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talks  5-11 Nov 2016 guide 38
Marina Abramović London
Marina Abramović is that rarest
of things: a performance art
superstar. The Artist Is Present,
the 2010 piece in which she sat
for three months in New York’s
MoMA and met the gaze of
audience members, attracted
more than 850,000 visitors, Lou
Reed and Björk among them. The
moment in which she raised her
eyes and found herself facing
former lover and collaborator
Ulay has been watched on
YouTube more than 14m times.
The self-styled grandmother of performance art
discusses her new memoir Walk Through Walls
Thoughtful as ever,
Ronson retraces the
steps he took in writing
The Psychopath Test
This month the self-styled
“grandmother of performance
art” turns 70. To celebrate,
she’s taken the surprisingly
conventional step of writing a
memoir. In Walk Through Walls
she distinguishes between three
Marinas, and hopefully all will be
in dialogue in this discussion with
the Royal Academy’s Tim Marlow.
We’ve still much to learn from a
woman who has so compellingly
made self-absorption her life’s
work. Bella Todd
Royal Festival Hall, SE1, Mon
Jon Ronson’s Psychopath Night
On tour
With the cosy self-deprecation
and thoughtfulness that
makes him one of journalism’s
most cherished guides, these
Psychopath Night events will
see Jon Ronson recount the
life-changing adventure that
led to his hugely successful
2011 book The Psychopath Test.
It was a quest that began with
an elaborate hoax played on
a community of academics,
which led Ronson to a chance
encounter with Bob Hare, the
founding father of psychopath-
spotters. From there Ronson
met Emmanuel “Toto” Constant,
a Haitian death-squad leader
who claimed Vodou and the CIA
were protecting him. He also had
afternoons with Tony, a patient
at Broadmoor, and heard the
methodologies of scientists who
believed that psychopaths could
be saved with LSD. Lara Enoch
Leeds, Mon  Tue; London, Wed;
Sheffield, Thu; York, Fri; touring
to 20 Nov
An Evening With John Simpson
Oxford
When John Simpson joined
the Oxford English Dictionary
in 1976, the language’s primary
reference was compiled in
much the same way as it had
been under its great Victorian
editor James Murray: each
word had a file of index
cards, updated manually by
lexicographers and a network of
word-spotting correspondents.
In 1993, Simpson was appointed
chief editor. By the time of his
retirement in 2013, he had set in
train the most profound changes
in the OED’s history, not just
digitising it, but reviewing every
word in the 20-volume second
edition and widening the pool
of sources to embrace the rapid
evolution of English online. The
OED became more democratic,
less stuffily canonical, more
alive. Simpson’s memoir The
Word Detective sets out his
belief that defining words is less
important than understanding
the cultural changes that create
them. In a book punctuated by
nuggety did-you-know trivia
on individual words, he drily
dishes the dirt on the politics
of an office full of excessively
knowledgeable, impeccably
polite pedants. Simpson
dismisses those who “love
words” as sentimental and
lacking rigour, but if loving words
is an indulgence that you allow
yourself, he is a worthy guru.
Jack Seale
Waterstones, Tue
talks
Simpson’s 20-year editorship of the OED embraced
the rapid evolution of the English language
RemiChauvin

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013.gdn.gp6.161105.038

  • 1. talks 5-11 Nov 2016 guide 38 Marina Abramović London Marina Abramović is that rarest of things: a performance art superstar. The Artist Is Present, the 2010 piece in which she sat for three months in New York’s MoMA and met the gaze of audience members, attracted more than 850,000 visitors, Lou Reed and Björk among them. The moment in which she raised her eyes and found herself facing former lover and collaborator Ulay has been watched on YouTube more than 14m times. The self-styled grandmother of performance art discusses her new memoir Walk Through Walls Thoughtful as ever, Ronson retraces the steps he took in writing The Psychopath Test This month the self-styled “grandmother of performance art” turns 70. To celebrate, she’s taken the surprisingly conventional step of writing a memoir. In Walk Through Walls she distinguishes between three Marinas, and hopefully all will be in dialogue in this discussion with the Royal Academy’s Tim Marlow. We’ve still much to learn from a woman who has so compellingly made self-absorption her life’s work. Bella Todd Royal Festival Hall, SE1, Mon Jon Ronson’s Psychopath Night On tour With the cosy self-deprecation and thoughtfulness that makes him one of journalism’s most cherished guides, these Psychopath Night events will see Jon Ronson recount the life-changing adventure that led to his hugely successful 2011 book The Psychopath Test. It was a quest that began with an elaborate hoax played on a community of academics, which led Ronson to a chance encounter with Bob Hare, the founding father of psychopath- spotters. From there Ronson met Emmanuel “Toto” Constant, a Haitian death-squad leader who claimed Vodou and the CIA were protecting him. He also had afternoons with Tony, a patient at Broadmoor, and heard the methodologies of scientists who believed that psychopaths could be saved with LSD. Lara Enoch Leeds, Mon Tue; London, Wed; Sheffield, Thu; York, Fri; touring to 20 Nov An Evening With John Simpson Oxford When John Simpson joined the Oxford English Dictionary in 1976, the language’s primary reference was compiled in much the same way as it had been under its great Victorian editor James Murray: each word had a file of index cards, updated manually by lexicographers and a network of word-spotting correspondents. In 1993, Simpson was appointed chief editor. By the time of his retirement in 2013, he had set in train the most profound changes in the OED’s history, not just digitising it, but reviewing every word in the 20-volume second edition and widening the pool of sources to embrace the rapid evolution of English online. The OED became more democratic, less stuffily canonical, more alive. Simpson’s memoir The Word Detective sets out his belief that defining words is less important than understanding the cultural changes that create them. In a book punctuated by nuggety did-you-know trivia on individual words, he drily dishes the dirt on the politics of an office full of excessively knowledgeable, impeccably polite pedants. Simpson dismisses those who “love words” as sentimental and lacking rigour, but if loving words is an indulgence that you allow yourself, he is a worthy guru. Jack Seale Waterstones, Tue talks Simpson’s 20-year editorship of the OED embraced the rapid evolution of the English language RemiChauvin