAIR) AND
SIT;GIRLS PUT MIDDLE FINGERS UNDER EYES AND FLICK OUTWARDS
ON AM
And when she knows what
BOYS AND GIRLS START PUTTING ON ONE SHOE
She wants,
wants from her time
BOYS AND GIRLS FLICK FOOT THAT ALRE,ADY HAS SHOE ON
(oN Tr-r-rME)
And when slte wakes up
BOYS AND GIRLS PUT OTHER SHOE ON
And makes up her mind l:41
SIte'll see I'm not so tough
STAND UP AND FIX HAIR;GIRLS SPRAY PERFUME ON L;EFT OF
NECK,RIGHT OF NECK,THEN LEFT RIST AND PUT AWAY
Just because
I'm in love
REACH FOR JACKET(CROSS ARMS SO FRONT ARM IS OVER BACK
ARM);GIRLS START PACKING THINGS BACK INTO HAND BAG
wit{t an uptown gir"l

Au
boys
Everyone
SWING JACKET AROUND FRONT(TO UNWIND) AND THEN AROUND BACK
TO PUT JACKET ON
'
*
Hz',r;;,;?:; :;';l:;';!; :w'i
ow n,w o r t d
TURN TO RIGHT WALL AND FIX SHIRT AND JACKE,T;GIRLS START
FIXING YOUR HAIR AND ADMIRING YOURSELVES
And all her presents from her uptown boys
TURN TO LEFT WALL AND FIX SHIRT AND JACKET
Slte's got a choice 2:43
KICK RIGHT LEG TO LE,FT CORNER,RETURN TO THE SIDE AND FLICK
RIGHT ARM TO AUDIENCE WITH INDEX FINGER POINTING(AT HIP
LEVEL);GIRLS NOD HEAD DOWN ON CHOICE
Ooooooooooooooohooo
GRAB CHAIR WITH ARM CLOSEST TO THE AUDIENCE,UNSWIVE,L CHAIR
AND THEN CATCH TO HOLD THE SIDES OF THE CHAIR(FRONT OF' CHAIR
FACING AWAY FROM BODY);GIRLS GRAB DESKS AND WALK INTO
FORMATION
Andrew; James ; Martin; Henk; Steven
Thol a ; Tammy; D anelle ; Carri e
Everyone
Natalie;Els ;Mila;Emma; Stef
Jadene; Sarah; Skye; Gabi; Cara;Kassandra;Margaux;Ips
Woooo hoooooa
S tef; Emma; Mi 1 a ; Els ; Natalie
Gabi; Skye; Sarah; Jadene;
Carrie ;Danelle; Tammy; Thola
S teven; Henk; Martin; James ;Andrew
C ara; Kassandra; Carmen; Ip s
Aaaaah kaamanaEveryone

C arri e ; Danelle ; Tammy; Thola
Stef;Mila;Emma
Gabi; Skye; Sarah;Jadene;
Akhona;Nicola;Chane
Jessica;Li1y;
Els:Natalie
Steven;Henk;Martin; James ; Andrew
Cara;Kassandra;Margaux ; Ips
Henk-Junaide moving across to SL
Thakira/Megan
Pa da pa pa ;pa da pa da:Chqne-Jessica
Tammy and Danielle moving forward
Pa da pa pa ;pa da pa da:Cara-Kassandra/Carmen-Ips/ladene-Sarah/Slq,
Mila;Stef and Emma moving forward
Everyone Pa da pa pa ;pa da pa da:Nicola/Akhona/Gaby/Lily
Pa da pa pa ;pa da pa da:Megan-Thakira
Pa da pa pa ;pa da pa da:Henk
Pa da pa pa ipa da pa da
Ips move forward to Henk
Fun; fun;fr, ,frn... 2:41
o People entering the club
Carrie;Thola;Martin;Els;Natalie;Johan-a11 stay where they ended in uptown girl etc(e.g
putting the desks/chairs down)
Emma;Mila;Els-bring on desks
Junaide ; Henk; Martin-bring on chairs
Thola; Tammy; D ani ell e ; C arri e-bring on chairs
a
o
a
10

Scene 3: Sexv montage
Tammy;Danelle Henk Ips Thakira;Lily;Megan
Emma;Stef;Millar Sarah Steven Skye;Jessica Margaux
- Akhon a;Cara;Kassandra; Steven;Andrew
Carrie; Thola; Nicola
Martin Els;Jadene ;Natalie
Gabi; Chane; James;
Emma Tammy; Danelle Thola Martin Gabi Thakira Megan
Mila Andrew; Nicola Carrie Henk Jadene Ips Lily Margaux
Stef Akhona;Kassandra Sarah Sky Jessica
Natalie Els
Chane James Cara
| ". 2:41
Henk 1 I ack
t- 1 love
Suprano girls In love and sex and magic
- Henk Ooooh tltis sex is on fire
Boys Damn girl
Boys Suy bitch,sexy bitch ,sexy bitch
Henk I'm too sexy for this song
tonight gonna be a gaod night
nna be a good night
a be a good ,gaod, night
oo-hoo 3:57
. Jadene to take cellphone out of Els' bag for Sarah and put it on table(SR)
. Nicola-take Twilight book out of Emma's handbag(Sl)
o Martin and Jadene-move desks forward after the first set of punches
o Nicola and Junaide to move chairs behind SL desks on the second love and sex and
magic
o Danielle;Tamryn-Sl desks Chane;Thola-SR chairs
. Carrie;Jessica;Nicola-Sl chairs Natalie-SR handbag
. People not in tableau do the woooh ...
o Tableau people do the second ... hooo when first people turn around and walk
11

Choreographv
A:
Step right,dig left,shimmy forward
Step left,dig right,shimmy back
2xHip roll to the right
B:
Right leg to the side
Retire right leg to left knee
Put right leg down
Left leg to the side
Retire left leg to right knee
Put left leg down
Flick right leg forward
Bring in next to left leg
hip ro11 while turning to your right shoulder
afins up along side,down neck and body
C:
Step right dig left
Step left dig right
step right
behind(left ), front(right),side(left )
step left
behind(right), front(left),side(left)
D:
Step right
behind(left ), front(right),side(left )
through right arm down
step right dig left
step left dig right
step right leg to the side
start on left leg
r2

Scene 4: Realitv bites: Fantasv sucks
Front
Kassandra(:) Ipslr;
(:.s)Martin (z.s)James Stef(:.s)
l"syAndrew-Emma1.sy
Milal+; Caral+)
Sarah(z)
lzyAkhona Henk( r .s)Thakira( r )
. Wait for lst set of eight
. Stef and Ips turn around each other on 1,2,3,4 and exit Stef12"d set of eight)
o Sarah walk to the front and exit SR on 5,6,7 ,8(2"d set of eight)
o Emma-Andrew nudge noses and walk to back then exit SL;Cara walk across stage exitin
SL (3'd set of eight)
- o Thakira;Henk;Akhona exit SR on 1,2,3,4, (4th set of eight)
o Mila exit SL on 5,6,7,8(4th set of eight)
Kassandra(s)
(:.s)Martin Ipsl:1
Jameslz.s;
Edward's skin sparkled in the sunlight like thousands of tiny diamonds embedded in the surface.
He lay perfectly still in the grass,
MARTIN TURN AROUND
his shirt open over his sculpted, incandescent chest(flick shirt back Martin), his scintillating arrns
bare. His glistening ,pale lavender lids were shut(touch Kassandra's right arm), though of course h
didn't sleep. A perfect statue(move around to right of Kassandra) ,carved in some unknown stone
,smooth like marble,oh
KASSANDRA SLIDE ON TO DESK(SWING LE,GS TOWARDS SL)
glittering like crystal.Edward took my face in his hands(touch Kassandra's face with your right
hand) and then his cold ,marble lips pressed very softly against my skin.(Martin kiss her neck,
ripple and sigh-Kassandra)
Kassandral:;
Martin(z.s)
Ipsl:;
James(:.s)
13

Edwart.
JAMES TURN AROUND
I had never met a boy named Edwart before. He sat staring at his laptop, his eyes narrowing into
slits, scrutinizing every word and image before him(stare and scratch chin). He was so
unmanly,boyish,skinny and skittish,
JAMES WALK TO RIGHT OF IPS AND SIT ON TABLE FACING SR WINGS
with a black mop of hair(Henk shake head) that grew wildly out of control.
IPS STAND AND FACE JAMES BACK
As I sat there gazing at his freckled face for what seemed like hours, his eyes suddenly flicked
towards me,
JAMES FLICK HE,AD TO FRONT(AUDIENCE) THEN IPS
slithering over my face.
IPS WALK AROUND TO FRONT OF JAMES
Thick black rimed glasses framed his eyes that bore deep into my heart(Ips put both hands on
chest) like fangs.
IPS LOOK AT JAMES,V/AIT,SMILE,LOOK AT AUDIENCE
He grinned slyly at me, his metal braces gleaming in the sunlight.(Henk look at audience)
IPS WALK INFRONT OF JAMES TO SIT ON DESK
JAMES GET UP ONCE IPS IS SEATED AND LEAN ON DESK
QUE MUSIC!
Love changes everyone
Track 5
Of two things I was absolutely positive.first,
ENTER'LOVE CHANGES EVERYTHING' CHOIR/GROUP
I4

Edwart Mullet was a geek(James slip of desk). Second, I was unconditionally and irrevocably in
- love with him.(James make circles with right foot and blush)
l5

Scene 5: Love chanses everyone
Front
Kassandral:; <- <- <- <- <- <- rz"s;Ips-James(3.s)
Martiryz.s;
(r)Nicola Jadenelry
lr.qSkye Margauxlo) Cara(r.s)
Henk(o.z)
IPS AND JAMES TURN BACK TO BACK,SITTING ON DESK DURING BE,AT
Nicola;Jadene;Slrye;Henk;Cara Love, love changes everyone
Margaux
IPS SLOWLY MOVE HEAD TO LOOK AT JAMES
THEN JAMES LOOK
Nicola;Jadene;Slrye;Henk;Cara Makes you giddy, makes you drunk
Margaux
IPS AND JAMES FLICK HEAD AWAY
JAMES SIGH/BREATH
Niocla;Jadene;Slrye;Henk;Cara Love, love cltanges everything
Margaux
STAND UP
PULL ARM MUSCLES
Lily;Jadene;Sl<ye;Henk;Cara t Turns o so-so into a hunk 0:19)
Margaux t Love
SIGH AND STAND UP TO FACE JAMES(TURN TOWARDS AUDIENCE)
Nicola;Jadene;Slqte;Henk;Cara can turn your world around
Margaux
BOTH SWAY SIDE TO SIDE(IPS AND JAMES TO THEIR RIGHT FIRST)
Nicola;Jadene;Slqte;Henk;Cara A savage world
Margaux
t6

RUN AROUND DESK(IPS TOWARDS AUDIENCE,,JAMES AWAY FROM AUDIENCE-
BEHIND)
Nicola;Jadene;Slrye;Henk;Cara controlled by hormones.
Margaux
STOP(BACK rN ORTGTONAL POSTTIONS).
WALK FINGE,RS ON DESK(IPS LEFT ARM,JAME,S RIGHT ARM)
Nicola;Jadene ; Slrye ; Henk; Car$ Yow tummy filled with butterflies
Margaux t Only one thing on the
IPS TURN AWAY FROM AUDIENCE
Nicola;Jadene;Sleye;Henk;Cqra Brain
Margaux
TAKE TABLE AND SWIRL TO PLACE NEXT TO KASSANDRA(IPS TURNING
TOWARDS AUDIENCE)
Nicola;Jadene;Sleye;Henk;Cara Love will make you crazy,silly,go insane 0:42
Margaux
CHOIR/GROUP WALK TO KASSANDRA
(rNicola Martin(+) Kassandra(3) James(2)
Skyel:.sy Henkl:; Ipslry
Margauxl+.1 1:.:;Jadene Carae.s)
Kassandra I, I just love everyone(lift right arm above head sharply) 0:45
Nicola;Jadene;Sl<ye;Henk;Cara Bella
Margaux
EVERYONE RIGHT HAND TO HEAD,HE,AD TO THE, RIGHT
Nicola;Jadene;Skye;Henk;Cara swoons for
Margaux
ARM DOWN(SHARPLY)
Nicola;Jadene;Sleye;Henk;Cara Jacob Black
t7

Margaux
Kassandra I, I just love everyone(opening arms to audience)
LIFT HANDS TO SIDE OF FACE AND MOVE FINGERS
0:52
Ni co I a ; Jad ene ; Sl<y e ; Henk ; C ar a
Margaux
ARMS DOWN
A horny vampire's
Ni c o Ia ; Jad en e ; Slry e ; Henk ; C ar a ; Margaux mi dni gh t s n ac k
she,
KASSANDRA SPLIT LEGS TO SL AND EVERYONE ELS PUT RIGHT HAND TO MOUTE-
AND LEAN BACK
Nico la ; Jadene ; Slqt e ; Henk ; Cara
Margaux
Ske sleeps with
HENK PUT HANDS ON KASSANDRA'S CHEST,EVERYONE ELS CLOSE EYES WITH
BOTH HANDS
Ni co la ; Jad ene ; Slqt e ; Henk ; Cara
Margaux
Everyone
JAMES LEAN ON DESK(RIGHT ARM IN AIR PULLING ARM MUSCLE) WHILE
KASSANDRA RUBS HIS TORSO
Nicola;Jadene;Slrye;Henk;Cara While she lusts for Edward
Margaux
WIPE SIDE OF LIP WITH RIGHT MIDDLE FINGER
Nico la ; Jad ene ; Slqt e ; Henk ; Cara
Margaux
Cullen l:06
(4.rlps Caral:.sy Jadenelz.s; Skyelr.sy Margauxlr; Nicolalo;
(4)James Henkl:y Martin(z)
Kassandral:;
18

EVERYONE WALK TO FRONT OF DESKS,KASSANDRA STAND ON DESK AND RUB
's shagging everyone
werewolf pack
Bella Swan into the
EVERYONE PULSE PELVIS FORWARD WITH FISTS AT SIDES
Niocla;Jqdene;Slcy;Henk;Cara Sack l:22
Margaux
SHAKE CHEST ON MUSIC BEATS AT THE END
James and Henk help Kassandra down
_ Henk and Martin Take the tables off upstage(Sl)
Ips;Cara;Jadene; Skye;Nicola exit SL
Natalie enter SR
t9

-r
Scene 6: Love is hard
Front
Natalie(+)
Natalie(:)
Andrew(o) Sarah<--------+ (z)Sarah-Andrewlr; 1s;Andrew-Emmalo;
Natalie(:.s)
1:;Andrew-Sara(z)
Sarah
Puberty hits, ignorance infatuation set in. He is irresistible. Me? He doesn't notice. I'm just
bizarre like something from avatar, my face stung with braces , insecure and I stutter. I doodle
his name in the margins of textbooks, ridiculous, nauseating fantasies. I'11 admit it,
TAP ANDREW ON THE SHOULDER
I'm addicted to love.
HOLD HANDS
Boy meets girl,
NUDGE NOSES
we hold hands in public, nudge noses without shame.
DO A LITTLE RUN TO CENTE,R BACKDROP(CHATING)
Soon we're 'going out' and hang with our 'group' our social life
LOOK AT EACH OTHER
-support system.
BUMB AND HOLD HANDS
And then it all snowballs, the house partie
ANDREW PULL SARAH TO SL CORNER
where truth or dare goads us into kissing each other and revealing uncomfortable truths about
ourselves,
20

SARAH HOLD RIGHT HAND UP WITH FOUR FINGE,RS
SARAH/ANDREW SPLIT TAKING CE,LLPHONES OUT(SARAH
SR/ANDREW SL-COLLECT TEDDY FROM KATHLEEN AT WING)
SMS communications, up to a30 a day,
WALK TO OPPOSTTE SrDES(SARAH SWOP INFRONT)
Facebook where we exchange virtual gifts and flaunt our "relationship status".
_ LOOK AT EACH OTHER,PUT CELLPHONES AWAY AND WALK TO EACH OTHER
We celebrate our anniversary monthly rather than annually,
ANDREW HOLDING TE,DDY WITH RIGHT ARM TOWARDS HER,SARAH
HUG ANDRE,W
unspoken passion, romantic confessions and then
ANDREW THROW SARAH'S ARMS OFF OF YOU
BOOM-roses are red, violets are blue and rubbish is
SARAH DROP TEDDY BEAR
dumped
ANDREW SHRUG
and so are you.
ANDREW WALK TO DOWNSTAGE SR,(EMMA ENTER SR)NATALIE WALK ACROSS
TO SL
ANDREW AND EMMA DO THE WHOLE HOLDING HANDS,NUDGE NOSES AND SIT
ON FLOOR
No more regulation teddy bears, chocolates, and 'I love you' proclamations, only careful brutal
lies, told with indifference.
CUE MUSIC!
2t

I'm not that girl
Track 6
My eyos glaze over with blissful blindness, he grins with stealth.
WALK TO SARAH'S LEFT AND PICK UP TEDDY BEAR
Another day, another juvenile memoir.
EXIT SL WITH TEDDY BEAR
22

Scene 7: I'm not that girl
Front
(s)Andrew-Emma1ol
Sarah(:)
Sarahlz;
Hands touch, eyes meet
Sudden silence, sudden heat
Heurts leap in o giddy whirl
He could be that boy
But I'rn not that girl 0:47
Dan't dream toofar
Dan't lose sight ofwho yoa are
Don't remember that rush ofjoy
EMMA AND ANDREW LEAVE AND LEAVE 56app@Xrr SR)
He could be that boy
I'm not that girl
E 'ry so often we long to steal
To the land ofwhat-might-have-been
But thqt doesn't soften the aehe wefeel
Wen reality sets back in
SARAH WALK TO MARK 3 AND PICK UP SCRAF(SR)
Don't wish, don't start
STOP WALKING
Wishing only wounds the heart
LOOK TO SL
I wasn't bore for the rose and the pearl
There'sagirlllorcw
LOOK TO SR
l :15
l:31
23

He loves her so
LOOK TO THE FRONT
I'm not that girl
LOOK WHERE EMMA AND ANDREW WERE THEN EXIT SR
OUE MUSIC!
Fight the uree
Track 7
ENTER MARTIN UPSTAGE SL
2:09
24

Scene 8: Fisht the urse
Front
Martin(:)
Martinto)
Iartin
_rtrance)
Doru,'t. please don't.dont do it
Think of really ugly girls and the smell of body odour
CIRCLE ARMS UNDER ARMPITS
and your parents having sex
STRAIGHT ARMS TO SL CORNER
.urgh!
PUT HANDS ON EYES
Don't.I'm embarrassed and im shy and its happening by reflex
LOOK AROUND
James(:)
James(o)
Breathe.
James
(Entranct
A:24
WALKING ON
j us t br eathe,br eath e d e ep ly.
Pretend you're in a forest surrounded by tranquility and no one else is near
25

r!
ARMS OPENING ABOVE HEAD ,LOWERING THROUGH SECOND
Right.
WALK TO SR CORNER
wrong.
WALK BACKWARDS,CROUCHING DOWN
nothing like hard eyidence
POINT DOWNWARDS
to prove I'rn in top gear
PULS PE,LVIS FORWARD
Henk(o)
lenk Henk(o)
ntrance)
Stop.oh stop.stop thinking 0:44
WALKING ON,HAND NEXT TO HEAD
The more youfocus on it the more the blood is flowing. the more youfeel the rush
RIGHT ARM RAISE NEXT TO BODY,HAND IN A FIST FORM
.help.
GRAB RIGHT FIST WITH LEFT HAND
Stop
PUSH RIGHT ARM DOWN WITH LEFT ARM
.it makes the lead go to my pencil and my whole body blush
26

RIGHT ARM POINT DOWN.THEN DO A HALF TURN TO BACK
Letting nature happen here could ruin rny life
WALK TO CE,NTER MARK
l:04
Martin(:) Henk(o)
Getting afist in my face
James(:)
GHT HAND IN A FIST AT SHOULDER HEIGHT(JAMES)
Or cqlled a big perv
NDS ON HEAD,PULLING AT YOUR HAIR(MARTIN)
I wonder if this fight will take it's toll
So I'll never be normal,while this hard-on is rife
TART WALKING AROUND IN A CIRCLE
But I can still have a lfe if I can get myself under control
TOP WALKING JUST BEFORE
Henk Don't think of a pole I:15
ARMS AT HIP LEVEL,OPEN TO THE, SIDE,,WALK TO THE BACK
James Or a hole
DRAW A CIRCLE WITH HANDS,WALK TO THE BACK
Martin Cheryl cole
HANDS ON CHE,ST,LIFT FINGE,RS AND LOOK AT THE.M,WALK TO THE BACK
ALL TURN TOWARDS LEFT SHOULDER,RUN TO FRONT OF STAGE

Martin;Henk;James
Henk
Martin
James
Henk
Martin;Henk;James
James
Fight the urge
Don't
Wait
Breathe
Stop
Fight the urge
SHAKE LEGS
The more the blood is flowing
ARMS MOVE ALONG SIDE OF BODY,FINGE,RS AND LEGS 'SHIMMING'
The more lfeel it growing
ARMS AT 90 DEGRE,ES,FISTS,LEGS 'SHIMMING'
All these thoughts
INT RIGHT INDEX FINGER AT HEAD
im desperate to purge
ARMS AT HIP LEVE,L,OPEN TO THE SIDE
No ones noticed yet if they did I'd have died
TART WALKING IN A FIGURE OF EIGHT
I cant let anyone lcytow whats happening inside
TOP WALKING JUST BEFORE
l:51
Martinl:; James(o)
Fight the urge
Don't
Henk(s)
2:08
Henk
CROUCH DOWN
28

Martin
POINT DOWN
James
ARMS LOWER INFRONT OF BODY
Henk
Martin
CROUCH DOWN
James
POINT DOWN
Henk
ARMS LOWER INFRONT OF BODY
Martin
CROUCH DOWN AND TURN TO THE, SIDE
Wait
Breathe
Stop
Don't
Wait
Breathe
Stop
CROUCH DOWN AND TURN TO THE SIDE
Martin;Henk;James Figltt t{re urge
Martin Parents having sex
STRAIGHT ARMS TO SL CORNER
Helen Zille in the nick
Help ruy mind and body diverge
Yes it's a thrill to see Katie Perry nude
tiTI STEP RIGHT LEG BACK,STEP LEFT LEG BACK,RIGHT,LEFT,RIGHT
TK I (BACK,BACK,FORWARD-LIKE A BALCHANGE),ARMS OUTLINING THE
--t€s I FIGURE OF A HUMAN BODY
Bwt you don't understand that pointiwg is rude
29

RIGHT ARM AT 90 DEGREES NEXT TO SIDE OF BODY,INDEX FINGER POINTING
TOWARDS AUDIENCE
Martin;Henk;James Fight the urge 2:28
OUE MUSIC!
Birds and the bees
Track 7(run throush)
POSITIONS
o HENK TO SR(LEFT LEG IN)
. JAMES CENTER(BOTH LEGS IN)
o MARTIN TO SL(RIGHT LEG IN)
e HENK STAY WHERE YOU ARE TO MEET ELS
o JAMES WALK BACKWARDS TO MEET GABY
o MARTIN TURN TO FACE BACK AND WALK UPSTAGE TO MEET
MILA
30

*'rru
_mce)
Mila-Martin(:)
o Touch on 2ND Set ofeight
o Eyes on 3'd set of eight
o Lift on 4th set of eight
o Henk leave on first count of eight
. James leave on second count of eight
. Martin leave on third count of eight
Scene 9: The birds and the bees
Front
Els-Henk:)
(o)James-Gabi
Els
(entran
Gat
(entrar
l :13
3t

Scene 10: Papa don't preach
Front
Mila(:.sl Gabitol Els(:.s)
(Facing the back) (Fetus position)
Papa I lcnow you going to be upset 0:30
Cause I was always your little girl
But you should lcnow by now
Im not a baby
You always tawght me rightfrom wrong
I need your help, daddy please be strong
I may be young at heart
But I lcnow what I'm saying
Yeah ,yeah ,yeah
Tlte one you warned me all about 2:04
The one you said I could be without -
We're in an awefull mess and I don't mean maybe-please 2: l8
Papa don't preach ,im in trouble deep
Papa don't preack,ive been losing sleep 2:26
But I made up my mind, im keeping my baby,oh 2:35
I gonna keep my baby,mmmm
o GABi TURN AWAY FROM MILA
o MILA TURN AWAY FROM GABY
o ELS STAY IN FETUS POSITION
32

Milat+l
@acing back-hold tummy)
Scene 11: Unto us
Front
Gabitol
Somewhere at some time
They commited themselves to me
And so I was
Small, but I was
Tiny in shape,Lusting to live
Els(s.s)
(Fetus position)
ELS SIT UP
I hung in my pulsing cave
soon they knew of me
My mother-my father
I had no say in my being
I lived on trust,And love
Tho' I couldn't think
Each part of me was saylng
Wait for me, I will bring you love
I was taken
Blind,naked,defensless
By the hand of one
Whose great name was graven on a brass plate in wimpole street
And dropped on the sterile floor of a foot operated plastic waste bucket
There was no queens counsil to take my brief
The cot I might have warmed stood in harrods shop window
When my passing was told,My father smiled
OUE MUSIC!
Mama who bore me
Track 9
No grief filled my empty space
ELS STAND UP(FACING BACK)
My death was celebrated
With tickets to see Eddie lzzard
JJ

Who was pretending to be a woman
Like my mother was
o GABi TURN TOWARDS ELS
o ELS TURN TOWARDS GABi
34

Scene l2z Mama who bore me
Milat+l Gabirot (:.oMila-Els(+)-Gabir+.sl
(Facing the back-holding tummy) @acing the back)
Els(+)
Mama who bore me
Mama who gave rne
No way to handle things
Who made me so sad
Mama the weeping
Marna the angels
No sleep in heaven, or Bethlehem
GABY AND MILA LOOK AT EACH OTHER
Some pray that one day
WALK TO ELS
Christ will come a collin
Tkey light a cqndle
And hope that it glows
And some just lie there
Cryingfor him to corne andfi.nd them
But when he comes they don't know how to go l:26
0:30
0:43
0:56
l:15
l:36
l:46
I :50
l:59
2:08
TO BE AT ELS NOW
Moma who bore me
Mama who gave me
No way to handle things
Wo made me so sad
Mama the weeping
Mama the angels
No sleep in heaven
Or Bethlehem
ENTER AKHONA,THAKIRA,HENK(SAME FOOT)
35

Akhona
Thakira
Henk
Scene 13: Love thv self
Front
Akhonalol
Thakira(o)
Henk(ot
I love reality t.v. Everybody fighting for their 15 minutes of fame. I mean what those doctors do o -
shows like extream makeover and doctor 90210, is nothing short of miraculous. I mean, take a
ayerage, unhappy plain Jane, alter her appearance, and her big reveal reveals a surgicall --
transformed knockout. It's a modern day fairytale. Beauty is skin deep-thank god for 15 blade.
Akhona(:)
Thakira(o)
Henk(o)
I unscrew the blade of my pencil sharpener and draw it over my wrist.blood flows.look at me.loo
how I hurt.this is not a suicide attempt. Its both a public and private display of self abuse;a morbi
secret and a public confession.it is simultaneously very serious and weirdly casual, very 'Sylvi
Plath'. I am a cutter. Carving pain into my body is a way of escaping from thinking what trouble
me,my self loathing,my margalisim,my lonliness. Yes I am a cutter,look at me,look how I hurt.
Thakira(:) Akhonal:;
Henk(o)
Whatever happened to the muscular jocks and toned bodies of Baywatch. It's the skinn _
androgyrous boney Beverley hills boys that girls find hot right now.that means joining the heavil
bombarded,toxic media world of a body image, which marries "Robert Pattinson's skinny cocain
haven't slept in a long time emo slmdrome" with a Barbie phenomenon. For some of us thz -
doesn't come naturally so I discovered bulimia. As a young adult i consider myself to b
manorexic.i spend my time going from one Mc Donald's to another,binging then bringing up Bi _
Macs. How do you find treatment for a boy with a teen girls disease?

Thakira(:)
Scene 14: What is this feeline?
Front
Henk(o)
whqt is this feeling so sudden and new
Ifelt the moment, I laid eyes on you
My pulse is rushing
My head is reeling
My face is flushing
Wat is this feeling
Fervid as aJlame
Does it have a name
Yes!
Lo athin g unadul t er at e d lo athing
For myface
My voice
My clothing
Lets just say
I loathe it all
Akhona(:)
0:06
a ""24
0:3 I
0:38
0:40
Thakira€)
Ev'ry little trait how ever small
Makes my very flesh begin to crawl
With simple....
Step right dig lefi
Step left dig right
Step right dig left
Left, ri gh t (s t eping b acl)
Left(step forward)
Henk(o) Akhonal:y
S arah;Tammy; Skye; Jadene; Stef; James
(enter 1" line)
Thakirar:t
hola; Cara;Danelle; Els ;Mila
Henk(o) Akhona(:)
Sarah;Tammy; Skye; Jadene; Stef;James
37

....(Jtter loathing (enter 2"d line)
Theres a strange.....
Step right dig lefr
Step left dig right
Step right dig left
L eft, ri gh t (s t ep in g b a ck)
Left(stery forward)
Thakiral:l Henk(ol Akhona(:)
Sarah;Tammy; Skye;Jadene; Stef;James
Thola; Cara;Danelle;Els ;Mila
Kassandra;Natalie;Nicola;Jessica;Martin -
...exhilaration (enter 3'd line)
In such total...
Thakira(:l Henklol Akhona(:)
Sarah;Tammy; Skye;Jadene; Stef;James
Thola; Cara;Danelle;Els ; Mila
Kassandra;Natalie;Nicola; Jessica;Martin
Steven; C arrie ; Talia; Ip s ; Megan
...detestation (enter 4ft group)
Its so pure,so strong! 0:57
38

Step right dig left
Step left dig right
Step right dig krt
L eft, r i gh t (s t ep in g b a ck)
Lefi(step forward)
Thakirar:)
- S arah; Tammy; Skye; Jadene; Stef;James
Kas sandra;Natalie ;Nicola; Jessica; Martin
Akhona(:)
Tho 1a; Cara; Danelle ; E 1 s ;Mila
Steven; Carrie ; Talia; Ip s ; Megan
Henk(o)
Thought I do admit it came onfast
Still I do believe that it can last
And I will be loathing,
Loathing yott
N{y whole life. ..long I : 13
I{OW LINES CONNECT TO CREATE FORMATION BELLOW IN NEXT SET OF
cHoREOGRAPHY(SNAKE)
Line one and line three connect (Kassandra follow behind Sarah)
I-ine two and line three connect (Thola follow behind Martin)
Line four and line three connect (Megan follow behind Mila)
Akhonalr) Henk(o) Meganlry
James; Stef; Jadene; Skye; Tammy; Sarah; Kassandra,'Natalie; Nicola,' Jessica ; Mar
Steven; Carrie; Talia; IpS; Megan; Mila;
Choreographv
Step right,left,right-arrn above head,lower to right hip
Turn left,right left(turning away from direction you are going)
Retira right leg to left knee-arns above head
Step right forward-arms to chest
Step left-arns straight infront of you
Step right,left,right-arns above head,lower to right hip
Step 1eft,right,1eft-arms above head,lower to left hip
Els; Danelle; Cara; Thola
39

Step right-arns above head
Step left-arns to chest
Two turn towards right shoulder ending with right foot infront
Cross left foot over right
Unswivel-arns circle above head
Step right dig left-right shoulder circle backwards
Step left dig right-left shoulder circle backwards
Step right dig left-right shoulder circle backwards
Continue into choreography for lines spliting
Grotry l
what is this feeling
so sudden and new
Ifelt tke ruornent I laid eyes on yolt
My pwlse is rushing
My head is reeling
Oh what is this feeling
Group 2
We share your loathing
unqdulterated lo atking
for nny face
my voice
My clothing
lets just say
I loathe it all l:23
Er'ry little trait how ever small...
tOW LINES SPLIT AND SWOP TO CREATE FORMATION BELLOW AND LYRICS
iarrie: Ips: Mila: Danielle: Thola-do 1 balchange to front,2balchanges to back,l balchange turning
)ecome line 1)
tdene;Tammy;Kassandra;Nicola;Martin-do 1 balchange to front,3 balchange to back
)ecome line 2)
rnaide;Talie;Carmen;E1s;Cara-do 3 balchanges to back, 1 balchange turning
)ecome line 3)
ohan;Stef;Sky;Sara;Natalie;Jessica-do 2 balchanges to back,1 balchange to front,lbalchange turni
lecome line 4)
CrcupJ Grcup 2
Does it ltave a netwe
Malees wy flesh begin to crawl
Yes
Aklx akkkkkkk*z! l:33

Akhona(rl Henk(o) Meganlr;
Carrie Ips Mila Danelle Thola
- Jadene Tammy Kassandra Nicola Martin
Steven Gabi Megan Els Caru
James Stef Skye Sarah Natalie Jessica
L-ine 1 and 3 do same choreography and lines 2 and 4 do same choreography
-Lineland3do:
I-ift both arrns above head,cross right foot over left
_f urn(unswivle) lowering magazine
Circle up around right side
Sharply bring down to chest then up above head agarn
-Lower arrns to shoulder height bending both legs and body to SL
Balchange to do same position only this time facing SR
_3ross left leg over right facing the front,magazine infront of you
Turn(unswivle) lifting magazine over head and then lowering it to face front agarnwith right leg
rnfront,both legs bent
-Step left leg out and hold magazine infront of you firmly
Flip a page of the magazine,do it again then slam right hand onto magazine and rip a page out
Step beat(to left), step beat,(to right) step beat,(to left) step balchange(to right
-tep beat (to right) step beat(to left) step beat(to right) step balchange(to left)
Step left leg forward and step on right, turning to the back
Steping left to the back and turning to finish with right leg at the back
-Right arn up next to head holding the ripped out piece of magazine
Balchange left,right,left , arrns moving above head and lowering to left hip,head follows
Balchange right,left,right, arrns moving above head and lowering to right hip,head follows
Left arm opens sharply to side with magazine in it and back to chest while spinning on right leg
-to the right
Right arrn opens sharply to side with magazine in it and back to chest
Swoping magazine to left arm and sharply lifting it above the head
Bring back down to chest while spinning on right leg to the right
Ending to the front with magazine infront of you and legs wide
Line2 and 4 do:
Step right leg to Sl-facing the back,magazine beating the chest then up diagonally in right arm to
the right
4I

Lower arm to side
Step right leg to SR-facing the front,magazine infront of you
Sharply lift both arns above head and the sharply back down again
Extend both arms to left(shoulder height) and move anns to the right creating a semi-circle
Bring arns into chest
Cross right leg over left and sharply lift both arns above head
Lower magazine while you turn(unswive) to face the back
Lifting both arms above head slowly and twisting to the front,with right leg now crossed infront
Step left leg out and hold magazine infront of you firmly
Flip a page of the magazine,do it again then slam right hand onto magazine and rip a page out
Step beat(to left), step beat,(to right) step beat,(to left) step balchange(to right_
step beat (to right) step beat(to left) step beat(to right) step balchange(to left)
_
Step left leg forward and step on right, turning to the back
Steping left to the back and turning to finish with right leg at the back
Right arn up next to head holding the ripped out piece of magazine
Put weight on left leg and j,rn p up with right leg in second in the air,arms in second
Cross right leg in front of left leg when landing,holding magazine infront of you
Step left ,right ,left turning to the left
Bring right leg to left knee and do a small forward contraction/impulse,magazine infront of you
Step balchange back on right leg while swinging arm outwards to right and above head creating a
semi-circle
Sharply open right arm with magazine to SR
Bring into chest and swop to Ieft hand sharply lifting left arm above head
Turn to right on the right leg while brining anns to chest
Group I Group 2
Loathing loahing l:42
Theres a strong exhilaration loathing
In such total detestation 0:57 loathing
Its so pure and so strong so strong I:45
Though I do admit it came onfast
I still do believe that it can last
And I will be loathing for forever I : 10 loathing
Loathing truly deeply loathing
Loathing you loathing,loathing yow 2:04
My whole life long
Lo athing,unadulterated lo athing
42

o Jessica and NicolalBmma and Chane take turns doing loathing
o from Kassandra and Mila stage split to exit SL and SR
PEOPLE, IN TABLEAU HANDING OBJECTS TO OTHERS ARE
-- Stef-magazine give to James
Ips-magazine give to Carrie
Cara-magazine give to Els
- Sarah-magazine give to Natalie
Mila-magazine give to Nicola
These people must keep their props
Kassandra
- Henk
Akhona
Thakira
THE HANDING OVER OR KEEPING OF PROPS WILL CHANGE WHEN SOMEBODY HAS
TO BE AN UNDERSTUDY!!!
43

Scene 15: Defving gravitv
ront
Kassandra(t) Ipsl:;
Stef(:.st
(.rAndrew-Emma1.s;
Milat:l Carag)
Sarahlz;
1z;Akhona Henk(r.s) Thakiralr;
Ipeleng Something has changed
KASSANDRA(KISS EDWARD POSTER.EXIT UPSTAGE SL
THROUGH CENTER)LEAVE
EMMA AND JUNAIDE NUDGE NOSE AND EXIT SL
Ipeleng within me
Ipeleng Something is not the same 0: 12
SARAH WALK TO FRONT WITH CELLPHONE AND EXIT SL
Ipeleng I'm through with playing
THAKIRA;HENK;AKHONA EXIT SR
CARA TAKE TWO STEPS BACK AND EXIT SL IN CE,NTER OF
STAGE
Ipeleng by the rwles
MILA WALK(WHILE NHOLDTNG TUMMY)TO CENTER,STOP,LOOK
AT TUMMY THE,N EXIT SR
Ipeleng Of someone else's game
Stef Too late for
Ips-Stef
(2.5) (3.s)
44

IPS CROSS RIGHT LEG OVER LEFT AND STAND UP TO THE
LEFT OF STEF
Stef second-guessing
Stef Too late to go back to sleep 0:25
Stef lts time to trust my instincts
STE,F AND IPS TURN BACK TO BACK DIAGIONALLY TO FRONT
Stef Close my eyes and leap 0"'33
Stef and tp"t"ng { 0:38
t
STE,F AND IPS REACH FOR EACH OTHERS HANDS
Stef and lpeleng I *y
i Defying gravity
TURN"i3ffi
J?3TR?Bff,T,3ITT"Y'JH,H|iA(STEF
I- Stef and lpeleng ]
L'
STEF AND IPS PUT HANDS ON EACH OTHERS FACE'S(STEF
ARM INFRONT)AND STROKE DOWN ARM(STEF LE,FT HAND;IPS
RIGHT HAND)
Stef and lpeleng down! 0:54
Enter Steven(Sl)
exit Ips(SL)
.even
-rtrance)
Ips-Stef
(2.s) (3.s)
STEF WALK TO PLACTNG OF COMTNG OUT(0.5)
Ips
45

Scene 16: Coming out
Front
Steven Stef
(0.s) (o.s)
Bov:
I wish I was one of those people who could tell you the exact moment I knew I was
gay-
Girl:
I knew I liked girls before I knew I was left handed
Boy:
It was just there, no earth shattering incident when you turn to the person in bed
next to you and go "oh my word, it's another guy, I must be gay"
Girl:
For seventeen years I tried to push my sexuality pendulum in the other direction, if
I hung posters of near naked men on the wall
BoYt
If I pretended that woman with there silicone balloons flopping all over the place
were the source of my erections
Girl:
IfI prayed hard enough
Bov:
I remember standing
Girl:
In the field
Boy:
Behind our apartment
Girl:
With my stepsister
Bov:
Unable to form the words to my really important news
STEF TURN TO FACE STEVEN
Girl:
Are you in trouble?
Boy:
Are you pregnant?
Girl:
Do you have cancer?
Boy:
Have you hurt someone?
46

Girl:
Do you like guys?
Bov:
Yes,
STEVEN LOOK INTO THE AUDIENCE
my voice quivering,
a lot
LOOK AT STEF AGAIN
STEF TURN TO FACE AUDIENCE AND STEVEN LOOK STRAIGHT FORWARD
Girl:
And then came the movie Dirty Dancing. Remember the scene when Jennifer Grey
turns on the record player in Patrick Swayze's bedroom. He's standing there bare-
chested and she walks up and runs her hand all around his torso while she circles
him. It wasn't so much an attraction towards Jennifer Grey as it was that moment
of watching her run her hand along him and letting her have her way. Just the idea
of being that in love with another girl was almost too intoxicating.
Bov:
I don't remember much of what happened the morning I told my mom I was gay.
STEF LOOK AT STEVE,N
I remember agreeing to see a therapist. My sister called me later and begged me to
tell her what was going on:
STEVEN LOOK AT STEF
"f came out of the closet"
Girl:
"And?"
Bov:
"And mom freaked out!"
Girl:
"Well what were you doing in the closet?"
Bov:
STEVEN LOOK INTO THE AUDIENCE
47

Ignorance runs deep.
Girl:
STEF LOOK INTO AUDIENCE
I met Amy when I was 17. Today I have a few weeks left before I turn 22. Amy
and I have shared a loving monogamous relationship for 5 years now.
Bov:
Mom really did freak out, we haven't spoken since the day I told her I was gay. She
sent me to live with my dad.
CUE MUSIC!
BOTH SIDES NOW
Track12
No matter how tough you think you are, no matter how immune you think you've
become, it still hurts.
4B

ps
?nce)
Steven
Stef
Ipeleng
Martin
Steven
Stef
Ipeleng
Martin
S t ef; Ip e I en g ; S t ev en ; Martin
Scene 17: Both sides now
Front
Ipslr; Stevenl.q Steft.sl Martin(r)
Moons and Junes and ferris wheels
The dizzy dancing way youfeel
Wen every fairytale comes real
Ive looked at love that way
But now its just another show
You leave 'em laughing wlten yow go
And ifyou care, don't let them know
Don't give yourself away
Ive looked at love frorn
Mart
(entrar
0:12
a:28
0:45
0:47
l:03
STEF AND STEVEN LOOK AND THE,N TURN TO FACE OUTER
PARTNERS(MARTIN AND IPS)
both sides now
From give and take but still somehow
Its love's illusions I recall
I really don't lcnow love
STEF AND STEVEN SWOP,WALKING BACKWARDS(STEF
INFRONT ; JOTIAN BEHIND)
at all
STEF AND STEVEN FACING EACH OTHER
Steven;Martin
Steven
Steven;Stef
Ipeleng
Ipeleng
Martin
Ipslry Stefl.s; Steven(.s) Martin(r)
Teqrs and fears and feeling proud
To say I love you right out loud
And dreams and sceams and circus crowds
STEF TURN TO FACE AUDIENCE
Ive looked at love that way
But now our friends are acting strange
49
l:31

Martin;Ipeleng
Martin;Ipeleng
Stef
Stef
They shake their heads
They say ive changed
STEF AND IPS TURN TO FACE EACH OTHER
Well somethings lost but somethings gained
STEVEN AND MARTIN LOOK AT EACH OTHER
From living every day
STEVE,N AND MARTIN TURN TO FACE EACH OTHER
l:47
oked at love from both side now
win and lose and still somehow
love's illusions I recall
I really don't l*tow life
STEVEN AND MARTIN JOIN HANDS(JOHAN LE,FT;MARTIN
RIGHT)
Steven;Martin at all
Stef;Ipeleng;Steven;Martin I really don't know love at all 2:2 3
STEF AND IPS STEP TOWARDS EACH OTHER AND KISS
MARTIN AND STEVEN EXIT STRAIGHT OFF SR
STEF AND IPS WALK ALL THE WAY UPSTAGE AND EXIT SL
o ENTER ELS AND MILA AS THEY TURN TO EXIT SL
Ips-Stef Els;Mila
(entrance-STD Pa
. Nicola enter with chair from Sl-place on mark 3 of SL
o Carrie enter with chair SL
o Sarah and Jessica enter with chair from SR-place on mark 2(Sarah) and mark l(Jessica) of
SL
o Nicola;Sarah;Jessica exit SL
o Carrie and Mila exit SR
50

Scene 18: STD Partv
Front
Desklz-:;
Chair (Door)
(3) Chair
(2) Chair Chair
(l) (l)
Our host loosey is hosting a house party and as lter guests aruive, they introduce
themselves as STD's and give her brief run down of how they intend to ruin her
party/body
- Loosey is busy putting final touches to the drinks/snacks table, goes to the ipod
dock and cranks up the music a little. The doorbell rings. She goes to answer
QUE DOORBELL!
Track 13
Loosev: (opening the door)-Gonorrhea! It's about time!!
Gonorrhea: H.y, Loosey. How are you!?
Loosev: I'm so glad you could come.
Gonorrhea: Are you kidding me? I never miss a party, and especially with such a warm and
open invitation. How've you been you little slag?
Loosev: oh, I've been great thanks.
Gonorrhea: that's good to hear. Enjoy it while it lasts. Oh I brought a few things for the
party. For starters, I brought a burning sensation when you wee. Then, a few headaches, and a
fever. You may also experience vaginal bleeding between your periods. But hey, don't worry,
I won't stay too long. Oh and here, some yellow-green discharge. Enjoy that.
Loosey: thanks?
Gonorrhea: so who else is coming?
Loosey: well I've been sending out invites all over the show so, you never know....
OUE DOORBELL!
Track 14
Loosey: ah, theres someone now. (she opens the door). Hi Chlamydia!
51

Chlamvdia: Hey Loosey. How you doing? (2 kisses on the cheeks)
Loosev: I'm good, I'm good. Come on in.
Chlamydia: wow, what a cool place you have. I could definitely hang out here more often.
Loosev: thanks, it's a bit of a mess cozl've had sooo many visitors lately, if you know what I
mean, but have a seat make yourself at home.
Chlamydia: thanks. Please don't woffy about me" (loaded:) you'll hardly know I'm here.
Loosey: ok......? Chlamydia this is Gonorrhea, Gonorrhea, Chlamydia
Gonorrhea: hi
Chlamvdia: you look familiar. Have we met before?
Gonorrhea: hey, quite likely-we all travel in the same circles really.
QUE DOORBELL!
Track 15
Loosev: excuse me a sec. (goes to open door).H
Svphilis: Hi,is this where the party's at?
Loosey: um, yes
Svphilis: cool. I'm syphilis. I hear you're having an open party. I was invited by the guy you
had here last saterday. You met him at La Med, remember? You guys got drunk, came back
here, dot dot dot, and well, here I am. Can I get a drink, I'm parched
Loosev: um, sure...
Svphilis: (sees Gonowhea). Hey you - I didn't know you were going to be here. Wow, you
really don't miss a party do you? (syphilis sits down next to Gonorrhea and they start
*
chatting. Chlamydia stands and walks over to loosey-pulling her aside to talk.)
Chlamydia: Loosey-how do you know her?
Loosev: I don't really, she just invited herself
Chlamvdia: well let me just warn you. Syphilis doesn't mess around. First it'11 be a painless
little red ulcer-and you might not even know you have it, then like 10 weeks later, a rash (she
checks Loosey's palms as she speaks), flu-like symptoms, then sores on your mouth, lips,
throat, and you-know-where. Girlfriend I'm telling you that if you don't handle this one, she
can get ugly, she'lljust move in and take over.
Loosey: (wide eyed and in some sort of shock)-okay. . ..?
52

OUE RING TONE!
Track L6
- Loosev: (answering her phone).Hello?......HIV!.....shame, are you lost?.....okay, well just
head up Venous Road till you hit the t-junction, turrl right and then a few metres further you'11
see a pink block on the left called Labia Manor. . ...Yeah, just ring my btzzer. I'm number
69. . .. . ...cool. . . . . .ok, see you now. (hangs up)
Gonorrhea: Hey Loosey, pump up the music, will you?
Loosev: yeah, sure. ....(crosses to the ipod dock)
Gonorrrhea: and I'11 have a beer now if you have. A cold one
Loosey: cool, I'11 be right back (exits to kitchen)
Svphilis: she seems a little uptight, don't you think?
QUE DOORBELL
Track 17
Svphilis:-I'11 get itl (opening the door) well, look who's here!
Crabs: (waking in sideways) hello, Phyllis
Syphilis: how the hell are you? I haven't seen you in absolute ages. Where have you been?
Haunting dens of iniquity no doubt.
Crabs: I'm so glad to see that you're still the same infectiously self.
Svphilis: (stunned and speechless), um, uh,.....
Crabs: did I pinch a nerve? Crab got your tongue? (walks past) oh great, the whole gangs
here. Don't you guys have better things to do with your time.
Rest: hi crabs/hello/well 'hi' right back at you.
Loosey: (returning back from kitchen, scratching) here you go (handing Gonorrhea a beer).
- Hey oh? Hello, I didn't hear you arrive. Welcome, I'm loosey.
Crabs: I know
Loosev: (scratching) can I get you something to drink? Let me introduce you first.
(syphilis starts looking for a place to hide. She finally tucks herself away behind a curtain)
Crabs: no need. I know this motley crew allto well. You nice and itchy?
Loosev: yes, as a matter of fact, I don't know whats up. It just started all of a sudden.
s3

Crabs: I wouldn't have it any other way
Crabs: If you're going to sleep around, it's my obligation to jump from host to host. That's
what I do. Its called nesting. (takes seat) Gonorrhea you're oozing.
Rest : eeeedthat' s just disgusting I oh dear kepugnant !
Crabs: where's HIV?
Loosey: she was lost, but she should be here any second.
Gonorrhea: good thing we got here first. She'd have finished all the snacks before we got
here. Gready >rx<***-
totally takes over.
Loosey: really? I've always thought she was really nice.
Chlamydia: well now look. I mean, we're a pretty aweful bunch but HIV is terminal honey.
You can't just have her medicated out of your system.
Loosev: look, I don't know how, but this has gotten out of hand. I never invited half of you
and where is Syphilis?
Gonorrhea: oh yes you did!
Loosev: when exactly?
Gonorrhea: well, everytime you forgot to use protection. Look if you think you're old
enough and mature enough to have sex, then you've got to be responsible. Do you think we
enjoy traveling around like this?
OUE DOORBELL!
Track 18
if you guys would just do your job then we wouldn't have to do ours.
Loosev: I use protection. ".
QUE DOORBBLL!
Track 19
....sometimes.....
Crabs: not good enough, sweet-cheeks
QUE DOORBELL!
Track 20
Loosev: oh dear, that must be HIV. What should I do?
Crabs: too late to renage on that invite. You've led her right to your door and now she's
expecting to come in.
54

HIV: (barges in). Why did no-one answer the door? Having too much of a good time in here
to hear the bell ring?
HIV: Where can I have my driver put my things?
Loosey: pardon?
HIV: my things; I'm moving in.
Loosev: what you mean; 'moving in?'
Crabs: we told you. This one's permanent.
(HIV wallrs around inspecting the place)
Loosey: (pulls Gonorrhea aside) please help me. I don't know whats going on and I'm getting
scared.
Gonorrhea: honey, I love you, but if you haven't figured it out by now, then there is no hope
for you. Have a nice life- or whats left of it. I'm outta here. (kisses her on the cheeks, turns to
leave) Later adgitators
- Rest: bye/drive safe/see you laterlgood riddance
HIV: (discovering syphilis behind the curtain) ah syphilis! Look what I found guys. Phyliis is
- doing her latent thing again. Come on out of there.
Chlamvdia: oh silly Phylli.
Svphilis: ah, you found me! I was only going to hide there for a few months, and then:
"surprise!"
(they all laugh)
Loosev: ENOUGH!!!
(deathly silence)
STOP MUSIC
Loosey: I want everyone to leave. Now.. ..please.
HIV: I'm sonlr babe, we can't all do that" Best you make friends with us and find the best
way to deal with us.
Loosey: but why?
Svphilis: have you never heard the saying 'no glove-no love', 'keep it wrapped'
55

Loosev: well yes, but.......
IIIV: but what? You'd had too much to drink?
Chlamydia: wanted to feel the thrill of breaking the rules?
Svphilis: he told you that the sex would feel better without the condom?
HIV: well, of course he did
Chlamvdia: well tut, tut, tut (takes out phone and reads new sms)
HIV: he's not going to love you more just because you put out without a condom. We'Il get
through this, don't worry. Ok guys, well I'm kicking my slippers off under this bed for quite a
while. Why don't you go ahead.
Chlamydia: yeah Gonorrhea just sent me an sms, Loosey's boyfriend who lives just around
the block and his party's just getting started.
Syphilis: well, what are we waiting for! Lets go. (she leads the gang out as we slowly fade to
black)
Skye and Carrie enter upstage and through center on crabs (laughing) exit
(enter SR) (enter SL)
56

Scene 19: Afterthought
Chair
(3) Chair
(2) Chair
(1)
Front
(o)Carrie Skyel.sy Desklz-:y
Sky-Chair
(l)
(Door)
Carrie:
What if love was an STD? a sexually transmitted disease? You'd go to the bathroom and your
heart would bleed a stinking stream of burning fire, your crippled neryous system a frothy
yellow green discharge. The very air you breathe, murky, camouflaged and hissing from your
lungs. What if you fell in love with a sexually transmitted disease? You'd wake up next to it
and feel it's fingers under your skin, wrapping it's hands around your throat, locking it's legs
around your diaphragm and squeezing...squeezing...squeezing, whispering secret desires of
pussy love in your ear.
SKYE STAND UP AND WALK TO CARRIE AT THE, BEGINNING OF YOUR
MONOLOGUE "LETS RAISE THE STAKES..."
Skye:
Lets raise the stakes. What if love was AIDS? A blood born virus that infects your immunes
system, breaks down your emotional defenses, leaves you open to every little stray comment or
common cold remark that finds its way to your heart, constantly changing shape, spreading
through your body like a cancer, chipping away at your will to love and live. Day after day, the
love inside of you, taken over by a foreign, growing contagion, that has become an integral part
of who you are. It can't live without you and you can't surgically remove it. The infection is too
far gone, and you've got 3 months to live till Valentine's Day.
. Skye take chair(exit SR)
o Jessica take table(exit SR)
. Carrie take mark 1 chair(exit SL)
o Chane take mark 2 chair(exit SL)
o Tammy take mark 3 chair(exit SL)
BLACKOUT
o Enter Sarah;Emma;Johan;Megan;Natalie; Stef;Gabi;Els;Martin;Henk
one big group
CUE MUSIC!
Take my heart with you
Track 21
57
Sl(upstage) to forr

Natalie(+)
Scene 20: Take my heart with vou
Front
Natalie(z.z) (o. s)Henk-Natalie(o.s)
t--_
1 Henk(r s)
Natalie
Martinl:.2;
Natalie
Waited a hundred years to see your face,
And I wauld wait a hundred more
If only to be near yow,
To have you and to hear you.
Is'nt that what time is for? 0:36
0:47
I:03
arah;Els;Gabi;
I sailed a thousand ships in search of you.
Traveled to distant land
I dove for sunken gold
I took what I could hold,
wt you're still the greatest treasure f 've held in my hands
Wegan;Stef;Martin
My love,the reason I survive,
Trust we'll be together soon.
Skould our fire turn to dark,
Take my heart with you,
Take my heart with you,
Take my heart with you.
QT]E MUSIC!
Mama who bore me
Track22
Choreographv
Natalie walk forward on "I've waited a hundred years to see your face"
Henk walk forward on "And I will wait a hundred more"
Natalie run around SL group on"Isn't that what time is for?" ending center
I :22
2:02
Natalie(s)
(r.s)Henk

Henk and Natalie touch(SR) on "I took What I could hold"
- Henk break away from Natalie towards center on "my love.."
Natalie jump onto Henks back on "bl we'll be together..."
Natalie flip forward over Henk on "...together q"
Henk lift Natalie by the legs on "Shou!! our fire turn to dark"
Natalie turn on "...q fire turn to dark"
Natalie do splits and ro11 up on "..our fire turn to dark"
Natalie run back on "frre turn to dark'
- Henk and Natalie walk towards each other on put hands together on "t4[ggy@!..."
Henk turn Natalie with afin on "take my heart with you"
Henk put Natalie on your shoulders on "take my heart with you"
Henk turn to front on "t& my heart with you"
Natalie swing right leg to Henks back on "take my heart with you"
Natalie ro11 down backwards on "take my heart with you"
Natalie drop back;Henk catch her by the neck and kiss her head on "take my heart with you"
Henk turn Natalie around on "1& my heart with you"
Natalie roll up and flop forward on "take my heart with you"
Natalie flop backwards and henk catch her on "take my heart with you"
Natalie leap onto Henk hugging each other on "take my heart with you"
Henk let Natalie slide down on "take my heart with you"
Natalie lie with left arm and leg bent,head to the audience
- Henk look at Natalie as you take a step back and then turn to your left shoulder and exit SR
Johan and Martin exit when Henk exits
(exit SL) (exit SR)
. Natalie get up and walk to SL to join on coming group(Mama who bore me)
. Sarah;Emma;Megan walk to center "mama who bore me"
o Stef;Gaby;Els walk to center on "mama who bore me"
o Enter Carrie;Thakira;Ips;Mila;Akhona;Tammy;Jessica from SL
o Enter Jadene;Lily;Kassandra;Chane;Sky;Thola;Carmen;Nicola;Danielle SR
59

Scene 2lz Mama who bore me (reprise)
Front
Sarahl+y (:)Els Gabifzt
1+.syEmma Megary:.s) Stef(z.s)
{ila;Ips Lily;Nicr
.khona;Carrie;Tammy Jadene;Kassan(-
hakira;Jessica Chane;Danie1le;Margaux;Sky;Th<
Everyone walking on to their formation presented bellow while singing:
Mama who bore me
Mama who gave me
Mama the angels
Wo made me so sad
Track 22
Sarah
Stef Megan
Emma Els Gabi Nicola
Mila Ips Jadene Lily
Natalie Akhona ( arrie Danielle Sl e Kassandra
Thakir4 Tammy Margaux Thola
Jessica Chane
Sarah (underlined people take clothes offl
When girls don't tell,many times it's a shame
But most times its someone they simply won't name
Nicola (bold people take clothes off)
When girls don' t tell, -Nicola; Gabi ; Jadene; Lily;Kassandra
its because of their pride and it is something they would far rather hide
QUE MUSIC!
Track 23
60

Tammy Sarah
Natalie Danielle Nicola
Thakira Gabi Lily
Mila
Stef Megan
Emma Els
Ips Jadene
Akhona Carrie Skye Kassandra
Margaux Thola
Jessica Chane
Mama wlto bore me
Mama who gave me
It{o way to handle things
Who made me so bad
Thakira
When girls don' t tell,- Thakira;Tammy;Natalie;Mila
its not because they never tried ,what if others think they lied?
Danielle
When girls don' t tell,-Danielle; Sarah;Nicola; Gabi; Lily
they are learning to accept but how long must their secret be kept?
QTIE MUSIC!
Track24
Track 23
Mila Tammy Chane Nicola
anielle
Sara
Natalie Thakira Gaby Lily
Carrie Stef Megan Kassandra
Emma Els
Ips Jadene
Akhona Sky
Carmen Thola
Jessica
6t

Mama ,the weeping
Mama, the angels Trqck 24
No sleep in heayen ,or Bethlehem
Chane
When girls don' t tell,- Skye;Megan;Els;Jadene;Emma;Stef;Jessica;Ips
have they found an escape,what if it felt good,is it still rape?
Tammy
When girls don't tell,-BvBRyoNE
they leave no hope, and its left for other generations to cope
OUE MUSIC!
Track 25
Mila Tammy Chane Jadene Danielle Nicola Megan
Ipt Stef Emma Sarah
Natalie Thakira Els Gaby Lily Sty"
Akhona Carrie Jessica Margaux Kassandra Thola
(Italic people take offclothes once at position while singir,-
Mama, the weeping
Mama, the angels
Itlo sleep in lteaven or Bethlehem
Mama, the weeping
Mqma, the angels
I{o sleep in heaven or bethlehem
Exit SL Exit SR
Sarah Emma Jessica Megan Nicola Lily
Stef Chane Carrie Danielle Marhaux Els
Akhona Thakira Ips Skye Thola Gabi
Tammy Mila Jadene Kassandra
Track 25
62

Scene 22: Abuse
Front
Caralo;
I
I
I
Caralo;
You know when you feel insecure and numb? The feeling of your groin burning and your
heart pounding dispassionitly in your chest. You can taste the fear,the dread,the guilt.you that
feeling?
Or when your mind is so confused because the concept of love that your just starting to form
is totally screwed-up as you try and determine where in the world this kind of love fits in
You know the feeling when everyone you think you can trust might just be in on his
game?and if you day anything about our little secret, then he wins and your just the dirty girl
with a sick mind
You know the physical sensation of being stretched open so wide that its sore to breathe, that
for the next ten minutes all you can do is lie on his bed and pray that the pain goes away?
You know exactly what I mean don't you?
CARA STAND UP AND WALK FORWARD(STILL IN CENTER MARK THOUGH)
...dont you? Then how can you even begin to understand the confusion,the pain,the emptiness
I felt everyday for 2 years
You cant
You never will
And I hope you never do....
CUE MUSIC!
KEEP HOLDING ON
Track 26
CARA TAKE DRE,SS OFF
63

Scene 23: Keep holdins on
Front
Henk Cara Els
(r.DNatalie Stef(.r) Sarah(.zt Jameslr.:;
tzlMila Ips1.1 Martin(.s)Meganlr.z; Emmalz) -
lz.tlAndrew Kassandral.zl Stevenlo; Jadenelt.ol Gabi(z.zl
lr.oyJessica Margauxl.lAkhonal.ry Tammy{r.s) Carrie(:)
(r.DChane Thola(r.s) Danielle(.2;Skyelr.ryThakiralt.z)Nicola(z.s)
Your not alone
Els Together we stand
Ill be by your side,you know ill take your hand 0: 18
When it gets cold Natalie;sarah
Henk And itfeels like the end Stef,James
There's no place to go
You know I wont give in Mila;Ips;Martin;Megan;Emn
Els and Henk No I wont give in Steven;Jadene;A:30
Everyone Keep holding on Akhona;
Cause you lmow we'll make it through,we'll make it through
Els and Henk Just stay strong 0:45
Cause you lwtow im herefor you, im herefor you
Theres nothing you could say(nothing ))ou could say) Kassandra;Gab.-
Theres nothing you could do(nothing you could do)
Theres no other way when it comes to the truth
So keep holding on
Cause you know we'll make it through,we'll make it through Slq) l: I l
So far qway Jessica;Carmen;Carrie;Tamr
I wish you were here
Before its too late, this could all disappear
Before the doors close Thakira;Talia;Tholq;Daniell
And it comes to an end
With you by *y side I will fight and defend Chane;Nicola
I'llfight and defend
Yeah,lteah l:36
Keep holding on l:39
Cause you lwtow we'll make it through,we'll make it through
Just stay strong
Cause you l*tow im here for you, im here for you

Theres nothing you could say(nothing you could say)
Theres nothingyou could do(nothingyoLt could do) 2:00
Theres no other way when it comes to the truth
So keep holding on
Cause you know we'll make it through ,we'll make it through 2: I 3
LIFT CARA(MOVING TO BACK OF
WEDGE.TURNING.COMING DOWN FACING DOWI SL
CORNER)
Ah ha,'
ah ha
Keep holding on
LIFT CARA
EVERYONE DOING A PICTURE TOWARDS CARA
Ah ha;
ah ha
EVERYONE WHIRLPOOLING IN SEPARATE GROUPS
Choreography for whirlpool formation
Henk Cara Els
Natalie Stef Sara Martin
Millar Thola Megan Tammy
Junaide Jessica Ips Gabby Sky
Carmen Cassandra Chane Carrie Emma
Akhona Jadene Danelle Thakira Nicola Lily
Henk Stef Martin Jessica Emma Danelle Chane
Natalie Cara Els Cassandra Tammy Thakira Akhona
Junaide Megan Sara Carmen Carrie Nicola Jadene
Millar Gabby Johan Lily
Thola pass through Jadene and after Stef to place next to Mila and Megan
Keep koldirug on
EVERYONE STANDING FACING THE FRONT TO SING
65

Theres nothing yow could say(nothing you could sal) 2".32
Ther es no thing you could do (no thing y ou could d o) Natali e ; Stef, Sarah ; Mart --
Theres no other yq_Mila ; Thola ; Megqn ; Tammy
wlten it comes to the truth Junaide;Jessica;Ips;Gabi;Slcye
S o ke q_C arm en ; Ka s s andr a Ch ane ; C arri e ; Emm a
h o ldingon Akh o n a ; Jad en e ; D an i el Ie ; 7h aki r a ; Ni c o I a ; L
-Cause you lenow we'll make it through ,we'll make it thrgueh
. Quefor People putting hands on other peoples shoulders
2:49
66

Scene 242 Statistics
(3)
Cara
Sarah
Jessica only
Second line
(2)
Danielle
Stef
(l)
Jadene
Megan
Front
(0) (1)
Chane Skye
Jessica Tammy
(2) (3)
Thola Martin
Natalie Henk
o
a
a
o
start on "including}}% with sexual intercourse"
only touch person at the beginning of their monologue('dabbing/pealing'
hands)
Second line put hand over mouth on last word of persons monologue (besides Sarah)
Everyone only start 'stroking' the person at the beginning of Cara's monologue
l.Chane-in 2006,83o/o of the episodes of the top 20 television shows among teen viewers contained some
sexual content, including 20o/owith sexual intercourse.
2rS&on ayera1e, music videos contain 93 sexual situations per hour, including eleven "hard core" scenes
depicting behaviors such as intercourse and oral sex.
3.Jadene-Misogynistic and violent behavior has been noticeably increased in teens who listen to hip hop
not an act of violence,and rap mtsic.62oh of South African school boys believe forcing sex on someone is
and one third of male leamers believe girls enjoy rape.
4.Thola-recently,Abercrombie and Fitch marketed a line of thong underpants decorated with sexually
provocative phrases such as "wink wink" and "eye candy" to 1O-year-olds.
5.Danielle-6.6 million children ages 2-11 and 7.3 million teens ages 12-17 watched Justin Timberlake rip
open Janet Jackson's bodice during the 2004 Super Bowl Concert.
6.Martin-Since the start of tonight performance at least 17 children in South Africa will have been
raped.thats 1 child every 3 minutes.approximately 9 out of 10 cases of child rape go unreported.
7.Cara-the internet provides teens with unlimited access to information on sex as well as a steady supply of
people willing to talk to them about sex. Teens may feel safe because they can remain anonymous while
looking for information on sex. Sexual predators use this and devices like mxitlto manipulate young people
into online relationships and, later,set up a time and place to meet.
STOP!
8.Thola-if your not talking to your child about sex,-who is...??????
Exit SL Exit SR
Cara
Sarah
Megan
Skye
Danielle
Stef
Chane
Jadene Natalie
Jessica Martin
Tammy Henk
Thola
o Mila enter when they exit
67

Scene 25: AII vou need is love
Front
Milaf:t
o Mila enter with red heart balloon and keep until handing it over to Kathleen in SL
downstage wing during Crazy Little Thing song
Life isn't about keeping score, it's not about how many people call you, and it's not about
who you've dated, or dating or haven't dated at all. It isn't about who you've kissed, what
sport you play, or which guy or girl likes you. It's not about your shoes or your hair or the
colour of your skin, or where you love or go to school. In fact it's not about grades, money,
clothes, or colleges that accept you or not. Life isn't about if you have lots of friends, or if you
are alone, and it's not about how accepted or unaccepted you are. Life just isn't about that.
Love is about who you love and who you hurt, it's about how you feel about yourself, it's
about trust, happiness and compassion. It's about sticking up for your friends, and replacing
inner hate with love. It's about what you say and what you mean. It's about seeing people for
who they are and not what they have. Most of all, it's about choosing to use your life to touch
someone else's in a way that could never have been achieved otherwise. These choices are
what love is about.
CUE MUSIC!
Crazv little thine called love
Trrck27
68

Scene 26: Crazv little thins called love
Front
vllla Sarah Stef
Natalie Margaux Akhona
James
Henk Steven
Martin Andrew
Megan Ips Els
abi Kassamdra Skye
{EGAN'S GROUP DO COMBINATION D
ILA'S GROUP DO COMBINATION B
This thing called love I just cant handle it
This thing called love I must get around to it
I aint ready
ENTER JADE,NE AND CARA,s GROUP FROM OPPOSITE ENDS
Crazy little thing called love
Mila Natalie Sarah Stel
Margaux Akhonr
II
Megan Ips Els
Gabi Kassandra Skye
0:07
0:23
MEGAN AND MILA'S GROUP DO COMBINATION E
IADENE 'S GROUP DO COMBINATION C
-CARA'S GROUP DO COMBINATION A
Megan Ips Els
Gabi Kassandra Skye
I
I
+
Jadene Tammy
Carrie Thola Jessica
James
Henk Steven
Martin Andrew
Tlris thing (this tlzing)
Called love(called love)
It cries(like a baby)
In a cradle all night
It swings(woo woo)
It jives(woo waa)
It shakes all over like a lelly fish
Mila Sarah Stef
Natalie Margaux Akhona
t
I
Nicola Cara
Chane Danielle Emma

I kinda like it
Crazy little thing called love 0:42
Thola
Chane carrie
Danielle Tammy
Nicola Jadene
Emma James Mila
Cara Henk Steven Natalie
Skye Martin Andrew Stef
Els Margaux
Kassandra Sarah
Ips Akhona
Megan
There goes my baby 0:44
DO FOUR WALKS (RIGHT,LEFT,RIGHT,LEFT) SHOULDER ROLLS (HAND S ON
WASTE),STEP BALCHANGE RIGHT LEG,RIGHT ARM CIRCLE BACKWARDS;STEP
BALCHANGE LEFT LEG,LEFT ARM CIRCLE BACKWARDS
She knows how to rock 'n' roll
STOP,FACING TOWARDS MIDDLE OF THE CIRCLE,CIRCLE HEAD FROM RIGHT TO
LEFT,ARMS PETIT SLONG YOUR SIDES
She drives me crazy
DO EIGHT WALKS HAND CIRCLING AROUND SIDE OF HEAD
She gives me hot and cold fever
FACING SIDEWAYS(RIGHT SIDE, OF BODY FACING TO CENTER OF CIRCLE),ARMS
RAISE UP TOWARDS BOYS
She leaves me in a cool,cool sweat
TURN TO FACE, AWAY FROM THE CENTER OF THE CIRCLE,BOOGING DOWN
70

Danielle
Lily
Nicola Jessica-Henk
Emma
Cara
Skye Chane-James
Els
Kassandra
Megan
Sarah-Andrew
I gotta be cool,(woo woo)
relax,(woo woo)
get hip(man)
Mila-Steven
Thola
Carrie
Tammy
Jadene
Natalie
Stef
Margaux
Akhona
Ips
l:03
Gabi-Martin
i STEP DIG AND CLICK STARTING TO THE RIGHT(PEOPLE ON SL)
-6 STEP DIG AND CLICK STARTING TO THE LEFT(PEOPLE ON SR)
get on ruy tracks
l HIPS ROLLS STARTING WITH LEFT HIP TO THE, LEFT(PEOPLE ON SL)
-4 HIPS ROLLS STARTING WITH RIGHT HIP TO THE RIGHT(PEOPLE ON SR)
take a back seat,(back seat)
DOUBLE LEFT HIP TO LE,FT,THUMBS POINTING OVER SHOULDERS(PEOPLE ON SL)
-DOUBLE RIGHT HIP TO LEFT,THUMBS POINTING OVER SHOULDERS(PEOPLE ON SR)
hitchhike(hitchhike) 1:ll
RIGHT ARM MOVE, FROM LE,FT CORNER TO RIGHT CORNE,R,THUMB UP(PEOPLE ON S]
{E,FT ARM MOVE FROM RIGHT CORNER TO LEFT CORNER,THUMB UP(PEOPLE ON SB
take a long ride on my motorbike
3 HIP ROLLS(RIGHT,LEFT,RIGHT),ARMS GO UP BODY AND REACH FORWARD-
-'SITTING ON MOTORBIKE',(PEOPLE ON SL)
3 HIP ROLLS(LEFT,RIGHT,LEFT),ARMS GO UP BODY AND REACH FORWARD-
'SITTING ON MOTORBIKE',(PEOPLE ON SR)
until i ready
TURN TO LEFT SHOULDER,ARMS INFRONT OF BODY(PE,OPLE ON SL)
ruRN TO RrGHT SHOULDER,ARMS TNFRONT OF BODY (PEOPLE ON SR)
71

crazy little thing called love I :25
Dance break:
Step left
Right leg lift to second and retire right foot to left knee ending behind left leg on the
floor
Step on right leg click both arms to the right
Step left click both arms to the left
Step turn to right wall
Grande ronde jam right leg(left corner to right corner) anns above head and lower to
second
Behind(left),side(right,start turning)
Front(left)-a11 to face left wall
Pelvis forward-arms next to headQazz hands),shake
Pelvis back-arms next to sides( a zz hands),shake
Right,left ,right,left (turned out)-arms lifting up through second shimmy
Step left leg,hop 1,2,3,4-nght leg swinging across,open,across,open
Behind(right), side(left ), front(right)
B ehind(left ), side(right), front(left)
Do one turn
Slap hands on thighs,
Kick left leg into the air,arm click above head
Run into the line
Margaux
Carrie
Jessica
Stef
Natalie
Steven
Sarah
Mila
Jadene
Gabi
Martin
Tammy
Henk
Ips
Megan
Emma
Chane
Cara
Els
Akhona
Kassandra
72

|-
EVERYONE CLICKING AND DOING AN ACTION ON A SPECIFIC COUNT
I gotta be cool(woo woo)
Relax(woo woo)
Get hip(man)
And get on my tracks
Take a back seat,(back seat)
Hitchhike(hitchhike)
And take a long ride on my motorbike
Until im ready
Megan Els Natalie Steven Stef Margaux
- Kassandra Ips Henk Sarah Jessica Carrie
Akhona Cara
Chane Tammy Gaby Mila
James Nicola Martin Thola Jadene
Danielle
Skye Emma
o TAMMY,S GROUP DO COMBINATION A
o NATALIE,S GROUP DO COMBINATION B
o MEGAN,S GROUP DO COMBINATION C
. CHANE,S GROUP DO COMBINATION D
This thing called love I just cant handle it
This thing called love I must get around to it
I aint readlt
Crazy little thing called love 2: 17
EVERYONE WALK(TURNED OUT)-ARMS RAISING THROUGH SECOND (J AZZ
-HANDS)
TOWARDS CENTER
DO A FULL TURN TO FACE THE FRONT
73

RIGHT HIP,CLICK RIGHT }IAND
LEFT HIP,CLICK RIGHT HAND
4 HIP ROLLS DOWN TO THE, FLOOR
BOOGIE OFF STAGE EXCEPT FOR TABLEAUX
Crazy little thing cqlled love 2:37
TABLEAUX:
Step outwards
Arms do a windmill action away from center
Two turns towards the center of stage
positions
Kassandra;Ips sharing center on their knees
Mila;Cara outer part of formation on one knee,half way up
Stef;Sarah;Thakira all within the formation
Henk;Akhona tip of heart formation on SL,Henk holding Akhona's leg
Andrew;Emma tip of heart formation on SR Andrew holding Emma's leg
Choreography
A:
Step right dig left
Step left dig right
Step right dig left
Step left dig right
step balchange(left behind right)
step left dig right
step left dig right
step left dig right
Step right dig left
Step left dig right
Step right dig left
Step left dig right
Hook:
74

Step right,flick left
Step left,flick right
Step right, flick left
Balchange left behind right
Step left
Kick right leg in attitude behind
Cross right leg over
Unswivel
Shoot legs to second
Shoot legs in together-Arms clasp above head
B:
step left heel,
pause,toes down
behind(ri ght),side(left ), front(ri ght)
step left heel,
pause,toes down
behind(right), side(left ), front(ri ght)
step left ,ronde jam retire to left knee,turning to face right wall
jump(on the spot)
walk back right,left ,right,left
step right ronde jam(from front to back)
balchange(left behind right)
retire left leg to right knee
step balchange with left leg(diagionally upstage)
step balchange with right leg(diagionally upstage)
hop on left leg,right leg lifted behind you
hop on right leg,left leg lifted behind you
hop and turn to face the back,left leg still raise(now infront of you)
hop onto left leg while turning to face the front,right leg behind you
Hook:
Step left
Unswivel
C:
75

Step right flick left;
Step left(behind)flick right
Stepright(behind) flick left
B alchange left (behind) ;ri ght
Step left forward
Right ronde jam to face the back
Walk right; left ;ri ght(normal walks)
Walk left ;right;1eft(turned out)
Arms moving through second to end above head(azz hands)
Step left to face front
Step right behind
Step left (still infront)
Step balchange right(to right wall facing the front)
Half turn away from audience,balchange left(to right wall facing the back)
Half turn towards audience bring right shoulder forward,balchange right(to right
wall facing the fronQ
Chena x 3
Step right balchange ,balchange,balchange all to right wall
Arms opening to arabesque
Hook:
Step left
Unswivel
D:
step(right)stomp
Behind,side,front
Ronde jam right leg and turn to face right wall
Step right-body down,click left hand next to head
Step left -body up,click right hand next to head
Step right-body down,click left hand next to head
Step left -body up,click right hand next to head
Step right,step left,step balchange facing the front
Turn to let to face front
Step right,left leg instag-arms to right,click
Step left,right leg in stag-arms to left,click,
76

Step balchange with right leg-right arm swing backwards
Step balchange with left leg-left arm swing backwards
Ri ght,left ,right,left (turned out)
Hook:
- Step right,flick left
Step left
Unswivel
E:
Step right,point left to front-right arm flexed across body at hp level
Step left,point right to front-left arm flexed across body at hip level
Left,right,left shoulder,left foot retire to right knee
Step left dig right,arns pointing to left wall
Weight on right leg-arms pointing to right wall
_ Weight on left leg-arms to Ieft wall
Step right leg to the side-arms circle towards right wall(all the way around)
Turn to face left wall,pelvis forward-arms infront of body(cross right over
Ieft),shake
Pelvis back-arms at side,shake
Step right balchange,facing back
Step left balchange ,facing right wall
Step right balchange,facing front-right index finger pointing to the audience
Lift left leg in attitude at side
Ronde jam left leg from front to back,balchange(left behind right)
Step left at side,slap hands on thighs and shake all the way up-arms along body to
end above head
Hook:
Step left
Unswivel
77

QT]E MUSIC!
Track 28
78

Scene 27 z | ryanna know what love is
Front
1z;Emma-Andrew(r.s)
Kassandralt; Ipsl:;
Stef(:.s)
1.1Andrew-Emma1.sy
Milar:l Cara@)
Sarahlz;
igaux 1z;Akhona Henk(r.s) Thakira(r)
*ance)
Andrew I gotta take a little titne- 0:29
ANDRE,W AND EMMA WALK FORWARD
Andrew A little time to think things over-
ANDREW AND EMMA LOOK AT EACH OTHER
Andrew I better read between the lines
Andrew In case I need it when im colder- 0:48
ANDREW AND EMMA LOOK AT EACH OTHER
Emma In my life there's been heartacke and pain-
EMMA WALK TO SL MARK 2
Emma I don't know if I canface it again- l:02
ANDREW WALK TO E,MMA
Emma Cant stop me now, I've traveled so far-
ANDREW PUT ARMS AROUND EMMA
- Emma To chawge this-
79

Emma
Andrew and Emma
EMMA TURN TO ANDRE,W AND HOLD HANDS
lonely life-
ANDREW SPIN EMMA TO THE CENTER(TURNING HER TO
YOUR LEFT)
EMMA TURN TO ANDREW AND HOLD HANDS
1."14
l:30
l:40
Andrew and Emma I wanna know what love is- l: l8
ANDREW AND EMMA KEEP FACING EACH OTHER FOR THE WHOLE VERS
Andrew;Emma;Ipeleng;Stef (
Ca ;Mila I t wannq know what love is -
Het
Andrew ; Emma ; Ipeleng ; Stef
C ara ; Sqrah ; Kas s andra ; Mila
Henk;Thakira;Akhona
EMMA TURN TO JLINAIDE TO FACE THE FRONT AND JUNAIDE PUT ARMS AROUND
HER
2:01
. Carmen enter (tableau singing with Emma and Andrew) on "I wanna know what love
is..."
o Carmen walk infront of Emma and Andrew, behind Cara and infront of Stef and Ips
80

Scene 28: L.O.V.E
Front
Margaux 1o;
Kassandra 1ty Ips 1:;
Stef(:.s)
1.s;Andrew-Emma1.s;
Milatrt Cara@)
Sarah(z)
(z)Akhona Henk(r.s) Thakirarr)
ELS ENTER UPSTAGE SL PASSING IN FRONT OF SARAH BEF'ORE "LOVE IS A
MANY SPLE,NDOR THING.. ."
MARTIN-STEVEN E,NTE,R UPSTAGE SR PASSING IN FRONT OF MILA AFTER ELS ON
..LOVE IS A MANY SPLE,NDOR THING
Margaux-love is a many splendor thing. It lifts us up where we belong and it makes the world
go round. Learning about; how to love; when to love; who to love-is half the fun. Where would
we be without our first kiss, our first date, our first heartbreak.
Growing up can be difficult, and love doesn't make it any easier"
GABi ENTER DOWNSTAGE, SR NEXT TO ELS ON
If you stay true to yourself, love yourself, love those around you and let them love you in
return,
MARGAUX PASS IN FRONT OF STEF AND IPS
then love will really be that splendid thing that makes the world go round lifting us up where
we belong.
MARGAUX WALK BACK TO SR MARK 6INLINE WITH CARA
81

Nicola(z)
Milatrl
lz.qDanielle Thola(r.zl
Skyel+.s;
Ipeleng and Stef
Emma
Emma and Andrew
Mqrtin and Steven
Mila
Henk
Full company
(t.s)Jadene Lilylr.r;
1.1 Tammy Chaneloy Jessical.z;
t Many times I've tried to tell you
L Many times I've cried alane
always f'm surprised how well you
cut myfeelings to the bone Nicola
don't want to leave you really
I've invested too much time
to give you up that easy
I
lto the doubts that complicate your mind
L
(+)Natalie 1z.r;Steven Martin(r.s)
Scene 29: We belong
Front
Kassandralr;
(:.AEls Gabi(+.s)
Ipq:; Megaryo
Stef(r.,
Margauxls;
Cara(6)
Sarahlz; 1s.:yCarrie
Carrie;Slrye):23
Lily;Jadene
Tholq;Danielle
0:37
Tammy;Chane;Jessica
0:46
l:03
l.lJunaide-Emma(.s)
(z)Akhona Henk1r.9 Thakira(r)
we belong to the light
we belong to the thunder
we belong to the sound of the words
we both falling under
whateyer we deny or embrace for worse or for better
we belong, we belong
we belong together
Cara and Sarah t
(walkforward) L
maybe it's a sign ofwealcness
when I don't lcnow what to say
Els (walkforward) maybe I just wowldn't lcnow what to do with my strength anyway
has this become a habitAkhona;Thakira; Henk
82

;Jadene;[
t
do we distort tlte facts Slcye;Carrie;
now there's no lookingforward
now there's no tltrning back when we say
we belong to the light
we belong to the thunder
we belong to the sound of the words
we both falling tmder
whateyer we deny or embrace for worse or for better
we belong, we belong
we belong together
Emma and Andrew
Full company
4:10
o
a
o
a
o
o
o
a
we belong!
Nicola enter downstage SL
Carrie-Skye enter upstage SR
Talia-Jadene enter upstage SR
Thola-Danielle enter upstage SL(Thola first ending on either side of Mila) on "to give you u
that easy"
Kassandra and Ips stand up on "we belong to the light"
Tammy enter upstage SL
Chane-Jessica enter upstage SR
Sarah and Cara look at each other while moving to front on "maybe it's a sign of weakness
when I don't know what to say"
Els step forward on "maybe I just wouldn't know what to do with my strength anyway"
Akhona,Henk,Thakira move forward to the front on "has this become a habit"
Margaux,Skye,Carrie,Talia,Jadene,Jessica,Chane,Tammy,Thola,Danielle,Nicola,Thakira we
forward forming a line on "do we distort the facts"
Andrew and Emma move forward on "now there's no looking forward"
. Line one and two spread out on "now there's no turning back when we say"
. Els,Cara,James,Sarah,Stef,Ipeleng,Emma,Andrew,Kassandra,Thakira,Henk,Akhona,Mila,Sl
en(line one)
o
o
o
83

. Margaux,Megan,Gabi,Skye,Carrie,Jadene,Jessica,Chane,Tammy,Thola,Danielle,Nicola,Tha
ra,Natalie,Martin (line two)
o First and second line passing through each other on "for worse or for better"
o First line step back right(vertically) and left leg to persons side(to face front)
. Second line step forward right leg(vertically) and then left leg forward(vertically) through tt-
first line
I
84

tatalie Martin Mila
'rakira Nicola Akhona
Henk Megan
Danielle Thola Tammy
BOWS.CRAZY LITTLE TIIING!
Front
Kassandra Junaide Emma
Chane Jessica
Stef Cara Els
Sky Carmen Gabl
Sarah Ips
Jadene Lily Carrie
atalie Martin Mila
-nakira Akhona Nicola Thola Tammy Chane Skye Margaux
Stef Cara Els
Carmen Gab5
Henk Megan
Danielle
Sarah Ips
Jadene Lily Carrie
Jessica
latalie Mila
rakira Nicola Akhona
Stef Cara Els
Sky Carmen GabMartin Danielle Emma Jessica Carrie Steven
Henk Megan
Thola Tammy
Sarah Ips
Jadene
Kassandra Junaide
Chane
atalie Martin Mila
Nicola Thakira Akhona Kassandra Andrew Jadene Gabi
Stef Cara Els
Sky Carmen
Henk Megan
Sarah Ips
Lily Carrie
Emma
Chane Jessica
Martin Mila
rakira Nicola Akhona Natalie Sarah Stef Cara
Els
Sky Carmen Gab
85

Henk Megan
Ips
Jadene Lily Carrie
Chane Jessica
latalie Stef Cara
hakira Nicola Akhona Mila Ips James Els Sky Carmen Gaby
Henk Megan Sarah
Danielle Thola Tammy Jadene Lily Carrie
Chane Jessica
86

Crazv Little Thins-Props
Kathleen Hisso
Pro Cue for nro
3xtables Girls iust wanna have fun-pa da
3xce11 phones Girls iust wanna have fun-pa da
Twilieht boo Girls iust wanna have fun-pa da
I S^.fr"ir.(U"V. Uptown girls-girls,wanna have fun,girls
4xchairs(eirls-w IJotown sirls-whoo hooo/she's eotta a choi
I rwiUght book(Nicola IJotown qirls/sexv montase-
2xtables(l each side Sexv mon after first set of ches
2xcellohones(l each Love is hard-sms coflrmunications. . . ..
Teddv bear Love is hard-facebook where we excha
No Fisht the u
No Birds and the bees
No Paoa don't
No Unto us
No Mama who bore me
lxblade+white int Love thv self-Akhona
lxred ribbon Love thv self-Thakira
lxGi Joe doll Love thv self-Henk
lOxmaqazines What is this feelin
l0xmaqazines What is this feelin
No oro Defuin
No oro Comins out
No Both sides now
lxtable STD Partv-loosev and oro
2xbowls(chi eanuts STD P irlfriend lI've. . ..reallv nice
lxlpod dockin station STD P umD uo the music will vou
4xbeer bottles STD Party-I'll have a beer now...cold one
lxcell phone STD Partv-she'11 iust move in and take ove
STD Partv-Chlamvdia
SL+SR
SL+SR
lxchair
87

3xchairs
lxwig,disc
lxscarf and mask
lxchair
lxred heart balloon
STD -Gonorrhea,crabs, hilis
STD -Chlamvdia
STD -Gonorrhea
STD Partv-Svphilis
STD Partv-HIV
Take mv heart with
Mama who bore m
You know
Keeo holdin
Statistics
A1l vou need is love-Mila
little thins called love
L.O.V.E
We belon
88

Crazy Little Thing - Program - Tamryn Delport - 2010

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Crazy Little Thing - Program - Tamryn Delport - 2010