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The Qualitative Report
Volume 20 | Number 10 Book Review 6
10-12-2015
Small Doses
Sabrina Cherry
Emory University, sabrinat.cherry@gmail.com
Follow this and additional works at: http://nsuworks.nova.edu/tqr
Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and
the Social Statistics Commons
This Book Review is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The
Qualitative Report by an authorized administrator of NSUWorks.
Recommended APA Citation
Cherry, S. (2015). Small Doses. The Qualitative Report, 20(10), 1626-1628. Retrieved from http://nsuworks.nova.edu/tqr/vol20/
iss10/6
Small Doses
Abstract
In Sweetwater (2013), Robin M. Boylorn presents an intricate look at the lives of rural, Black women. The
author weaves in her own story as she details the day-to-day struggles, negotiations and realities of living in a
small town while being Black, poor, and female. This review attempts to provide praise for Boylorn’s work,
while also offering critiques and further considerations.
Keywords
Womanism, Narrative Inquiry, Qualitative Research, Autoethnography
Acknowledgements
I would like to acknowledge Dr. Kathy Roulston at the University of Georgia's College of Education for her
continued commitment to teaching and mentoring.
This book review is available in The Qualitative Report: http://nsuworks.nova.edu/tqr/vol20/iss10/6
The Qualitative Report 2015 Volume 20, Number 10, Book Review 1, 1626-
1628.
Small Doses
Sabrina T. Cherry
University of Georgia, Athens, GeorgiaUSA
In Sweetwater (2013), Robin M. Boylorn presents an intricate look at the lives
of rural, Black women. The author weaves in her own story as she details the
day-to-day struggles, negotiations and realities of living in a small town while
being Black, poor, and female. This review attempts to provide praise for
Boylorn’s work, while also offering critiques and further considerations.
Keywords: Womanism, Narrative Inquiry, Qualitative Research,
Autoethnography
Sweetwater leads us into the multifaceted complexities found in community, love and
healing for the women who are a part of that community. The author presents what I consider
to be excerpts of day-to-day encounters of Black women living in a small, rural town in North
Carolina. Through a variety of short chapters, we are enabled to metaphorically make brief
visitations: sitting at the table with each main character – including the author – taking only
peeks at their existence. This book will make you laugh, cry, and mourn. For those who have
lived in small rural towns in the south, Sweetwater may also call you in to … remembrance.
I had to read Sweetwater in what I have termed “small doses.” The stories resembled
so many of those that I witnessed, experienced, heard or wondered about in my own small town
that it proved difficult to remember that I was reading someone else’s story and not my own.
It is because of this intermingling that I preferred to only read 3-4 pages at a time. Even when
attempting to stomach a whopping three chapters in one sitting, I found myself needing debrief
time to reflect on my own upbringing and community of rural Black women – what were the
differences? Similarities? Painful memories? Unanswered questions? Tragedies? Stories never
to be told? These questions and ponderences lingered as I read the entire book – it took me
nearly three weeks to read a miniscule 122 pages.
I found Dr. Boylorn’s writing to be creative and extremely easy to follow. Sweetwater
represented a ripe mixture that incited laughter, tears, long pauses, painful remembrances and
thankfulness. As stated by the author (p. 12) the poems represent neither a closing to the chapter
or an introduction to the next, but instead a bridge (or window, as described by the author)
marking lives, events and existence with continuous overlap.
The author closed the Appendix (pp. 117-122) by using a quote from Goodall (2008):
“If the text was written in such a way that they could not or would not want to read their own
stories, what would be the point?” I hope that the women of Sweetwater found this excerpt of
their story as engaging to read as I did.
The author explicitly states the use of black feminist thought and womanism, as well as
intersectionality and muted group theories as frameworks for Sweetwater (pp. 4-6), while also
acknowledging her role – and accompanying dilemmas – in the collection and presentation of
data for this research.
While it is clear to me how muted group theory can be applied to this research, I
struggled to find the parallels between the listing provided on page 5 and the stories shared in
Sweetwater. Does the mere telling of stories about the lives of Black women orient the work to
be defined as grounded in Black feminist thought or womanism? How do the stories we read
represent an overlap of gender and oppression? Are there unstated assumptions that should
accompany the stories of the women of Sweetwater?
1627 The Qualitative Report 2015
As a novice to qualitative data collection and reporting methods, I was extremely
impressed by the time and abundant care that the author took in collecting data and managing
to streamline that data into a presentable piece. The author’s careful use of narrative inquiry
and auto-ethnography allowed me to experience Sweetwater from the perspectives of the
observer and community member.
I also appreciate the great detail that was included in the length of time dedicated to
data collection, the course of events over which this collection took place, the responses of the
participants, as well as various means of protecting their confidentiality. Still I wonder how
much data was yielded. How did the author choose what to include and what to omit? Will
there be a follow-up piece, perhaps Sweetwater II? What were the common themes? Did the
author consider using these themes in a more direct way, such as including them as chapter
titles? I would love to know more about the analysis and final presentation process (Author
Note: Since the initial writing of this review, a classmate has suggested that I search for the
author’s full dissertation, which I plan to do).
I started this review by stating how I personally related to Sweetwater by likening many
of the stories I read to stories of women I knew or know from my own hometown. Perhaps it
is because of this likening that I believe the author has overstated the potential of this book.
While Sweetwater does an excellent job of presenting snippets of the lives of Black women
living in a rural community – and perhaps a mirroring of the lives of many Black women in
rural communities across this country – it only scratches the surface. While I understand and
appreciate that a final product that attempted to present all facets of the women’s lives would
be much too voluminous, perhaps even for a dissertation, I am not sure this sole piece allows
one to “look at how they [Black women] work out and through concepts of love and justice in
their everyday lives” (p. 116). Did the stories presented in this piece adequately “[suggest] that
black women can learn generalizable truths from their personal lived experiences and theorize
about their daily lives through storytelling?” If I had not spent the first half of my life living in
a small, rural town surrounded by women like the characters in this book, would I conclude
what the author has stated? Would I come away from this book with an understanding of how
Black women “work out and through” love and justice?
I don’t think I would. I think I’d have an introduction to rural life and livelihood for a
group of Black women. Perhaps I’d wonder how similar their stories – these stories – are to
those of other Black women. I’d question which components are missing – didn’t make the
final count – such as the presence of church and other rituals like holiday meals or family
reunions or funerals that are prominent in the lives of many Black folks. And perhaps I’d
wonder how the lives of the Black women from Sweetwater mirrored those of poor women in
other parts of the country. However, I don’t believe that I’d feel confident in walking away
with any conclusive statements or thoughts about the vital components of survival for Black
women living in rural communities, particularly in the south.
As I closed the book, I am thankful for authors (artists, teachers etc.) who find value
and make time to tell the stories of Black women. However, I was overwhelmed with sadness
at the mere thought of attempting to replicate a similar project in my own town. Who would
agree to talk … I mean, really talk? What fears would prevail? Would people be honest? How
would I protect their confidentiality? Could I write about my own parents and our home? I
closed the book with these lingering thoughts. I do not have any answers to the questions I
posed to myself.
What I do know is that for those wanting to revisit their childhoods in rural Black,
southern communities, budding researchers and scholars exploring narrative inquiry and/or
auto-ethnography or those simply wanting the glimpse the multidimensional lives of Black
women across this country Sweetwater is a must read!
Sabrina T. Cherry 1628
In addition to the aforementioned thoughts and sentiments, I’d like to add that I
completed my reading of Sweetwater with a deep and profound respect for the author. I cannot
begin to imagine what this process was like, but I assume that she felt just as many emotions
as the readers glimpse while reading. It is one thing to research and write about those we label
as “other,” but I imagine that it takes a varying level of strength, courage and tenacity to write
about ourselves. Written with such great vulnerability and transparency makes me appreciate
this work that much more!
References
Boylorn, R. M. (2013). Sweetwater. New York, NY: Peter Lang Publishing.
Author Note
Sabrina T. Cherry is a Research Specialist with the University of Connecticut and full
time doctorate student at the University of Georgia's College of Public Health. Her research
interests include the intersections of religion and health, multicultural health and women's
health. Correspondence regarding this review can be addressed directly to: Sabrina T. Cherry
at sabrinat.cherry@gmail.com.
Copyright 2015: Sabrina T. Cherry and Nova Southeastern University.
Acknowledgement
I would like to acknowledge Dr. Kathy Roulston at the University of Georgia's College
of Education for her continued commitment to teaching and mentoring.
Article Citation
Cherry, S. T. (2015). Small doses. The Qualitative Report, 20(10), 1626-1628. Retrieved from
http://nsuworks.nova.edu/tqr/vol20/iss10/6

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Small Doses_STCherryBookReview

  • 1. The Qualitative Report Volume 20 | Number 10 Book Review 6 10-12-2015 Small Doses Sabrina Cherry Emory University, sabrinat.cherry@gmail.com Follow this and additional works at: http://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Social Statistics Commons This Book Review is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. Recommended APA Citation Cherry, S. (2015). Small Doses. The Qualitative Report, 20(10), 1626-1628. Retrieved from http://nsuworks.nova.edu/tqr/vol20/ iss10/6
  • 2. Small Doses Abstract In Sweetwater (2013), Robin M. Boylorn presents an intricate look at the lives of rural, Black women. The author weaves in her own story as she details the day-to-day struggles, negotiations and realities of living in a small town while being Black, poor, and female. This review attempts to provide praise for Boylorn’s work, while also offering critiques and further considerations. Keywords Womanism, Narrative Inquiry, Qualitative Research, Autoethnography Acknowledgements I would like to acknowledge Dr. Kathy Roulston at the University of Georgia's College of Education for her continued commitment to teaching and mentoring. This book review is available in The Qualitative Report: http://nsuworks.nova.edu/tqr/vol20/iss10/6
  • 3. The Qualitative Report 2015 Volume 20, Number 10, Book Review 1, 1626- 1628. Small Doses Sabrina T. Cherry University of Georgia, Athens, GeorgiaUSA In Sweetwater (2013), Robin M. Boylorn presents an intricate look at the lives of rural, Black women. The author weaves in her own story as she details the day-to-day struggles, negotiations and realities of living in a small town while being Black, poor, and female. This review attempts to provide praise for Boylorn’s work, while also offering critiques and further considerations. Keywords: Womanism, Narrative Inquiry, Qualitative Research, Autoethnography Sweetwater leads us into the multifaceted complexities found in community, love and healing for the women who are a part of that community. The author presents what I consider to be excerpts of day-to-day encounters of Black women living in a small, rural town in North Carolina. Through a variety of short chapters, we are enabled to metaphorically make brief visitations: sitting at the table with each main character – including the author – taking only peeks at their existence. This book will make you laugh, cry, and mourn. For those who have lived in small rural towns in the south, Sweetwater may also call you in to … remembrance. I had to read Sweetwater in what I have termed “small doses.” The stories resembled so many of those that I witnessed, experienced, heard or wondered about in my own small town that it proved difficult to remember that I was reading someone else’s story and not my own. It is because of this intermingling that I preferred to only read 3-4 pages at a time. Even when attempting to stomach a whopping three chapters in one sitting, I found myself needing debrief time to reflect on my own upbringing and community of rural Black women – what were the differences? Similarities? Painful memories? Unanswered questions? Tragedies? Stories never to be told? These questions and ponderences lingered as I read the entire book – it took me nearly three weeks to read a miniscule 122 pages. I found Dr. Boylorn’s writing to be creative and extremely easy to follow. Sweetwater represented a ripe mixture that incited laughter, tears, long pauses, painful remembrances and thankfulness. As stated by the author (p. 12) the poems represent neither a closing to the chapter or an introduction to the next, but instead a bridge (or window, as described by the author) marking lives, events and existence with continuous overlap. The author closed the Appendix (pp. 117-122) by using a quote from Goodall (2008): “If the text was written in such a way that they could not or would not want to read their own stories, what would be the point?” I hope that the women of Sweetwater found this excerpt of their story as engaging to read as I did. The author explicitly states the use of black feminist thought and womanism, as well as intersectionality and muted group theories as frameworks for Sweetwater (pp. 4-6), while also acknowledging her role – and accompanying dilemmas – in the collection and presentation of data for this research. While it is clear to me how muted group theory can be applied to this research, I struggled to find the parallels between the listing provided on page 5 and the stories shared in Sweetwater. Does the mere telling of stories about the lives of Black women orient the work to be defined as grounded in Black feminist thought or womanism? How do the stories we read represent an overlap of gender and oppression? Are there unstated assumptions that should accompany the stories of the women of Sweetwater?
  • 4. 1627 The Qualitative Report 2015 As a novice to qualitative data collection and reporting methods, I was extremely impressed by the time and abundant care that the author took in collecting data and managing to streamline that data into a presentable piece. The author’s careful use of narrative inquiry and auto-ethnography allowed me to experience Sweetwater from the perspectives of the observer and community member. I also appreciate the great detail that was included in the length of time dedicated to data collection, the course of events over which this collection took place, the responses of the participants, as well as various means of protecting their confidentiality. Still I wonder how much data was yielded. How did the author choose what to include and what to omit? Will there be a follow-up piece, perhaps Sweetwater II? What were the common themes? Did the author consider using these themes in a more direct way, such as including them as chapter titles? I would love to know more about the analysis and final presentation process (Author Note: Since the initial writing of this review, a classmate has suggested that I search for the author’s full dissertation, which I plan to do). I started this review by stating how I personally related to Sweetwater by likening many of the stories I read to stories of women I knew or know from my own hometown. Perhaps it is because of this likening that I believe the author has overstated the potential of this book. While Sweetwater does an excellent job of presenting snippets of the lives of Black women living in a rural community – and perhaps a mirroring of the lives of many Black women in rural communities across this country – it only scratches the surface. While I understand and appreciate that a final product that attempted to present all facets of the women’s lives would be much too voluminous, perhaps even for a dissertation, I am not sure this sole piece allows one to “look at how they [Black women] work out and through concepts of love and justice in their everyday lives” (p. 116). Did the stories presented in this piece adequately “[suggest] that black women can learn generalizable truths from their personal lived experiences and theorize about their daily lives through storytelling?” If I had not spent the first half of my life living in a small, rural town surrounded by women like the characters in this book, would I conclude what the author has stated? Would I come away from this book with an understanding of how Black women “work out and through” love and justice? I don’t think I would. I think I’d have an introduction to rural life and livelihood for a group of Black women. Perhaps I’d wonder how similar their stories – these stories – are to those of other Black women. I’d question which components are missing – didn’t make the final count – such as the presence of church and other rituals like holiday meals or family reunions or funerals that are prominent in the lives of many Black folks. And perhaps I’d wonder how the lives of the Black women from Sweetwater mirrored those of poor women in other parts of the country. However, I don’t believe that I’d feel confident in walking away with any conclusive statements or thoughts about the vital components of survival for Black women living in rural communities, particularly in the south. As I closed the book, I am thankful for authors (artists, teachers etc.) who find value and make time to tell the stories of Black women. However, I was overwhelmed with sadness at the mere thought of attempting to replicate a similar project in my own town. Who would agree to talk … I mean, really talk? What fears would prevail? Would people be honest? How would I protect their confidentiality? Could I write about my own parents and our home? I closed the book with these lingering thoughts. I do not have any answers to the questions I posed to myself. What I do know is that for those wanting to revisit their childhoods in rural Black, southern communities, budding researchers and scholars exploring narrative inquiry and/or auto-ethnography or those simply wanting the glimpse the multidimensional lives of Black women across this country Sweetwater is a must read!
  • 5. Sabrina T. Cherry 1628 In addition to the aforementioned thoughts and sentiments, I’d like to add that I completed my reading of Sweetwater with a deep and profound respect for the author. I cannot begin to imagine what this process was like, but I assume that she felt just as many emotions as the readers glimpse while reading. It is one thing to research and write about those we label as “other,” but I imagine that it takes a varying level of strength, courage and tenacity to write about ourselves. Written with such great vulnerability and transparency makes me appreciate this work that much more! References Boylorn, R. M. (2013). Sweetwater. New York, NY: Peter Lang Publishing. Author Note Sabrina T. Cherry is a Research Specialist with the University of Connecticut and full time doctorate student at the University of Georgia's College of Public Health. Her research interests include the intersections of religion and health, multicultural health and women's health. Correspondence regarding this review can be addressed directly to: Sabrina T. Cherry at sabrinat.cherry@gmail.com. Copyright 2015: Sabrina T. Cherry and Nova Southeastern University. Acknowledgement I would like to acknowledge Dr. Kathy Roulston at the University of Georgia's College of Education for her continued commitment to teaching and mentoring. Article Citation Cherry, S. T. (2015). Small doses. The Qualitative Report, 20(10), 1626-1628. Retrieved from http://nsuworks.nova.edu/tqr/vol20/iss10/6