7. Hip-hop dance, on the
other hand, refers to street
dance styles primarily
performed to hip-hop
music or that have
evolved as part of hip-hop
culture.
8. Hip-hop music
incorporates a number of
iconic elements, most
notably DJing and
rapping, along with things
like beat boxing,
sampling, and juggling
beats on turntables.
9.
10.
11.
12.
13.
14.
15. H
ip hop gave
young people of
minority groups a
voice to let their
issues be noticed.
16. E
arly hip hop has often
been credited with
helping to reduce inner-
city gang violence by
replacing physical
violence with dance
and artwork batt
17. H
ip hop culture became
an outlet and a way of
dealing with the
hardships of life as
minorities within
America, and an outlet
to deal with violence
and gang culture.
18. H
owever, as H
ip H
op
has become more
popular, the meaning
and messages have
changed to include
negative things.
19. M
any who appreciate
old school hip hop are
trying to challenge the
new hip hop. T
hey
don’t want hip hop to
be u
33. Street dance refers to
dance styles that have
evolved outside of
dance studios.
It is performed in
streets, dance parties,
parks, school yards, orin
any available space.
34. It is often
improvisational and
social in nature,
encouraging interaction
and contact with
spectators and other
dancers.
35. A full street dance is a
collection of the various
similardance moves and
styles collected into one
practice and regarded as
the same dance.
36. - The term is used
to describe
vernacular dances
in urban context.
38. B-BOYING
B-boying or breaking,
also called breakdancing,
isa style of street dance
and the first hip-hop
dance style that
originated among Black
and Puerto Rican youths.
40. Apractitioner of this
dance is called a
b-boy, b-girl, or breaker.
B-boying and breaking
are the original terms.
41. FOUR MOVEMENTS:
TOPROCK- footwork-oriented steps
performed while standing up
DOWNROCK - footwork performed
with bothhands and feet on the floor
FREEZES- stylish poses done on your
hands
POWER MOVES - comprise full-body
spins and rotations that givethe illusion
of defying gravity
43. POPPING
It is based onthe
technique of quickly
contracting and
relaxing muscles to
cause a jerk in a
dancer’s body.
44. Popping forces parts of your
body outwards, similar to an
explosion within parts of your
body. Popping also contracts
muscles, but it is followed by
relaxation that gives it the
jerking appearance of
popping.
46. Locking can be identified by its
distinctive stops.
It is usually performed by stopping
the fast movement that you are
doing, locking your body into a
position, holding it, and then
continuing at the samespeed as
before.
In locking, dancers hold their
positionslonger.
47. Locking can be identified
by its distinctive stops.
It isusually performed by
stoppingthefast movement
that you are doing, locking
your body into a position,
holding it, and then
continuing at the same
speed as before.
52. KRUMPING
It is reported that
gang riots in the United
States was minimized
because of krumping
style.
53. TUTTING
It is a creative way
of making geometric
shapesforming right
angleusing your body
parts.
54. TUTTING
The style was originally
practicedby young funk
dancers.
It isderived from the
positions people were
drawn in duringthedaysof
theAncient Egyptians.
55. TUTTING
It is the positions seen in these
portraits that have been
adopted by dancers today.
Tutting is still a greatly
respected move and King Tut
a.k.a. Mark Benson is widely
acclaimed for pioneering the
style.
56. SHUFFLING
The Melbourne Shuffle (also
known as Rocking or simply
The Shuffle) is a rave and club
dance that originated in the
late 1980s in the underground
rave music scene in
Melbourne, Australia.
58. SHUFFLING
People who dance the
shuffle are often referred
to as rockers, due in part
to the popularityof
shuffling to rock musicin
the early 1990s.
59. WAACKING
Waacking is an African
American form of street
dance originating from the
1970’s disco era of the
underground clubscenes
in Los Angeles and New
YorkCity.
