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THE PALM BEACH POST REAL NEWS STARTS HERE | TUESDAY, JULY 21, 2015 D5
<PAGELABELTAG>
daughter to Paris to watch
the final stage of the 2003
Tour.
Lance sent me an
email. He liked my sto-
ry. His agent, Bill Staple-
ton, also called and sev-
eral other of Armstrong’s
associates. I framed the
email. My daughter and I
flew to Paris and stood on
the Champs Elysees and
watched Lance win.
I got on with my life
but every July, for three
weeks, I watched the
Tour.
Last year, I lost my faith
in Armstrong – a lying,
cheating, self-absorbed
prima donna who doped
his way to the podium in
Paris.
My anger at Arm-
strong’s deception turned
to sorrow for Armstrong’s
oldest son, Luke — the
toddler whom I watched
on the podium with his
father. The boy is now
a teen, forever saddled
with the legacy of a father
known as the greatest
cheater in the history of
sports.
And my heart broke
for the second-place fin-
ishers, whose names no
one recalls, who would
have won the Tour if Arm-
strong had not robbed
them of the glory, wealth
and prestige that comes
with winning the world’s
most grueling athletic
event.
Despite my loss and dis-
appointment, one thing
remains unchanged: I
love the Tour de France,
the epic, three-week-long,
2,000-plus mile race
through some of the most
stunning and challenging
terrain on the planet.
I watch the tour now
because I love the tour. I
have no ulterior motives.
I am not looking for the
tour to fulfill some deep
emotional need. It is a
bike race.
I might have learned
to love the tour despite
Lance and my parents’
cancers because to me,
the bicycle is a divine
machine. What other
human invention do we
all have in common? Not
the automobile. Not the
phone. Not the Internet.
But nearly every
human being will at some
point ride a bike. Wheth-
er it is a hedge-fund man-
ager on a custom-made
Pinarello or a crack deal-
er on a Schwinn, we all
ride. Likewise, anyone
can get a front-row seat at
the tour. It costs nothing.
There are no tickets. You
simply walk to the curb.
I am going back to the
Champs Elysees to watch
the final stage of the
tour again this year. I am
going as a spectator, not
a daughter mourning her
parents’ deaths. I’m not
in search of a miracle. I’m
going because I love the
tour — an amazing, beau-
tiful race that celebrates
unfathomable human
will, breathtaking land-
scapes and one of the rare
memories we all share:
riding a bike.
cstapleton@pbpost.com
Twitter: @StapletonPBPost
Tour
continued from D1
■ Dimpleplasty
■ Chin reshaping
■ Jaw contouring
■ Upper lip enhance-
ment
■ Tracheal shave
(Adam’s apple reduction)
Mardirossian spent sev-
eral years in Boston train-
ing with Dr. Jeffrey Spie-
gel, one of the world’s
foremost facial plastic
surgeons.
Spiegel, Mardirossian
explains, has been con-
ducting studies that focus
on the perception of
human beauty and gen-
der.
Among the noteworthy
findings, says Mardiros-
sian: “Feminine features
increase the attractive-
ness of the face — regard-
less of gender.”
Spiegel’s studies,
says Mardirossian, have
enabled those in the FFS
community to develop “a
new philosophy of how
to perceive the face in
its harmony and balance
between light and shad-
ow, feminine and mas-
culine, youthfulness and
natural aging.”
Of course, not all — or
even most — transitioning
transgender women have
the resources or desire to
undergo a comprehensive
protocol of FFS proce-
dures, as Jenner has.
Nevertheless, the myr-
iad issues facing those
in the transgender com-
munity are in the nation-
al dialogue — and here to
stay.
In addition to Jen-
ner’s show, two other
docu-series — “I Am Jazz”
(Wednesdays/10 p.m.,
TLC) and “Becoming Us”
(Mondays/10 p.m., ABC
Family) — feature insight-
ful, well-spoken teens
dealing with the topic as
it affects them in their
everyday lives.
“I Am Jazz” should be
of particular interest to
South Florida’s transgen-
der community. The show
features 14-year-old Jazz
Jennings, a South Floridi-
an who was born a biolog-
ical male, but has known
since the age of 3 that she
identified female.
Since then, the artic-
ulate youngster has
been interviewed by the
likes of Barbara Walters
and Oprah Winfrey and
become one of the trans-
gender world’s most
ardent and eloquent voic-
es for acceptance and
understanding.
sdorfman@pbpost.com
Twitter: @stevedorfmanpbp
Dorfman
continued from D1
though. He’s asked me not
to,” confides O’Neal. “It’s
nothing much. I’m a host
of a party that the main
character comes to.”
O’Neal recalls unfond-
ly a brief foray into stage
acting early in his career,
playing a young strang-
er in Edward Albee’s one-
act play, “The American
Dream.” He describes it
now as “rowing upstream
without a paddle.” Mar-
riage has also not been
his strong suit. Twice wed
and divorced, his lon-
gest relationship was with
the late Farrah Fawcett,
whom he never married.
MacGraw, 76, had a
similar meteoric start to
her career, featured in
1969’s “Goodbye, Colum-
bus.” Married to studio
executive and produc-
er Robert Evans, she was
showcased in a few of
his films, including “The
Getaway” starring Steve
McQueen, whom she sub-
sequently wed and later
divorced. MacGraw also
appeared in the TV mini-
series of “The Winds of
War,” as well as a few oth-
er minor theatrical mov-
ies, but none since 1997.
For the past two
decades, she has been
content to live in San-
ta Fe, far from the show
business spotlight. Of her
semi-retirement from
acting, MacGraw says,
“There’s a ton of really
gifted women in my age
group and very few parts.
I get it. I’m not an idiot.”
She is a natural beauty
the camera loves, but the
feeling is hardly mutual.
“To be perfectly honest
with you, I loved the read-
ing and the rehearsals for
the movies. The minute I
saw that camera, I almost
had a heart attack,” she
concedes. “And certainly I
have no stage experience
except that one time. So I
feel so comfortable know-
ing that Ryan — who’s
really brilliant in this, and
somebody I love — is right
there.”
More so than O’Ne-
al, MacGraw sounds ner-
vous about appearing in
“Love Letters,” aware of
the many veteran actors
who have done the play
before her.
“More than anything, I
would give anything if we
really pull it off,” she says.
“It will feel so wonderful
if we do it credit.”
No attempt to soothe
her nerves by remind-
ing her she is an accom-
plished actress will help,
it seems.
“No, I’m not an accom-
plished actress,” she
scoffs. “I’m a pop star.
There’s a big difference.
I’ve done my share of
really awful stuff and I’ve
done a couple of things
that weren’t. So obvious-
ly, it would feel wonderful
if people said, ‘God, that
really touched me.’ That
would thrill me, that’s all I
can say.”
In fact, MacGraw has
a history with “Love Let-
ters.” “I did do it 20 years
ago with a wonderful
actor named Robert Fox-
worth. And also once as
a favor in Maine with an
actor friend at a summer
theater,” she says. “I just
like the play. I think it is
incredibly touching and
real. And I know those
two people, Ryan’s char-
acter and my charac-
ter. I went to school with
some of them. And I was
shocked all these years
later to read it and be as
moved as I was by it. So, I
thought, as it’s a reading
and as it’s Ryan playing
the other part, it was just
a fantastic opportunity.”
O’Neal admits he was
unfamiliar with the play
when the offer came.
For him, the appeal was
reconnecting with Mac-
Graw.
“Well, we have this pri-
or that went pretty well,”
he says, referring coyly to
“Love Story.” “In fact, I
fell in love with her. And
when you fall in love with
someone, it’s hard to fall
out of it. I’ve been there so
many years, and I thought
this was a gift from God
handed to me. Here was a
chance to see her again in
nine different cities.”
“Through tornadoes,
lizards and probably hur-
ricanes in Florida,” quips
MacGraw. “We’re going to
have fun.”
Fresh from a test run-
through of the play,
O’Neal says, “With one
rehearsal, we were ready.
We’re film actors, so
we’re not used to rehears-
ing. So after one day, it
was ‘When do we start,
where do we go? And
when do we get paid?’ ”
hapster11@att.net
‘Love Letters’
continued from D1
Unlike Ali MacGraw, who performed“Love Letters”20 years ago, Ryan O’Neal was unfamiliar with the play, but the appeal
for him was reconnecting with his leading lady in“Love Story.” CONTRIBUTED
HEALTH NEWS
Diabetes support
group meeting
Tuesday: 10 a.m., Weis-
man Community Center
(7091 West Atlantic Ave.,
Delray Beach); call 561-
731-4321.
Ongoing support
groups
Regents Park Boca
Raton (6363 Verde Trail,
Boca Raton) offers the
following free support
groups: Mondays, 7 to
9 p.m.: Co-Dependen-
cy Anonymous 12-Step
Program; 7:30 to 9 p.m.:
Overeaters Anonymous;
Tuesdays, 8 to 9 p.m.:
Co-Dependency Anony-
mous 12-Step Program;
Wednesdays, 6:30 to
7:30 p.m. and 7:30 to 9
p.m.: Overeaters Anony-
mous; Thursdays, 6:30
to 7:30 p.m.: Overeaters
Anonymous; Fridays, 7 to
9 p.m.: Overeaters Anony-
mous. Call 561-483-9282.
Temple Emanu-El of
Palm Beach (190 N. Coun-
ty Road, Palm Beach)
offers these free support
groups on the second
and fourth Thursdays of
every month: 10 to 11:30
a.m., caregiver support
group; and 1 to 2 p.m.,
a bereavement support
group; call 561-832-0804.
Bo Derek in path of ‘Sharknado’
BySusanKing
LosAngelesTimes
Bo Derek says she’s
never been that ambitious
when it comes to her act-
ing career.
“I wish I had made
other movies,” she said
recently. “I turned down
a lot more money than
I ever made. But at the
same time, would I be
who I am now and happy?
I have the best friends.”
It was 36 years ago
when Derek became an
overnight sensation in
Blake Edwards’ hit com-
edy “10,” playing Jen-
ny, a beautiful young
woman who becomes
the obsession of a mid-
dle-aged composer (Dud-
ley Moore).
Women quickly cop-
ied Derek’s cornrow hair-
style, and sales of Ravel’s
“Bolero,” which plays an
important — and funny —
part in the romantic com-
edy, went through the
roof. The dream sequence
of Jenny running in a
revealing
one-piece
bath-
ing suit
toward
Dudley’s
besotted
George
on the
beach is
one of modern cinema’s
more vividly remembered
moments.
Derek, then married
to writer-director-actor
John Derek, 30 years her
senior, wasn’t prepared
for the sudden fame.
“It was overwhelming.
I didn’t have an agent. I
didn’t have PR people.”
As Bo Derek, 58, walked
out of a Studio City restau-
rant to have her picture
taken, a waiter remarked,
“She looks fabulous!”
Derek smiled when told
about the waiter’s obser-
vation. “I’m always sur-
prised people still know
who I am,” she said with a
smile. “It has been such a
long time.”
She’s back in front of
the camera playing the
mother of April (Tara
Reid) in the Syfy Chan-
nel’s “Sharknado 3: Oh
Hell No!,” which pre-
mieres on the cable net-
work Wednesday.
In addition to Reid,
Ian Ziering returns as the
heroic Fin and David Has-
selhoff is on hand as his
father. Rick Fox, Mark
Cuban, Penn and Teller,
Frankie Muniz and Jer-
ry Springer are among
the eclectic cast members
who pop up in the third
installment of the media
sensation.
“Sharknado” auteur
Anthony C. Ferrante said
Derek was at the top of
the list to play April’s
mom.
“She’s an icon,” he
said, adding his favor-
ite Derek film is the 1995
Chris Farley-David Spade
comedy “Tommy Boy,”
in which she plays a con
woman who marries Far-
ley’s character’s father
(Brian Dennehy).
“That was kind of the
linchpin for me,” said Fer-
rante.
“Sharknado 3” was
shot in a breathless 18
days. Ferrante said Der-
ek “was a real trouper”
while shooting on loca-
tion at Universal Orlando.
“In the first half of the day
we had moved her to four
different locations,” he
recalled.
Derek hadn’t seen the
first two “Sharknado”
films but had noticed all
the Twitter traffic when
they aired in 2013 and
2014.
The film, she said, “is
an event. It’s fun. It is not
about acting. We know it’s
not about us, it’s about
the sharks.”
For the past 34 years,
she’s lived in Santa Barba-
ra. She has three dogs, a
very old donkey, and rais-
es Andalusian horses.
Derek also is a pho-
tographer — she shot the
cover and inside spread
on “Sharknado” for TV
Guide. Next month she’s
heading to Rome to
appear in four episodes of
an Italian TV series.
“No complaints,” she
said about shooting in
Rome for a month. “The
business has been good
to me.”
She’s back in front
of camera; filming
in Rome next.
WATCH IT
‘SHARKNADO 3:
OH HELL NO!’
9 p.m.Wednesdayon
SyfyChannel
Bo Derek
MEDIA CENTERS • HOME THEATERS • HOME OFFICES
LIBRARIES • KITCHENS • VANITIES • BARS
SUMMER KITCHENS
To make an appointment or to visit our Design Studio
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Feminine face a key to sexual transition continued....

  • 1. THE PALM BEACH POST REAL NEWS STARTS HERE | TUESDAY, JULY 21, 2015 D5 <PAGELABELTAG> daughter to Paris to watch the final stage of the 2003 Tour. Lance sent me an email. He liked my sto- ry. His agent, Bill Staple- ton, also called and sev- eral other of Armstrong’s associates. I framed the email. My daughter and I flew to Paris and stood on the Champs Elysees and watched Lance win. I got on with my life but every July, for three weeks, I watched the Tour. Last year, I lost my faith in Armstrong – a lying, cheating, self-absorbed prima donna who doped his way to the podium in Paris. My anger at Arm- strong’s deception turned to sorrow for Armstrong’s oldest son, Luke — the toddler whom I watched on the podium with his father. The boy is now a teen, forever saddled with the legacy of a father known as the greatest cheater in the history of sports. And my heart broke for the second-place fin- ishers, whose names no one recalls, who would have won the Tour if Arm- strong had not robbed them of the glory, wealth and prestige that comes with winning the world’s most grueling athletic event. Despite my loss and dis- appointment, one thing remains unchanged: I love the Tour de France, the epic, three-week-long, 2,000-plus mile race through some of the most stunning and challenging terrain on the planet. I watch the tour now because I love the tour. I have no ulterior motives. I am not looking for the tour to fulfill some deep emotional need. It is a bike race. I might have learned to love the tour despite Lance and my parents’ cancers because to me, the bicycle is a divine machine. What other human invention do we all have in common? Not the automobile. Not the phone. Not the Internet. But nearly every human being will at some point ride a bike. Wheth- er it is a hedge-fund man- ager on a custom-made Pinarello or a crack deal- er on a Schwinn, we all ride. Likewise, anyone can get a front-row seat at the tour. It costs nothing. There are no tickets. You simply walk to the curb. I am going back to the Champs Elysees to watch the final stage of the tour again this year. I am going as a spectator, not a daughter mourning her parents’ deaths. I’m not in search of a miracle. I’m going because I love the tour — an amazing, beau- tiful race that celebrates unfathomable human will, breathtaking land- scapes and one of the rare memories we all share: riding a bike. cstapleton@pbpost.com Twitter: @StapletonPBPost Tour continued from D1 ■ Dimpleplasty ■ Chin reshaping ■ Jaw contouring ■ Upper lip enhance- ment ■ Tracheal shave (Adam’s apple reduction) Mardirossian spent sev- eral years in Boston train- ing with Dr. Jeffrey Spie- gel, one of the world’s foremost facial plastic surgeons. Spiegel, Mardirossian explains, has been con- ducting studies that focus on the perception of human beauty and gen- der. Among the noteworthy findings, says Mardiros- sian: “Feminine features increase the attractive- ness of the face — regard- less of gender.” Spiegel’s studies, says Mardirossian, have enabled those in the FFS community to develop “a new philosophy of how to perceive the face in its harmony and balance between light and shad- ow, feminine and mas- culine, youthfulness and natural aging.” Of course, not all — or even most — transitioning transgender women have the resources or desire to undergo a comprehensive protocol of FFS proce- dures, as Jenner has. Nevertheless, the myr- iad issues facing those in the transgender com- munity are in the nation- al dialogue — and here to stay. In addition to Jen- ner’s show, two other docu-series — “I Am Jazz” (Wednesdays/10 p.m., TLC) and “Becoming Us” (Mondays/10 p.m., ABC Family) — feature insight- ful, well-spoken teens dealing with the topic as it affects them in their everyday lives. “I Am Jazz” should be of particular interest to South Florida’s transgen- der community. The show features 14-year-old Jazz Jennings, a South Floridi- an who was born a biolog- ical male, but has known since the age of 3 that she identified female. Since then, the artic- ulate youngster has been interviewed by the likes of Barbara Walters and Oprah Winfrey and become one of the trans- gender world’s most ardent and eloquent voic- es for acceptance and understanding. sdorfman@pbpost.com Twitter: @stevedorfmanpbp Dorfman continued from D1 though. He’s asked me not to,” confides O’Neal. “It’s nothing much. I’m a host of a party that the main character comes to.” O’Neal recalls unfond- ly a brief foray into stage acting early in his career, playing a young strang- er in Edward Albee’s one- act play, “The American Dream.” He describes it now as “rowing upstream without a paddle.” Mar- riage has also not been his strong suit. Twice wed and divorced, his lon- gest relationship was with the late Farrah Fawcett, whom he never married. MacGraw, 76, had a similar meteoric start to her career, featured in 1969’s “Goodbye, Colum- bus.” Married to studio executive and produc- er Robert Evans, she was showcased in a few of his films, including “The Getaway” starring Steve McQueen, whom she sub- sequently wed and later divorced. MacGraw also appeared in the TV mini- series of “The Winds of War,” as well as a few oth- er minor theatrical mov- ies, but none since 1997. For the past two decades, she has been content to live in San- ta Fe, far from the show business spotlight. Of her semi-retirement from acting, MacGraw says, “There’s a ton of really gifted women in my age group and very few parts. I get it. I’m not an idiot.” She is a natural beauty the camera loves, but the feeling is hardly mutual. “To be perfectly honest with you, I loved the read- ing and the rehearsals for the movies. The minute I saw that camera, I almost had a heart attack,” she concedes. “And certainly I have no stage experience except that one time. So I feel so comfortable know- ing that Ryan — who’s really brilliant in this, and somebody I love — is right there.” More so than O’Ne- al, MacGraw sounds ner- vous about appearing in “Love Letters,” aware of the many veteran actors who have done the play before her. “More than anything, I would give anything if we really pull it off,” she says. “It will feel so wonderful if we do it credit.” No attempt to soothe her nerves by remind- ing her she is an accom- plished actress will help, it seems. “No, I’m not an accom- plished actress,” she scoffs. “I’m a pop star. There’s a big difference. I’ve done my share of really awful stuff and I’ve done a couple of things that weren’t. So obvious- ly, it would feel wonderful if people said, ‘God, that really touched me.’ That would thrill me, that’s all I can say.” In fact, MacGraw has a history with “Love Let- ters.” “I did do it 20 years ago with a wonderful actor named Robert Fox- worth. And also once as a favor in Maine with an actor friend at a summer theater,” she says. “I just like the play. I think it is incredibly touching and real. And I know those two people, Ryan’s char- acter and my charac- ter. I went to school with some of them. And I was shocked all these years later to read it and be as moved as I was by it. So, I thought, as it’s a reading and as it’s Ryan playing the other part, it was just a fantastic opportunity.” O’Neal admits he was unfamiliar with the play when the offer came. For him, the appeal was reconnecting with Mac- Graw. “Well, we have this pri- or that went pretty well,” he says, referring coyly to “Love Story.” “In fact, I fell in love with her. And when you fall in love with someone, it’s hard to fall out of it. I’ve been there so many years, and I thought this was a gift from God handed to me. Here was a chance to see her again in nine different cities.” “Through tornadoes, lizards and probably hur- ricanes in Florida,” quips MacGraw. “We’re going to have fun.” Fresh from a test run- through of the play, O’Neal says, “With one rehearsal, we were ready. We’re film actors, so we’re not used to rehears- ing. So after one day, it was ‘When do we start, where do we go? And when do we get paid?’ ” hapster11@att.net ‘Love Letters’ continued from D1 Unlike Ali MacGraw, who performed“Love Letters”20 years ago, Ryan O’Neal was unfamiliar with the play, but the appeal for him was reconnecting with his leading lady in“Love Story.” CONTRIBUTED HEALTH NEWS Diabetes support group meeting Tuesday: 10 a.m., Weis- man Community Center (7091 West Atlantic Ave., Delray Beach); call 561- 731-4321. Ongoing support groups Regents Park Boca Raton (6363 Verde Trail, Boca Raton) offers the following free support groups: Mondays, 7 to 9 p.m.: Co-Dependen- cy Anonymous 12-Step Program; 7:30 to 9 p.m.: Overeaters Anonymous; Tuesdays, 8 to 9 p.m.: Co-Dependency Anony- mous 12-Step Program; Wednesdays, 6:30 to 7:30 p.m. and 7:30 to 9 p.m.: Overeaters Anony- mous; Thursdays, 6:30 to 7:30 p.m.: Overeaters Anonymous; Fridays, 7 to 9 p.m.: Overeaters Anony- mous. Call 561-483-9282. Temple Emanu-El of Palm Beach (190 N. Coun- ty Road, Palm Beach) offers these free support groups on the second and fourth Thursdays of every month: 10 to 11:30 a.m., caregiver support group; and 1 to 2 p.m., a bereavement support group; call 561-832-0804. Bo Derek in path of ‘Sharknado’ BySusanKing LosAngelesTimes Bo Derek says she’s never been that ambitious when it comes to her act- ing career. “I wish I had made other movies,” she said recently. “I turned down a lot more money than I ever made. But at the same time, would I be who I am now and happy? I have the best friends.” It was 36 years ago when Derek became an overnight sensation in Blake Edwards’ hit com- edy “10,” playing Jen- ny, a beautiful young woman who becomes the obsession of a mid- dle-aged composer (Dud- ley Moore). Women quickly cop- ied Derek’s cornrow hair- style, and sales of Ravel’s “Bolero,” which plays an important — and funny — part in the romantic com- edy, went through the roof. The dream sequence of Jenny running in a revealing one-piece bath- ing suit toward Dudley’s besotted George on the beach is one of modern cinema’s more vividly remembered moments. Derek, then married to writer-director-actor John Derek, 30 years her senior, wasn’t prepared for the sudden fame. “It was overwhelming. I didn’t have an agent. I didn’t have PR people.” As Bo Derek, 58, walked out of a Studio City restau- rant to have her picture taken, a waiter remarked, “She looks fabulous!” Derek smiled when told about the waiter’s obser- vation. “I’m always sur- prised people still know who I am,” she said with a smile. “It has been such a long time.” She’s back in front of the camera playing the mother of April (Tara Reid) in the Syfy Chan- nel’s “Sharknado 3: Oh Hell No!,” which pre- mieres on the cable net- work Wednesday. In addition to Reid, Ian Ziering returns as the heroic Fin and David Has- selhoff is on hand as his father. Rick Fox, Mark Cuban, Penn and Teller, Frankie Muniz and Jer- ry Springer are among the eclectic cast members who pop up in the third installment of the media sensation. “Sharknado” auteur Anthony C. Ferrante said Derek was at the top of the list to play April’s mom. “She’s an icon,” he said, adding his favor- ite Derek film is the 1995 Chris Farley-David Spade comedy “Tommy Boy,” in which she plays a con woman who marries Far- ley’s character’s father (Brian Dennehy). “That was kind of the linchpin for me,” said Fer- rante. “Sharknado 3” was shot in a breathless 18 days. Ferrante said Der- ek “was a real trouper” while shooting on loca- tion at Universal Orlando. “In the first half of the day we had moved her to four different locations,” he recalled. Derek hadn’t seen the first two “Sharknado” films but had noticed all the Twitter traffic when they aired in 2013 and 2014. The film, she said, “is an event. It’s fun. It is not about acting. We know it’s not about us, it’s about the sharks.” For the past 34 years, she’s lived in Santa Barba- ra. She has three dogs, a very old donkey, and rais- es Andalusian horses. Derek also is a pho- tographer — she shot the cover and inside spread on “Sharknado” for TV Guide. Next month she’s heading to Rome to appear in four episodes of an Italian TV series. “No complaints,” she said about shooting in Rome for a month. “The business has been good to me.” She’s back in front of camera; filming in Rome next. WATCH IT ‘SHARKNADO 3: OH HELL NO!’ 9 p.m.Wednesdayon SyfyChannel Bo Derek MEDIA CENTERS • HOME THEATERS • HOME OFFICES LIBRARIES • KITCHENS • VANITIES • BARS SUMMER KITCHENS To make an appointment or to visit our Design Studio Please Call 561-881-3202 505A Northlake Blvd. • North Palm Beach, FL OVER 20YEARS DESIGN EXPERIENCE IN PALM BEACH COUNTY www.jglcabinets.com J.G. & L. Cabinetry & DesiGn, inC. “the bottom Line in Cabinet Design”