Beginner Photography Tips From A Pro: Get Comfortable With Your Camera

6/4/2018 The Best Beginner Photography Tips From A Professional
https://uproxx.com/life/best-beginner-photography-tips/ 1/18
A Photographer Shares How To Take Great Nature Shots As
A Beginner
#ADVENTURE #PHOTOGRAPHY
BY: ALIA STEARNS 
LIFE & CULTURE WRITER
05.25.18
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JOSEPH WATROUS
We interview a lot of dope photographers, and we always ask them to explain
how to better capture images that impress and inspire. They’ve all given some
awesome advice, but we haven’t yet tailored an interview for people who are
just starting out. And, this is super important because early fears and initial,
unanswered questions often cause people to stop shooting before they realize
their talent. With a little early guidance, that doesn’t have to happen.
To get the information a person starting out with photography needs, we
reached out to Joseph Watrous, who was brought to our attention by his
inclusion in the #Nikon100, a list of exceptional photographers on Instagram.
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Not that long ago, he was a beginner himself, snapping pics of fruits and yerba
mate bottles while he worked late nights in the warehouse of an organic
produce delivery service. Through Instagram, he became familiar with
awesome photographers all over the world and was inspired to up his shutter
game. He started with a lot of shots of the moon before moving onto the city
images that brought him a following, and now, it’s all the great outdoors.
“For me, Mother Nature is the true artist,” Watrous says. “I explore scenes for
the love of nature itself.”
The photographer spoke with us on a break from his shooting and teaching
schedule recently. He does both one-on-one photography lessons and bigger
workshops, so who better to help people starting out? Take a look at his
pictures and take in the knowledge he’s dropping to help you get started out as
a photographer. It’s both instructional and inspiring, and we dig that.
JOSEPH WATROUS
Get Comfortable With Your Camera

JOSEPH WATROUS
You have to be comfortable with your camera and you have to be comfortable
with the settings. That is crucial. That is a big part of it and knowing how to
capture a scene. For beginners, the controls are scary. You need to be
comfortable in the moment and not get frazzled. Be one with the camera, in a
sense, so that you are just capturing the scene in a variety of ways. You have
short shutter, long shutter, filters, and things we can do with our creative mind.
For example, there’s your histogram. We’re talking about digital photography at
the moment because this is a digital age. With digital cameras, we have a
histogram, which is a digital readout that can be shown on most digital
cameras, and it shows you the actual digital readout that has been recorded. It
lets you know if your highlights are blown out, or there is not enough room in
your shadow details, and that you need to adjust your shutter speed a little bit to
give a little bit more of your shadows or less of your highlights. That is really the
balance of what photography is. There is light and dark. If you go back after you
capture an image and you have too much light and you don’t have enough dark,
it isn’t that balance. Learning that is very important.
Monday, I was shooting a distant angle at this river in Mt. Hood, and I wanted
the water flowing in a certain breadth and was using a certain shutter speed
that required filters. I’m standing in the middle of a river, and it’s freezing. But I
am not paying attention to this. I am in the moment. I employ the things I know I
want. I am using the filters and my shutter speed and all the stuff I know from
my experience without getting frazzled. I am just letting it happen and being one
with the scene. That is such a huge thing, not letting our instant needs of, “oh, I
am cold,” “oh, I am tired,” or “I am hungry,” come first. When you are out on the
scene, you are trying to capture it. You are there to be there, capture it, share it
with the world, and hopefully, they enjoy it.
There Is An Aperture Sweet Spot

JOSEPH WATROUS
A big thing for a beginning photographer to understand is that every lens they
use has a sweet spot for aperture. We want to minimize our choices and our
aperture selection. So, if we think about the aperture of our lens, the sweet spot
is somewhere between F8 and F11. This gives a much more clear, precise way
of capturing a moment. It’s crisp, clear, and uses the best choice of light for the
lens. If you have a lens and you use the widest aperture, or if you have a lens
and you use the smallest aperture, both of those extremes can be a bit much
for too much light or they’re not enough lighting. If you just start at F9 and then
you adjust your shutter speed to that setting, it gets you right in that sweet spot
of getting optimal clarity and focus. Knowing where to set your aperture, your
shutter speed, and your focus are the big three things to know about beginning
photography.
Be Out In The World

JOSEPH WATROUS
Most of my work comes with scouting and with being out in the fields looking for
scenes. You have to just be out there. A lot of people get caught up in the book
stuff and the editing. Really you have to be out exploring, witnessing light. If you
are not doing that most of the time, you’re not doing what you need to be doing
to learn. It’s experience, and that is the way that I look at it. Every time I go out,
there is a learning experience and a growing experience with different light
because the light is always different.
You always hear people talk about, “Oh, this seems overshot”. Nothing is
overshot because it is always different. It is just your take on it at that moment
in time. Really, I would be out there if I had the camera or not. I’m there to
explore and be in the moment. If a picture happens, then I can capture it, edit it
a little bit, and then I can share it with the world. And if people like it, that’s
great, but it is all about just being there witnessing the moment, exploring.
Once you have put in all that time on the controls and mastering the camera,
and you put yourself at the edge of the Grand Canyon, you know what to do
when that happens.
It takes a lot of practice and a lot of patience and I think a lot of time being out
there and scouting and understanding weather patterns. There is so much you
have to do as a photographer to be there at the right time and it doesn’t matter
if you’re any good, if you are not there. You know what I mean? You have to be
there, and you have to know what to do at that time when the light is something
special.
Be Mindful Of Composition

JOSEPH WATROUS
Composition is a huge thing that you need to consider in photography. Finding
some sort of leading element seems to be the thing that really does captivate
someone and keep them in your scene, in your image, because there are
billions of photographers out there. What are you going to do in order to keep
someone in your image? That can be using leading lines, pathways. Anything.
Fences that lead the eyes to your scene. That is something that I always try to
be conscious of: the Rule of Thirds. It is just how the scene gets framed itself
when you are there. Sometimes it just frames itself. When you are there, you
explore, you witness, you enjoy, and you fully be there. That is the key to what
has worked for me.
Find Your Passion

JOSEPH WATROUS
You have to find what speaks to you, whether that is portrait, whether that’s
landscape, whether that’s sports. Whatever genre speaks to you, you have to
find that voice. Essentially, like any field, it is the 10-thousand-hour rule. You
have to put in the time to then be able to be comfortable. I have been on edges
of cliffs in southern Oregon. I was in a field of poison oak, and my body does
not like poison oak. But I sat there for two hours waiting for the sunset on this
very sketchy cliff doing the routine and taking pictures. I was checking my
aperture and shutter speed, my histogram, my focus and reviewing my images
as I am doing it. Those are the huge things that just become a rote procedure.
The big thing for me is I would be out there if I had the camera or not. I would
be on the coast exploring. That’s why we moved out here. I’d be at the
mountain because that’s just where my heart calls me to be. The fact that I am
able to capture it and share it is a real blessing.
Share On Social Media

JOSEPH WATROUS
Absolutely get on Instagram. It’s getting more difficult with the algorithms that
Facebook and Instagram use for people to see your work consistently. It is a
little disheartening, and some people get caught up in it. I’m paying attention to
it.
But get on social media. Put your photos up there. There are so many different
outlets out there. It is not just Instagram. It’s not just Facebook. There is Vero,
which is a new one. There are a bunch of them out there. Just put your work out
there.
If you want to take a class with Joseph Watrous or check out more of his
photography, take a peek at his website and his Instagram.
J

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