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Simon Toll spends much of
his life studying the nuances of
Victorian art, and he’d like to clear
something up: Victorian pictures can
appeal to many different people, on
many different levels. Sure, the works
can be sweet and admired for their
pathos and beauty, such as Sophie
Anderson’s beloved depiction of a little
girl (above) in No Walk Today. The art
can also be quite serious, an allegorical
or literary subject laden with hidden
meaning, as in the version of Christ in
the House of his Parents, where Sir John
Everett Millais portrayed Jesus and his
family as commoners in a woodshop.
The work drew much criticism at the
time; Charles Dickens branded it
blasphemous.
Toll spends his days in a canvas
world rich with color and complexity.
He spent a decade researching his book
on the once obscure Victorian artist
Herbert Draper, now regarded as one
of the era’s premier painters. The
irony is not lost on Toll that he
now presides over the sale of an
unprecedented private collection
of Victorian and 20th century British
art that, essentially, was hidden
for generations.
The art includes some 240 paintings
and drawings collected by Sir David
Montagu Douglas Scott (1887-1986)
and his wife, Valerie Finnis. Until
recently, the most celebrated works
were seen only in books or exhibitions.
Some 150 pictures are Victorian,
but the collection spans many styles.
“The Scotts didn’t buy things because
they were fashionable or valuable.
They bought things that appealed to
their eye," Toll says. "Hopefully that
will be conveyed to people who view
our sale. I truly think there will be
something for everybody.”
The
expert
Simon Toll, Head of Sales, Victorian
and Edwardian Art for Sotheby's London
W o r d s pa u l a s to ry
Highlights of the collection are on international
tour through October, and the sale is November
14–19 at Sotheby’s London. www.sothebys.com
RE S I D E s o t h e b y sRE A L TY . c o m1 2
i n s i d e r k n o w l e d g e
Dr. and Mrs. Henry C. Landon’s
passion for American art has
spanned four happy decades
P h oto g r a p h y c h r i s s ta n f o r d
W o r d s n i c k w r i g h t
The
collector

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RESIDE_Simon_Toll

  • 1. Simon Toll spends much of his life studying the nuances of Victorian art, and he’d like to clear something up: Victorian pictures can appeal to many different people, on many different levels. Sure, the works can be sweet and admired for their pathos and beauty, such as Sophie Anderson’s beloved depiction of a little girl (above) in No Walk Today. The art can also be quite serious, an allegorical or literary subject laden with hidden meaning, as in the version of Christ in the House of his Parents, where Sir John Everett Millais portrayed Jesus and his family as commoners in a woodshop. The work drew much criticism at the time; Charles Dickens branded it blasphemous. Toll spends his days in a canvas world rich with color and complexity. He spent a decade researching his book on the once obscure Victorian artist Herbert Draper, now regarded as one of the era’s premier painters. The irony is not lost on Toll that he now presides over the sale of an unprecedented private collection of Victorian and 20th century British art that, essentially, was hidden for generations. The art includes some 240 paintings and drawings collected by Sir David Montagu Douglas Scott (1887-1986) and his wife, Valerie Finnis. Until recently, the most celebrated works were seen only in books or exhibitions. Some 150 pictures are Victorian, but the collection spans many styles. “The Scotts didn’t buy things because they were fashionable or valuable. They bought things that appealed to their eye," Toll says. "Hopefully that will be conveyed to people who view our sale. I truly think there will be something for everybody.” The expert Simon Toll, Head of Sales, Victorian and Edwardian Art for Sotheby's London W o r d s pa u l a s to ry Highlights of the collection are on international tour through October, and the sale is November 14–19 at Sotheby’s London. www.sothebys.com RE S I D E s o t h e b y sRE A L TY . c o m1 2 i n s i d e r k n o w l e d g e Dr. and Mrs. Henry C. Landon’s passion for American art has spanned four happy decades P h oto g r a p h y c h r i s s ta n f o r d W o r d s n i c k w r i g h t The collector