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‫‪‬‬ ‫اﻟﻤﺸﻬﺪ اﻷول ـ إﻓﺘﺘﺎﺣﻴﺔ............................................................................................................. ٥‬ ‫اﻟﻤﺸﻬﺪ اﻟﺜﺎﻧﻲ ـ اﻟﻤﻴﻼد ............................................................................................................ ١٢‬ ‫اﻟﻤﺸﻬﺪ اﻟﺜﺎﻟﺚ ـ اﻟﺤﺼﺎد ......................................................................................................... ٧٢‬ ‫اﻟﻤﺸﻬﺪ اﻟﺮاﺑﻊ ـ اﻟﻤﺮاد ............................................................................................................ ٨٣‬ ‫اﻟﻤﺸﻬﺪ اﻷﺧﻴﺮ ـ اﻟﺨﺎﺗﻤﺔ .......................................................................................................... ٥٤‬ ‫٤‬ ‫‪www.kotobarabia.com‬‬
‫ﺍﳌﺸﻬﺪ ﺍﻷﻭﻝ‬ ‫= ﺍﻓﺘﺘﺎﺤﻴﺔ =‬ ‫ﺴﺎﺤﺔ ﻗﺭﻴﺔ ﻓﺭﻋﻭﻨﻴﺔ ﻴﻅﻬﺭ ﻤﻥ ﺒﻌﻴﺩ ﺠﺯﺀ ﻤﻥ ﺒﻭﺍﺒﺔ ﻤﻌﺒـﺩ ﻓﺭﻋـﻭﻨﻲ . ﺠﻤـﻭﻉ‬ ‫ﺍﻟﻔﻼﺤﻴﻥ ﻓﻲ ﺘﺸﻜﻴﻼﺕ ﺜﺎﺒﺘﺔ ﻭﻜﺄﻨﻬﻡ ﺘﻤﺎﺜﻴل ﻤﻨﺤﻭﺘﻪ ﻋﻠﻲ ﺠـﺩﺭﺍﻥ ﺍﻟﻤﻌﺎﺒـﺩ ﺘﺭﺴـﻡ‬ ‫ﻭﺘﻌﺒﺭ ﻤﺎ ﻴﻘﻭﻡ ﺒﻪ ﺍﻟﻔﻼﺡ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﻭﻓﻲ ﺇﻀﺎﺀﺓ ﺘﺩﺭﻴﺠﻴﺔ ﻤﺼﺎﺤﺒﺔ ﻟـﺼﻭﺕ‬ ‫ﺍﻟﻤﻌﻠﻕ ﻭﺍﻟﻤﻌﻠﻘﺔ ﻭﻜﺄﻨﻪ ﻤﺸﺭﻭﻉ ﺍﻟﺼﻭﺕ ﻭﺍﻟﻀﻭﺀ‬ ‫٥‬ ‫‪www.kotobarabia.com‬‬
‫ﺍﳌﺸﻬﺪ ﺍﻷﻭﻝ‬ ‫: ﻓﻲ ﺍﻟﺒﺩﺀ ﻜﺎﻨﺕ ﻤﺼﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻗﺒل ﺍﻟﺯﻤﺎﻥ ﻭﻟﺩﺕ .. ﻭﻗﺒل ﺍﻟﺘﺎﺭﻴﺦ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻫﻨﺎ ﺒﺩﺍﺀ ﻜل ﺸﺊ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺍﻟﺯﺭﺍﻋﺔ .. ﺍﻟﻌﻤﺎﺭﺓ .. ﺍﻟﻜﺘﺎﺒﺔ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺍﻟﻨﻅﺎﻡ .. ﺍﻟﻘﺎﻨﻭﻥ .. ﺍﻟﺤﻜﻭﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﻨﺎ ﺘﺤﻭل ﺍﻹﻨﺴﺎﻥ ﻤﻥ ﺤﻴﻭﺍﻥ ﻴﺠﺭﻯ ﻓﻲ ﺍﻷﺤﺭﺍﺵ ﻟﻴﻨﺤﻭﺍ ﻤﻥ ﺍﻟﺨﻁﺭ ﺃﻭ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺸﻬﻭﺍﺘﻪ‬ ‫: ﺇﻟﻲ ﺇﻨﺴﺎﻥ ﻴﻔﻜﺭ ﻭﻴﺘﺄﻤل ﻭﻴﺭﺴﻡ ﻭﻴﻜﺘﺏ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﻨﺎ ﺍﻜﺘﺸﻑ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﺃﻋﻅﻡ ﺍﻜﺘﺸﺎﻑ ﻓﻲ ﺘﺎﺭﻴﺦ ﺍﻟﻔﻜﺭ ﺍﻟﺒﺸﺭﻯ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺃﻜﺘﺸﻑ ﺃﻨﻪ ﺇﻨﺴﺎﻥ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺃﻥ ﻫﻨﺎﻙ ﻓﺭﻗﺎ ﺒﻴﻨﻪ ﻭﺒﻴﻥ ﺍﻟﺤﻴﻭﺍﻥ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻻ ﺘﻨﺎﺯﻉ ﻋﻠﻲ ﺍﻟﺒﻘﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺇﻨﻤﺎ ﺘﻌﺎﻭﻥ ﻤﻥ ﺃﺠل ﺍﻟﺒﻘﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻻ ﻗﺘل .. ﻻ ﻅﻠﻡ .. ﻻ ﻋﺩﻭﺍﻥ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺒل ﺤﺏ .. ﻭﺘﻌﺎﻭﻥ .. ﻭﺃﺨﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﻫﻨﺎ ﺒﺩﺍﺀ ﺍﻟﻀﻤﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺍﻟﻀﻤﻴﺭ ﺍﻟﺫﻯ ﻴﻤﻴﺯ ﺍﻟﺤﻕ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻴﻤﻬﺩ ﻟﻤﻌﺭﻓﺔ ﺍﻷﺤﺩ ﺍﻟﺤﻕ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻴﻤﻬﺩ ﻟﻤﻌﺭﻓﺔ ﺍﷲ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻫﺫﺍ ﺃﻋﻅﻡ ﺴﺭ .. ﻤﻥ ﺍﻷﺴﺭﺍﺭ ﺍﻟﻜﺒﺭﻯ ﻟﺤﻀﺎﺭﺓ ﻤﺼﺭ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺍﻟﺘﻲ ﺤﻴﺭﺕ ﺍﻟﻌﺎﻟﻡ ﺒﺎﻜﺘﺸﺎﻓﺎﺘﻬﺎ ﺍﻟﻌﻅﻴﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻫﺫﻩ ﺍﻻﻜﺘﺸﺎﻓﺎﺕ ﻜﻠﻬﺎ ﻋﺭﻓﻬﺎ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﻭﻫﻭ ﻴﻌﻤل ﻓﻲ ﺤﻘﻠﻪ ﻭﻴﻨﻅﺭ ﺇﻟﻲ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫ﺍﻟﺴﻤﺎﺀ ﺍﻟﺯﺭﻗﺎﺀ .. ﻴﺼﻠﻲ ﻟﻨﻴﻠﻪ ﺍﻟﻌﺫﺏ‬ ‫٦‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﺴﺘﻌﻁﻑ ﺍﻟﺸﻤﺱ ﺍﻟﺤﺎﻤﻴﺔ .. ﻭﻴﻌﺎﻨﻕ ﺴﻨﺎﺒل ﺍﻟﻘﻤﺢ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻫﻭﺏ .. ﻫﻭﺏ .. ﻴﺯﺭﻉ ﺍﻟﻨﻭﺏ ﻫﻭﺏ .. ﻫﻭﺏ .. ﻗﺘﻠﻨـﺎ ﺍﻟـﺸﻭﺏ ) ﺘﺘـﺭﺩﺩ‬ ‫ﺍﻟﻤﺠﺎﻤﻴﻊ‬ ‫ﻜﺨﻠﻔﻴﺔ ﺃ ﺜﻨﺎﺀ ﻟﻠﺘﻌﻠﻴﻕ (‬ ‫: ﻫﻭﺏ ﺒﻤﻌﻨﻲ ﺍﻟﺠﺩ ﻭﺍﻟﻌﻤل‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺍﻟﻨﻭﺏ ﻫﻭ ﺍﻟﺫﻫﺏ ﻭﻜﺎﻨﻭﺍ ﻴﻁﻠﻘﻭﻥ ﻫﺫﺍ ﺍﻻﺴﻡ ﻋﻠﻲ ﺴﻨﺎﺒل ﺍﻟﻘﻤـﺢ ﺍﻟـﺼﻔﺭﺍﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﻜﺎﻟﺫﻫﺏ‬ ‫: ﺃﻤﺎ ﺍﻟﺸﻭﺏ ﻓﻬﻭ ﺍﻟﻬﻭﺍﺀ ﺍﻟﺴﺎﺨﻥ ﻤﻥ ﺤﺭﺍﺭﺓ ﺍﻟﺸﻤﺱ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﺎ ﺃﺠﻤل ﺃﻥ ﻴﻜﻭﻥ ﻋﺭﻀﻨﺎ ﺍﻟﻠﻴﻠﺔ ﻻ ﻴﻌﺘﻤﺩ ﻋﻠﻲ ﻤﺎ ﺴﺠﻠﻪ ﺍﻟﻤـﺼﺭﻯ ﺍﻟﻘـﺩﻴﻡ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﺩﺍﺨل ﺃﺭﻭﻗﻪ ﺍﻟﻤﻌﺎﺒﺩ ﺃﻭ ﻓﻭﻕ ﺠﺩﺭﺍﻥ ﺍﻟﻘﺒﻭﺭ‬ ‫: ﺒل ﻤﺎ ﺤﻔﺭ ﻓﻭﻕ ﺠﺩﺭﺍﻥ ﺍﻟﻘﻠﻭﺏ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﺫﻟﻙ ﺍﻟﺘﺭﺍﺙ ﺍﻟﺫﻯ ﻴﻌﻴﺵ ﻓﻴﻨﺎ ﻭﻨﻌﻴﺵ ﻓﻴﻪ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻓﻭﻕ ﺍﺭﺽ ﺍﻷﺴﺎﻁﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻨﻜﺸﻑ ﻭﺍﻗﻌﻨﺎ .. ﻨﻨﺎﻗﺵ ﻗﻀﺎﻴﺎﻨﺎ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻨﺩﻤﺞ ﺍﻟﺤﺎﻀﺭ ﺒﺎﻟﻤﺎﻀﻲ .. ﻭﺍﻟﻤﺎﻀﻲ ﺒﺎﻟﺤﺎﻀﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﺎﺘﻭﺭ ﺇﻟﻲ ﺒﺭﻤﻬﺎﺕ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﺍﻟﻔﻴﻀﺎﻥ ﺇﻟﻲ ﺍﻟﺤﺼﺎﺩ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﺍﻟﺩﻤﻴﺭﺓ .. ﻭﺍﻟﺘﻁﻭﻴﺵ .. ﻭﺍﻟﺘﻭﺭﻴﺎ .. ﻭﺍﻟﺸﺎﺩﻭﻑ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺇﻟﻲ ﺍﻟﻤﻨﺠل .. ﻭﺍﻟﻨﻭﺭﺝ .. ﻭﺍﻟﺴﻠﺒﻪ .. ﻭﺍﻟﺘﻠﻴﺱ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﺫﺍ ﺍﻟﺘﺭﺍﺙ ﺍﻟﺤﻲ ﻨﻐﺯل ﺍﻷﺴﻁﻭﺭﺓ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﻫﺫﺍ ﺍﻟﻔﻼﺡ ﺍﻟﻤﺅﻤﻥ ﺒﺎﻟﻌﺩل ﻭﺍﻟﺤﺏ ﻭﺍﻟﻔﻀﻴﻠﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﻤﻥ ﻫﺫﻩ ﺍﻟﺴﻨﺎﺒل ﺍﻟﻁﺎﻫﺭﺓ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻨﻔﻜﺭ ﻭﻨﺤﻠﻡ ﻭﻨﻌﺎﻨﻲ ﻤﻥ ﺃﻋﺩﺍﺀ ﺍﻟﺨﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻓﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ) ﻤﻭﺴﻴﻘﻲ ﻤﺅﺜﺭﺓ ﺜﻡ . ﺘﺩﺏ ﺍﻟﺤﻴﺎﺓ ﻓﻲ ﺍﻟﻤـﺸﻬﺩ ﻴﺘﺤـﺭﻙ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﺴﻭﺒﻙ ﻭﺨﻠﻔﻪ ﺍﻷﻁﻔﺎل . ﻴﺩﻭﺭ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﻭﺴﻁ ﺍﺤﺘﻔﺎﻟﻴﺔ ﻟﻴﻠـﺔ ﺭﺅﻴـﺔ ﺍﻟـﻨﺠﻡ‬ ‫ﺴﻭﺒﺩﻴﺕ . ﺜﻡ ﻴﻘﻑ ﻓﻲ ﺍﻟﻭﺴﻁ ﻭﻴﻘﻭﻡ ﺒﺒﻌﺽ ﺍﻷﻟﻌﺎﺏ ﺍﻟﺒﻬﻼﻭﻨﻴﻪ ﻜﺎﻟﺤﺎﻭﻯ ﻭﺴﻁ‬ ‫ﺯﻏﺎﺭﻴﺩ ﺍﻟﻨﺴﺎﺀ (‬ ‫٧‬ ‫‪www.kotobarabia.com‬‬
‫: ﻭﺤﻭﻯ ﻴﺎﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﻭﻜﻤﺎﻥ ﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﺒﻌﺕ ﺭﺯﻗﻙ ﻟﺠل ﻨﻬﻴﺹ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﺒﻌﺕ ﺭﺯﻗﻙ ﻟﺠل ﻨﻬﻴﺹ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﺒﻌﺩ ﻜل ﺭﺩﺉ ﻭﺨﺴﻴﺱ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﺒﻌﺩ ﻜل ﺭﺩﺉ ﻭﺨﺴﻴﺱ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﻴﻨﻴﻠﻙ ﻴﺎﺴﻭﺒﻙ .. ﺭﺩﺉ ﺃﻴﺔ ﻭﺨﺴﻴﺱ ﺃﻴﺔ‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﻭﺃﻨﺎ ﻤﺎﻟﻲ ﺍﻟﻬﺘﺎﻑ ﻜﺩﺍ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻴﺎ ﻭﺍﺩ ﺇﺤﻨﺎ ﺒﻨﻬﺘﻑ ﻭﻻ ﻨﺩﻋﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﺃﻨﺕ ﻴﺎﺍﺒﻭ ﺸﺎﺩﻭﻑ ﻨﺎﻗﺼﻙ ﺤﺎﺠﻪ .. ﻋﻨﺩﻙ ﺍﻟﺒﻴﺕ ﻭﺍﻟﻐـﻴﻁ ﻭﻤﻔـﻴﺵ ﻋﻠﻴـﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻤﺴﺌﻭﻟﻴﺔ ﻋﺎﻭﺯ ﺍﻟﺩﻋﺎ ﻟﻴﻪ‬ ‫: ﻗﺼﺩﻙ ﺇﻴﻪ ﻴﺎﺴﻭﺒﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﻷﺒﻨﻴﺔ ﺘﺘﻌﺒﻙ ﻭﻻ ﻋﻴل ﻴﻭﺭﺜﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻨﺕ ﺒﺘﻌﺎﻴﺭﻨﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﺨﺹ ﻋﻠﻴﻙ .. ﻤﺎ ﺃﻨﺕ ﻋﻴل ﺃﻫﺒل‬ ‫ﺭﺠل ١‬ ‫: ﺴﻴﺒﻙ ﻤﻨﻪ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺭﺠل ٢‬ ‫: ﻭﺍﷲ ﻭﻨﻁﻘﺕ ﻴﺎ ﻋﺭﺓ ﺍﻟﺭﺠﺎﻟﻪ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) لﺃﺒﻭﺸﺎﺩﻭﻑ( ﻴﺎﺭﺠل ﻁﻭل ﻋﻤﺭ ﻋﻴﺎﻟﻨﺎ ﻋﻴﺎﻟﻙ ﻭﻏﻴﻁﻙ ﻏﻴﻁﻨﺎ ﺩﺍ ﺃﻨﺕ ﺃﺒـﻭ‬ ‫ﺭﺠل ١‬ ‫ﺍﻟﻤﺤﺒﺔ ﻭﻋﻡ ﺍﻟﻜل‬ ‫: ﺩﺍ ﻜﻔﺎﻴﺔ ﺃﻥ ﺃﺭﻀﻙ ﻤﺒﺭﻭﻙ ﺒﺸﺠﺭﺓ ﺇﻴﺯﻴﺱ‬ ‫ﺭﺠل ٢‬ ‫: ﺃﻴﻭﺓ ﺍﻟﺸﺠﺭﺓ ﺍﻟﻠﻲ ﺭﺴﻲ ﻋﻨﺩﻫﺎ ﺘﺎﺒﻭﺕ ﺃﻭﺯﻭﺭﻴﺱ ﺍﻟﻁﺎﻫﺭ‬ ‫ﺭﺠل ١‬ ‫: ﻭﻓﻀﻠﺕ ﺇﻴﺯﻴﺱ ﻴﺎﻭﻻﺩﺍﻩ ﺘﺒﻜﻲ ﻟﺤﺩ ﻤﺎ ﺠﻤﻌﺕ ﺠﺘﺘﺔ ﺘﺤﺘﻬﺎ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﻌﻨﻲ ﻨﺒﻌﻙ ﻁﺎﻫﺭ ﻭﺃﺼﻠﻙ ﻤﺒﺭﻭﻙ ﻭﻭﺭﺜﻙ ﻤﺤﺒﻪ‬ ‫ﺭﺠل١‬ ‫٨‬ ‫‪www.kotobarabia.com‬‬
‫: ﺍﺴﻤﻊ ﺒﻘﻲ ﺍﻟﻨﻬﺎﺭﺩﻩ ﻤﻭﺴﻡ ﻭﺍﻟﺯﻋل ﻤﺭﻓﻭﻉ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻤﻭﺴﻡ ﺒﻜﺭﺓ .. ﻤﺵ ﺍﻟﻠﻴﻠﺔ ﻴﺎﻓﺎﻟﺢ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺼﻌﺒﺎﻥ ﻋﻠﻴﺎ ﻗﻭﻯ ﻤﻨﻙ ﻴﺎﺴﻭﺒﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻜﺩﺍ .. ﻁﺏ ﺒﺤﻕ ﺃﻭﺯﻭﺭﻴﺱ ﻷﻨﺘﻪ ﻤﺎﺴﻙ ﺩﻱ ﻭﺭﺍﻗﺹ )ﻴﻨﺎﻭﻟﻪ ﻋﺼﺎ ﺘﺤﻁﻴﺏ(‬ ‫ﺴﻭﺒﻙ‬ ‫ﻫﻴﺼﻭﺍ ﻤﻌﺎﻴﺎ ﻴﺎ ﻭﻟﺩ .. ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺃﺒﻭﺸﺎﺩﻭﻑ ) ﻭﺴﻁ ﺯﻏﺎﺭﻴﺩ ﺍﻟﻨـﺴﺎﺀ ﻴـﺭﻗﺹ ﺃﺒﻭﺸـﺎﺩﻭﻑ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫ﺭﻗﺼﻪ ﺘﺤﻁﻴﺏ ﻋﻠﻲ ﺜﻘﻔﺔ ﺍﻻﻴﺩﻯ ﺜﻡ ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻭﺨﻠﻔﻬﺎ ﺍﻟﺩﺍﻴﺔ (‬ ‫: ) ﺼﺎﺭﺨﺔ ( ﻁﻴﺒﻴﻥ .. ﻴﺎ ﺃﻫل ﻁﻴﺒﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺍﻨﺘﻲ .. ) ﻴﺘﻨﺒﻪ ﻟﻠﺴﺎﺤﺭﺓ ( ﺍﺨﺹ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ ) ﻜﻤﻥ ﻴﺭﻗﻲ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻨﻔﺴﻪ (‬ ‫: ) ﺘﺘﺠﻪ لﺃﺒﻭﺸﺎﺩﻭﻑ ( ﻟﺴﻪ ﺸﺒﺎﺏ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻴﺔ ﻋﻴﻨﻙ ﻉ ﺍﻟﺭﺍﺠل ﺇﻴﺎﻙ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺍﻟﺸﺒﺎﺏ ﻓﻲ ﺍﻟﻘﻠﺏ ﻴﺎﺒﻭﺘﻭ .. ﺘﻌﺎﻟﻲ ﺍﻓﺭﺤﻲ ﻤﻌﺎﻨﺎ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺒﻘﻲ ﻤﺵ ﻻﻋﺒﻴﻥ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺤﺘﻲ ﺃﻨﺕ ﻴﺎ ﻏﺭﺍﺏ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺒﺤﻕ ﺃﻭﺯﻭﺭﻴﺱ ﻤﻔﻴﺵ ﻏﺭﺍﺏ ﻏﻴﺭﻙ ﺍﻨﺘﻲ ﻭﺍﻟﺤﺩﺍﻴﺔ ﺒﺘﺎﻋﺘﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﺒﻐﻀﺏ ( ﺤﺴﺎﺒﻙ ﻋﺴﻴﺭ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺤﺴﺎﺒﻙ ﺠﻥ ﻭﻋﻔﺎﺭﻴﺕ .. ) ﺒﺤﺭﻜﺎﺕ ﺘﻤﺜﻴﻠﻴﺔ ﺴﺎﺨﺭﺓ ( ﺒﺦ ﻭﺒﻊ .. ﺒﻊ ﻭﺒـﺦ )‬ ‫ﺴﻭﺒﻙ‬ ‫ﻫﺎﺘﻔﺎ ( ﻴﺎﻻ ﻴﺎ ﻭﻟﺩ .. ﺒﺦ ﻭﺒﻊ .. ﺒﻊ ﻭﺒﺦ .. ﺒﻜﺭﻩ ﻴﺎﺸﺭ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻨﺦ‬ ‫: ﺒﺦ ﻭﺒﻊ .. ﻭﺒﻊ ﻭﺒﺦ .. ﺒﻜﺭﻩ ﻴﺎﺸﺭ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻨﺦ ) ﻴﺭﺩﺩ ﺴﻭﺒﻙ ﻭﺍﻷﻁﻔـﺎل‬ ‫ﺍﻷﻁﻔﺎل‬ ‫ﻭﻴﺴﺘﻤﺭﻭﺍ ﻓﻲ ﻤﻼﺤﻘﺔ ﺍﻟﺴﺎﺤﺭﺓ ﻭﺍﻟﺩﺍﻴﺔ ﺤﺘﻰ ﻴﺨﺭﺠﻭﺍ ﻤﻥ ﺍﻟﻤﺴﺭﺡ ﻭﺴﻁ ﻫﺭﺝ‬ ‫ﺍﻷﻫﺎﻟﻲ (‬ ‫: ) ﺘﻀﺤﻙ ( ﻴﺎﻟﻬﻭﻯ .. ﺍﻟﻭﺍﺩ ﺴﻭﺒﻙ ﻋﻔﺭﺕ ﺒﺘﻭﻉ ﺍﻟﻌﻔﺭﻴﺕ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺩﺍﺨﻼ ( ﺯﺍﻏﻭ ﻤﻨﻨﺎ ﻓﻲ ﺍﻟﻀﻠﻤﺔ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) لﺴﻭﺒﻙ ( ﺍﻟﻠﻴﻠﺔ ﻤﻭﺴﻡ ﻭﻤﺵ ﻋﺎﻭﺯﻴﻥ ﺤﺩ ﻴﺯﻋل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫٩‬ ‫‪www.kotobarabia.com‬‬
‫: ﺍﻟﻤﻭﺴﻡ ﺒﻜﺭﻩ ﻤﺵ ﺍﻟﻠﻴﻠﺔ ﺩﻯ‬ ‫ﺭﺠل ١‬ ‫: ) ﺘﻁﺒﻁﺏ ﺒﻴﺩﻫﺎ ﻋﻠﻲ ﻜﺘﻔﻪ ( ﺒﻜﺭﻩ ﻤﻥ ﺍﻟﻠﻴﻠﺔ ﻤﺵ ﻓﺎﺭﻗﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺒﺨﻭﻑ ﻟﻪ ﻤﻌﻨﻲ ( ﺍﺯﺍﻯ .. ﺒﻜﺭﻩ ﻴﺨﺭﺝ ﻋﻠﻴﻨﺎ ﻜﺎﻫﻥ ﻤﻌﺒﺩ ﺁﻤﻭﻥ ﻭﻴـﺴﺘﻁﻠﻊ‬ ‫ﺭﺠل ١‬ ‫ﻨﺠﻡ ﺍﻟﻔﻴﻀﺎﻥ‬ ‫: ﻴﻌﻨﻲ ﺃﻴﺔ ﻴﺎﺴﺒﻌﻲ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺒﺘﺭﺍﺠﻊ ( ﻴﻌﻨﻲ ﺍﻟﻨﻬﺎﺭﺩﻩ ﻟﻴﻠﺔ ﺍﻟﻤﻭﺴﻡ‬ ‫ﺭﺠل ١‬ ‫: ﻜﺩﺍ ﻴﺒﻘﻲ ﺨﻠﻭﻨﺎ ﻟﺒﻜﺭﺓ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻻ .. ﺃﻨﺕ ﻫﺎﺘﻜﺭﻭﺘﻨﺎ ﻴﺎﻭﺩ ﻭﻻ ﺍﻴﻪ .. ) ﻴﻨﻅﺭ ﻟﺯﻭﺠﺘﻪ ﺒﺭﻋـﺏ (‬ ‫ﺭﺠل ١‬ ‫ﻜﻤل ﻫﻴﺼﺔ‬ ‫: ﻜﺩﺍ ﻁﺏ ﻟﻤﺎ ﻨﺭﻭﺡ .. ) لﺴﻭﺒﻙ ( ﻜﻤل ﻫﻴﺼﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﺒﻘﻲ ﻤﺎﺤﺩﺵ ﻴﻘﺎﻁﻌﻨﻲ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻗﻭﻟﻜﺵ ﻴﺎﻭﺍﺩ ﻴﺎﺴﻭﺒﻙ .. ﻗﻠﺩﻨﺎ ﺍﻟﺴﺎﺤﺭﺓ ﺒﻭﺘﻭ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻴﺎﻭﺯﻭﺭﻴﺱ .. ﻟﻴﻪ ﺍﻟﺴﻴﺭﺓ ﺍﻟﻭﺤﺸﺔ ﺩﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻻﻜﺎﺩﻩ ﻜل ﻤﺎﺘﺸﻭﻑ ﺃﺒﻭﺸﺎﺩﻭﻑ ﺘﺘﻌﻔﺭﺕ‬ ‫ﺭﺠل ٢‬ ‫: ﻋﻔﺭﻴﺕ ﻟﻤﺎ ﻴﺭﻜﺏ ﺃﻨﺎ ﻋﻤﺭﻯ ﻜﺭﻫﺕ ﺤﺩ ﻟﻤﺎ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻜﺭﻫﻨﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﺩﻱ ﻗﺭﺒﺕ ﺘﻜﺭﻩ ﻨﻔﺴﻬﺎ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﻴﻨﻅﺭ ﻟﺯﻭﺠﺘﻪ ( ﻴﺎﻻ ﻴﺎﺴﻭﺒﻙ ﻗﻠﺩﻫﺎ ﻭﺨﻠﺼﻨﺎ‬ ‫ﺭﺠل ١‬ ‫: ﻁﺏ ﻭﺴﻌﻭﺍ ﺍﻟﺩﺍﻴﺭﻩ ) ﻴﻔﺴﺤﻭﻥ ﺍﻟﻤﻜﺎﻥ ﺜﻡ ﻴﻀﻊ ﺒﺎﺭﻭﻜﺔ ﻋﻠﻲ ﺭﺃﺴﻪ ﺜﻡ ﻴﺒـﺩﺍﺀ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﺘﺸﺨﻴﺹ( ﺤﺒﺭﻭﺵ .. ﺤﺒﺭﻭﺵ .. ) ﻴﻀﺤﻜﻭﻥ ( ﻴﺎ ﻤﻌﺭﻯ ﺍﻟﻘﻠﻭﺏ ﻭﺍﻟﻭﺸﻭﺵ‬ ‫.. ﺒﺤﻕ ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ ﻭﺒﺱ .. ﻋﺭﻓﻨﻲ ﺍﻟﻠﻲ ﺒﻴﺘﺼﻨﺕ ﻭﺍﻜﺸﻑ ﺍﻟﻠﻲ ﺒﻴﺒﺹ ﻫﻊ‬ ‫) ﻴﻔﺯﻉ ﺍﻟﺠﻤﻴﻊ ﺜﻡ ﻴﻀﺤﻜﻭﻥ ( ﻭﺍﺒﻌﺕ ﺍﻟﻔﻴﻀﺎﻥ ﻭﺃﺭﺯﻕ ﺍﻟﻤﻼﻋﻴﻥ ﺩﻭل .. ﺒـﺱ‬ ‫ﻨﺹ ﻨﺹ‬ ‫: ﻴﺎ ﺒﺨﻠﻙ ﻴﺎﺍﺨﻲ .. ﻜﻤل ﺍﻟﺩﻋﺎ.. ﻨﺹ ﺃﻴﺔ‬ ‫ﺭﺠل ٢‬ ‫: ﻭﻫﻭ ﺒﻴﺩﻩ .. ﺩﻯ ﻫﻴﻪ ﺍﻟﻠﻲ ﻓﻴﻬﺎ ﺒﺨل ﻴﻜﻔﻲ ﺒﻠﺩ ﺒﺤﺎﻟﻬﺎ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﻴﺠﻌل ﻜﻼﻤﻨﺎ ﺨﻔﻴﻑ ﻋﻠﻴﻬﺎ ﻟﺤﺴﻥ ﺘﺭﺠﻊ‬ ‫ﺭﺠل ١‬ ‫: ) ﺩﺍﺨل ﻤﺴﺭﻋﺎ ( ﻋﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺨﺎﻟﺘﻲ ﺸﺭﺍﻗﻲ ﺒﺘﺴﺎل ﻋﻠﻴﻙ‬ ‫ﻁﻔل‬ ‫٠١‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﻭﻩ .. ﺍﻟﻠﻴل ﻤﺴﻲ ﻗﻭﻯ ﻭﺃﻨﺎ ﺴﺎﻴﺏ ﺸﺭﺍﻗﻲ ﺒﻌﺎﻓﻴﻪ ﻟﻭﺤﺩﻫﺎ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻱﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺨﻴﺭ ﻴﺎ ﺨﺒﺎﺹ .. ﻭﻤﺵ ﻫﺎ ﻗﻭﻟﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﻜﺭﻩ ﺍﻟﻤﺴﺘﺨﺒﻲ ﻴﺒﺎﻥ .. ﻭﺘﻘﻭﻡ ﺒﺎﻟﺴﻼﻤﺔ ﺒﻜﺭ ﺍﻟﻨﺴﻭﺍﻥ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻁﺏ ﻤﺘﺨﻠﻴﻬﺎ ﻓﻲ ﺴﺭﻙ ﻭﻻ ﺍﻨﺘﻭﺍ ﻤﺘﺤﻔﻅﻭﺵ ﺴﺭ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺘﻬﺭﻴﺞ ( ﺒﺭﻀﻭﺍ ﻫﺎ ﻋﺭﻓﻪ ﻭﺃﻋﻠﻨﻪ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﻤﺒﺘﺴﻤﺎ ( ﻁﺏ ﻴﺎﻻ ﻴﺎﻓﺎﻟﺢ ﻟﻡ ﺍﻟﻠﻴﻠﺔ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺎ ﺨﺴﺎﺭﺓ ﺨﻠﺼﺕ‬ ‫ﺭﺠل ١‬ ‫: ) ﻟﻠﺭﺠل ( ﻁﺏ ﻟﻤﺎ ﺘﺭﻭﺡ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﺎﻻ ﻴﺎﻭﻟﺩ ) ﻴﻬﺘﻑ ( ﻭﺤﻭﻯ ﻴﺎﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻟﺠﻤﻴﻊ‬ ‫: ﻭﻜﻤﺎﻥ ﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ ) ﻴﺭﺩﺩ ﺍﻟﺠﻤﻴﻊ ﺨﻠﻔﻪ ﻭﻴﺨﺭﺠﻭﻥ ﺒﺎﻟﺘﺩﺭﻴﺞ ﺤﺘﻲ ﻴﻔﺭﻍ ﺍﻟﻤﺴﺭﺡ ﺘﻤﺎﻡ ﺜـﻡ‬ ‫ﺍﻟﺠﻤﻴﻊ‬ ‫ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻭﺨﻠﻔﻬﺎ ﺍﻟﺩﺍﻴﺔ (‬ ‫: ) ﺘﻨﻅﺭ ﻓﻲ ﺍﺘﺠﺎﻩ ﺨﺭﻭﺝ ﺍﻟﻤﺠﺎﻤﻴﻊ ( ﺍﻨﺘﻲ ﺼﺎﺒﺭﺓ ﻉ ﺍﻟﻭﺍﺩ ﺴﻭﺒﻙ ﺩﻩ ﺍﺯﺍﻯ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺴﻭﺒﻙ ﺩﺍ ﺒﻭﻕ ﻟﺴﺎﻥ ﻭﺒﺱ .. ﻭﺯﻴﻪ ﺯﻴﻨﺎ ﻤﻠﻭﺵ ﺠﺩﺭ.. ﺒﺱ ﻫﻭﻩ ﺍﻟﻨﺎﺱ ﺒﺘﺤﺒﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻭﺇﺤﻨﺎ ﺍﻟﻨﺎﺱ ﺒﺘﻜﺭﻫﻨﺎ‬ ‫: ﻤﺎ ﺇﺤﻨﺎ ﻋﺎﻴﺸﻴﻥ ﺯﻯ ﺍﻟﻔل ﺍﻫﻭﻩ .. ﺍﻨﺎ ﻤﺵ ﻋﺎﺭﻓﻪ ﺍﻨﺘﻲ ﻋﺎﻭﺯﻩ ﺃﻴﺔ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻨﺎ ﻋﺎﻭﺯﻩ ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﺒﻭﺸﺎﺩﻭﻑ ﺒﻘﻲ ﺍﻤﻠﻪ .. ﺩﺍ ﻤﻔﻴﺵ ﻓﻴﻪ ﺤﺎﺠﻪ ﻏﻴﺭ ﺍﻨﻪ ﻁﻴﺏ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻋﻭﺯﻩ ﺃﻭﺭﺜﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺵ ﻟﻤﺎ ﻴﻤﻭﺕ ﺍﻷﻭل‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻫﺎﻭﺭﺜﻪ ﺒﺎﻟﺤﻴﺎ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺘﺒﻘﻲ ﻋﺎﻭﺯﻩ ﻤﻌﺠﺯﻩ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺭﻭﺤﻲ ﺒﻘﻲ ﻭﺭﺍﻩ ﺍﻋﺭﻓﻲ ﺴﺭﻩ .. ﻭﺍﺭﺠﻌﻲ ﻟﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫١١‬ ‫‪www.kotobarabia.com‬‬
‫: ﻭﺍﻨﺘﻲ ﺭﺍﻴﺤﻪ ﻓﻴﻥ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻨﺎ ﻤﺴﺘﻨﻴﻪ ﻫﻨﺎ ﺤﺎﺠﻪ ﺃﻫﻡ ﺩﻟﻭﻗﺘﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻩ ﺍﻓﺘﻜﺭﺕ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻭﻟﻤﺎ ﺘﺭﺠﻌﻲ ﺃﻨﺘﻲ ﻋﺎﺭﻓﻪ ﻫﺎﺘﻌﻤﻠﻲ ﺃﻴﺔ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻋﺎﺭﻓﻪ ) ﺘﻀﺤﻙ ﻀﺤﻜﺔ ﺨﻠﻴﻌﺔ (‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻫﺎﺘﻔﻀﺤﻴﻨﺎ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻴﻭﻩ ﺨﻼﺹ .. ﻫﻭ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻤﺸﻲ ﻤﻨﻴﻥ .. ﺍﻴﻭﻩ ﻤﻥ ﻫﻨﺎ .. ﺴﻼﻡ ) ﺘﺨﺭﺝ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫(‬ ‫: ﻭﺃﻨﺎ ﻤﻥ ﻫﻨﺎ ) ﺘﺨﺘﺒﺊ ﻋﻠﻲ ﺍﺜﺭ ﺃﺼﻭﺍﺕ ﺃﻗﺩﺍﻡ ﻤﻥ ﺍﻟﻜﻭﺍﻟﻴﺱ ﺜﻡ . ﻴﺩﺨل ﺨـﺎﺩﻡ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻜﺎﻫﻥ ﻴﺴﺘﻁﻠﻊ ﺍﻟﻤﻜﺎﻥ ﺜﻡ ﻴﻨﻅﺭ ﻤﻥ ﻤﻜﺎﻥ ﺩﺨﻠﻭﻩ ﻴﻨﺎﺩﻯ ﺒﺼﻭﺕ ﻤﻨﺨﻔﺽ ﺠﺩﺍ (‬ ‫: ) ﻫﺎﻤﺴﺎ ( ﻤﻭﻻﻯ .. ﻤﺸﻴﻭﺍ ) ﻻ ﺍﺤﺩ ﻴﺠﻴﺏ ( ﻤﻭﻻﻯ ﻤﺸﻴﻭﺍ ) ﺒﺼﻭﺕ ﻋﺎﻟﻲ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺠﺩﺍ ( ﺍﻴﻪ ﻤﺵ ﺴﺎﻤﻌﻴﻥ ﻤﺎﺘﻴﺠﻭﺍ )ﻴﺩﺨل ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺨﻠﻑ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل(‬ ‫: ﺃﻴﻬﺎ ﺍﻷﺒﻠﻪ .. ﺍﺨﻔﺽ ﺼﻭﺘﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻤﺎ ﺃﻨﺘﻭ ﻤﺵ ﺴﺎﻤﻌﻴﻥ ﻋﻤﺎل ﺃﻗﻭل ﻤﺸﻴﻭﺍ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻏﺭﺏ ﻋﻥ ﻭﺠﻬﻲ ﺃﻻﻥ .. ﻭﺭﺍﻗﺏ ﺍﻟﻁﺭﻴﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻤﺭﻙ ﻴﺎﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ) ﻴﺨﺭﺝ (‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺨﺎﺩﻡ ﻏﺒﻲ .. ﻜﻴﻑ ﺘﺤﺘﻔﻅ ﺒﻪ ﻴﺎﻤﻭﻻﻯ ﻓﻲ ﺨﺩﻤﺘﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻴﺫﻜﺭﻨﻲ ﺒﺒﺴﺎﻁﻪ ﻫﺫﺍ ﺍﻟﺸﻌﺏ .. ﻭﺘﻠﻘﺎﺌﻴﺔ ﺃﻓﻌﺎﻟﻪ ﺩﻟﻴل ﺼﺩﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻪ ﺴﺎﺫﺝ ﻴﺎﻤﻭﻻﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺒل ﺤﺭ .. ﻴﻔﻌل ﻜل ﻤﺎ ﻴﺤﻠﻭﺍ ﻟﻪ ﺩﻭﻥ ﻗﻴﻭﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻱ ﻗﻴﻭﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻗﻴﻭﺩ ﺍﻟﻤﻨﺎﺼﺏ .. ﻗﻴﻭﺩ ﺍﻟﻌﺎﺩﺍﺕ ﺍﻻﺠﺘﻤﺎﻋﻴﺔ .. ﻗﻴﻭﺩ ﺍﻟﻁﻘﻭﺱ ﺍﻟﺩﻴﻨﻴﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻙ ﻏﺎﻤﺽ ﺍﻟﻠﻴﻠﺔ ﻴﺎﻤﻭﻻﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٢١‬ ‫‪www.kotobarabia.com‬‬
‫: ﺒﺩﻭﻥ ﻏﻤﻭﺽ .. ﻫﻭ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺸﺎﺭﻙ ﻓﻲ ﺍﻻﺤﺘﻔـﺎل ﺍﻟﻘـﺎﺌﻡ ﻤﻨـﺫ ﻗﻠﻴـل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻭﻴﻤﺎﺭﺱ ﻜل ﺍﻨﻭﺍﻉ ﺍﻟﺴﻌﺎﺩﺓ ﻭﺍﻟﻔﺭﺡ ﻭﻨﺤﻥ ﻻ ﻨﺴﺘﻁﻴﻊ ﺍﻟﻠﻲ ﺍﻟﺘﺼﻨﺕ ﻓﻲ ﺍﻟﺨﻔـﺎﺀ‬ ‫ﺃﺘﻌﺭﻑ ﻟﻤﺎﺫﺍ ؟‬ ‫: ﻷﻨﻙ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺃﻨﺎ ﻤﺴﺎﻋﺩﺓ ﺍﻷﻭل ﻭﻻ ﻴﺠﺏ ﺃﻥ ﻨﺨﺘﻠﻁ ﺒﺎﻟﺸﻌﺏ ﻭﻨﺤﻥ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺒﻬﺫﻩ ﺍﻟﻘﺩﺍﺴﺔ‬ ‫: ﻫﺫﺍ ﻫﻭ ﺍﻟﻔﺭﻕ ﺒﻴﻨﻨﺎ ﻭﺒﻴﻨﻪ .. ﺍﻟﺤﺭﻴﺔ .. ﻟﻬﺫﺍ ﺃﺘﻤﺴﻙ ﺒﻪ.. ﻫل ﻓﻬﻤﺕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻭﻻﻯ ﻫﻭ ﺨﺎﺩﻤﻙ ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﻴﻜﻠﻡ ﻨﻔﺴﻪ ( ﻫﻭ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺘﺯﻭﺝ .. ﻴﻨﺠﺏ ﺃﻁﻔﺎل .. ﻴﺴﺘﻤﺘﻊ ﺘـﺭﺒﻴﺘﻬﻡ ..‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻴﺴﻌﺩ ﺒﺯﻭﺠﺘﻪ .. ﻴﻌﻴﺵ ﻜل ﻁﻘﻭﺱ ﺍﻟﺤﻴﺎﺓ .. ﻴﻤﻠﻙ ﺃﻟﻑ ﺃﻟـﻑ ﻁﺭﻴـﻕ ﻟﻸﻤـل‬ ‫..ﻭﺍﻟﻑ ﺃﻟﻑ ﻭﺴﻴﻠﺔ ﻟﻠﺤﺏ .. ﺃﻤﺎ ﺃﻨﺎ ﻭﺃﻨﺕ ﺒﺤﻜﻡ ﺍﻟﻁﻘﻭﺱ ﺍﻟﻤﻘﺩﺴﺔ ﻴﻤﻜﻨﻨـﻲ ﺃﻥ‬ ‫ﺍﺤﺩﺩ ﻟﻙ ﻜﻴﻑ ﺘﻌﻴﺵ ﻭﻜﻴﻑ ﺘﻤﻭﺕ ﻭﺘﺩﻓﻥ ﻭﻤﻥ ﺴﻴﻜﻭﻥ ﺍﻟﻭﺭﻴﺙ ﻭﻤـﻥ ﺴـﻴﻘﻴﻡ‬ ‫ﺍﻟﺼﻼﺓ .. ﻻ ﺠﺩﻴﺩ ﻭﻻ ﺃﻤﻼ ﺒﻌﻴﺩ‬ ‫: ﺴﻴﺩﻯ ﺃﺘﺩﺭﻙ ﻤﺎﺘﻘﻭل‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻏﺩﺍ ﺘﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺴﻭﺒﺩﻴﺕ .. ﺍﻟﺫﻯ ﻴﻨﺒﺄ ﺒﻘـﺩﻭﻡ ﺍﻟﻔﻴـﻀﺎﻥ .. ﻟﺘﻨﺘـﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺍﻟﻔﺭﺤﺔ ﻓﻲ ﻜل ﺍﺭﺽ ﻤﺼﺭ ﺇﻻ ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ‬ ‫: ﺃﻟﻥ ﺘﻘﻴﻡ ﻁﻘﻭﺱ ﺍﻻﺤﺘﻔﺎل ﺒﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻤﻠﻠﺕ ﺍﻟﻁﻘﻭﺱ .. ﻤﻠﻠﺕ ﺍﻟﺤﻴﺎﺓ ﺩﺍﺨل ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺴﻴﺩﻯ ﺃﻥ ﻤﺎ ﺘﻘﻭﻟﻪ ﻴﻌﺘﺒﺭ ﺨﻁﻴﺌﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ( ﺍﻏﻔﺭﻫﺎ ﻟﻲ ﺃﻴﻬﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﺒﺎﻟـﺼﻼﺓ ﻜﻤـﺎ ﻨﻐﻔـﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺍﻟﺫﻨﻭﺏ ﻟﻠﺭﻋﻴﺔ‬ ‫: ) ﺒﺤﺯﻡ ( ﻜﻴﻑ ﻴﻐﻔﺭ ﻜﺎﻫﻥ ﻤﺜﻠﻲ .. ﻟلﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ ( ﺫﻜﺭﺘﻨﻲ .. ﺃﻨﺎ ﻤﻥ ﻴﻐﻔﺭ ﺫﻨﻭﺏ ﺍﻟﺭﻋﻴﺔ ﻭﻴﻁﻬﺭﻫﻡ ﻤﻨﻬﺎ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺨﺒﺙ ( ﺍﻟﺤﻤﺩ ﻵﻤﻭﻥ .. ﻤﻭﻻﻯ ﺒﺩﺍﺀ ﻴﺴﺘﻌﻴﺩ ﺼﻭﺍﺒﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻟﻴﺱ ﻫﺫﺍ ﻏﺭﻴﺏ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻯ ﻏﺭﻴﺒﺎ ﻴﺎﺴﻴﺩﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٣١‬ ‫‪www.kotobarabia.com‬‬
‫: ﺍﻏﻔﺭ ﻟﻠﺭﻋﻴﺔ ﺠﻤﻴﻊ ﺫﻨﻭﺒﻬﻡ ﺒﺄﻤﺭ ﺁﻤﻭﻥ ﻭﺒﺘﻘﺩﻴﻡ ﺍﻟﻘﺭﺍﺒﻴﻥ .. ﻭﻟﻴﺱ ﻟﻲ ﺍﻟﺤﻕ ﻓﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺨﻁﻴﺌﺔ ﻭﺍﺤﺩﺓ ﻁﻭﺍل ﺤﻴﺎﺘﻲ‬ ‫: ) ﺒﻨﻔﺎﺫ ﺼﺒﺭ ( ﻤﻭﻻﻯ .. ﻟﻘﺩ ﺍﺨﺘـﺭﺕ ﻟﻠﺘﻘـﺩﻴﺱ .ﺃﺫﻥ ﻓﺄﻨـﺕ ﻤﻘﺩﺴـﺎ ﻓـﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺍﻻﺨﺘﻴﺎﺭ.. ﻓﻼ ﺘﺨﻁﺄ‬ ‫: ) ﺒﻐﻀﺏ ( ﺃﻯ ﻋﺩﻻ ﻫﺫﺍ .. ﺃﻨﻨﻲ ﺒﺸﺭ .. ﺃﻨﻨﻲ ﻻ ﺍﺴﺎﻭﻯ ﺤﺘﻲ ﺨﺎﺩﻤﻲ ﻓـﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺤﻕ ﺍﻟﺨﻁﻴﺌﺔ .. ﻓﻬﻭ ﺤﺭﺍ ﻓﻲ ﻫﺫﺍ ﻭﻴﻤﻠﻙ ﺍﻟﻐﻔﺭﺍﻥ ﺒﺎﻟﻘﺭﺒﺎﻥ ﻭﺃﻨﺎ ﻤﻜﺒﻼ ﺒﺎﻟﻠﻌﻨﻪ‬ ‫: ﺍﻟﻡ ﻴﺩﺭﻙ ﺴﻴﺩﻯ ﻫﺫﺍ ﻗﺒل ﺃﻥ ﻴﺭﺸﺢ ﻨﻔﺴﻪ ﻟﻤﻨﺼﺏ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺍﻟﻡ ﺘﺩﺭﻜﻭﺍ ﺃﻨﺘﻡ ﺃﻨﻨﻲ ﻻ ﺃﺼﻠﺢ ﻋﻨﺩ ﺍﻨﺘﺨﺎﺒﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﺇﺭﺍﺩﺓ ﺍﻵﻟﻬﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﻜﺫﺍ ﻨﻘﻭل ﻟﻠﻌﺎﻤﺔ .. ﺇﻤﺎ ﻓﻴﻤﺎ ﺒﻴﻨﻨﺎ ﺍﻷﻤﺭ ﻤﺨﺘﻠﻑ .. ﺃﻨﺕ ﻤﺜﻼ ﻤﺎﺫﺍ ﻜﻨﺕ ﺘﻘﻭل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻟﻨﻔﺴﻙ ﻭﺃﻨﺕ ﺘﻨﺘﺨﺒﻨﻲ‬ ‫: ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻭﺒﻜل ﺼﺭﺍﺤﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﺎﻥ ﻟﻲ ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺘﻌﺠﺏ ( ﺘﺭﻭﻗﻨﻲ ﻫﺫﻩ ﺍﻟﺼﺭﺍﺤﺔ .. ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ ﻓﻲ ﺃﻋﻠﻲ ﻭﺃﻗﺩﺱ ﻤﻨﺼﺏ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺩﻴﻨﻲ ﻓﻲ ﺍﻟﻤﻌﺒﺩ .. ﻜﻴﻑ‬ ‫: ﺃﺨﺸﻲ ﺃﻥ ﻴﻐﻀﺒﻙ ﺤﻭﺍﺭﻯ ﺴﻴﺩﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﻭل ﺍﻟﻤﻔﺎﺠﺌﺔ ﻴﺤﻁﻡ ﺠﺩﺭﺍﻥ ﺍﻟﻤﻠل .. ﺃﻜﻤل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻥ ﻟﻡ ﺘﻜﻥ ﺃﻨﺕ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ. ﻟﻡ ﺃﻜﻥ ﺃﻨﺎ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﻟﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﺫﻥ ﻫﻲ ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺸﺨﺼﻴﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﺘﻲ ﺍﻟﻤﻨﺎﺼﺏ ﺍﻟﺩﻴﻨﻴﺔ ﻟﻬﺎ ﺭﻭﻨﻘﻬﺎ ﺍﻟﺠﺫﺍﺏ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺸﺨﺼﻴﺔ .. ﺃﻫﻡ ﻤﻥ ﺍﻟﻁﺎﻫﺭﺓ ﻭﺍﻟﻘﺩﺍﺴﺔ ﻭﺍﻟﻘﻴﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺤﺯﻡ ( ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺘﻁﻔﻭ ﻓﻭﻕ ﺍﻟﻌﻘﻴﺩﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﺍﻟﻌﻘﻴﺩﺓ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﻁﺒﻴﻌﺔ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻥ ﺘﻜﻔﺭ ﺒﺎﻵﻟﻬﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٤١‬ ‫‪www.kotobarabia.com‬‬
‫: ﺒل ﺘﺄﻤﻥ ﺒﺎﻟﺤﻴﺎﺓ ﻭﺘﻘﺩﺱ ﺍﻟﻘﻭﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻭﻫل ﺃﻨﺎ ﻭﺍﺤﺩ ﻤﻥ ﻫﺅﻻﺀ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺨﺒﺙ( ﺃﻨﺕ ﻋﻠﻲ ﻗﻤﺔ ﺍﻟﺤﻴﺎﺓ ﺒﻘﻭﺓ ﺍﻟﻤﻨﺼﺏ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺎﻨﻬﻴﺎﺭ ( ﺒل ﻓﻲ ﻗﺎﻉ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻯ ﺤﻘﻴﻘﺔ ﺘﻘﺼﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺤﻘﻴﻘﺔ ﺍﻟﻭﻫﻡ ﺍﻟﺫﻯ ﺃﻋﻴﺸﻪ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﻭﻫﻡ ﻫﻭ ﺍﻟﺩﺴﺘﻭﺭ ﺍﻟﺫﻯ ﻨﺤﻜﻡ ﺒﻪ ﺍﻟﺸﻌﺏ .. ﺃﻥ ﻟﻡ ﺘﻭﻫﻤﻬﻡ ﺃﻨـﻙ .. ﺃﻜﺜـﺭﻫﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﻁﺎﻫﺭﺓ ﻭﻗﺩﺍﺴﺔ ﻭﺘﻘﺭﺒﺎ ﻟﻶﻟﻬﺔ ﻤﺎ ﺃﻁﺎﻋﻭﻙ‬ ‫: ﻋﺸﺭﻭﻥ ﻋﺎﻤﺎ ﻭﺃﻨﺎ ﺴﺠﻴﻥ ﺩﺍﺨل ﻗﺩﺱ ﺃﻗﺩﺍﺱ ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ .. ﻻ ﺃﺭﻯ ﻤﻥ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻏﻴﺭ ﺭﺅﻭﺴﻬﻡ ﺍﻟﻤﻨﻜﺴﺔ .. ﻭﻻ ﺃﻗﻭل ﺇﻻ ﻤﺎ ﺘﻨﺹ ﻋﻠﻴﻪ ﺍﻟﺒﺭﺩﻴﺎﺕ ﻭﺍﻵﺘﻭﻥ .. ﻭﻻ‬ ‫ﺍﻓﻌل ﺇﻻ ﺍﻟﻌﻅﺔ ﻭﺍﻟﻤﻭﻋﻅﺔ .. ﻜل ﻫﺫﺍ ﻭﻫﻡ‬ ‫: ﺃﻨﻬﺎ ﺤﻘﻴﻘﺔ ﻤﻨﺼﺒﻙ ﺴﻴﺩﻯ .. ﻭﻟﻴﺱ ﺤﻘﻴﻘﺔ ﺇﻴﻤﺎﻨﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻴﻬﺎ ﺍﻟﻜﺎﻫﻥ .. ﺃﻨﺎ ﺃﺘﻬﻤﻙ ﺒﺎﻟﺯﻨﺩﻗﺔ .. ﻭﺍﻟﺨﻴﺎﻨﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺘﻬﻜﻡ ( ﻋﻠﻲ ﺼﺭﺍﺤﺘﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫل ﺍﻟﺼﺭﺍﺤﺔ .. ﺃﻥ ﺘﺠﺭﺩ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻤﻥ ﻗﺩﺍﺴﺘﻪ ﻭﻁﻬﺭﻩ ﻭﺇﻴﻤﺎﻨﻪ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﺃﻋﻠل .. ﻤﻠﻠﻪ ﻤﻥ ﺍﻟﻁﻘﻭﺱ .. ﻭﺘﻤﻠﺼﻪ ﻤﻥ ﺍﻟﻌﺒﺎﺩﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﺫﺍ ﺘﻬﺩﻴﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﺘﻨﺒﻴﻪ ﻟﻤﺎ ﻗﺩ ﻴﺤﺩﺙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﺠﻨﻨﺕ .. ﺃﺘﻬﻤﻙ ﺒﺎﻟﺨﻴﺎﻨﺔ ﺘﺘﻬﻤﻨﻲ ﺒﺎﻟﺩﻨﺱ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﺨﻁﻴﺌﺔ ﻟلﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺩﻨﺱ ﻴﻁﻬﺭﻩ ﺍﻟﺤﺭﻕ .. ﻭﺍﻟﺨﻴﺎﻨﺔ لﻜـﺎﻫﻥ ﺍﻟﻤﻌﺒـﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺨﻁﻴﺌﺔ ﻴﻐﻔﺭﻫﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺒﺎﻟﻘﺭﺍﺒﻴﻥ‬ ‫: ﻻ ﺍﺼﺩﻕ ﻤﺎ ﺃﺴﻤﻊ .. ﺤﺘﻲ ﻫﺫﻩ ﺍﻟﻠﺤﻅﺔ ﻭﺃﻨﺎ ﺃﺠﺎﺩﻟﻙ ﻤﻥ ﺃﺠل ..‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﺎﺯﻟﺕ ﻤﺜل ﺭﻋﻴﺘﻙ ﺴﻴﺩﻯ ﺘﺘﻤﺴﻙ ﺒﺎﻟﻭﻫﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺘﻬﺩﻴﺩ ( ﺃﺤﺫﺭ ﺃﻨﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻟﻤﻌﺒﺩ ﺁﻤﻭﻥ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: )ﺒﺜﻘﺔ( ﻭﺃﻨﺎ ﺃﻋﻅﻡ ﻜﺎﻫﻥ ﻓﻲ ﻤﻌﺒﺩ ﺁﻤﻭﻥ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٥١‬ ‫‪www.kotobarabia.com‬‬
‫: ﺴﺄﺍﻤﺭ ﺍﻟﺨﺎﺩﻡ ﺒﺎﻟﻘﺒﺽ ﻋﻠﻴﻙ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻭﺃﻨﺎ ﺴﺎﺍﻤﺭ ﺒﻘﺘﻠﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻗﺘﻠﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻟﻘﺩ ﺩﻭﻨﺕ ﺃﺨﻁﺎﺌﻙ ﻭﺩ ﺩﺴﺘﻬﺎ ﻟﻠﺤﺭﺍﺱ ﻭﺍﻟﻜﻬﺎﻥ ﻭﺃﻤﺭﺘﻬﻡ ﺒﺎﻟﺘﻜﺘﻡ ﺤﻔﺎﻅﺎ ﻋﻠـﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﻫﺒﻴﺔ ﺍﻟﻤﻌﺒﺩ ﻭﺍﻟﻲ ﺤﻴﻥ ﺃﻥ ﺘﺘﺩﺒﺭ ﺍﻵﻟﻬﺔ ﻓﻲ ﺃﻤﺭﻙ .‬ ‫: ﺃﻨﺎ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﺕ ﻓﻲ ﺃﻤﺎﻥ ﻤﺎﺩﻤﺕ ﻓﻲ ﻁﺎﻋﺘﻲ .‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻜﺄﻨﻪ ﺤﻠﻡ ؟؛ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﺤﻠﻡ ﻭﺍﻟﻭﻫﻡ .. ﻤﻨﻔﺫﺍﻥ ﻟﻠﻬﺭﻭﺏ ﻤﻥ ﺍﻟﻭﺍﻗﻊ .‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺫﻫﻭل ( ﺃﻨﺕ .. ﺃﻨﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻲ ﺫﺍﻫﺏ ﺇﻟﻲ ﺍﻟﻤﻌﺒﺩ ﻗﺒل ﺃﻥ ﻴﺴﺘﻴﻘﻅ ﺍﻟﻨﻬﺎﺭ ﻭﻴﻔﻀﺢ ﺃﻤﺭﻨﺎ.. ﻋـﺩ ﺒﻤﻔـﺭﺩﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺒﻌﺩﻯ .. ﺃﻨﺕ ﺒﻌﺩﻯ ﺃﻓﻬﻤﺕ ) ﻴﺨﺭﺝ ( .‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﺤﻘﻴﺭ .. ) ﻟﻨﻔﺴﻪ ( ﺃﻨﺎ ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ .. ﻭﺴـﺠﻴﻥ ﺩﺍﺨـل ﻤﻌﺒـﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻭﺭﺩﺍﺀ ﻜﺎﻫﻥ ﺃﻋﻅﻡ .. ﺃﻯ ﻭﻫﻡ ﻫﺫﺍ ﺍﻟﺫﻯ ﺃﻋﻴﺸﻪ ) ﻴﺩﺨل ﺍﻟﺨﺎﺩﻡ ﻤﺭﻋﻭﺒﺎ ( .‬ ‫: ) ﺒﺭﻋﺏ ( ﺴﻴﺩﻯ .. ﺴﻴﺩﻯ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﺒﺨﻭﻑ ( ﺃﺤﺫﺭ ﻤﻥ ﺍﻻﻗﺘﺭﺍﺏ ﻤﻨﻲ .. ﺇﻴﺎﻙ ﺘﻘﺘﺭﺏ ﺴﻭﻑ ﺍﻓﺘﻙ ﺒﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺘﻌﺠﺏ ( ﻤﺎ ﻫﺫﺍ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺸﺒﺢ ﻴﺘﺤﺭﻙ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻨﻪ ﺍﻟﻤﻠﻌﻭﻥ .. ﻤﺴﺎﻋﺩﻱ ﺍﻷﻭل .. ﻤﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﻼ ﺃﻨﻪ ﺸﺒﺢ ﻴﺘﺤﺭﻙ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻨﺕ ﺘﻬﺫﻱ ) ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻤﺭﺘﺩﻴﺔ ﺍﻟﻭﺸﺎﺡ ( .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﻫﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﻫﻪ .. ﻤﻥ ﺃﻨﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻜﺸﻑ ﻭﺠﻬﻬﺎ ( ﻤﻥ ﺃﻨﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫٦١‬ ‫‪www.kotobarabia.com‬‬
‫: ﺍﻤﺭﺃﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺨﺎﺩﻤﺘﻙ ﺍﻟﻤﻁﻴﻌﺔ ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﺍﻟﺴﺎﺤﺭﺓ ﺒﻭﺘﻭ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺴﺎﺤﺭﺓ .. ﻤﺎﺫﺍ ﻜﻨﺕ ﺘﻔﻌﻠﻴﻥ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﻨﺒﺄﺕ ﺒﻘﺩﻭﻡ ﻤﻭﻻﻯ .. ﻓﺎﻨﺘﻅﺭﺕ ﻗﺩﻭﻤﻙ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺘﺒﻨﺄﺘﻲ ﺒﻘﺩﻭﻡ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫.‬ ‫: ﺃﻨﻬﺎ ﻤﻘﺩﺭﺓ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: )ﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ ﻴﺨﻨﻘﻬﺎ( ﺃﻨﻙ ﻤﺨﺎﺩﻋﻪ . ﻜﻴﻑ ﻋﻠﻤﺕ ﻗﺩﻭﻤﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺸﻴﺭ ﺍﻟﻲ ﺍﻟﺨﺎﺩﻡ ( ﻤﻥ ﻫﺫﺍ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﻻ .. ﻟﻡ ﺃﻗﻭل ﻷﺤﺩ ﺼﺩﻗﻨﻲ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺨﺎﺩﻤﻲ ﺠﺎﺴﻭﺴﺎ ﻋﻠﻲ ) ﻴﺘﺭﻜﻬﺎ ( .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎ ﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻫل ﻤﺎﺯﺍل ﻫﻨﺎﻙ ﺤﻘﻴﻘﺔ ﺒﻌﺩ ﻜل ﻤﺎ ﺃﺴﻤﻊ ﻭﺃﺭﻯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﺫﻜﺭﺕ .. ﻜﻨﺕ ﺃﺘﺴﺎﻤﺭ ﻤﻊ ﻁﺎﺒﺨﺔ ﺍﻟﻤﻌﺒﺩ ﻭﺯﻟﻔﺕ ﻤﻨﻲ ﺒﻌﺽ ﺍﻟﻜﻠﻤﺎﺕ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﻭﻁﺎﺒﺨﺔ ﺍﻟﻤﻌﺒﺩ ﺃﺤﺩ ﺃﺘﺒﺎﻋﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻜﻔــﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﻲ ﺍﻟﺩﺍﻴﺔ ( ﺃﻨﻬﺎ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﻁﺎﺒﺨﺔ‬ ‫: ) ﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ ( ﺃﻨﺘﻲ .. ﻟﻤﺎﺫﺍ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺭﻏﺒﺔ ﻓﻲ ﻤﻼﻗﺎﺓ ﻤﻭﻻﻯ ﻋﻠﻲ ﺇﻨﻔﺭﺍﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩﻴﻥ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺸﻴﺭ ﻟﻠﺨﺎﺩﻡ ﻭﺍﻟﻁﺎﺒﺨﺔ ( ﻗﻭﻟﺕ ﻋﻠﻲ ﺇﻨﻔﺭﺍﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻫل ﺃﺨﺭﺝ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺒﻌﺩ ﺃﺫﻥ ﻤﻭﻻﻴﺎ ﻁﺒﻌﺎ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺭﻴﺒﺔ ( ﻻ ﺘﺫﻫﺏ ﺒﻌﻴﺩ ﻭﺃﻨﺘﻅﺭ ﺃﻭﺍﻤﺭﻯ ) ﻴﺨﺭﺝ ﺍﻟﺨﺎﺩﻡ ﻭﺍﻟﻁﺎﺒﺨـﺔ . ﺜـﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺘﺘﺠﺭﺩ ﺍﻟﺴﺎﺤﺭﺓ ﻤﻥ ﻭﺸﺎﺤﻬﺎ ﻭﻫﻲ ﻓﻲ ﻤﻼﺒﺱ ﺃﻏﺭﺍﺀ (‬ ‫٧١‬ ‫‪www.kotobarabia.com‬‬
‫: ) ﺒﺩﻫﺸﺔ ( ﻤﺎ ﻫﺫﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﺭﻏﺒﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﻙ .. ﺃﻨﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻘﺘﺭﺏ ﻤﻨﻪ ﺒﺩﻻل ( ﺃﻨﻬﺎ ﺃﺤﺩﻯ ﺃﻤﻨﻴﺎﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻜﻤﻥ ﻴﻔﻴﻕ ( ﺠﺌﺕ ﻟﻠﺭﺠل ﺍﻟﺨﻁﺄ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﺍﻟﺨﻁﺄ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺈﺼﺭﺍﺭ ( ﺇﺫﻥ ﺃﻴﻥ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﻬﺭﺏ ﻤﻨﻬﺎ ( ﺃﻴﻥ ﻤﺎﺫﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻀﺤﻙ ﺒﺩﻻل ( ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻁﺎﻟﺏ ﺒﺤﻘﻭﻗﻲ ﻜﺴﺎﺤﺭﺓ .. ﻭﺭﻏﺒﺘﻲ ﻜﺎﻤﺭﺃﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻜﺴﺎﺤﺭﺓ ﺃﻋﺭﻀﻲ ﺃﻤﺭﻙ .. ﻭﻜﺎﻤﺭﺃﺓ ﺍﺒﺤﺜﻲ ﻋﻥ ﺭﻏﺒﺘﻙ ﻤﻊ ﻤﻥ ﻴﺭﻏﺏ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻘﺘﺭﺏ ﺃﻜﺜﺭ ( ﻭﺃﻨﺕ ﻻ ﺘﺭﻏﺏ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻗﻭﻟﺕ ﻜﺴﺎﺤﺭﺓ ﻓﻘﻁ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻷﻤﺭ ﺒﺒﺴﺎﻁﻪ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺒﺈﻴﺠﺎﺯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺎﻟﻌﺎﻤﻴﺔ ( ﻴﺒﻘﻲ ﻓﻜﻬﺎ ﺍﻷﻭل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩﻯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺘﺩﻟﻼ ﻋﻠﻴﻪ ( ﻓﻜﻬﺎ .. ﻓﻜﻬﺎ .. ﻓﻜﻬﺎ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﺩﻓﻌﻬﺎ ﺒﻌﻴﺩ ﻋﻨﻪ ﺼﺎﺭﺨﺎ ( ﻋﺎﻴﺯﻩ ﺇﻴﻪ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﻠﻭ .. ﺃﻴﻭﻩ ﻜﺩﺍ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺸﺊ ﻤﻥ ﺍﻹﻋﺠﺎﺏ ( ﺍﻟﻤﻁﻠﻭﺏ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒﻴﺕ ﻭﻏﻴﻁ ﻭﻤﻜﺎﻨﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﻐﻀﺏ ( ﺃﻴﺔ .. ﻟﻴﻪ ﺒﻘﻴﺕ ﺃﻫﻠﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: )ﺒﺨﺒﺙ( ﺃﻫﻠﻙ ﻤﺎﻴﻌﺭﻓﻭﺵ ﻋﻨﻙ ﺤﺎﺠﻪ ﻤﻥ ﻴﻭﻡ ﻤﺎﺩﺨﻠﺕ ﺍﻟﻤﻌﺒﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺒﻌﺩﻴﻥ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻻ ﻴﻘﺩﺭﻭﺍ ﻴﻨﻔﻌﻭﻙ ﻭﻻ ﺘﻘﺩﺭ ﺘﻨﻔﻌﻬﻡ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺤﺩﻩ ( ﻋﺎﻴﺯﻩ ﺃﻴﺔ ﻤﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٨١‬ ‫‪www.kotobarabia.com‬‬
‫: ) ﺒﺩﻻل ( ﺃﻨﺎ ﻗﻭﻟﺕ .. ﻓﺎﻀل ﺘﻘﻭل ﺃﻨﺕ ﻋﺎﻭﺯ ﺍﻴﻪ ﻤﻘﺎﺒل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﺘﻲ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻋﺎﻭﺯ ﻤﻘﺎﺒل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺎﺤﺘﻘﺎﺭ ( ﻤﻥ .. ﻤﻥ ﺴﺎﺤﺭﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻥ ﺍﻤﺭﺃﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻴﺔ .. ﺃﺒﻴﻊ ﻫﻴﺒﺘﻲ ﻋﺸﺎﻥ ﻭﺍﺤﺩﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﺭﺍﻋﻲ ﻤﺼﺎﻟﺤﻙ ﻭﺘﺤﺴﺴﻙ ﺒﺭﺠﻭﻟﺘﻙ ﻭﺘﺩﻴﻙ ﺍﻷﻤل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﻤﺭﻜﺯﻯ ﺍﻟﺩﻴﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻥ ﻜﺎﻥ ﻋﻠﻲ ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺩﻴﻨﻴﺔ .. ﺍﻟﺴﺒﺏ ﻤﻭﺠﻭﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﻀﺤﻙ ﺒﺴﺨﺭﻴﺔ ( ﺃﻨﺘﻲ ﺴﺒﺏ ﺩﻴﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﻘﻀﺎﺀ ﻋﻠﻲ ﻋﺒﺎﺩﺓ ﺃﻭﺯﻭﺭﻴﺱ ﺍﻟﻠﻲ ﻤﻜﻠﺒﺸﻪ ﻓﻲ ﻗﻠﻭﺏ ﺍﻟﺭﻋﻴﺔ .. ﻭﺍﻟﻠﻲ ﻤﺤﺒﺘﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺫﺍﺩﺕ ﻋﻠﻲ ﻤﺤﺒﺔ ﺃﻟﻬﻨﺎ ﺁﻤﻭﻥ.. ﺍﻟﻪ ﻤﻌﺒﺩﻙ .‬ ‫: ﺃﻨﺎ ﺃﺩﻴﻥ ﻟﻜل ﺍﻵﻟﻬﺔ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻤﻘﺎﻁﻌﺔ ( ﻭﺘﺨﺩﻡ ﺁﻤﻭﻥ ﻓﻘﻁ . ﻷﻨﻙ ﻜﺎﻫﻥ ﻤﻌﺒﺩﻩ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺃﻨﺘﻲ ﺃﻴﺔ ﻤﺼﻠﺤﺘﻙ ﻓﻲ ﻜﺩﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺨﺎﺩﻤﺔ ﺁﻤﻭﻥ ﺍﻟﻤﻁﻴﻌﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻁﺏ ﺃﻴﺔ ﺍﻟﻔﺎﻴﺩﺓ ﻤﻥ ﺩﺍ ﻜﻠﻪ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﺘﻴﻴﺭ .. ﺯﻴﺎﺩﺓ ﺍﻟﺭﻋﻴﺔ .. ﺯﻴﺎﺩﺓ ﺍﻟﻘﺭﺍﺒﻴﻥ .. ﺯﻴﺎﺩﺓ ﺍﻟـﺴﻴﻁﺭﺓ . ﺯﻴـﺎﺩﺓ ﻗـﻭﺓ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻤﻌﺒﺩ . ﻭﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺍﻷﻭﺤﺩ .‬ ‫: ﺍﻷﻭﺤﺩ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﺎﻤﺴﺔ ﺒﺨﺒﺙ ( ﺒﻌﺩ ﻤﻭﺕ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﻟﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺫﻫﻭل ( ﻤﻭﺕ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل .. ﻤﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ.‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒﺎﻟﺴﻡ .. ﺍﻟﻁﺒﺎﺨﺔ ﺍﻟﻠﻲ ﺒﺘﻁﺒﺦ ﺃﻜﻠﻪ ﻫﺎﺘﺴﻤﻪ .. ﻭﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻫـﺎ ﻴﻌﺘﺒـﺭ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻤﻭﺘﻪ ﻁﺒﻴﻌﻲ ﻭﻴﺼﻠﻲ ﻋﻠﻴﻪ ﻜﻤﺎﻥ .‬ ‫: ) ﻜﻤﻥ ﻓﻲ ﻏﻴﺒﻭﺒﺔ ﻭﻴﻔﻴﻕ ( ﺃﻨﺘﻲ ﺸﻴﻁﺎﻨﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٩١‬ ‫‪www.kotobarabia.com‬‬
‫: ﻭﺃﻨﺕ ﻤﺵ ﻤﻼﻙ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺇﺫﺍ ﺭﻓﻀﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﺵ ﻋﺎﻭﺯﻩ ﻏﻴﺭ ﺭﻀﺎﻙ ﻭﻤﺴﺎﻨﺩﺘﻙ ﺍﻟﺩﻴﻨﻴﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺎﺭﺘﺒﺎﻙ ( ﺃﻨﺎ ﺍﺭﻓﺽ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻴﺒﻘﻲ ﺭﻭﺡ ﻤﻌﺒﺩﻙ ﺃﺴﺘﻨﻲ ﺍﻟﻠﺤﻅﺔ ﺍﻟﻠﻲ ﻴﺤﺱ ﻓﻴﻬﺎ ﻤـﺴﺎﻋﺩﻙ ﺍﻷﻭل ﻤـﺴﺘﻁﻠﻊ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺃﻨﻪ ﺍﻷﻗﻭﻯ ﻭﻴﻘﺘﻠﻙ .‬ ‫: ﻤﺎﻴﻘﺩﺭﺵ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﺎﻤﺴﺔ ( ﻭﺒﻨﻔﺱ ﺍﻟﺴﻡ ) ﺘﺭﻓﻊ ﺍﻟﻭﺸﺎﺡ ﻤﻥ ﻋﻠﻲ ﺍﻷﺭﺽ ( ﺒﻌﺩ ﺃﺫﻥ ﻤﻭﻻﻯ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻫﺎﻭﺼل ﻟﺤﺩ ﺍﻟﻤﻌﺒﺩ .‬ ‫: ﺒﻭﺘﻭ .. ﻜﻼﻤﻙ ﺩﻩ ﺼﻌﺏ ﻭﺨﻁﻴﺭ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻔﻴﺵ ﺃﺨﻁﺭ ﻤﻥ ﺤﻴﺎﺘﻙ .. ﺃﻨﺎ ﺃﺨﺘﺎﺭ ﺍﻷﺭﺽ ﻭﺍﻟﺒﻴﺕ ﻭﺃﻗﺘل ﻭﺃﻨﺕ ﻫﺎ ﺘﺭﻀﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻋﻨﻲ ﻭﺒﺱ .‬ ‫: ) ﺒﺎﻨﻬﻴﺎﺭ ( ﻤﺵ ﻗﺎﺩﺭ ﺃﻓﻜﺭ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺴﻴﻁﺭ ﻋﻠﻴﻪ ﺘﻤﺎﻤﺎ ( ﻓﻜﺭ ﻓﻲ ﺁﻤﻭﻥ .. ﺃﻟﻠﻲ ﻗﺭﺒﻭﺍ ﻴﻨﺴﻭﻩ ﻓﻜﺭ ﻓﻲ ﻨﻔﺴﻙ ﺍﻟﻠﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻗﺭﺒﺕ ﺘﻨﺴﺎﻫﺎ .. ﻓﻜﺭ ﻓﻴﺎ .‬ ‫: ) ﺒﺫﻫﻭل ( ﻴﺎ .. ﻴﺎ .. ﻴﺎ ﺨﺎﺩﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻗﻭﻟﺕ ﺃﻴﺔ ..ﺍﻟﺒﺱ ﺍﻟﻭﺸﺎﺡ .. ﻭﻻ ﺃﺨﻠﻴﻪ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﺩﺨل ﻭﻴﻨﻅﺭ ﻟﻠﺴﺎﺤﺭﺓ ﻭﻤﻼﺒﺴﻬﺎ ﻓﻲ ﺫﻫﻭل ( ﺃﻤﺭ ﻤﻭﻻﻯ.‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﻴﻨﻅﺭ ﺍﻟﻲ ﺍﻟﺴﺎﺤﺭﺓ ﺒﺸﺭﻭﺩ ﺫﻫﻥ ( ﺃﺴﺒﻘﻨﻲ ﺍﻟﻲ ﺍﻟﻤﻌﺒﺩ . ) ﻴﺨﺭﺝ ﺍﻟﺨـﺎﺩﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺘﻀﺤﻙ ﺍﻟﺴﺎﺤﺭﺓ ﻭﺘﻠﻘﻲ ﺍﻟﻭﺸﺎﺡ ﻋﻠﻲ ﺍﻷﺭﺽ ﻭﺘﺘﺠﻪ ﻟﺘﺤﺘﻀﻥ ﺍﻟﻜﺎﻫﻥ (‬ ‫: ﻜﺩﺍ ﻴﺒﻘﻲ ﻨﻭﺜﻕ ﺍﻻﺘﻔﺎﻕ. ) ﺇﻅﻼﻡ ﺜﻡ ﺇﻀﺎﺀﺓ ﺍﻟﻤﻜﺎﻥ ﺨﺎﻟﻲ ﻴﺩﺨل ﺴﻭﺒﻙ ﻴﺤﻤـل‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻁﺒﻠﺔ ﻴﺩﻭﺭ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﻴﻌﻠﻥ ﺍﻟﺒﻴﺎﻥ ﻭﺨﻠﻔﻪ ﺍﻷﻁﻔﺎل ﻴﺤﺎﻭﻁﻪ ﺍﻷﻫﺎﻟﻲ (‬ ‫: ﻴﺎ ﺃﻫل ﻭﺍﺩﻯ ﺍﻟﻨﻭﺏ .. ﺒﺄﻤﺭ ﺍﻟﻜﺎﻫﻥ ﺴﺎﺡ ﻴﺄﺠل ﺍﻻﺤﺘﻔﺎل ﺒﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻓﻲ ﺠﻤﻴﻊ ﺍﻷﻨﺤﺎﺀ ﺍﺤﺘﺭﺍﻤﺎ ﻻﻨﺘﻘﺎل ﻜﺎﻫﻥ ﺍﺴﺘﻁﻼﻉ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ﻭﻴﻤﻨﻊ‬ ‫ﺍﻟﺘﺸﺎﺅﻡ ﻭﻴﻤﻨﻊ ﺍﻟﺒﻜﺎﺀ .. ﻋﻠﻲ ﺍﻟﺭﺠﺎل ﻭﻋﻠﻲ ﺍﻟﻨﺴﺎﺀ ﻻﻥ ﺍﻟﻜﺎﻫﻥ ﻴﻌﺘﺒﺭ ﺸﻬﻴﺩ ..‬ ‫ﻷﻨﻪ ﺃﻨﺘﻘل ﻓﻲ ﻟﻴﻠﺔ ﻋﻴﺩ ) ﻴﺘﺤﺭﻙ ﺴﻭﺒﻙ ﻟﻠﺨﺎﺭﺝ ﻭﺨﻠﻔﻪ ﺍﻟﺠﻤﻭﻉ ﺜﻡ ( .‬ ‫٠٢‬ ‫‪www.kotobarabia.com‬‬
‫) ﺃﻅـﻼﻡ (‬ ‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻧﻲ‬ ‫= ﺍﻟﻤﻴﻼﺩ =‬ ‫) ﺍﻟﺯﻤﺎﻥ ﻟﻴﻼ ..ﺍﻟﻤﻜﺎﻥ ﺤﻘل ﻭﺒﻪ ﺸﺠﺭﺓ ﺠﻤﻴﺯ ﻭﺨﻭﺥ ﺭﻴﻔﻲ ﻭﺍﻟﻌﺭﺍﺴـﺔ "ﻤﻜـﺎﻥ‬ ‫ﺘﺠﻤﻴﻊ ﻤﻴﺎﻩ ﺍﻟﻔﻴﻀﺎﻥ ﻜﺤﻔﺭﺓ ﻋﻤﻴﻘﺔ ﺒﻴﻀﺎﻭﻴﺔ ﺍﻟﺸﻜل" ﻭﻓﺭﻥ ﺭﻴﻔـﻲ = ﺍﻟـﺴﺎﺤﺭﺓ‬ ‫ﺘﻘﻑ ﻓﻲ ﻭﺴﻁ ﺍﻟﻌﺭﺍﺴﺔ ﻭﺃﺒﻭﺸﺎﺩﻭﻑ ﻴﺩﺨل ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻟﻜﻭﺥ ﺇﺜﻨﺎﺀ ﺍﻟﻤﻨﺎﺠﺎﺓ (‬ ‫١٢‬ ‫‪www.kotobarabia.com‬‬
٢٢ www.kotobarabia.com
‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﱐ‬ ‫: ﺒﺤﻕ ﺁﻤﻭﻥ .. ﺭﺍﻓﻊ ﺍﻟﺴﻤﺎﺀ .. ﺒﺎﺴﻁ ﺍﻷﺭﺽ .. ﻤﻀﺊ ﺍﻟﺸﻤﺱ .. ﻭﺍﻫﺏ ﺍﻟﺤﻴﺎﺓ ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺒﺤﻕ ﺠﻤﻴﻊ ﺍﻵﻟﻬﺔ .. ﺃﻭﻫﺏ ﻟﻲ ﻨﺒﻭﺀﺘﻙ .. ﺃﻭﻫﺏ ﻟﻲ ﻭﺭﻴﺙ ﻟﻴﻪ .. ) ﻴﺩﺨل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ( ﻤﺎﺘﻘﻁﻌﺵ ﺼﻠﺘﻲ ﺒﺄﺭﻀﻙ ﺒﻌﺩ ﻤﺎ ﺃﺭﺤل ﻤﻨﻬﺎ .. ﺤﻘﻕ ﻨﺒﻭﺀﺘﻙ ) ﺒﺎﻨﻔﻌﺎل (‬ ‫ﻟﻤﺎ ﺩﻤﻭﻉ ﺇﻴﺯﻴﺱ ﺘﻔﻴﺽ ﻓﻲ ﺍﻟﻨﻴل .. ﻴﻠﻤﻊ ﻨﺠﻡ ﺍﻟﺴﻤﺎﺀ .. ﻭﻴﺠﻲﺀ ﺍﻟﻭﺭﻴﺙ ﺍﻟﺠﻤﻴل ..‬ ‫ﻤﺎﺘﺤﺭﻤﻨﻴﺵ ﻤﻥ ﻓﺭﻉ ﻟﻴﻪ ﻴﻤﺩﻨﻲ ﻓﻲ ﺍﻷﺭﺽ .‬ ‫: ) ﻟﻠﺴﺎﺤﺭﺓ ( ﻤﻭﻻﺘﻲ ﺍﻟﺴﺎﺤﺭﺓ .. ﻤﺭﺍﺘﻲ ﺒﺘﻭﻟﺩ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﻻ ﺘﻠﺘﻔﺕ ﺇﻟﻴﻪ ( ﻁﻭل ﻋﻤﺭﻯ ﺃﺤﻔﻅ ﺘﻌﺎﻭﻴﺫﻙ ﺍﻟﺴﺤﺭﻴﺔ ﻭﺃﺴﺠﻠﻬﺎ ﻓﻲ ﺍﻟﻘﺒﻭﺭ ﻭﺍﻟﺤﻘﻭل‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻭﺍﻟﺒﻴﻭﺕ ﻋﺸﺎﻥ ﺃﺤﻤﻲ ﻋﺒﻴﺩﻙ ﻤﻥ ﺃﻯ ﺭﻭﺡ ﺸﺭﻴﺭﺓ ﻭﻴﻨﺎﺩﻭﺍ ﺒﺎﻟﻤﺠﺩ ﻻﺴﻤﻙ .. ﺃﺭﺤﻤﻨﻲ ..‬ ‫ﺘﻌﺒﺕ .. ﻨﻔﺴﻲ ﻓﻲ ﺒﻴﺕ ﻴﺤﻤﻴﻨﻲ ﻭﺃﺭﺽ ﺘﺄﻭﻴﻨﻲ .. ﻭﻁﻔل ﻴﻨﺎﺩﻴﻨﻲ ﻴﺎ ﺃﻤﻲ .. ﻜل ﻋﺒﻴﺩﻙ‬ ‫ﻓﻲ ﺍﻷﺭﺽ .. ﻟﻴﻬﻡ ﺒﻴﺕ ﻟﻴﻬﻡ ﻭﻟﺩ ﺃﺸﻤﻌﻨﻲ ﺃﻨﺎ.‬ ‫: ﻤﻭﻻﺘﻲ .. ﻤﺭﺍﺘﻲ ﺒﺘﻭﻟﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻨﺘﺒﻪ ﺇﻟﻴﻪ ﻭﺘﻨﻅﺭ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ( ﺃﺒﻭ ﺸﺎﺩﻭﻑ ﺸﺎﻴﻑ ﺍﻟﻨﺠﻡ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻨﺠﻡ ﺃﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻨﺠﻡ ﺍﻟﻨﺒﻭﺀﺓ ﻅﻬﺭ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﻤﺵ ﺸﺎﻴﻑ ﻏﻴﺭ ﻤﺭﺍﺘﻲ ﺸﺭﺍﻗﻲ ﺍﻟﻠﻲ ﺴﻨﻬﺎ ﻜﺒﺭ ﻭﺃﻭل ﻤﺭﺓ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺘﺨﻠﻑ ﻭﺘﻌﺒﺎﻨﻪ ﻗﻭﻯ .. ﺘﻌﺎﻟﻲ ﺃﻟﺤﻘﻴﻬﺎ .‬ ‫: ) ﻨﺎﻅﺭﺓ ﺍﻟﻲ ﺍﻟﺴﻤﺎﺀ ( ﺍﻟﻨﺠﻡ ﺒﻴﻜﺒﺭ .. ﺍﻟﻨﺠﻡ ﺒﻴﻠﻤﻊ .. ﺩﻤﻭﻉ ﺇﻴﺯﻴﺱ ﻫﺎﺘﻔﻴﺽ ﻡ ﺍﻟﻨﻴل.‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﺸﺭﺓ ﺨﻴﺭ .. ﺍﻟﺤﻘﻲ ﻤﺭﺍﺘﻲ ﺃﺒﻭﺱ ﻴﺩﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺎﻨﻔﻌﺎل ( ﺍﻟﻨﺠﻡ ﻅﻬﺭ ﻴﺒﻘﻲ ﺍﻟﻔﻴﻀﺎﻥ ﺠﺎﻯ . ) ﺼﻭﺕ ﺼﺭﺨﺔ ﺍﻷﻡ ﻤﻥ ﺃﻻﻡ ﺍﻟﻭﻀﻊ (‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺍﻟﺤﻘﻴﻨﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻨﺘﺒﻪ ( ﻤﻴﻥ ﺼﺭﺥ ﻤﻴﻥ ﺒﻴﺼﺭﺥ ؟ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻘﻭﻟﻙ ﻤﺭﺍﺘﻲ ﻭﺍﻟﺩﺍﻴﺔ ﻤﺵ ﻋﺎﺭﻓﺔ ﺘﻭﻟﺩﻫﺎ . ) ﺘﻅﻬﺭ ﻤﻥ ﺒﺎﺏ ﺍﻟﻜﻭﺥ ﻴﺩ ﺘﺤﻤـل ﺭﺍﻴـﺔ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺒﻴﻀﺎﺀ ﺘﺸﻴﺭ ﺒﻬﺎ ﻟﻠﺴﺎﺤﺭﺓ( .‬ ‫٣٢‬ ‫‪www.kotobarabia.com‬‬
‫: ﺒﺘﻭﻟﺩ ﺇﻤﺘﻲ ؟ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺩﻟﻭﻗﺘﻲ ﻭﺍﻟﺩﺍﻴﺔ ﻗﺎﻟﺕ ﺃﻨﺩﻩ ﺍﻟﺴﺎﺤﺭﺓ ﻁﻠﻌﺕ ﻟﻘﻴﺘﻙ ﻗﺩﺍﻡ ﺍﻟﺒﺎﺏ ﻭﻜﺄﻥ ﺃﻭﺯﻭﺭﻴﺱ ﺒﺎﻋﺘﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺘﻭﻟﺩ ﺩﻟﻭﻗﺘﻲ .. ﺒﺘﻘﻭل ﻤﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ .. ﺃﻜﻴﺩ ﺒﺎﻋﺘﻨﻲ ﺁﻤﻭﻥ ﻋﺸﺎﻥ ﺃﺤﻀﺭ ﻤﻴﻼﺩ ﺒﻨﺕ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻨﺒﻭﺀﺓ .‬ ‫: ﺒﺱ ﺃﻨﺎ ﻨﻔﺴﻲ ﻓﻲ ﻭﻟﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﻟﻨﺒﻭﺀﺓ ﺒﻨﺕ .. ﺘﺘﻭﻟﺩ ﻤﻊ ﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﻭﻤﺠﻴﺌﻲ ﺍﻟﻔﻴﻀﺎﻥ ) ﺼﻭﺕ ﺼﺭﺍﺥ ﺍﻷﻡ (‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻨﺕ .. ﻭﻟﺩ .. ﺍﻟﻤﻬﻡ ﺸﺭﺍﻗﻲ ﺘﻘﻭﻡ ﺒﺎﻟﺴﻼﻤﺔ ﺃﻟﺤﻘﻴﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻟﻤﺎ ﺍﻟﻔﻴﻀﺎﻥ ﻴﻬل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺍﻟﺤﻘﻲ ﻓﻴﻀﺎﻥ ﺩﻤﻭﻋﻬﺎ ﺍﻷﻭل .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺩﻭﺭ ﺤﻭل ﺍﻟﻌﺭﺍﺴﺔ ﻭﻜﺄﻨﻬﺎ ﻻ ﺘﺴﻤﻌﻪ ( ﺒﻨﺕ ﺘﺘﻭﻟﺩ ﻤﻊ ﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﻭﻤﺠﻴﺌﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻔﻴﻀﺎﻥ. ) ﺼﻭﺕ ﺼﺭﺨﺔ ﻭﻟﻴﺩ ﻭﺃﻡ ﻓﻲ ﺤﺎﻟﺔ ﻭﻀﻊ ( ﺒﻨﺕ .. ﺒﻨﺕ .. ﺒﻨﺕ .‬ ‫: ﺭﺤﻤﺘﻙ ﻴﺎ ﺃﻭﺯﻭﺭﻴﺱ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺩﺍﺨﻠﻪ ( ﻤﺒﺭﻭﻙ ﻴﺎ ﺍﺒﻭﺸﺎﻭﻑ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻭﻟﺩ ﻭﻻ ﺒﻨﺕ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻨﺕ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺸﺭﺍﻗﻲ ﻋﺎﻤﻠﺔ ﺃﻴﺔ ؟ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺨﻴﺭ ﻜﺄﻨﻬﺎ ﺒﻨﺕ ﺍﻟﻌﺸﺭﻴﻥ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻟﺤﻤﺩ ﻟﻙ ) ﻴﺩﺨل ﺇﻟﻲ ﺍﻟﻜﻭﺥ ( .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺴﻤﻊ ﺼﻭﺕ ﺍﻷﻫﺎﻟﻲ ﻭﺼﻭﺕ ﺍﻟﻔﻴﻀﺎﻥ ( ﺍﻟﻨﺒﻭﺀﺓ .. ﺍﻟﻨﺒﻭﺀﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺘﻨﻅﺭ ﺤﻭﻟﻬﺎ ﺜﻡ ﺘﻬﻤﺱ ﺃﻟﻲ ﺍﻟﺴﺎﺤﺭﺓ ( ﺨﺎﻟﺕ ﻋﻠﻴﻪ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺃﻨﺘﻲ ﺃﻴﺔ ﺍﻟﻠﻲ ﺃﺨﺭﻙ .. ﻤﺵ ﻗﻭﻟﺕ ﻟﻙ ﺘﺸﺎﻭﺭﻱ ﺒﺎﻟﺭﺍﻴﺔ ﺃﻭل ﻤﺎ ﺘﻭﻟﺩ ﻋﺸﺎﻥ ﺍﻋﺭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻤﻭﻟﻭﺩ ﻭﻟﺩ ﻭﻻ ﺒﻨﺕ.‬ ‫: ﻤﺵ ﻟﻤﺎ ﻋﺭﻓﺕ ﻭﻻ ﺃﺸﺎﻭﺭ ﻏﻠﻁ ﻭﺍﻟﺒﺕ ﻤﺎ ﻨﻁﻘﺘﺵ ﻏﻴﺭ ﻟﻤﺎ ﺸﻤﻤﺘﻬﺎ ﻓﺤل ﺒﺼل‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺍﻓﺘﻜﺭﺘﻬﺎ ﻤﻴﺘﺔ .‬ ‫: ﻤﻴﺘﺔ ﻋﺸﺎﻥ ﻜل ﺘﻌﺒﻲ ﻴﺭﻭﺡ ﻫﺩﺭ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫٤٢‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﺎﻟﻼ ﺒﻴﻨﺎ ﺍﺴﺘﺤﺒﻲ ﻟﺤﺴﻥ ﺤﺩ ﻴﻅﻬﺭ. )ﻴﺩﺨل ﺍﻷﻫﺎﻟﻲ ﻴﺤﻤﻠﻭﻥ ﺃﻭﺍﻨﻲ ﺍﻟﻤﺎﺀ ﻭﻴﺼﺒﻭﻥ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺩﺍﺨل ﺍﻟﻌﺭﺍﺴﺔ ﻭﻴﺭﺸﻭﻥ ﻋﻠﻲ ﺒﻌﻀﻬﻡ ﻭﻋﻠﻲ ﺍﻟﺠﻤﻬﻭﺭ ﻤﻊ ﺇﻴﻘﺎﻉ ﺍﻟﺩﻓﻭﻑ ﻭﺯﻏﺎﺭﻴﺩ‬ ‫ﺍﻟﻨﺴﺎﺀ( .‬ ‫: ﺃﻤﻠﻭﺍ ﺍﻟﻌﺭﺍﺴﺔ ﺒﻤﻴﺔ ﺍﻟﺩﻤﻴﺭﺓ ﻴﺎﺒﺕ ﺃﻨﺘﻲ ﻭﻫﻴﻪ .‬ ‫ﺭﺠل‬ ‫: ﻭﺃﻨﺘﻪ ﺃﻴﺔ ﺍﻟﻠﻲ ﻤﺴﺭﺒﻌﻙ ﺩﻯ ﺒﻴﺤﻤﻭﺍ ﻓﻴﻬﺎ ﺍﻟﻌﻴﺎل ﻤﺵ ﺍﻟﻠﻲ ﺯﻴﻙ ) ﻴﻀﺤﻜﻭﻥ ﻭﻫﻡ ﻓﻲ‬ ‫ﺍﻤﺭﺃﺓ‬ ‫ﻫﺭﺝ ﻤﺴﺘﻤﺭ ﻭﻴﺨﺭﺝ ﻋﻠﻴﻬﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻴﺤﻤل ﻤﻬﺩ ﻁﻔل ( .‬ ‫: ﺃﻴﺔ ﺍﻟﻠﻲ ﻓﻲ ﻴﺩﻙ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺭﺠل‬ ‫: ﺍﻟﺯﺭﻕ ﺍﻟﻠﻲ ﺠﺎﻨﻲ ﻤﻊ ﺍﻟﻔﻴﻀﺎﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﻫﻭ ﺍﻟﻔﻴﻀﺎﻥ ﺒﻴﺠﻴﺏ ﻋﻴﺎل ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﺩﻯ ﺒﻨﺘﻲ .. ﺸﺭﺍﻗﻲ ﻭﻟﺩﺕ ﺒﻨﺕ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﻟﻤﺭﺓ ﺍﻟﻌﺎﻗﺭ ﺒﻘﺎﻟﻬﺎ ﺍﻜﺜﺭ ﻤﻥ ٥. ﺴﻨﺔ ﺘﺨﻠﻑ ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﺩﺍ ﺤﻜﻡ ﺃﻭﺯﻭﺭﻴﺱ ﻭﺭﺤﻤﺘﻪ ﺒﻴﺎ ﻤﺩ ﻟﻲ ﻋﻤﺭﻯ ﻉ ﺍﻷﺭﺽ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻟﻴﻙ ﻭﻟﻴﻨﺎ ﻤﺒﺭﻭﻙ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺭﺠل‬ ‫: ﺴﻤﻴﺘﻬﺎ ﺇﻴﺔ ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﻫﺎﺴﻤﻴﻬﺎ ﻓﻲ ﺍﻟﺤﺼﺎﺩ ﻟﻤﺎ ﺍﻟﻜﺎﻫﻥ ﻴﺒﺎﺭﻜﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﻜﻭﻥ ﻟﻙ ﺃﻋﻅﻡ ﻭﺭﻴﺙ .‬ ‫ﺭﺠل‬ ‫: ﺘﻜﻭﻥ ﺜﻤﺭﺓ ﺼﻠﺒﺔ ﻓﻲ ﺤﻴﺎﺘﻙ .‬ ‫ﺭﺠل‬ ‫: ﻴﺎﻟﻼ ﻴﺎﺒﺕ ﺇﻨﺘﻲ ﻭﻫﻴﻪ ﻋﺒﻭﺍ ﺍﻟﻌﺭﺍﺴﺔ ﺍﻟﻠﻲ ﻫﺎﻨﻐﻁﺱ ﻓﻴﻬﺎ ﺒﻨﺕ ﺃﺒﻭﺸﺎﺩﻭﻑ ﺒﻤﻴﺔ‬ ‫ﺭﺠل‬ ‫ﺍﻟﻔﻴﻀﺎﻥ.‬ ‫: ﺃﻤﻠﻭﻫﺎ ﻉ ﺍﻷﺨﺭ .. ﻻ ﺯﻡ ﺒﻨﺘﻲ ﺘﺩﻭﻕ ﻭﺘﺴﺘﺤﻤﻲ ﻓﻲ ﻤﻴﺔ ﺍﻟﻔﻴﻀﺎﻥ ﺍﻟﻠﻲ ﺠﺎﺕ ﺒﻴﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫)ﻴﺩﺨل ﺴﻭﺒﻙ ﻴﻨﺎﺩﻯ ﺒﻴﻥ ﻫﺭﺝ ﺍﻟﻔﻼﺤﻴﻥ(‬ ‫: ﺇﻟﻲ ﺃﻫﺎﻟﻲ ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻓﻼﺤﻴﻥ ﺃﻥ ﻤﺄﺠﻭﺭﻴﻥ .. ﺒﺄﻤﺭ ﺍﻟﻜﺎﻫﻥ ﺴﺎﺡ .. ﻴﺒﺩﺃ ﺒﻌﺩ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﻔﻴﻀﺎﻥ .. ﺍﻟﺘﻭﺠﻪ ﻟﻠﻐﻴﻁﺎﻥ ﻟﺘﻁﻭﻴﺵ ﺍﻷﺭﺽ ﻭﻨﺜﺭ ﺍﻟﺒﺫﻭﺭ ﻭﺍﻟﻠﻲ ﻫﺎ ﻴﺘﻠﻜﻊ ﺃﻭ ﻴﻐﻴﺏ ﻫﺎ‬ ‫ﻴﻌﺘﺒﺭ ﻫﺭﻭﺏ ﻭﻤﻥ ﺭﺤﻤﺔ ﺁﻤﻭﻥ ﻤﻁﺭﻭﺩ .‬ ‫: ﺭﺠﻌﺕ ﺘﺎﻨﻲ ﻴﺎﺴﻭﺒﻙ ﻴﺎ ﻭﺵ ﺍﻟﺴﻌﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻜل ﻋﺎﻡ ﻭﺃﻨﺕ ﻓﻲ ﺴﻼﻡ .‬ ‫ﺴﻭﺒﻙ‬ ‫٥٢‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﻌﻨﻲ ﺒﺘﻨﺩﻩ ﺒﺩﺭﻯ ﺍﻟﺴﻨﺎﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻨﺎ ﻋﺒﺩ ﺍﻷﻭﺍﻤﺭ .. ﺍﻟﻜﺎﻫﻥ ﻗﺎل ﺍﻨﺩﻩ ﺍﻨﺩﻩ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻻ ﻭﺃﻨﺘﻪ ﺍﻟﺼﺎﺩﻕ ﺃﺭﻗﺹ .. ﺘﺭﻗﺹ .‬ ‫ﺭﺠل‬ ‫: ﻭﻤﺎﻟﻪ ﻭﻻ ﺃﻨﺘﻪ ﻤﺎ ﺘﺤﺒﺵ ﺍﻟﻔﺭﺡ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻫﻭﻩ ﻓﻴﻪ ﺤﻔل ﺠﻭﺍﺯ ﻭﻻ ﻁﻬﻭﺭ ﻭﻻ ﺤﺼﺎﺩ ﻴﻨﻔﻊ ﻤﻥ ﻏﻴﺭﻙ .‬ ‫ﺭﺠل‬ ‫: ﻗﻭل ﻟﻪ ﻴﻤﻜﻥ ﻴﻔﻬﻡ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻋﻠﻥ ﻴﺎ ﻭﺍﺩ ﻴﺎ ﺴﻭﺒﻙ ﺃﻥ ﺃﺭﺽ ﺍﻟﺠﺭﻥ ﺍﻟﺴﻨﺎﺩﻯ ﺃﺭﻀﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻴﺎ ﺍﺒﻭ ﺍﻟﺨﻴﺭ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻨﺘﻪ ﻴﺎﻭﺍﺩ ﻤﺵ ﺸﺎﻴﻑ ﺍﻟﻠﻲ ﻓﻲ ﺃﻴﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺨﻀﺔ ( ﺃﺘﺠﻭﺯﺕ ﻋﻠﻲ ﺨﺎﻟﻪ ﺸﺭﺍﻗﻲ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻴﺨﺭﺏ ﻤﺨﻙ ﻴﺎﻭﺍﺩ ﻫﺎﺘﺠﻭﺯﻨﻲ ﻋﺭﻭﺴﺔ ﻓﻲ ﺍﻟﻤﻬﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﻨﺘﻪ ﻴﺎ ﺃﺒﻭ ﺍﻟﻌﻭﺭ ﻴﻑ .‬ ‫ﺭﺠل‬ ‫: ﻤﻌﻘﻭل ﺒﻌﺩ ﺍﻟﻌﻤﺭ ﺩﺍ ﻜﻠﻪ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻓﻲ ﺤﺎﺠﺔ ﺘﻌﺼﻲ ﻋﻠﻲ ﺁﻤﻭﻥ .‬ ‫ﺭﺠل‬ ‫: ﻭﻫﺩﻴﻬﺎ ﺃﺴﻤﻬﺎ ﻴﻭﻡ ﺍﻟﺤﺼﺎﺩ ﻟﻤﺎ ﺍﻟﻜﺎﻫﻥ ﻴﺒﺎﺭﻜﻬﺎ .. ﻋﺭﻓﺕ ﻟﻴﻪ ﺃﺭﺽ ﺍﻟﺠﺭﻥ ﻋﻨﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﺍﻟﺴﻨﺎﺩﻯ ﻤﻥ ﻏﻴﻁﻙ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻁﻴﺏ ﻴﺎﻟﻼ ﻴﺎﺨﻭﻴﺎ ﺍﻨﺩﻩ ﻋﻠﻲ ﺍﻟﺨﻠﻕ ﻭﻓﺭﺤﻬﻡ .‬ ‫ﺭﺠل‬ ‫: ﻏﻠﻲ ﺃﻫل ﺃﺭﺽ ﺍﻟﻨﻭﺏ.. ﻤﻼﻙ.. ﻓﻼﺤﻴﻥ.. ﻤﺄﺠﻭﺭﻴﻥ.. ﻴﺒﺩﺃ ﺒﻌﺩ ﺍﻟﻔﻴـﻀﺎﻥ ﺍﻟﺘﻭﺠـﻪ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻟﻠﻐﻴﻁﺎﻥ .. ﻭﺒﺩﺀ ﻤﻭﺴﻡ ﺍﻟﺯﺭﺍﻋﺔ ﻭﻴﻜﻭﻥ ﻟﻠﻜل ﻤﻌﺭﻭﻑ .. ﺍﺭﺽ ﺍﻟﺠﺭﻥ ﻫـﺎﺘﺒﻘﻲ ﺍﺭﺽ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ. ) ﻴﺘﺤﺭﻙ ﺴﻭﺒﻙ ﻟﻠﺨﺎﺭﺝ ﻭﺘﺒﺩﺃ ﺃﻏﻨﻴﺔ (‬ ‫: ﻫﻭﺏ ﻫﻭﺏ .. ﻴﺎ ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻫﻭﺏ ﻫﻭﺏ .. ﻜﻭﺍﻨﺎ ﺍﻟﺸﻭﺏ ) ﻴﺘﺠﻤﻊ ﺍﻷﻫﺎﻟﻲ ﻓﻲ‬ ‫ﺍﻟﻤﺠﺎﻤﻴﻊ‬ ‫ﻟﻭﺤﺔ ﺘﻌﺒﻴﺭﻴﺔ ﻴﻁﻭﺸﻭﻥ ﺍﻷﺭﺽ ﺜﻡ ﻴﺤﺭﺜﻭﻨﻬﺎ ﺜﻡ ﻴﺒﺩﺭﻭﻨﻬﺎ ﺒﺎﻟﺒﺫﻭﺭ ﺜﻡ ﻴﺘﺠﻤﻌـﻭﻥ ﻋﻨـﺩ‬ ‫ﺍﻟﻌﺭﺍﺴﺔ ﻓﻲ ﺤﻠﻘﺔ ﻴﺘﻭﺴﻁﻬﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻟﻠـﺼﻼﺓ ﻹﻨﺒـﺎﺕ ﺍﻟـﺯﺭﻉ ( ﺃﻭﺯﻭﺭﻴـﺱ ..‬ ‫ﺃﻭﺯﻭﺭﻴﺱ ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .‬ ‫) ﺃﻅﻼﻡ (‬ ‫٦٢‬ ‫‪www.kotobarabia.com‬‬
‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻟﺚ‬ ‫= ﺍﻟﺤﺼﺎﺩ =‬ ‫)ﺍﻟﺯﻤﺎﻥ : ﻟﻴﻠﺔ ﺍﻟﺤﺼﺎﺩ ﻓﺠﺭﺍ . ﺍﻟﻤﻜﺎﻥ : ﺍﻟﺤﻘل ﺒﺠﻭﺍﺭ ﺍﻟﻔﺭﻥ.. ﺸﺭﺍﻗﻲ ﺘﺠﻠـﺱ‬ ‫ﺃﻤﺎﻡ ﺍﻟﻔﺭﻥ ﻭﺒﺠﻭﺍﺭﻫﺎ ﺍﻟﻤﻬﺩ . ﻴﺩﺨل ﻋﻠﻴﻬﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻤﺘﻠﺼﺼﺄ(‬ ‫٧٢‬ ‫‪www.kotobarabia.com‬‬
‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻟﺚ‬ ‫: ﻨﺎﻡ ﻨﻭﻨﻪ ﻨﺎﻡ .. ﻭﺃﺩﺒﺢ ﻟﻙ ﺍﻟﺤﻤﺎﻡ .. ﺃﻤﻙ ﺍﻟﻌﺠﻭﺯﻩ ﺘﻬﺩﻴﻙ ﺍﻟﺴﻼﻡ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺸﺭﺍﻗﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺴﻡ ﺇﻴﺯﻴﺱ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻜﻨﺘﻲ ﺒﺘﻐﻨﻲ ﻜﺄﻨﻙ ﺒﺘﻨﺎﺠﻲ ﺍﻟﻤﻼﻴﻜﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻫﻨﺕ ﻋﻠﻴﻙ ﺘﺨﻀﻨﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻤﺎﻫﻨﺵ ﻋﻠﻴﺎ ﺍﺤﺭﻡ ﻨﻔﺴﻲ ﻤﻥ ﺼﻭﺘﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻁﺏ ﻭﻁﻲ ﺤﺴﻙ ﻫﺎﺘﺼﺤﻲ ﺍﻟﺒﻨﻴﺔ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺩﺍ ﺃﻨﺎ ﻉ ﺍﻟﻜﻼﻡ ﺍﻟﺤﻠﻭ ﻭﺍﻟﺼﻭﺕ ﺍﻟﺠﻤﻴل ﺩﺍ ﺃﻨﺎﻡ ﻭﺃﺼﺤﻲ ﻴﻭﻡ ﺍﻟﺤﺼﺎﺩ ﺍﻟﺴﻨﺔ ﺍﻟﺠﺎﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﻨﺎﻡ ﺤﻭل ﺒﺤﺎﻟﺔ .. ﻴﻭﻩ ﻨﺴﺘﻨﻲ ﺩﺍ ﺃﻨﺎ ﻤﻭﻟﻌﺔ ﺍﻟﻔﺭﻥ ﻫﺎﺨﺒﺯ ﻟﺒﻜﺭﻩ ﻭﻻ ﺃﻨﺘـﻪ ﻨﺎﺴـﻲ ﺃﻥ‬ ‫ﺸﺭﺍﻗﻲ‬ ‫ﺒﻜﺭﻩ ﺍﻟﺤﺼﺎﺩ .‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﻴﺎ ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﻟﻨﺎﺱ ﻫﺎ ﺘﺤﺼﺩ ﺒﻜﺭﻩ ﻭﺃﻨﺘﻲ ﺤﺼﺩﺘﻲ ﻭﻁﺤﻨﺘﻲ ﻭﻋﺠﻨﺘﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﻫﺎﺘﺨﺒﺯﻯ ﻜﻤﺎﻥ .‬ ‫: ﺃﻫل ﺍﻟﻭﺍﺩﻯ ﻜﻠﻬﻡ ﻫﻨﺎ ﺒﻜﺭﺓ ﻋﺎﻭﺯ ﺘﻌﺭﻨﺎ ﻗﺩﺍﻤﻬﻡ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻤﺎ ﻋﺎﺵ ﻭﻻ ﻜﺎﻥ ﺍﻟﻠﻲ ﻴﻌﺭﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﺴﻠﻡ ﻭﺘﻌﻴﺵ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺩﺍ ﺒﻜﺭﻩ ﻴﺎﺒﺕ ﻫﺎﻴﺒﻘﻲ ﻤﻬﺭﺠﺎﻥ ﺍﻟﻨﺎﺱ ﻫﺎﺘﻴﺠﻲ ﻡ ﺍﻟﻨﺠﻤﺔ ﻭﺍﻟﻜﺎﻫﻥ ﻭﻋﺭﻭﺴـﺔ ﺍﻟﻘﻤـﺢ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﺍﻟﺒﺭﻜﺔ ﻫﺎ ﺘﺤل ﻋﻠﻴﻨﺎ ﻭﻋﻠﻲ ﺤﻠﻤﻨﺎ ﺍﻟﺼﻐﻴﺭ . ) ﺘﻅﻬﺭ ﺍﻟﺩﺍﻴﺔ ﺘﺘﻠﺼﺹ ﺒﺎﻟﻤﻜﺎﻥ (‬ ‫: ﻭﺃﻨﺎ ﻟﺴﻪ ﻫﺎﺴﺘﻨﻲ ﻟﺒﻜﺭﺓ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻭﻫﻭ ﺒﻜﺭﺓ ﺒﻌﻴﺩ . ﻜﻠﻬﺎ ﺴﺎﻋﺎﺕ ﻭﺍﻟﺼﺒﺢ ﻴﻁﻠﻊ ﻭﺍﻟﺨﻴﺭ ﻴﻬل ﻭﺍﻟﻜل ﻴﻭﺼل .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻋﺸﺎﻥ ﻜﺩﺍ ﺃﻨﺎ ﺒﻌﺕ ﻟﻠﺩﺍﻴﺔ ﺘﻴﺠﻲ ﺘﺒﺨﺭ ﺍﻟﺒﺕ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻁﺏ ﻟﻴﻪ ﻤﺎ ﻩ ﻴﺒﺎﺭﻜﻬﺎ ﺍﻟﻜﺎﻫﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﺎﻴﻔﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨﺎﺱ ﻗﺒل ﻤﺎ ﻴﺠﻴﻲ ﺍﻟﻜﺎﻫﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫٨٢‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﺎ ﺃﺒﻭﻯ ﻋﻠﻲ ﻋﻘل ﺍﻟﻨﺴﻭﺍﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻫﻥ ﻤﻨﻪ ﻨﺒﺨﺭ ﺍﻟﺒﺕ . ﻭﻤﻨﻪ ﺘﺴﺎﻋﺩﻨﻲ ﻓﻲ ﺍﻟﺨﺒﻴﺯ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺍﻟﺩﺍﻴﺔ ﺩﻯ ﺃﻥ ﻤﺵ ﻤﺭﺘﺎﺡ ﻟﻬﺎ ﺒﺱ ﺃﻋﻤﻠﻙ ﺃﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﻫﻴﻪ ﻋﻤﻠﺕ ﻟﻙ ﺇﻴﻪ . ﺩﺍ ﺒﺩل ﻤﺎ ﺘﺸﻜﺭﻫﺎ . ) ﺍﻟﺩﺍﻴﺔ ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻤﻬﺩ ( .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻟﻴﻬﺎ ﺒﺼﻪ ﻭﻻﺒﺼﺔ ﺍﻻﻓﻌﻲ ) ﺘﻤﺩ ﺍﻟﺩﺍﻴﺔ ﻴﺩﻫﺎ ﻋﻠﻲ ﺍﻟﻤﻬﺩ ﻓﻴﻠﻤﺤﻬﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ ( ﻤﻴﻥ ..‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻤﻴﻥ ﻋﻨﺩ ﺍﻟﻤﻬﺩ .‬ ‫: ) ﺒﻔﺯﻉ ( ﺃﻨﺎ .. ﺃﻨﺎ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺃﻫﻼ ﻴﺎ ﺨﺎﻟﻪ ﺃﻨﺘﻲ ﻭﺼﻠﺘﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻜﻨﺕ ﺒﺘﻌﻤﻠﻲ ﺇﻴﻪ ﻋﻨﺩ ﺍﻟﻤﻬﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﺼﻠﻲ ﺒﺎﺒﺹ ﻟﺘﻜﻭﻥ ﺍﻟﺒﻨﻴﺔ ﻋﺭﻴﺎﻨﺔ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ) ﺒﺭﻴﺒﻪ ( ﻜﺩﺍ ﻁﺏ ﺍﺴﻴﺒﻜﻡ ﻭﺃﺭﻭﺡ ﺃﺭﻴﺢ ﺸﻭﻴﺔ ﻟﺤﺴﻥ ﺍﻟﺼﺒﺢ ﻗﺭﺏ ﻴﺸﺄ ﺸﺄ ) ﻴـﺩﺨل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﻜﻭﺥ ﻭﻴﺭﺍﻗﺒﻬﻡ ( .‬ ‫: ) ﺒﻠﻬﻔﺔ ( ﺘﻌﺎﻟﻲ ﺒﻘﻲ .. ﺃﻨﺎ ﺠﻬﺯﺕ ﻜل ﺤﺎﺠﻪ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻭﺃﻨﺎ ﻋﻤﻠﺕ ﻋﺭﻭﺴﺔ ﺍﻟﻁﻴﻥ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻗﻴﻴﺩﻯ ﺍﻟﻤﺒﺨﺭﺓ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻫﺎﺘﻲ ﺍﻟﺒﺕ ﻭﺍﻭﻋﻲ ﺘﺼﺤﻴﻬﺎ ) ﺘﺤﻀﺭ ﺍﻷﻡ ﺍﻟﻤﻬﺩ ( ﺨﻁﻲ ﻋﻠﻴﻬﺎ ﺴﺒﻊ ﺨﻁﺎﻭﻯ ) ﺘﻤﺴﻙ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺍﻟﺩﺍﻴﺔ ﻋﺭﻭﺴﺔ ﺍﻟﻁﻴﻥ ﻭﺘﻐﻤﺱ ﻓﻴﻬﺎ ﺩﺒﻭﺴﺎ ﻭﺘﺭﺩﺩ ( ﺍﻻﻭﻟﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨـﺎﺱ .. ﻭﻗﻠﺒﻬـﺎ‬ ‫ﺍﻟﺩﺴﺎﺱ .‬ ‫ﺍﻟﺘﺎﻨﻴﺔ ﻤﻥ ﻋﻴﻭﻥ ﺍﻷﻫل .. ﻴﺠﻌل ﺩﻭﺍﻡ ﺴﻬل .‬ ‫ﺍﻟﺘﺎﻟﺘﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨﺩ .. ﻴﺠﻌل ﻤﺎ ﺒﻴﻨﻬﻡ ﺴﺩ .‬ ‫ﺍﻟﺭﺍﺒﻌﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﺒﺦ .. ﻤﺎ ﻴﻼﻗﻲ ﻓﻲ ﻗﻠﺒﻙ ﻓﺦ .‬ ‫ﺍﻟﺨﺎﻤﺴﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﺒﻊ .. ﻴﺤﻤﻴﻬﺎ ﺁﻤﻭﻥ ﻭﺭﻉ .‬ ‫ﻭﺍﻟﺴﺎﺩﺴﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻻﻡ .. ﻤﺎ ﻴﺠﻴﻠﻙ ﻤﻥ ﻭﺭﺍﻫﻡ ﻫﻡ .‬ ‫ﻭﺍﻟﺴﺎﺒﻌﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻷﺏ .. ﻴﺠﻌل ﻜﺭﻫﻡ ﻟﻴﻙ ﺤﺏ .‬ ‫٩٢‬ ‫‪www.kotobarabia.com‬‬
‫: ) ﺩﺍﺨﻼ ( ﺃﻴﺔ ﻴﺎ ﻭﻟﻴﺔ ﻴﺎﻤﺠﻨﻭﻨﻪ .. ﻜﺭﻩ ﺍﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻤﻘﺼﺩﺵ ﻴﺎ ﺨﻭﻴﺎ ﺍﻟﺘﻌﻭﻴﺫﺓ ﻜﺩﺍ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻴﺎﷲ ﻜﻤل ﻋﺎﻭﺯﻴﻥ ﻨﻠﺤﻕ ﺍﻟﻌﺠﻴﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺘﺘﺤﺭﻙ ﺤﻭل ﺍﻟﻤﻬﺩ ﺒﺎﻟﻤﺒﺨﺭﺓ ( ﺁﻤﻭﻥ ..ﺁﻤﻭﻥ .. ﺨﻠﻴﻙ ﻋﻠﻴﻬﺎ ﺤﻨﻭﻥ .. ﺤـﺎﺒﻲ ﻴـﺎ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺤﺎﺒﻲ .. ﺃﺠﻌل ﻁﺭﺤﻬﺎ ﺴﻨﺎﺒل .. ﻴﺎ ﺸﻤﺱ ﻴﺎ ﺸﻤﻭﺴﻪ .. ﻜﺒﺭﻴﻬﺎ ﻋﺭﻭﺴﺔ .. ﺇﻴـﺯﻴﺱ .‬ ‫ﺃﻭﺯﻭﺭﻴﺱ . ﻨﺒﺭﻯ . ﺤﺘﺤﻭﺭ . ﺃﺒﺩﺭﻭﺍ ﻭﺠﻬﻬﺎ ﺒﺎﻟﻨﻭﺭ .‬ ‫: ) ﺒﻐﻀﺏ ( ﻜﻔﺎﻴﻪ ﺍﻵﻟﻬﺔ ﻫﺎ ﺘﻐﻀﺏ ﻋﻠﻴﻨﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺎﻨﻔﻌﺎل ( ﺘﻐﻀﺏ ﻤﻥ ﺍﻟﺩﻋﺎ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ ( ﺘﻐﻀﺏ ﻤﻥ ﺼﻭﺘﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ .. ﻨﺸﻭﻑ ﺍﻟﻌﺠﻴﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﻀﺤﻙ ( ﺨﺎﻟﻪ ﺩﻯ ﻤﻥ ﺩﻭﺭ ﻋﻴﺎﻟﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺸﺎﺩﻭﻑ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻤﺘﺩﺍﺭﻜﺎ ( ﻗﺼﺩﻯ ﻤﻥ ﺩﻭﺭ ﺠﺩﻭﺩﻙ . ﻴﺎﷲ ﻴﺎ ﺃﺨﺘﻲ ﻉ ﺍﻟﻌﺠﻴﻥ .. ﺍﻟﺼﺒﺢ ﺸـﺄ ﺸـﺄ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﻫﺎﻨﻲ ﺍﻟﻤﻬﺩ ﻓﻲ ﺤﻀﻨﻲ ﺃﻨﺎ ﻟﺤﺩ ﻤﺎ ﺘﺨﻠﺼﻭﺍ .‬ ‫: ) ﻟﻠﺩﺍﻴﺔ ( ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ ﻟﺤﺴﻥ ﺃﺘﺄﺨﺭﻨﺎ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺴﺎﺨﺭﺍ ( ﻗﻭﻟﻲ ﻴﺎ ﺠﺩﺘﻲ ﻤﺵ ﻴﺎﺨﺎﻟﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻬﺠﻡ ﻋﻠﻲ ( ﻭﺃﻨﺘﻪ ﺒﺎﻴﻨﻙ ﻤﺵ ﻫﺎﺘﺠﻴﺒﻬﺎ ﺍﻟﺒﺭ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﺴﻤﻊ ﺸﻴﺌﺎ ( ﺃﺏ . ﺏ . ﺏ .. ﺃﻴﺔ ﺩﻩ ﺴﺎﻤﻌﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺴﺎﻤﻌﻪ ﻁﻭﻟﻪ ﻟﺴﺎﻨﻙ ﻭﺒﺱ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻴﺎﻭﻟﻴﻪ ﺍﺘﻨﺒﻬﻲ .. ﺃﻨﺎ ﺴﺎﻤﺢ ﺴﻭﺒﻙ ﺠﻲ ﺒﺎﻟﺯﻓﻪ ﻤﻥ ﺒﻌﻴﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻨﺘﻪ ﺒﺘﺨﺭﻑ ﻭﻻ ﺒﺘﻬﺭﺏ ﻤﻨﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﻘﺘﺭﺏ ﻤﻨﻬﺎ ( ﺩﺍ ﺃﻨﺘﻲ ﺍﻟﻠﻲ ﻋﺠﺯﺘﻲ .. ﺃﺴﻤﻌﻲ ﻜﻭﻴﺱ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺴﻤﻊ ﺍﻟﺼﻭﺕ ( ﺩﺍ ﺒﻴﻨﻪ ﺼﺢ ..ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ ﻨﻠﺤﻕ ﺍﻟﻌﺠﻴﻥ ﺍﻟﺯﻓﻪ ﺠـﺕ . ) ﻴـﺩﺨل‬ ‫ﺸﺭﺍﻗﻲ‬ ‫ﺴﻭﺒﻙ ﻭﺭﺍﺀﻩ ﺍﻟﺒﺎﻋﺔ ﻓﻲ ﺍﺴﺘﻌﺭﺍﺽ ﻟﻴﻠﺔ ﺍﻟﺤﺼﺎﺩ (‬ ‫٠٣‬ ‫‪www.kotobarabia.com‬‬
‫: ﻴﺎ ﺃﻫل ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻤﻔﻴﺵ ﺘﻌﺏ ﻭﻻ ﺸﻭﺏ .. ﺍﻟﻠﻴﻠﺔ ﺠﻤﻊ ﺍﻟـﺯﺍﺩ .. ﺍﻟﻴـﻭﻡ ﻋﻴـﺩ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﺤﺼﺎﺩ . ) ﺯﻏﺎﺭﻴﺩ ﺍﻷﻫﺎﻟﻲ ﻭﺃﻓﺭﺍﺡ ﻭﻫﺭﺝ ﻤﻊ ﺩﺨﻭل ﺍﻟﺒﺎﻋﺔ (‬ ‫ﺒﺎﺌﻊ ﺍﻟﺤﻼﻭﺓ : ﺍﻟﻠﻜﻠﻭﻙ .. ﺍﻟﻠﻜﻠﻭﻙ .. ﺍﻟﻠﻜﻠﻭﻙ .‬ ‫ﻀﺎﺭﺒﺔ ﺍﻟﻭﺩﻉ : ﺃﺒﻴﻥ ﺯﻴﻥ ﺃﺒﻴﻥ ﻭﺃﺨﻁ ﺒﺎﻟﻭﺩﻉ . ﻭﺃﻁﻤﻥ ﺍﻟﺼﺒﻴﺔ ﻭﺍﺒﻠﻎ ﺍﻟﺠﺩﻉ .‬ ‫: ﺴﺒﻴل ﻭﺍﺸﺭﺏ .. ﺍﺸﺭﺏ ﺴﺒﻴل. ﺍﻟﻘﺭﺒﺔ ﻁﺎﻫﺭﺓ .. ﻭﺍﻟﻨﺒﻊ ﻨﻴل .‬ ‫ﺍﻟﺴﻘﺎ‬ ‫: ﻓﺅﻭﺱ ﻭﺘﻭﺍﺭﻯ .. ﺍﻟﺤﻕ ﻴﺎ ﺠﺎﺭﻯ .‬ ‫ﺍﻟﻨﺠﺎﺭ‬ ‫: ﺘﺎﻟﻴﺱ ﺤﻤل ﺍﻟﺠﻤﺎل .. ﻴﺎ ﻤﻬﻭﻥ ﺍﻷﺤﻤﺎل .‬ ‫ﺍﻟﺠﻤﺎل‬ ‫: ﻗﺹ .. ﻗﺹ .. ﻭﺸﻁ ﻴﺯﻴﺩ ﺍﻟﻨﺹ .‬ ‫ﺤﻼﻕ‬ ‫)ﻴﺩﺨل ﻋﻤﺎل ﺘﺭﺍﺤﻴل ﻭﺃﻁﻔﺎل ﻴﺘﺤﻠﻘﻭﻥ ﺤﻭل ﺍﻟﻌﺭﺍﺴﺔ ﻴﺄﺨﺫﻭﻥ ﻤﻥ ﻤﺎﺌﻬﺎ ﻜﻤﻥ ﻴﺘﺒـﺭﻙ ﺜـﻡ ﺘﺒـﺩﺃ‬ ‫ﺃﻏﻨﻴﺔ ﺴﻭﺒﻙ ﻓﻲ ﻭﺴﻁ ﺍﻟﺤﻠﻘﺔ = ﻴﺒﻘﻲ ﺃﻨﺎ ﻜﺩﺍﺏ .. ﺘﺭﺩ ﺍﻷﻫﺎﻟﻲ ﻟﻊ .. ﻟﻊ = ﻋﻠﻲ ﻤﻨﻭﺍل ﺃﻨﺎ ﺍﻷﺩﻴـﺏ‬ ‫ﺍﻷﺩﺒﺎﺘﻲ . ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﻏﻨﻴﺔ ﻴﺩﺨل ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺨﻠﻔﻪ ﺍﻟﺨﺎﺩﻡ(‬ ‫: ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺴﺠﺩ ﺍﻟﺠﻤﻴﻊ ﻴﺘﻘﺩﻡ ﺍﻟﺨﺎﺩﻡ ﺒﻜﺭﺴﻲ ﺍﻟﻜﺎﻫﻥ ﺃﻤﺎﻡ ﺍﻟﻌﺭﺍﺴﺔ ﻴﺠﻠﺱ ﻋﻠﻴﻪ ﺍﻟﻜـﺎﻫﻥ ﻭﻴـﺴﻴﺭ ﻟﻬـﻡ‬ ‫ﺒﺎﻻﻋﺘﺩﺍل( .‬ ‫: ﺒﺄﻤﺭ ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺃﺼﻨﻌﻭﺍ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻭﺍﺭﻗﺼﻭﺍ ﻟﻬﺎ ﺭﻗﺼﺔ ﺍﻟﻐـﻼل ﺍﻟـﺴﺒﻌﺔ.‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺭﻗﺹ ﺴﺒﻌﺔ ﺭﺠﺎل ﻓﻲ ﺤﻠﻘﺔ ﻴﺘﻭﺴﻁﻬﺎ ﺍﻟﻨﺴﺎﺀ ﺍﻟﻼﺘﻲ ﻴﻌﺯﻟﻥ ﺍﻟﺴﻨﺎﺒل ﻓﻲ ﻫﻴﺌﺔ ﻋﺭﻭﺴﺔ‬ ‫ﻭﻓﻲ ﺍﻟﻨﻬﺎﻴﺔ ﻴﺴﻴﺭ ﻟﻬﻡ ﺍﻟﻜﺎﻫﻥ ﺒﺎﻟﺘﻭﻗﻑ ( .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻗﺩﻤﻭﺍ ﺍﻟﻘﺭﺍﺒﻴﻥ ﺇﻟﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻗﺒل ﺃﻥ ﻴﺼﻠﻲ ﻋﻠﻴﻬﺎ ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﻭﺍﻟﻤﻘﺩﺍﺭ ﻫـﺫﺍ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺍﻟﻌﺎﻡ ﻫﻭ ﻨﺹ ﺍﻟﻤﺤﺼﻭل .‬ ‫: ﺩﺍ ﻜﺘﻴﺭ .‬ ‫ﺭﺠل‬ ‫: ﻋﺎﻭﺯ ﺍﻟﻜﺎﻫﻥ ﻴﻐﻀﺏ ﻭﻴﺭﻓﺽ ﻴﺼﻠﻲ ﻋﻠﻲ ﺍﻟﻌﺭﻭﺴﺔ .‬ ‫ﺭﺠل‬ ‫: ﻭﺍﻟﺒﺭﻜﺔ ﻟﻤﻥ ﺴﺒﻕ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺴﺎﺭﻉ ﺍﻷﻫﺎﻟﻲ ﻟﺘﻘﺩﻴﻡ ﻨﺼﻑ ﻤﺤﺼﻭﻟﻬﻡ ﺤﻭل ﺍﻟﻌﺭﺍﺴﻪ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟـﻲ ﺃﻤـﺎﻜﻨﻬﻡ ﺒﻤـﻥ ﻓـﻴﻬﻡ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ(.‬ ‫١٣‬ ‫‪www.kotobarabia.com‬‬
‫: ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ) ﻴﺸﻴﺭ ﺍﻟﻜﺎﻫﻥ ﻟﻠﺨﺎﺩﻡ ﺒﻌﺩ ﺃﻥ ﻴﻀﻊ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫ﺍﻟﺠﻤﻴﻊ ﺃﺤﻤﺎﻟﻬﻡ ( .‬ ‫: ﺃﻫﺩﺃﻭﺍ .. ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﻭﺍﻓﻕ ﻋﻠﻲ ﺃﻥ ﻴﺼﻠﻲ ﻋﻠﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤـﺢ ﻤـﻥ ﺃﺠـل ﺃﻥ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺒﺘﺎﺭﻜﻜﻡ ﺒﺄﻤﺭ ﺁﻤﻭﻥ .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫) ﻴﻘﻑ ﺍﻟﻜﺎﻫﻥ .. ﻴﺭﻜﻊ ﺍﻟﺠﻤﻴﻊ ﻭﻫﻡ ﻴﺭﺩﺩﻭﻥ (‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﻓﺎﻁﺭ ﺍﻷﺭﺽ ﻭﺍﻟﺴﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﺼﺎﻨﻊ ﺍﻟﻬﻭﺍﺀ ﻭﺍﻟﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﺴﻴﺩ ﺍﻟﺨﻴﺭ ﻭﺍﻟﻨﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻓﻠﺘﺒﺎﺭﻙ ﻫﺫﻩ ﺍﻟﺴﻨﺎﺒل ﺍﻟﺘﻲ ﻨﺒﺘﺕ ﺒﺄﻤﺭﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻭﻟﺘﺠﻌل ﻫﺫﻩ ﺍﻟﻌﺭﻭﺴﺔ ﺤﺼﻨﺎ ﻟﻨﺎ ﻤﻥ ﻜل ﻗﺤﻁ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﺒﺤﻕ ﻨﺒﺭﻯ ﺭﺏ ﺍﻟﺤﺒﻭﺏ ﻭﺍﻟﻐﻼل .. ﺒﺤﻕ ﺤـﺎﺒﻲ ﺭﺏ ﺍﻟﻨﻴـل ﻭﺍﻟﻔﻴـﻀﺎﻥ .. ﺒﺤـﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺃﻭﺯﻭﺭﻴﺱ ﺭﺏ ﺍﻟﺨﻴﺭ ﻭﺍﻟﻨﻤﺎﺀ .. ﺒﺤﻕ ﻜل ﺁﻟﻬﺔ ﺍﻟﺴﻤﺎﺀ ﺍﺠﻌﻠﻬﺎ ﻤﺒﺎﺭﻜـﺔ ﻟﻨـﺎ ﻭﻟـﺸﻌﺒﻙ‬ ‫ﺍﻟﻤﺨﻠﺹ ﺍﻟﻤﻁﻴﻊ )ﻴﺘﻠﻭﻯ ﺍﻟﻜﺎﻫﻥ ﻜﻤﻥ ﻴﻨﺯل ﻋﻠﻴﻪ ﻭﺤﻲ ﺜﻡ ﻴﻘﻊ ﻋﻠﻲ ﻜﺭﺴﻴﻪ( ﺃﻩ .. ﺃﻩ ..‬ ‫ﺃﻩ .. ) ﺒﺈﺠﻬﺎﺩ ﺸﺩﻴﺩ ﻤﺯﻴﻑ ( ﺘﻡ ﺘﺒﺭﻴﻙ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻟﻬﺫﺍ ﺍﻟﻌﺎﻡ .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﺃﻴﻥ ﺍﻟﻁﻔﻠﺔ ﺍﻟﺼﻐﻴﺭﺓ ؟ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﻴﺘﻘﺩﻡ ﺤﺎﻤل ﺍﻟﻤﻬﺩ ( ﺃﻫﻴﻪ ﻴﺎ ﻤﻭﻻﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﻴﺤﻤل ﺍﻟﻤﻬﺩ ﻭﻴﺘﻘﺩﻡ ﺒﻬﺎ ﻟلﻜﺎﻫﻥ . ﻴﺭﻓﻊ ﺍﻟﻜﺎﻫﻥ ﺍﻟﻤﻬﺩ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ﻭﻴﺸﻴﺭ ﻟﻠﺨﺎﺩﻡ ﻜﻲ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﻴﺒﺩﺍﺀ ﺍﻷﻫﺎﻟﻲ ﺘﺭﺩﻴﺩ ﺭﻉ ﺭﻉ ﺃﻴﻭﺏ‬ ‫٢٣‬ ‫‪www.kotobarabia.com‬‬
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  • 1.
  • 3. ٣ www.kotobarabia.com
  • 4. ‫‪‬‬ ‫اﻟﻤﺸﻬﺪ اﻷول ـ إﻓﺘﺘﺎﺣﻴﺔ............................................................................................................. ٥‬ ‫اﻟﻤﺸﻬﺪ اﻟﺜﺎﻧﻲ ـ اﻟﻤﻴﻼد ............................................................................................................ ١٢‬ ‫اﻟﻤﺸﻬﺪ اﻟﺜﺎﻟﺚ ـ اﻟﺤﺼﺎد ......................................................................................................... ٧٢‬ ‫اﻟﻤﺸﻬﺪ اﻟﺮاﺑﻊ ـ اﻟﻤﺮاد ............................................................................................................ ٨٣‬ ‫اﻟﻤﺸﻬﺪ اﻷﺧﻴﺮ ـ اﻟﺨﺎﺗﻤﺔ .......................................................................................................... ٥٤‬ ‫٤‬ ‫‪www.kotobarabia.com‬‬
  • 5. ‫ﺍﳌﺸﻬﺪ ﺍﻷﻭﻝ‬ ‫= ﺍﻓﺘﺘﺎﺤﻴﺔ =‬ ‫ﺴﺎﺤﺔ ﻗﺭﻴﺔ ﻓﺭﻋﻭﻨﻴﺔ ﻴﻅﻬﺭ ﻤﻥ ﺒﻌﻴﺩ ﺠﺯﺀ ﻤﻥ ﺒﻭﺍﺒﺔ ﻤﻌﺒـﺩ ﻓﺭﻋـﻭﻨﻲ . ﺠﻤـﻭﻉ‬ ‫ﺍﻟﻔﻼﺤﻴﻥ ﻓﻲ ﺘﺸﻜﻴﻼﺕ ﺜﺎﺒﺘﺔ ﻭﻜﺄﻨﻬﻡ ﺘﻤﺎﺜﻴل ﻤﻨﺤﻭﺘﻪ ﻋﻠﻲ ﺠـﺩﺭﺍﻥ ﺍﻟﻤﻌﺎﺒـﺩ ﺘﺭﺴـﻡ‬ ‫ﻭﺘﻌﺒﺭ ﻤﺎ ﻴﻘﻭﻡ ﺒﻪ ﺍﻟﻔﻼﺡ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﻭﻓﻲ ﺇﻀﺎﺀﺓ ﺘﺩﺭﻴﺠﻴﺔ ﻤﺼﺎﺤﺒﺔ ﻟـﺼﻭﺕ‬ ‫ﺍﻟﻤﻌﻠﻕ ﻭﺍﻟﻤﻌﻠﻘﺔ ﻭﻜﺄﻨﻪ ﻤﺸﺭﻭﻉ ﺍﻟﺼﻭﺕ ﻭﺍﻟﻀﻭﺀ‬ ‫٥‬ ‫‪www.kotobarabia.com‬‬
  • 6. ‫ﺍﳌﺸﻬﺪ ﺍﻷﻭﻝ‬ ‫: ﻓﻲ ﺍﻟﺒﺩﺀ ﻜﺎﻨﺕ ﻤﺼﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻗﺒل ﺍﻟﺯﻤﺎﻥ ﻭﻟﺩﺕ .. ﻭﻗﺒل ﺍﻟﺘﺎﺭﻴﺦ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻫﻨﺎ ﺒﺩﺍﺀ ﻜل ﺸﺊ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺍﻟﺯﺭﺍﻋﺔ .. ﺍﻟﻌﻤﺎﺭﺓ .. ﺍﻟﻜﺘﺎﺒﺔ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺍﻟﻨﻅﺎﻡ .. ﺍﻟﻘﺎﻨﻭﻥ .. ﺍﻟﺤﻜﻭﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﻨﺎ ﺘﺤﻭل ﺍﻹﻨﺴﺎﻥ ﻤﻥ ﺤﻴﻭﺍﻥ ﻴﺠﺭﻯ ﻓﻲ ﺍﻷﺤﺭﺍﺵ ﻟﻴﻨﺤﻭﺍ ﻤﻥ ﺍﻟﺨﻁﺭ ﺃﻭ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﺸﻬﻭﺍﺘﻪ‬ ‫: ﺇﻟﻲ ﺇﻨﺴﺎﻥ ﻴﻔﻜﺭ ﻭﻴﺘﺄﻤل ﻭﻴﺭﺴﻡ ﻭﻴﻜﺘﺏ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﻨﺎ ﺍﻜﺘﺸﻑ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﺃﻋﻅﻡ ﺍﻜﺘﺸﺎﻑ ﻓﻲ ﺘﺎﺭﻴﺦ ﺍﻟﻔﻜﺭ ﺍﻟﺒﺸﺭﻯ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺃﻜﺘﺸﻑ ﺃﻨﻪ ﺇﻨﺴﺎﻥ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺃﻥ ﻫﻨﺎﻙ ﻓﺭﻗﺎ ﺒﻴﻨﻪ ﻭﺒﻴﻥ ﺍﻟﺤﻴﻭﺍﻥ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻻ ﺘﻨﺎﺯﻉ ﻋﻠﻲ ﺍﻟﺒﻘﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺇﻨﻤﺎ ﺘﻌﺎﻭﻥ ﻤﻥ ﺃﺠل ﺍﻟﺒﻘﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻻ ﻗﺘل .. ﻻ ﻅﻠﻡ .. ﻻ ﻋﺩﻭﺍﻥ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺒل ﺤﺏ .. ﻭﺘﻌﺎﻭﻥ .. ﻭﺃﺨﺎﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﻫﻨﺎ ﺒﺩﺍﺀ ﺍﻟﻀﻤﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﺍﻟﻀﻤﻴﺭ ﺍﻟﺫﻯ ﻴﻤﻴﺯ ﺍﻟﺤﻕ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻴﻤﻬﺩ ﻟﻤﻌﺭﻓﺔ ﺍﻷﺤﺩ ﺍﻟﺤﻕ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻴﻤﻬﺩ ﻟﻤﻌﺭﻓﺔ ﺍﷲ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻫﺫﺍ ﺃﻋﻅﻡ ﺴﺭ .. ﻤﻥ ﺍﻷﺴﺭﺍﺭ ﺍﻟﻜﺒﺭﻯ ﻟﺤﻀﺎﺭﺓ ﻤﺼﺭ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺍﻟﺘﻲ ﺤﻴﺭﺕ ﺍﻟﻌﺎﻟﻡ ﺒﺎﻜﺘﺸﺎﻓﺎﺘﻬﺎ ﺍﻟﻌﻅﻴﻤﺔ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻫﺫﻩ ﺍﻻﻜﺘﺸﺎﻓﺎﺕ ﻜﻠﻬﺎ ﻋﺭﻓﻬﺎ ﺍﻟﻤﺼﺭﻯ ﺍﻟﻘﺩﻴﻡ ﻭﻫﻭ ﻴﻌﻤل ﻓﻲ ﺤﻘﻠﻪ ﻭﻴﻨﻅﺭ ﺇﻟﻲ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫ﺍﻟﺴﻤﺎﺀ ﺍﻟﺯﺭﻗﺎﺀ .. ﻴﺼﻠﻲ ﻟﻨﻴﻠﻪ ﺍﻟﻌﺫﺏ‬ ‫٦‬ ‫‪www.kotobarabia.com‬‬
  • 7. ‫: ﻴﺴﺘﻌﻁﻑ ﺍﻟﺸﻤﺱ ﺍﻟﺤﺎﻤﻴﺔ .. ﻭﻴﻌﺎﻨﻕ ﺴﻨﺎﺒل ﺍﻟﻘﻤﺢ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻫﻭﺏ .. ﻫﻭﺏ .. ﻴﺯﺭﻉ ﺍﻟﻨﻭﺏ ﻫﻭﺏ .. ﻫﻭﺏ .. ﻗﺘﻠﻨـﺎ ﺍﻟـﺸﻭﺏ ) ﺘﺘـﺭﺩﺩ‬ ‫ﺍﻟﻤﺠﺎﻤﻴﻊ‬ ‫ﻜﺨﻠﻔﻴﺔ ﺃ ﺜﻨﺎﺀ ﻟﻠﺘﻌﻠﻴﻕ (‬ ‫: ﻫﻭﺏ ﺒﻤﻌﻨﻲ ﺍﻟﺠﺩ ﻭﺍﻟﻌﻤل‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﺍﻟﻨﻭﺏ ﻫﻭ ﺍﻟﺫﻫﺏ ﻭﻜﺎﻨﻭﺍ ﻴﻁﻠﻘﻭﻥ ﻫﺫﺍ ﺍﻻﺴﻡ ﻋﻠﻲ ﺴﻨﺎﺒل ﺍﻟﻘﻤـﺢ ﺍﻟـﺼﻔﺭﺍﺀ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﻜﺎﻟﺫﻫﺏ‬ ‫: ﺃﻤﺎ ﺍﻟﺸﻭﺏ ﻓﻬﻭ ﺍﻟﻬﻭﺍﺀ ﺍﻟﺴﺎﺨﻥ ﻤﻥ ﺤﺭﺍﺭﺓ ﺍﻟﺸﻤﺱ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﺎ ﺃﺠﻤل ﺃﻥ ﻴﻜﻭﻥ ﻋﺭﻀﻨﺎ ﺍﻟﻠﻴﻠﺔ ﻻ ﻴﻌﺘﻤﺩ ﻋﻠﻲ ﻤﺎ ﺴﺠﻠﻪ ﺍﻟﻤـﺼﺭﻯ ﺍﻟﻘـﺩﻴﻡ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﺩﺍﺨل ﺃﺭﻭﻗﻪ ﺍﻟﻤﻌﺎﺒﺩ ﺃﻭ ﻓﻭﻕ ﺠﺩﺭﺍﻥ ﺍﻟﻘﺒﻭﺭ‬ ‫: ﺒل ﻤﺎ ﺤﻔﺭ ﻓﻭﻕ ﺠﺩﺭﺍﻥ ﺍﻟﻘﻠﻭﺏ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﺫﻟﻙ ﺍﻟﺘﺭﺍﺙ ﺍﻟﺫﻯ ﻴﻌﻴﺵ ﻓﻴﻨﺎ ﻭﻨﻌﻴﺵ ﻓﻴﻪ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻭﻓﻭﻕ ﺍﺭﺽ ﺍﻷﺴﺎﻁﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻨﻜﺸﻑ ﻭﺍﻗﻌﻨﺎ .. ﻨﻨﺎﻗﺵ ﻗﻀﺎﻴﺎﻨﺎ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻨﺩﻤﺞ ﺍﻟﺤﺎﻀﺭ ﺒﺎﻟﻤﺎﻀﻲ .. ﻭﺍﻟﻤﺎﻀﻲ ﺒﺎﻟﺤﺎﻀﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﺎﺘﻭﺭ ﺇﻟﻲ ﺒﺭﻤﻬﺎﺕ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﺍﻟﻔﻴﻀﺎﻥ ﺇﻟﻲ ﺍﻟﺤﺼﺎﺩ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﺍﻟﺩﻤﻴﺭﺓ .. ﻭﺍﻟﺘﻁﻭﻴﺵ .. ﻭﺍﻟﺘﻭﺭﻴﺎ .. ﻭﺍﻟﺸﺎﺩﻭﻑ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺇﻟﻲ ﺍﻟﻤﻨﺠل .. ﻭﺍﻟﻨﻭﺭﺝ .. ﻭﺍﻟﺴﻠﺒﻪ .. ﻭﺍﻟﺘﻠﻴﺱ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻤﻥ ﻫﺫﺍ ﺍﻟﺘﺭﺍﺙ ﺍﻟﺤﻲ ﻨﻐﺯل ﺍﻷﺴﻁﻭﺭﺓ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻤﻥ ﻫﺫﺍ ﺍﻟﻔﻼﺡ ﺍﻟﻤﺅﻤﻥ ﺒﺎﻟﻌﺩل ﻭﺍﻟﺤﺏ ﻭﺍﻟﻔﻀﻴﻠﺔ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻭﻤﻥ ﻫﺫﻩ ﺍﻟﺴﻨﺎﺒل ﺍﻟﻁﺎﻫﺭﺓ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻨﻔﻜﺭ ﻭﻨﺤﻠﻡ ﻭﻨﻌﺎﻨﻲ ﻤﻥ ﺃﻋﺩﺍﺀ ﺍﻟﺨﻴﺭ‬ ‫ﺼﻭﺕ ﺍﻟﺭﺠل‬ ‫: ﻓﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ) ﻤﻭﺴﻴﻘﻲ ﻤﺅﺜﺭﺓ ﺜﻡ . ﺘﺩﺏ ﺍﻟﺤﻴﺎﺓ ﻓﻲ ﺍﻟﻤـﺸﻬﺩ ﻴﺘﺤـﺭﻙ‬ ‫ﺼﻭﺕ ﺍﻟﻤﺭﺃﺓ‬ ‫ﺴﻭﺒﻙ ﻭﺨﻠﻔﻪ ﺍﻷﻁﻔﺎل . ﻴﺩﻭﺭ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﻭﺴﻁ ﺍﺤﺘﻔﺎﻟﻴﺔ ﻟﻴﻠـﺔ ﺭﺅﻴـﺔ ﺍﻟـﻨﺠﻡ‬ ‫ﺴﻭﺒﺩﻴﺕ . ﺜﻡ ﻴﻘﻑ ﻓﻲ ﺍﻟﻭﺴﻁ ﻭﻴﻘﻭﻡ ﺒﺒﻌﺽ ﺍﻷﻟﻌﺎﺏ ﺍﻟﺒﻬﻼﻭﻨﻴﻪ ﻜﺎﻟﺤﺎﻭﻯ ﻭﺴﻁ‬ ‫ﺯﻏﺎﺭﻴﺩ ﺍﻟﻨﺴﺎﺀ (‬ ‫٧‬ ‫‪www.kotobarabia.com‬‬
  • 8. ‫: ﻭﺤﻭﻯ ﻴﺎﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﻭﻜﻤﺎﻥ ﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﺒﻌﺕ ﺭﺯﻗﻙ ﻟﺠل ﻨﻬﻴﺹ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﺒﻌﺕ ﺭﺯﻗﻙ ﻟﺠل ﻨﻬﻴﺹ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﺒﻌﺩ ﻜل ﺭﺩﺉ ﻭﺨﺴﻴﺱ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﺒﻌﺩ ﻜل ﺭﺩﺉ ﻭﺨﺴﻴﺱ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫: ﻴﻨﻴﻠﻙ ﻴﺎﺴﻭﺒﻙ .. ﺭﺩﺉ ﺃﻴﺔ ﻭﺨﺴﻴﺱ ﺃﻴﺔ‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﻭﺃﻨﺎ ﻤﺎﻟﻲ ﺍﻟﻬﺘﺎﻑ ﻜﺩﺍ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻴﺎ ﻭﺍﺩ ﺇﺤﻨﺎ ﺒﻨﻬﺘﻑ ﻭﻻ ﻨﺩﻋﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﺃﻨﺕ ﻴﺎﺍﺒﻭ ﺸﺎﺩﻭﻑ ﻨﺎﻗﺼﻙ ﺤﺎﺠﻪ .. ﻋﻨﺩﻙ ﺍﻟﺒﻴﺕ ﻭﺍﻟﻐـﻴﻁ ﻭﻤﻔـﻴﺵ ﻋﻠﻴـﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻤﺴﺌﻭﻟﻴﺔ ﻋﺎﻭﺯ ﺍﻟﺩﻋﺎ ﻟﻴﻪ‬ ‫: ﻗﺼﺩﻙ ﺇﻴﻪ ﻴﺎﺴﻭﺒﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﻷﺒﻨﻴﺔ ﺘﺘﻌﺒﻙ ﻭﻻ ﻋﻴل ﻴﻭﺭﺜﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻨﺕ ﺒﺘﻌﺎﻴﺭﻨﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﺨﺹ ﻋﻠﻴﻙ .. ﻤﺎ ﺃﻨﺕ ﻋﻴل ﺃﻫﺒل‬ ‫ﺭﺠل ١‬ ‫: ﺴﻴﺒﻙ ﻤﻨﻪ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺭﺠل ٢‬ ‫: ﻭﺍﷲ ﻭﻨﻁﻘﺕ ﻴﺎ ﻋﺭﺓ ﺍﻟﺭﺠﺎﻟﻪ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) لﺃﺒﻭﺸﺎﺩﻭﻑ( ﻴﺎﺭﺠل ﻁﻭل ﻋﻤﺭ ﻋﻴﺎﻟﻨﺎ ﻋﻴﺎﻟﻙ ﻭﻏﻴﻁﻙ ﻏﻴﻁﻨﺎ ﺩﺍ ﺃﻨﺕ ﺃﺒـﻭ‬ ‫ﺭﺠل ١‬ ‫ﺍﻟﻤﺤﺒﺔ ﻭﻋﻡ ﺍﻟﻜل‬ ‫: ﺩﺍ ﻜﻔﺎﻴﺔ ﺃﻥ ﺃﺭﻀﻙ ﻤﺒﺭﻭﻙ ﺒﺸﺠﺭﺓ ﺇﻴﺯﻴﺱ‬ ‫ﺭﺠل ٢‬ ‫: ﺃﻴﻭﺓ ﺍﻟﺸﺠﺭﺓ ﺍﻟﻠﻲ ﺭﺴﻲ ﻋﻨﺩﻫﺎ ﺘﺎﺒﻭﺕ ﺃﻭﺯﻭﺭﻴﺱ ﺍﻟﻁﺎﻫﺭ‬ ‫ﺭﺠل ١‬ ‫: ﻭﻓﻀﻠﺕ ﺇﻴﺯﻴﺱ ﻴﺎﻭﻻﺩﺍﻩ ﺘﺒﻜﻲ ﻟﺤﺩ ﻤﺎ ﺠﻤﻌﺕ ﺠﺘﺘﺔ ﺘﺤﺘﻬﺎ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﻌﻨﻲ ﻨﺒﻌﻙ ﻁﺎﻫﺭ ﻭﺃﺼﻠﻙ ﻤﺒﺭﻭﻙ ﻭﻭﺭﺜﻙ ﻤﺤﺒﻪ‬ ‫ﺭﺠل١‬ ‫٨‬ ‫‪www.kotobarabia.com‬‬
  • 9. ‫: ﺍﺴﻤﻊ ﺒﻘﻲ ﺍﻟﻨﻬﺎﺭﺩﻩ ﻤﻭﺴﻡ ﻭﺍﻟﺯﻋل ﻤﺭﻓﻭﻉ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻤﻭﺴﻡ ﺒﻜﺭﺓ .. ﻤﺵ ﺍﻟﻠﻴﻠﺔ ﻴﺎﻓﺎﻟﺢ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺼﻌﺒﺎﻥ ﻋﻠﻴﺎ ﻗﻭﻯ ﻤﻨﻙ ﻴﺎﺴﻭﺒﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻜﺩﺍ .. ﻁﺏ ﺒﺤﻕ ﺃﻭﺯﻭﺭﻴﺱ ﻷﻨﺘﻪ ﻤﺎﺴﻙ ﺩﻱ ﻭﺭﺍﻗﺹ )ﻴﻨﺎﻭﻟﻪ ﻋﺼﺎ ﺘﺤﻁﻴﺏ(‬ ‫ﺴﻭﺒﻙ‬ ‫ﻫﻴﺼﻭﺍ ﻤﻌﺎﻴﺎ ﻴﺎ ﻭﻟﺩ .. ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺃﺒﻭﺸﺎﺩﻭﻑ ) ﻭﺴﻁ ﺯﻏﺎﺭﻴﺩ ﺍﻟﻨـﺴﺎﺀ ﻴـﺭﻗﺹ ﺃﺒﻭﺸـﺎﺩﻭﻑ‬ ‫ﺍﻷﻁﻔﺎل‬ ‫ﺭﻗﺼﻪ ﺘﺤﻁﻴﺏ ﻋﻠﻲ ﺜﻘﻔﺔ ﺍﻻﻴﺩﻯ ﺜﻡ ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻭﺨﻠﻔﻬﺎ ﺍﻟﺩﺍﻴﺔ (‬ ‫: ) ﺼﺎﺭﺨﺔ ( ﻁﻴﺒﻴﻥ .. ﻴﺎ ﺃﻫل ﻁﻴﺒﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺍﻨﺘﻲ .. ) ﻴﺘﻨﺒﻪ ﻟﻠﺴﺎﺤﺭﺓ ( ﺍﺨﺹ .. ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ ) ﻜﻤﻥ ﻴﺭﻗﻲ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻨﻔﺴﻪ (‬ ‫: ) ﺘﺘﺠﻪ لﺃﺒﻭﺸﺎﺩﻭﻑ ( ﻟﺴﻪ ﺸﺒﺎﺏ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻴﺔ ﻋﻴﻨﻙ ﻉ ﺍﻟﺭﺍﺠل ﺇﻴﺎﻙ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺍﻟﺸﺒﺎﺏ ﻓﻲ ﺍﻟﻘﻠﺏ ﻴﺎﺒﻭﺘﻭ .. ﺘﻌﺎﻟﻲ ﺍﻓﺭﺤﻲ ﻤﻌﺎﻨﺎ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺒﻘﻲ ﻤﺵ ﻻﻋﺒﻴﻥ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺤﺘﻲ ﺃﻨﺕ ﻴﺎ ﻏﺭﺍﺏ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺒﺤﻕ ﺃﻭﺯﻭﺭﻴﺱ ﻤﻔﻴﺵ ﻏﺭﺍﺏ ﻏﻴﺭﻙ ﺍﻨﺘﻲ ﻭﺍﻟﺤﺩﺍﻴﺔ ﺒﺘﺎﻋﺘﻙ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﺒﻐﻀﺏ ( ﺤﺴﺎﺒﻙ ﻋﺴﻴﺭ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺤﺴﺎﺒﻙ ﺠﻥ ﻭﻋﻔﺎﺭﻴﺕ .. ) ﺒﺤﺭﻜﺎﺕ ﺘﻤﺜﻴﻠﻴﺔ ﺴﺎﺨﺭﺓ ( ﺒﺦ ﻭﺒﻊ .. ﺒﻊ ﻭﺒـﺦ )‬ ‫ﺴﻭﺒﻙ‬ ‫ﻫﺎﺘﻔﺎ ( ﻴﺎﻻ ﻴﺎ ﻭﻟﺩ .. ﺒﺦ ﻭﺒﻊ .. ﺒﻊ ﻭﺒﺦ .. ﺒﻜﺭﻩ ﻴﺎﺸﺭ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻨﺦ‬ ‫: ﺒﺦ ﻭﺒﻊ .. ﻭﺒﻊ ﻭﺒﺦ .. ﺒﻜﺭﻩ ﻴﺎﺸﺭ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻨﺦ ) ﻴﺭﺩﺩ ﺴﻭﺒﻙ ﻭﺍﻷﻁﻔـﺎل‬ ‫ﺍﻷﻁﻔﺎل‬ ‫ﻭﻴﺴﺘﻤﺭﻭﺍ ﻓﻲ ﻤﻼﺤﻘﺔ ﺍﻟﺴﺎﺤﺭﺓ ﻭﺍﻟﺩﺍﻴﺔ ﺤﺘﻰ ﻴﺨﺭﺠﻭﺍ ﻤﻥ ﺍﻟﻤﺴﺭﺡ ﻭﺴﻁ ﻫﺭﺝ‬ ‫ﺍﻷﻫﺎﻟﻲ (‬ ‫: ) ﺘﻀﺤﻙ ( ﻴﺎﻟﻬﻭﻯ .. ﺍﻟﻭﺍﺩ ﺴﻭﺒﻙ ﻋﻔﺭﺕ ﺒﺘﻭﻉ ﺍﻟﻌﻔﺭﻴﺕ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺩﺍﺨﻼ ( ﺯﺍﻏﻭ ﻤﻨﻨﺎ ﻓﻲ ﺍﻟﻀﻠﻤﺔ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) لﺴﻭﺒﻙ ( ﺍﻟﻠﻴﻠﺔ ﻤﻭﺴﻡ ﻭﻤﺵ ﻋﺎﻭﺯﻴﻥ ﺤﺩ ﻴﺯﻋل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫٩‬ ‫‪www.kotobarabia.com‬‬
  • 10. ‫: ﺍﻟﻤﻭﺴﻡ ﺒﻜﺭﻩ ﻤﺵ ﺍﻟﻠﻴﻠﺔ ﺩﻯ‬ ‫ﺭﺠل ١‬ ‫: ) ﺘﻁﺒﻁﺏ ﺒﻴﺩﻫﺎ ﻋﻠﻲ ﻜﺘﻔﻪ ( ﺒﻜﺭﻩ ﻤﻥ ﺍﻟﻠﻴﻠﺔ ﻤﺵ ﻓﺎﺭﻗﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺒﺨﻭﻑ ﻟﻪ ﻤﻌﻨﻲ ( ﺍﺯﺍﻯ .. ﺒﻜﺭﻩ ﻴﺨﺭﺝ ﻋﻠﻴﻨﺎ ﻜﺎﻫﻥ ﻤﻌﺒﺩ ﺁﻤﻭﻥ ﻭﻴـﺴﺘﻁﻠﻊ‬ ‫ﺭﺠل ١‬ ‫ﻨﺠﻡ ﺍﻟﻔﻴﻀﺎﻥ‬ ‫: ﻴﻌﻨﻲ ﺃﻴﺔ ﻴﺎﺴﺒﻌﻲ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ) ﺒﺘﺭﺍﺠﻊ ( ﻴﻌﻨﻲ ﺍﻟﻨﻬﺎﺭﺩﻩ ﻟﻴﻠﺔ ﺍﻟﻤﻭﺴﻡ‬ ‫ﺭﺠل ١‬ ‫: ﻜﺩﺍ ﻴﺒﻘﻲ ﺨﻠﻭﻨﺎ ﻟﺒﻜﺭﺓ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻻ .. ﺃﻨﺕ ﻫﺎﺘﻜﺭﻭﺘﻨﺎ ﻴﺎﻭﺩ ﻭﻻ ﺍﻴﻪ .. ) ﻴﻨﻅﺭ ﻟﺯﻭﺠﺘﻪ ﺒﺭﻋـﺏ (‬ ‫ﺭﺠل ١‬ ‫ﻜﻤل ﻫﻴﺼﺔ‬ ‫: ﻜﺩﺍ ﻁﺏ ﻟﻤﺎ ﻨﺭﻭﺡ .. ) لﺴﻭﺒﻙ ( ﻜﻤل ﻫﻴﺼﺔ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﺒﻘﻲ ﻤﺎﺤﺩﺵ ﻴﻘﺎﻁﻌﻨﻲ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻗﻭﻟﻜﺵ ﻴﺎﻭﺍﺩ ﻴﺎﺴﻭﺒﻙ .. ﻗﻠﺩﻨﺎ ﺍﻟﺴﺎﺤﺭﺓ ﺒﻭﺘﻭ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻴﺎﻭﺯﻭﺭﻴﺱ .. ﻟﻴﻪ ﺍﻟﺴﻴﺭﺓ ﺍﻟﻭﺤﺸﺔ ﺩﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻻﻜﺎﺩﻩ ﻜل ﻤﺎﺘﺸﻭﻑ ﺃﺒﻭﺸﺎﺩﻭﻑ ﺘﺘﻌﻔﺭﺕ‬ ‫ﺭﺠل ٢‬ ‫: ﻋﻔﺭﻴﺕ ﻟﻤﺎ ﻴﺭﻜﺏ ﺃﻨﺎ ﻋﻤﺭﻯ ﻜﺭﻫﺕ ﺤﺩ ﻟﻤﺎ ﺍﻟﺴﺎﺤﺭﺓ ﺘﻜﺭﻫﻨﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﺩﻱ ﻗﺭﺒﺕ ﺘﻜﺭﻩ ﻨﻔﺴﻬﺎ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﻴﻨﻅﺭ ﻟﺯﻭﺠﺘﻪ ( ﻴﺎﻻ ﻴﺎﺴﻭﺒﻙ ﻗﻠﺩﻫﺎ ﻭﺨﻠﺼﻨﺎ‬ ‫ﺭﺠل ١‬ ‫: ﻁﺏ ﻭﺴﻌﻭﺍ ﺍﻟﺩﺍﻴﺭﻩ ) ﻴﻔﺴﺤﻭﻥ ﺍﻟﻤﻜﺎﻥ ﺜﻡ ﻴﻀﻊ ﺒﺎﺭﻭﻜﺔ ﻋﻠﻲ ﺭﺃﺴﻪ ﺜﻡ ﻴﺒـﺩﺍﺀ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﺘﺸﺨﻴﺹ( ﺤﺒﺭﻭﺵ .. ﺤﺒﺭﻭﺵ .. ) ﻴﻀﺤﻜﻭﻥ ( ﻴﺎ ﻤﻌﺭﻯ ﺍﻟﻘﻠﻭﺏ ﻭﺍﻟﻭﺸﻭﺵ‬ ‫.. ﺒﺤﻕ ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ ﻭﺒﺱ .. ﻋﺭﻓﻨﻲ ﺍﻟﻠﻲ ﺒﻴﺘﺼﻨﺕ ﻭﺍﻜﺸﻑ ﺍﻟﻠﻲ ﺒﻴﺒﺹ ﻫﻊ‬ ‫) ﻴﻔﺯﻉ ﺍﻟﺠﻤﻴﻊ ﺜﻡ ﻴﻀﺤﻜﻭﻥ ( ﻭﺍﺒﻌﺕ ﺍﻟﻔﻴﻀﺎﻥ ﻭﺃﺭﺯﻕ ﺍﻟﻤﻼﻋﻴﻥ ﺩﻭل .. ﺒـﺱ‬ ‫ﻨﺹ ﻨﺹ‬ ‫: ﻴﺎ ﺒﺨﻠﻙ ﻴﺎﺍﺨﻲ .. ﻜﻤل ﺍﻟﺩﻋﺎ.. ﻨﺹ ﺃﻴﺔ‬ ‫ﺭﺠل ٢‬ ‫: ﻭﻫﻭ ﺒﻴﺩﻩ .. ﺩﻯ ﻫﻴﻪ ﺍﻟﻠﻲ ﻓﻴﻬﺎ ﺒﺨل ﻴﻜﻔﻲ ﺒﻠﺩ ﺒﺤﺎﻟﻬﺎ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﺃﻭﺯﻭﺭﻴﺱ .. ﻴﺠﻌل ﻜﻼﻤﻨﺎ ﺨﻔﻴﻑ ﻋﻠﻴﻬﺎ ﻟﺤﺴﻥ ﺘﺭﺠﻊ‬ ‫ﺭﺠل ١‬ ‫: ) ﺩﺍﺨل ﻤﺴﺭﻋﺎ ( ﻋﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ .. ﺨﺎﻟﺘﻲ ﺸﺭﺍﻗﻲ ﺒﺘﺴﺎل ﻋﻠﻴﻙ‬ ‫ﻁﻔل‬ ‫٠١‬ ‫‪www.kotobarabia.com‬‬
  • 11. ‫: ﻴﻭﻩ .. ﺍﻟﻠﻴل ﻤﺴﻲ ﻗﻭﻯ ﻭﺃﻨﺎ ﺴﺎﻴﺏ ﺸﺭﺍﻗﻲ ﺒﻌﺎﻓﻴﻪ ﻟﻭﺤﺩﻫﺎ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻱﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺨﻴﺭ ﻴﺎ ﺨﺒﺎﺹ .. ﻭﻤﺵ ﻫﺎ ﻗﻭﻟﻙ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﻜﺭﻩ ﺍﻟﻤﺴﺘﺨﺒﻲ ﻴﺒﺎﻥ .. ﻭﺘﻘﻭﻡ ﺒﺎﻟﺴﻼﻤﺔ ﺒﻜﺭ ﺍﻟﻨﺴﻭﺍﻥ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻁﺏ ﻤﺘﺨﻠﻴﻬﺎ ﻓﻲ ﺴﺭﻙ ﻭﻻ ﺍﻨﺘﻭﺍ ﻤﺘﺤﻔﻅﻭﺵ ﺴﺭ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺘﻬﺭﻴﺞ ( ﺒﺭﻀﻭﺍ ﻫﺎ ﻋﺭﻓﻪ ﻭﺃﻋﻠﻨﻪ ﻴﺎﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺴﻭﺒﻙ‬ ‫: ) ﻤﺒﺘﺴﻤﺎ ( ﻁﺏ ﻴﺎﻻ ﻴﺎﻓﺎﻟﺢ ﻟﻡ ﺍﻟﻠﻴﻠﺔ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺎ ﺨﺴﺎﺭﺓ ﺨﻠﺼﺕ‬ ‫ﺭﺠل ١‬ ‫: ) ﻟﻠﺭﺠل ( ﻁﺏ ﻟﻤﺎ ﺘﺭﻭﺡ‬ ‫ﺍﻟﻤﺭﺃﺓ‬ ‫: ﻴﺎﻻ ﻴﺎﻭﻟﺩ ) ﻴﻬﺘﻑ ( ﻭﺤﻭﻯ ﻴﺎﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ‬ ‫ﺍﻟﺠﻤﻴﻊ‬ ‫: ﻭﻜﻤﺎﻥ ﻭﺤﻭﻯ‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺍﻟﻴﻭﺤﺎ ) ﻴﺭﺩﺩ ﺍﻟﺠﻤﻴﻊ ﺨﻠﻔﻪ ﻭﻴﺨﺭﺠﻭﻥ ﺒﺎﻟﺘﺩﺭﻴﺞ ﺤﺘﻲ ﻴﻔﺭﻍ ﺍﻟﻤﺴﺭﺡ ﺘﻤﺎﻡ ﺜـﻡ‬ ‫ﺍﻟﺠﻤﻴﻊ‬ ‫ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻭﺨﻠﻔﻬﺎ ﺍﻟﺩﺍﻴﺔ (‬ ‫: ) ﺘﻨﻅﺭ ﻓﻲ ﺍﺘﺠﺎﻩ ﺨﺭﻭﺝ ﺍﻟﻤﺠﺎﻤﻴﻊ ( ﺍﻨﺘﻲ ﺼﺎﺒﺭﺓ ﻉ ﺍﻟﻭﺍﺩ ﺴﻭﺒﻙ ﺩﻩ ﺍﺯﺍﻯ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺴﻭﺒﻙ ﺩﺍ ﺒﻭﻕ ﻟﺴﺎﻥ ﻭﺒﺱ .. ﻭﺯﻴﻪ ﺯﻴﻨﺎ ﻤﻠﻭﺵ ﺠﺩﺭ.. ﺒﺱ ﻫﻭﻩ ﺍﻟﻨﺎﺱ ﺒﺘﺤﺒﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻭﺇﺤﻨﺎ ﺍﻟﻨﺎﺱ ﺒﺘﻜﺭﻫﻨﺎ‬ ‫: ﻤﺎ ﺇﺤﻨﺎ ﻋﺎﻴﺸﻴﻥ ﺯﻯ ﺍﻟﻔل ﺍﻫﻭﻩ .. ﺍﻨﺎ ﻤﺵ ﻋﺎﺭﻓﻪ ﺍﻨﺘﻲ ﻋﺎﻭﺯﻩ ﺃﻴﺔ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻨﺎ ﻋﺎﻭﺯﻩ ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﺒﻭﺸﺎﺩﻭﻑ ﺒﻘﻲ ﺍﻤﻠﻪ .. ﺩﺍ ﻤﻔﻴﺵ ﻓﻴﻪ ﺤﺎﺠﻪ ﻏﻴﺭ ﺍﻨﻪ ﻁﻴﺏ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻋﻭﺯﻩ ﺃﻭﺭﺜﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺵ ﻟﻤﺎ ﻴﻤﻭﺕ ﺍﻷﻭل‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻫﺎﻭﺭﺜﻪ ﺒﺎﻟﺤﻴﺎ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺘﺒﻘﻲ ﻋﺎﻭﺯﻩ ﻤﻌﺠﺯﻩ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺭﻭﺤﻲ ﺒﻘﻲ ﻭﺭﺍﻩ ﺍﻋﺭﻓﻲ ﺴﺭﻩ .. ﻭﺍﺭﺠﻌﻲ ﻟﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫١١‬ ‫‪www.kotobarabia.com‬‬
  • 12. ‫: ﻭﺍﻨﺘﻲ ﺭﺍﻴﺤﻪ ﻓﻴﻥ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻨﺎ ﻤﺴﺘﻨﻴﻪ ﻫﻨﺎ ﺤﺎﺠﻪ ﺃﻫﻡ ﺩﻟﻭﻗﺘﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻩ ﺍﻓﺘﻜﺭﺕ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻭﻟﻤﺎ ﺘﺭﺠﻌﻲ ﺃﻨﺘﻲ ﻋﺎﺭﻓﻪ ﻫﺎﺘﻌﻤﻠﻲ ﺃﻴﺔ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻋﺎﺭﻓﻪ ) ﺘﻀﺤﻙ ﻀﺤﻜﺔ ﺨﻠﻴﻌﺔ (‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻫﺎﺘﻔﻀﺤﻴﻨﺎ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻴﻭﻩ ﺨﻼﺹ .. ﻫﻭ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻤﺸﻲ ﻤﻨﻴﻥ .. ﺍﻴﻭﻩ ﻤﻥ ﻫﻨﺎ .. ﺴﻼﻡ ) ﺘﺨﺭﺝ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫(‬ ‫: ﻭﺃﻨﺎ ﻤﻥ ﻫﻨﺎ ) ﺘﺨﺘﺒﺊ ﻋﻠﻲ ﺍﺜﺭ ﺃﺼﻭﺍﺕ ﺃﻗﺩﺍﻡ ﻤﻥ ﺍﻟﻜﻭﺍﻟﻴﺱ ﺜﻡ . ﻴﺩﺨل ﺨـﺎﺩﻡ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻜﺎﻫﻥ ﻴﺴﺘﻁﻠﻊ ﺍﻟﻤﻜﺎﻥ ﺜﻡ ﻴﻨﻅﺭ ﻤﻥ ﻤﻜﺎﻥ ﺩﺨﻠﻭﻩ ﻴﻨﺎﺩﻯ ﺒﺼﻭﺕ ﻤﻨﺨﻔﺽ ﺠﺩﺍ (‬ ‫: ) ﻫﺎﻤﺴﺎ ( ﻤﻭﻻﻯ .. ﻤﺸﻴﻭﺍ ) ﻻ ﺍﺤﺩ ﻴﺠﻴﺏ ( ﻤﻭﻻﻯ ﻤﺸﻴﻭﺍ ) ﺒﺼﻭﺕ ﻋﺎﻟﻲ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺠﺩﺍ ( ﺍﻴﻪ ﻤﺵ ﺴﺎﻤﻌﻴﻥ ﻤﺎﺘﻴﺠﻭﺍ )ﻴﺩﺨل ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺨﻠﻑ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل(‬ ‫: ﺃﻴﻬﺎ ﺍﻷﺒﻠﻪ .. ﺍﺨﻔﺽ ﺼﻭﺘﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻤﺎ ﺃﻨﺘﻭ ﻤﺵ ﺴﺎﻤﻌﻴﻥ ﻋﻤﺎل ﺃﻗﻭل ﻤﺸﻴﻭﺍ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻏﺭﺏ ﻋﻥ ﻭﺠﻬﻲ ﺃﻻﻥ .. ﻭﺭﺍﻗﺏ ﺍﻟﻁﺭﻴﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻤﺭﻙ ﻴﺎﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ) ﻴﺨﺭﺝ (‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺨﺎﺩﻡ ﻏﺒﻲ .. ﻜﻴﻑ ﺘﺤﺘﻔﻅ ﺒﻪ ﻴﺎﻤﻭﻻﻯ ﻓﻲ ﺨﺩﻤﺘﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻴﺫﻜﺭﻨﻲ ﺒﺒﺴﺎﻁﻪ ﻫﺫﺍ ﺍﻟﺸﻌﺏ .. ﻭﺘﻠﻘﺎﺌﻴﺔ ﺃﻓﻌﺎﻟﻪ ﺩﻟﻴل ﺼﺩﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻪ ﺴﺎﺫﺝ ﻴﺎﻤﻭﻻﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺒل ﺤﺭ .. ﻴﻔﻌل ﻜل ﻤﺎ ﻴﺤﻠﻭﺍ ﻟﻪ ﺩﻭﻥ ﻗﻴﻭﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻱ ﻗﻴﻭﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻗﻴﻭﺩ ﺍﻟﻤﻨﺎﺼﺏ .. ﻗﻴﻭﺩ ﺍﻟﻌﺎﺩﺍﺕ ﺍﻻﺠﺘﻤﺎﻋﻴﺔ .. ﻗﻴﻭﺩ ﺍﻟﻁﻘﻭﺱ ﺍﻟﺩﻴﻨﻴﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻙ ﻏﺎﻤﺽ ﺍﻟﻠﻴﻠﺔ ﻴﺎﻤﻭﻻﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٢١‬ ‫‪www.kotobarabia.com‬‬
  • 13. ‫: ﺒﺩﻭﻥ ﻏﻤﻭﺽ .. ﻫﻭ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺸﺎﺭﻙ ﻓﻲ ﺍﻻﺤﺘﻔـﺎل ﺍﻟﻘـﺎﺌﻡ ﻤﻨـﺫ ﻗﻠﻴـل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻭﻴﻤﺎﺭﺱ ﻜل ﺍﻨﻭﺍﻉ ﺍﻟﺴﻌﺎﺩﺓ ﻭﺍﻟﻔﺭﺡ ﻭﻨﺤﻥ ﻻ ﻨﺴﺘﻁﻴﻊ ﺍﻟﻠﻲ ﺍﻟﺘﺼﻨﺕ ﻓﻲ ﺍﻟﺨﻔـﺎﺀ‬ ‫ﺃﺘﻌﺭﻑ ﻟﻤﺎﺫﺍ ؟‬ ‫: ﻷﻨﻙ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺃﻨﺎ ﻤﺴﺎﻋﺩﺓ ﺍﻷﻭل ﻭﻻ ﻴﺠﺏ ﺃﻥ ﻨﺨﺘﻠﻁ ﺒﺎﻟﺸﻌﺏ ﻭﻨﺤﻥ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺒﻬﺫﻩ ﺍﻟﻘﺩﺍﺴﺔ‬ ‫: ﻫﺫﺍ ﻫﻭ ﺍﻟﻔﺭﻕ ﺒﻴﻨﻨﺎ ﻭﺒﻴﻨﻪ .. ﺍﻟﺤﺭﻴﺔ .. ﻟﻬﺫﺍ ﺃﺘﻤﺴﻙ ﺒﻪ.. ﻫل ﻓﻬﻤﺕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻭﻻﻯ ﻫﻭ ﺨﺎﺩﻤﻙ ﻓﻲ ﻜل ﺍﻷﺤﻭﺍل‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﻴﻜﻠﻡ ﻨﻔﺴﻪ ( ﻫﻭ ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﺘﺯﻭﺝ .. ﻴﻨﺠﺏ ﺃﻁﻔﺎل .. ﻴﺴﺘﻤﺘﻊ ﺘـﺭﺒﻴﺘﻬﻡ ..‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻴﺴﻌﺩ ﺒﺯﻭﺠﺘﻪ .. ﻴﻌﻴﺵ ﻜل ﻁﻘﻭﺱ ﺍﻟﺤﻴﺎﺓ .. ﻴﻤﻠﻙ ﺃﻟﻑ ﺃﻟـﻑ ﻁﺭﻴـﻕ ﻟﻸﻤـل‬ ‫..ﻭﺍﻟﻑ ﺃﻟﻑ ﻭﺴﻴﻠﺔ ﻟﻠﺤﺏ .. ﺃﻤﺎ ﺃﻨﺎ ﻭﺃﻨﺕ ﺒﺤﻜﻡ ﺍﻟﻁﻘﻭﺱ ﺍﻟﻤﻘﺩﺴﺔ ﻴﻤﻜﻨﻨـﻲ ﺃﻥ‬ ‫ﺍﺤﺩﺩ ﻟﻙ ﻜﻴﻑ ﺘﻌﻴﺵ ﻭﻜﻴﻑ ﺘﻤﻭﺕ ﻭﺘﺩﻓﻥ ﻭﻤﻥ ﺴﻴﻜﻭﻥ ﺍﻟﻭﺭﻴﺙ ﻭﻤـﻥ ﺴـﻴﻘﻴﻡ‬ ‫ﺍﻟﺼﻼﺓ .. ﻻ ﺠﺩﻴﺩ ﻭﻻ ﺃﻤﻼ ﺒﻌﻴﺩ‬ ‫: ﺴﻴﺩﻯ ﺃﺘﺩﺭﻙ ﻤﺎﺘﻘﻭل‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻏﺩﺍ ﺘﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺴﻭﺒﺩﻴﺕ .. ﺍﻟﺫﻯ ﻴﻨﺒﺄ ﺒﻘـﺩﻭﻡ ﺍﻟﻔﻴـﻀﺎﻥ .. ﻟﺘﻨﺘـﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺍﻟﻔﺭﺤﺔ ﻓﻲ ﻜل ﺍﺭﺽ ﻤﺼﺭ ﺇﻻ ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ‬ ‫: ﺃﻟﻥ ﺘﻘﻴﻡ ﻁﻘﻭﺱ ﺍﻻﺤﺘﻔﺎل ﺒﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻤﻠﻠﺕ ﺍﻟﻁﻘﻭﺱ .. ﻤﻠﻠﺕ ﺍﻟﺤﻴﺎﺓ ﺩﺍﺨل ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺴﻴﺩﻯ ﺃﻥ ﻤﺎ ﺘﻘﻭﻟﻪ ﻴﻌﺘﺒﺭ ﺨﻁﻴﺌﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ( ﺍﻏﻔﺭﻫﺎ ﻟﻲ ﺃﻴﻬﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﺒﺎﻟـﺼﻼﺓ ﻜﻤـﺎ ﻨﻐﻔـﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺍﻟﺫﻨﻭﺏ ﻟﻠﺭﻋﻴﺔ‬ ‫: ) ﺒﺤﺯﻡ ( ﻜﻴﻑ ﻴﻐﻔﺭ ﻜﺎﻫﻥ ﻤﺜﻠﻲ .. ﻟلﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ ( ﺫﻜﺭﺘﻨﻲ .. ﺃﻨﺎ ﻤﻥ ﻴﻐﻔﺭ ﺫﻨﻭﺏ ﺍﻟﺭﻋﻴﺔ ﻭﻴﻁﻬﺭﻫﻡ ﻤﻨﻬﺎ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺨﺒﺙ ( ﺍﻟﺤﻤﺩ ﻵﻤﻭﻥ .. ﻤﻭﻻﻯ ﺒﺩﺍﺀ ﻴﺴﺘﻌﻴﺩ ﺼﻭﺍﺒﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻟﻴﺱ ﻫﺫﺍ ﻏﺭﻴﺏ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻯ ﻏﺭﻴﺒﺎ ﻴﺎﺴﻴﺩﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٣١‬ ‫‪www.kotobarabia.com‬‬
  • 14. ‫: ﺍﻏﻔﺭ ﻟﻠﺭﻋﻴﺔ ﺠﻤﻴﻊ ﺫﻨﻭﺒﻬﻡ ﺒﺄﻤﺭ ﺁﻤﻭﻥ ﻭﺒﺘﻘﺩﻴﻡ ﺍﻟﻘﺭﺍﺒﻴﻥ .. ﻭﻟﻴﺱ ﻟﻲ ﺍﻟﺤﻕ ﻓﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺨﻁﻴﺌﺔ ﻭﺍﺤﺩﺓ ﻁﻭﺍل ﺤﻴﺎﺘﻲ‬ ‫: ) ﺒﻨﻔﺎﺫ ﺼﺒﺭ ( ﻤﻭﻻﻯ .. ﻟﻘﺩ ﺍﺨﺘـﺭﺕ ﻟﻠﺘﻘـﺩﻴﺱ .ﺃﺫﻥ ﻓﺄﻨـﺕ ﻤﻘﺩﺴـﺎ ﻓـﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺍﻻﺨﺘﻴﺎﺭ.. ﻓﻼ ﺘﺨﻁﺄ‬ ‫: ) ﺒﻐﻀﺏ ( ﺃﻯ ﻋﺩﻻ ﻫﺫﺍ .. ﺃﻨﻨﻲ ﺒﺸﺭ .. ﺃﻨﻨﻲ ﻻ ﺍﺴﺎﻭﻯ ﺤﺘﻲ ﺨﺎﺩﻤﻲ ﻓـﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺤﻕ ﺍﻟﺨﻁﻴﺌﺔ .. ﻓﻬﻭ ﺤﺭﺍ ﻓﻲ ﻫﺫﺍ ﻭﻴﻤﻠﻙ ﺍﻟﻐﻔﺭﺍﻥ ﺒﺎﻟﻘﺭﺒﺎﻥ ﻭﺃﻨﺎ ﻤﻜﺒﻼ ﺒﺎﻟﻠﻌﻨﻪ‬ ‫: ﺍﻟﻡ ﻴﺩﺭﻙ ﺴﻴﺩﻯ ﻫﺫﺍ ﻗﺒل ﺃﻥ ﻴﺭﺸﺢ ﻨﻔﺴﻪ ﻟﻤﻨﺼﺏ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺍﻟﻡ ﺘﺩﺭﻜﻭﺍ ﺃﻨﺘﻡ ﺃﻨﻨﻲ ﻻ ﺃﺼﻠﺢ ﻋﻨﺩ ﺍﻨﺘﺨﺎﺒﻲ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﺇﺭﺍﺩﺓ ﺍﻵﻟﻬﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﻜﺫﺍ ﻨﻘﻭل ﻟﻠﻌﺎﻤﺔ .. ﺇﻤﺎ ﻓﻴﻤﺎ ﺒﻴﻨﻨﺎ ﺍﻷﻤﺭ ﻤﺨﺘﻠﻑ .. ﺃﻨﺕ ﻤﺜﻼ ﻤﺎﺫﺍ ﻜﻨﺕ ﺘﻘﻭل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻟﻨﻔﺴﻙ ﻭﺃﻨﺕ ﺘﻨﺘﺨﺒﻨﻲ‬ ‫: ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻭﺒﻜل ﺼﺭﺍﺤﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﺎﻥ ﻟﻲ ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺘﻌﺠﺏ ( ﺘﺭﻭﻗﻨﻲ ﻫﺫﻩ ﺍﻟﺼﺭﺍﺤﺔ .. ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ ﻓﻲ ﺃﻋﻠﻲ ﻭﺃﻗﺩﺱ ﻤﻨﺼﺏ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺩﻴﻨﻲ ﻓﻲ ﺍﻟﻤﻌﺒﺩ .. ﻜﻴﻑ‬ ‫: ﺃﺨﺸﻲ ﺃﻥ ﻴﻐﻀﺒﻙ ﺤﻭﺍﺭﻯ ﺴﻴﺩﻯ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﻭل ﺍﻟﻤﻔﺎﺠﺌﺔ ﻴﺤﻁﻡ ﺠﺩﺭﺍﻥ ﺍﻟﻤﻠل .. ﺃﻜﻤل‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻥ ﻟﻡ ﺘﻜﻥ ﺃﻨﺕ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ. ﻟﻡ ﺃﻜﻥ ﺃﻨﺎ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﻟﻪ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﺫﻥ ﻫﻲ ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺸﺨﺼﻴﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﺘﻲ ﺍﻟﻤﻨﺎﺼﺏ ﺍﻟﺩﻴﻨﻴﺔ ﻟﻬﺎ ﺭﻭﻨﻘﻬﺎ ﺍﻟﺠﺫﺍﺏ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺸﺨﺼﻴﺔ .. ﺃﻫﻡ ﻤﻥ ﺍﻟﻁﺎﻫﺭﺓ ﻭﺍﻟﻘﺩﺍﺴﺔ ﻭﺍﻟﻘﻴﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺤﺯﻡ ( ﻭﻓﻲ ﺒﻌﺽ ﺍﻷﺤﻴﺎﻥ ﺘﻁﻔﻭ ﻓﻭﻕ ﺍﻟﻌﻘﻴﺩﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﺍﻟﻌﻘﻴﺩﺓ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﻁﺒﻴﻌﺔ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻥ ﺘﻜﻔﺭ ﺒﺎﻵﻟﻬﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٤١‬ ‫‪www.kotobarabia.com‬‬
  • 15. ‫: ﺒل ﺘﺄﻤﻥ ﺒﺎﻟﺤﻴﺎﺓ ﻭﺘﻘﺩﺱ ﺍﻟﻘﻭﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻭﻫل ﺃﻨﺎ ﻭﺍﺤﺩ ﻤﻥ ﻫﺅﻻﺀ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺨﺒﺙ( ﺃﻨﺕ ﻋﻠﻲ ﻗﻤﺔ ﺍﻟﺤﻴﺎﺓ ﺒﻘﻭﺓ ﺍﻟﻤﻨﺼﺏ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺎﻨﻬﻴﺎﺭ ( ﺒل ﻓﻲ ﻗﺎﻉ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻯ ﺤﻘﻴﻘﺔ ﺘﻘﺼﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺤﻘﻴﻘﺔ ﺍﻟﻭﻫﻡ ﺍﻟﺫﻯ ﺃﻋﻴﺸﻪ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﻭﻫﻡ ﻫﻭ ﺍﻟﺩﺴﺘﻭﺭ ﺍﻟﺫﻯ ﻨﺤﻜﻡ ﺒﻪ ﺍﻟﺸﻌﺏ .. ﺃﻥ ﻟﻡ ﺘﻭﻫﻤﻬﻡ ﺃﻨـﻙ .. ﺃﻜﺜـﺭﻫﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﻁﺎﻫﺭﺓ ﻭﻗﺩﺍﺴﺔ ﻭﺘﻘﺭﺒﺎ ﻟﻶﻟﻬﺔ ﻤﺎ ﺃﻁﺎﻋﻭﻙ‬ ‫: ﻋﺸﺭﻭﻥ ﻋﺎﻤﺎ ﻭﺃﻨﺎ ﺴﺠﻴﻥ ﺩﺍﺨل ﻗﺩﺱ ﺃﻗﺩﺍﺱ ﻫﺫﺍ ﺍﻟﻤﻌﺒﺩ .. ﻻ ﺃﺭﻯ ﻤﻥ ﺍﻟﺒﺸﺭ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻏﻴﺭ ﺭﺅﻭﺴﻬﻡ ﺍﻟﻤﻨﻜﺴﺔ .. ﻭﻻ ﺃﻗﻭل ﺇﻻ ﻤﺎ ﺘﻨﺹ ﻋﻠﻴﻪ ﺍﻟﺒﺭﺩﻴﺎﺕ ﻭﺍﻵﺘﻭﻥ .. ﻭﻻ‬ ‫ﺍﻓﻌل ﺇﻻ ﺍﻟﻌﻅﺔ ﻭﺍﻟﻤﻭﻋﻅﺔ .. ﻜل ﻫﺫﺍ ﻭﻫﻡ‬ ‫: ﺃﻨﻬﺎ ﺤﻘﻴﻘﺔ ﻤﻨﺼﺒﻙ ﺴﻴﺩﻯ .. ﻭﻟﻴﺱ ﺤﻘﻴﻘﺔ ﺇﻴﻤﺎﻨﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﻴﻬﺎ ﺍﻟﻜﺎﻫﻥ .. ﺃﻨﺎ ﺃﺘﻬﻤﻙ ﺒﺎﻟﺯﻨﺩﻗﺔ .. ﻭﺍﻟﺨﻴﺎﻨﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺘﻬﻜﻡ ( ﻋﻠﻲ ﺼﺭﺍﺤﺘﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫل ﺍﻟﺼﺭﺍﺤﺔ .. ﺃﻥ ﺘﺠﺭﺩ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻤﻥ ﻗﺩﺍﺴﺘﻪ ﻭﻁﻬﺭﻩ ﻭﺇﻴﻤﺎﻨﻪ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﺃﻋﻠل .. ﻤﻠﻠﻪ ﻤﻥ ﺍﻟﻁﻘﻭﺱ .. ﻭﺘﻤﻠﺼﻪ ﻤﻥ ﺍﻟﻌﺒﺎﺩﺓ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻫﺫﺍ ﺘﻬﺩﻴﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﺘﻨﺒﻴﻪ ﻟﻤﺎ ﻗﺩ ﻴﺤﺩﺙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﺃﺠﻨﻨﺕ .. ﺃﺘﻬﻤﻙ ﺒﺎﻟﺨﻴﺎﻨﺔ ﺘﺘﻬﻤﻨﻲ ﺒﺎﻟﺩﻨﺱ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﺨﻁﻴﺌﺔ ﻟلﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺩﻨﺱ ﻴﻁﻬﺭﻩ ﺍﻟﺤﺭﻕ .. ﻭﺍﻟﺨﻴﺎﻨﺔ لﻜـﺎﻫﻥ ﺍﻟﻤﻌﺒـﺩ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺨﻁﻴﺌﺔ ﻴﻐﻔﺭﻫﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺒﺎﻟﻘﺭﺍﺒﻴﻥ‬ ‫: ﻻ ﺍﺼﺩﻕ ﻤﺎ ﺃﺴﻤﻊ .. ﺤﺘﻲ ﻫﺫﻩ ﺍﻟﻠﺤﻅﺔ ﻭﺃﻨﺎ ﺃﺠﺎﺩﻟﻙ ﻤﻥ ﺃﺠل ..‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﺎﺯﻟﺕ ﻤﺜل ﺭﻋﻴﺘﻙ ﺴﻴﺩﻯ ﺘﺘﻤﺴﻙ ﺒﺎﻟﻭﻫﻡ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺘﻬﺩﻴﺩ ( ﺃﺤﺫﺭ ﺃﻨﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻟﻤﻌﺒﺩ ﺁﻤﻭﻥ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: )ﺒﺜﻘﺔ( ﻭﺃﻨﺎ ﺃﻋﻅﻡ ﻜﺎﻫﻥ ﻓﻲ ﻤﻌﺒﺩ ﺁﻤﻭﻥ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫٥١‬ ‫‪www.kotobarabia.com‬‬
  • 16. ‫: ﺴﺄﺍﻤﺭ ﺍﻟﺨﺎﺩﻡ ﺒﺎﻟﻘﺒﺽ ﻋﻠﻴﻙ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻭﺃﻨﺎ ﺴﺎﺍﻤﺭ ﺒﻘﺘﻠﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻗﺘﻠﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻟﻘﺩ ﺩﻭﻨﺕ ﺃﺨﻁﺎﺌﻙ ﻭﺩ ﺩﺴﺘﻬﺎ ﻟﻠﺤﺭﺍﺱ ﻭﺍﻟﻜﻬﺎﻥ ﻭﺃﻤﺭﺘﻬﻡ ﺒﺎﻟﺘﻜﺘﻡ ﺤﻔﺎﻅﺎ ﻋﻠـﻲ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﻫﺒﻴﺔ ﺍﻟﻤﻌﺒﺩ ﻭﺍﻟﻲ ﺤﻴﻥ ﺃﻥ ﺘﺘﺩﺒﺭ ﺍﻵﻟﻬﺔ ﻓﻲ ﺃﻤﺭﻙ .‬ ‫: ﺃﻨﺎ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﺕ ﻓﻲ ﺃﻤﺎﻥ ﻤﺎﺩﻤﺕ ﻓﻲ ﻁﺎﻋﺘﻲ .‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ﻜﺄﻨﻪ ﺤﻠﻡ ؟؛ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﺤﻠﻡ ﻭﺍﻟﻭﻫﻡ .. ﻤﻨﻔﺫﺍﻥ ﻟﻠﻬﺭﻭﺏ ﻤﻥ ﺍﻟﻭﺍﻗﻊ .‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫: ) ﺒﺫﻫﻭل ( ﺃﻨﺕ .. ﺃﻨﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻲ ﺫﺍﻫﺏ ﺇﻟﻲ ﺍﻟﻤﻌﺒﺩ ﻗﺒل ﺃﻥ ﻴﺴﺘﻴﻘﻅ ﺍﻟﻨﻬﺎﺭ ﻭﻴﻔﻀﺢ ﺃﻤﺭﻨﺎ.. ﻋـﺩ ﺒﻤﻔـﺭﺩﻙ‬ ‫ﺍﻟﻤﺴﺎﻋﺩ‬ ‫ﺒﻌﺩﻯ .. ﺃﻨﺕ ﺒﻌﺩﻯ ﺃﻓﻬﻤﺕ ) ﻴﺨﺭﺝ ( .‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﺤﻘﻴﺭ .. ) ﻟﻨﻔﺴﻪ ( ﺃﻨﺎ ﺭﺅﻴﺔ ﺴﻴﺎﺴﻴﺔ .. ﻭﺴـﺠﻴﻥ ﺩﺍﺨـل ﻤﻌﺒـﺩ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﻭﺭﺩﺍﺀ ﻜﺎﻫﻥ ﺃﻋﻅﻡ .. ﺃﻯ ﻭﻫﻡ ﻫﺫﺍ ﺍﻟﺫﻯ ﺃﻋﻴﺸﻪ ) ﻴﺩﺨل ﺍﻟﺨﺎﺩﻡ ﻤﺭﻋﻭﺒﺎ ( .‬ ‫: ) ﺒﺭﻋﺏ ( ﺴﻴﺩﻯ .. ﺴﻴﺩﻯ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﺒﺨﻭﻑ ( ﺃﺤﺫﺭ ﻤﻥ ﺍﻻﻗﺘﺭﺍﺏ ﻤﻨﻲ .. ﺇﻴﺎﻙ ﺘﻘﺘﺭﺏ ﺴﻭﻑ ﺍﻓﺘﻙ ﺒﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺘﻌﺠﺏ ( ﻤﺎ ﻫﺫﺍ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺸﺒﺢ ﻴﺘﺤﺭﻙ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻨﻪ ﺍﻟﻤﻠﻌﻭﻥ .. ﻤﺴﺎﻋﺩﻱ ﺍﻷﻭل .. ﻤﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﻼ ﺃﻨﻪ ﺸﺒﺢ ﻴﺘﺤﺭﻙ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺃﻨﺕ ﺘﻬﺫﻱ ) ﺘﺩﺨل ﺍﻟﺴﺎﺤﺭﺓ ﻤﺭﺘﺩﻴﺔ ﺍﻟﻭﺸﺎﺡ ( .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒل ﻫﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﻫﻪ .. ﻤﻥ ﺃﻨﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻜﺸﻑ ﻭﺠﻬﻬﺎ ( ﻤﻥ ﺃﻨﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫٦١‬ ‫‪www.kotobarabia.com‬‬
  • 17. ‫: ﺍﻤﺭﺃﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺨﺎﺩﻤﺘﻙ ﺍﻟﻤﻁﻴﻌﺔ ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﺍﻟﺴﺎﺤﺭﺓ ﺒﻭﺘﻭ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺴﺎﺤﺭﺓ .. ﻤﺎﺫﺍ ﻜﻨﺕ ﺘﻔﻌﻠﻴﻥ ﻓﻲ ﺍﻟﻅﻼﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﻨﺒﺄﺕ ﺒﻘﺩﻭﻡ ﻤﻭﻻﻯ .. ﻓﺎﻨﺘﻅﺭﺕ ﻗﺩﻭﻤﻙ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺘﺒﻨﺄﺘﻲ ﺒﻘﺩﻭﻡ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫.‬ ‫: ﺃﻨﻬﺎ ﻤﻘﺩﺭﺓ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: )ﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ ﻴﺨﻨﻘﻬﺎ( ﺃﻨﻙ ﻤﺨﺎﺩﻋﻪ . ﻜﻴﻑ ﻋﻠﻤﺕ ﻗﺩﻭﻤﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺸﻴﺭ ﺍﻟﻲ ﺍﻟﺨﺎﺩﻡ ( ﻤﻥ ﻫﺫﺍ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﻻ .. ﻟﻡ ﺃﻗﻭل ﻷﺤﺩ ﺼﺩﻗﻨﻲ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺨﺎﺩﻤﻲ ﺠﺎﺴﻭﺴﺎ ﻋﻠﻲ ) ﻴﺘﺭﻜﻬﺎ ( .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎ ﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻫل ﻤﺎﺯﺍل ﻫﻨﺎﻙ ﺤﻘﻴﻘﺔ ﺒﻌﺩ ﻜل ﻤﺎ ﺃﺴﻤﻊ ﻭﺃﺭﻯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﺫﻜﺭﺕ .. ﻜﻨﺕ ﺃﺘﺴﺎﻤﺭ ﻤﻊ ﻁﺎﺒﺨﺔ ﺍﻟﻤﻌﺒﺩ ﻭﺯﻟﻔﺕ ﻤﻨﻲ ﺒﻌﺽ ﺍﻟﻜﻠﻤﺎﺕ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﻭﻁﺎﺒﺨﺔ ﺍﻟﻤﻌﺒﺩ ﺃﺤﺩ ﺃﺘﺒﺎﻋﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺼﺎﺭﺨﺎ ( ﻜﻔــﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﻲ ﺍﻟﺩﺍﻴﺔ ( ﺃﻨﻬﺎ ﺍﻟﺤﻘﻴﻘﺔ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﻁﺎﺒﺨﺔ‬ ‫: ) ﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ ( ﺃﻨﺘﻲ .. ﻟﻤﺎﺫﺍ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺭﻏﺒﺔ ﻓﻲ ﻤﻼﻗﺎﺓ ﻤﻭﻻﻯ ﻋﻠﻲ ﺇﻨﻔﺭﺍﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩﻴﻥ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺸﻴﺭ ﻟﻠﺨﺎﺩﻡ ﻭﺍﻟﻁﺎﺒﺨﺔ ( ﻗﻭﻟﺕ ﻋﻠﻲ ﺇﻨﻔﺭﺍﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻫل ﺃﺨﺭﺝ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ﺒﻌﺩ ﺃﺫﻥ ﻤﻭﻻﻴﺎ ﻁﺒﻌﺎ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺭﻴﺒﺔ ( ﻻ ﺘﺫﻫﺏ ﺒﻌﻴﺩ ﻭﺃﻨﺘﻅﺭ ﺃﻭﺍﻤﺭﻯ ) ﻴﺨﺭﺝ ﺍﻟﺨﺎﺩﻡ ﻭﺍﻟﻁﺎﺒﺨـﺔ . ﺜـﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺘﺘﺠﺭﺩ ﺍﻟﺴﺎﺤﺭﺓ ﻤﻥ ﻭﺸﺎﺤﻬﺎ ﻭﻫﻲ ﻓﻲ ﻤﻼﺒﺱ ﺃﻏﺭﺍﺀ (‬ ‫٧١‬ ‫‪www.kotobarabia.com‬‬
  • 18. ‫: ) ﺒﺩﻫﺸﺔ ( ﻤﺎ ﻫﺫﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻨﻬﺎ ﺭﻏﺒﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﻙ .. ﺃﻨﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻘﺘﺭﺏ ﻤﻨﻪ ﺒﺩﻻل ( ﺃﻨﻬﺎ ﺃﺤﺩﻯ ﺃﻤﻨﻴﺎﺘﻲ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻜﻤﻥ ﻴﻔﻴﻕ ( ﺠﺌﺕ ﻟﻠﺭﺠل ﺍﻟﺨﻁﺄ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﺍﻟﺨﻁﺄ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺈﺼﺭﺍﺭ ( ﺇﺫﻥ ﺃﻴﻥ ﻴﺎﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﻬﺭﺏ ﻤﻨﻬﺎ ( ﺃﻴﻥ ﻤﺎﺫﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻀﺤﻙ ﺒﺩﻻل ( ﺃﺴﺘﻁﻴﻊ ﺃﻥ ﺃﻁﺎﻟﺏ ﺒﺤﻘﻭﻗﻲ ﻜﺴﺎﺤﺭﺓ .. ﻭﺭﻏﺒﺘﻲ ﻜﺎﻤﺭﺃﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻜﺴﺎﺤﺭﺓ ﺃﻋﺭﻀﻲ ﺃﻤﺭﻙ .. ﻭﻜﺎﻤﺭﺃﺓ ﺍﺒﺤﺜﻲ ﻋﻥ ﺭﻏﺒﺘﻙ ﻤﻊ ﻤﻥ ﻴﺭﻏﺏ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﻘﺘﺭﺏ ﺃﻜﺜﺭ ( ﻭﺃﻨﺕ ﻻ ﺘﺭﻏﺏ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻗﻭﻟﺕ ﻜﺴﺎﺤﺭﺓ ﻓﻘﻁ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻷﻤﺭ ﺒﺒﺴﺎﻁﻪ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺒﺈﻴﺠﺎﺯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺒﺎﻟﻌﺎﻤﻴﺔ ( ﻴﺒﻘﻲ ﻓﻜﻬﺎ ﺍﻷﻭل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻤﺎﺫﺍ ﺘﺭﻴﺩﻯ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺘﺩﻟﻼ ﻋﻠﻴﻪ ( ﻓﻜﻬﺎ .. ﻓﻜﻬﺎ .. ﻓﻜﻬﺎ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﺩﻓﻌﻬﺎ ﺒﻌﻴﺩ ﻋﻨﻪ ﺼﺎﺭﺨﺎ ( ﻋﺎﻴﺯﻩ ﺇﻴﻪ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﻠﻭ .. ﺃﻴﻭﻩ ﻜﺩﺍ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺸﺊ ﻤﻥ ﺍﻹﻋﺠﺎﺏ ( ﺍﻟﻤﻁﻠﻭﺏ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒﻴﺕ ﻭﻏﻴﻁ ﻭﻤﻜﺎﻨﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﻐﻀﺏ ( ﺃﻴﺔ .. ﻟﻴﻪ ﺒﻘﻴﺕ ﺃﻫﻠﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: )ﺒﺨﺒﺙ( ﺃﻫﻠﻙ ﻤﺎﻴﻌﺭﻓﻭﺵ ﻋﻨﻙ ﺤﺎﺠﻪ ﻤﻥ ﻴﻭﻡ ﻤﺎﺩﺨﻠﺕ ﺍﻟﻤﻌﺒﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺒﻌﺩﻴﻥ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻻ ﻴﻘﺩﺭﻭﺍ ﻴﻨﻔﻌﻭﻙ ﻭﻻ ﺘﻘﺩﺭ ﺘﻨﻔﻌﻬﻡ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺤﺩﻩ ( ﻋﺎﻴﺯﻩ ﺃﻴﺔ ﻤﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٨١‬ ‫‪www.kotobarabia.com‬‬
  • 19. ‫: ) ﺒﺩﻻل ( ﺃﻨﺎ ﻗﻭﻟﺕ .. ﻓﺎﻀل ﺘﻘﻭل ﺃﻨﺕ ﻋﺎﻭﺯ ﺍﻴﻪ ﻤﻘﺎﺒل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺤﺘﻲ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻋﺎﻭﺯ ﻤﻘﺎﺒل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺎﺤﺘﻘﺎﺭ ( ﻤﻥ .. ﻤﻥ ﺴﺎﺤﺭﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻥ ﺍﻤﺭﺃﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻴﺔ .. ﺃﺒﻴﻊ ﻫﻴﺒﺘﻲ ﻋﺸﺎﻥ ﻭﺍﺤﺩﺓ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺘﺭﺍﻋﻲ ﻤﺼﺎﻟﺤﻙ ﻭﺘﺤﺴﺴﻙ ﺒﺭﺠﻭﻟﺘﻙ ﻭﺘﺩﻴﻙ ﺍﻷﻤل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﻤﺭﻜﺯﻯ ﺍﻟﺩﻴﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺃﻥ ﻜﺎﻥ ﻋﻠﻲ ﺍﻟﻤﺼﻠﺤﺔ ﺍﻟﺩﻴﻨﻴﺔ .. ﺍﻟﺴﺒﺏ ﻤﻭﺠﻭﺩ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﻀﺤﻙ ﺒﺴﺨﺭﻴﺔ ( ﺃﻨﺘﻲ ﺴﺒﺏ ﺩﻴﻨﻲ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺍﻟﻘﻀﺎﺀ ﻋﻠﻲ ﻋﺒﺎﺩﺓ ﺃﻭﺯﻭﺭﻴﺱ ﺍﻟﻠﻲ ﻤﻜﻠﺒﺸﻪ ﻓﻲ ﻗﻠﻭﺏ ﺍﻟﺭﻋﻴﺔ .. ﻭﺍﻟﻠﻲ ﻤﺤﺒﺘﻪ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺫﺍﺩﺕ ﻋﻠﻲ ﻤﺤﺒﺔ ﺃﻟﻬﻨﺎ ﺁﻤﻭﻥ.. ﺍﻟﻪ ﻤﻌﺒﺩﻙ .‬ ‫: ﺃﻨﺎ ﺃﺩﻴﻥ ﻟﻜل ﺍﻵﻟﻬﺔ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻤﻘﺎﻁﻌﺔ ( ﻭﺘﺨﺩﻡ ﺁﻤﻭﻥ ﻓﻘﻁ . ﻷﻨﻙ ﻜﺎﻫﻥ ﻤﻌﺒﺩﻩ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺃﻨﺘﻲ ﺃﻴﺔ ﻤﺼﻠﺤﺘﻙ ﻓﻲ ﻜﺩﺍ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺨﺎﺩﻤﺔ ﺁﻤﻭﻥ ﺍﻟﻤﻁﻴﻌﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻁﺏ ﺃﻴﺔ ﺍﻟﻔﺎﻴﺩﺓ ﻤﻥ ﺩﺍ ﻜﻠﻪ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻜﺘﻴﻴﺭ .. ﺯﻴﺎﺩﺓ ﺍﻟﺭﻋﻴﺔ .. ﺯﻴﺎﺩﺓ ﺍﻟﻘﺭﺍﺒﻴﻥ .. ﺯﻴﺎﺩﺓ ﺍﻟـﺴﻴﻁﺭﺓ . ﺯﻴـﺎﺩﺓ ﻗـﻭﺓ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻤﻌﺒﺩ . ﻭﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﺍﻷﻭﺤﺩ .‬ ‫: ﺍﻷﻭﺤﺩ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﺎﻤﺴﺔ ﺒﺨﺒﺙ ( ﺒﻌﺩ ﻤﻭﺕ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل ﻟﻤﻭﻻﻯ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺫﻫﻭل ( ﻤﻭﺕ ﺍﻟﻤﺴﺎﻋﺩ ﺍﻷﻭل .. ﻤﺴﺘﻁﻠﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ.‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺒﺎﻟﺴﻡ .. ﺍﻟﻁﺒﺎﺨﺔ ﺍﻟﻠﻲ ﺒﺘﻁﺒﺦ ﺃﻜﻠﻪ ﻫﺎﺘﺴﻤﻪ .. ﻭﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻫـﺎ ﻴﻌﺘﺒـﺭ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻤﻭﺘﻪ ﻁﺒﻴﻌﻲ ﻭﻴﺼﻠﻲ ﻋﻠﻴﻪ ﻜﻤﺎﻥ .‬ ‫: ) ﻜﻤﻥ ﻓﻲ ﻏﻴﺒﻭﺒﺔ ﻭﻴﻔﻴﻕ ( ﺃﻨﺘﻲ ﺸﻴﻁﺎﻨﺔ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫٩١‬ ‫‪www.kotobarabia.com‬‬
  • 20. ‫: ﻭﺃﻨﺕ ﻤﺵ ﻤﻼﻙ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻭﺇﺫﺍ ﺭﻓﻀﺕ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﺵ ﻋﺎﻭﺯﻩ ﻏﻴﺭ ﺭﻀﺎﻙ ﻭﻤﺴﺎﻨﺩﺘﻙ ﺍﻟﺩﻴﻨﻴﺔ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺒﺎﺭﺘﺒﺎﻙ ( ﺃﻨﺎ ﺍﺭﻓﺽ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻴﺒﻘﻲ ﺭﻭﺡ ﻤﻌﺒﺩﻙ ﺃﺴﺘﻨﻲ ﺍﻟﻠﺤﻅﺔ ﺍﻟﻠﻲ ﻴﺤﺱ ﻓﻴﻬﺎ ﻤـﺴﺎﻋﺩﻙ ﺍﻷﻭل ﻤـﺴﺘﻁﻠﻊ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺃﻨﻪ ﺍﻷﻗﻭﻯ ﻭﻴﻘﺘﻠﻙ .‬ ‫: ﻤﺎﻴﻘﺩﺭﺵ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﻫﺎﻤﺴﺔ ( ﻭﺒﻨﻔﺱ ﺍﻟﺴﻡ ) ﺘﺭﻓﻊ ﺍﻟﻭﺸﺎﺡ ﻤﻥ ﻋﻠﻲ ﺍﻷﺭﺽ ( ﺒﻌﺩ ﺃﺫﻥ ﻤﻭﻻﻯ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻫﺎﻭﺼل ﻟﺤﺩ ﺍﻟﻤﻌﺒﺩ .‬ ‫: ﺒﻭﺘﻭ .. ﻜﻼﻤﻙ ﺩﻩ ﺼﻌﺏ ﻭﺨﻁﻴﺭ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻤﻔﻴﺵ ﺃﺨﻁﺭ ﻤﻥ ﺤﻴﺎﺘﻙ .. ﺃﻨﺎ ﺃﺨﺘﺎﺭ ﺍﻷﺭﺽ ﻭﺍﻟﺒﻴﺕ ﻭﺃﻗﺘل ﻭﺃﻨﺕ ﻫﺎ ﺘﺭﻀﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻋﻨﻲ ﻭﺒﺱ .‬ ‫: ) ﺒﺎﻨﻬﻴﺎﺭ ( ﻤﺵ ﻗﺎﺩﺭ ﺃﻓﻜﺭ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ) ﺘﺴﻴﻁﺭ ﻋﻠﻴﻪ ﺘﻤﺎﻤﺎ ( ﻓﻜﺭ ﻓﻲ ﺁﻤﻭﻥ .. ﺃﻟﻠﻲ ﻗﺭﺒﻭﺍ ﻴﻨﺴﻭﻩ ﻓﻜﺭ ﻓﻲ ﻨﻔﺴﻙ ﺍﻟﻠﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻗﺭﺒﺕ ﺘﻨﺴﺎﻫﺎ .. ﻓﻜﺭ ﻓﻴﺎ .‬ ‫: ) ﺒﺫﻫﻭل ( ﻴﺎ .. ﻴﺎ .. ﻴﺎ ﺨﺎﺩﻡ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﻗﻭﻟﺕ ﺃﻴﺔ ..ﺍﻟﺒﺱ ﺍﻟﻭﺸﺎﺡ .. ﻭﻻ ﺃﺨﻠﻴﻪ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﻴﺩﺨل ﻭﻴﻨﻅﺭ ﻟﻠﺴﺎﺤﺭﺓ ﻭﻤﻼﺒﺴﻬﺎ ﻓﻲ ﺫﻫﻭل ( ﺃﻤﺭ ﻤﻭﻻﻯ.‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﻴﻨﻅﺭ ﺍﻟﻲ ﺍﻟﺴﺎﺤﺭﺓ ﺒﺸﺭﻭﺩ ﺫﻫﻥ ( ﺃﺴﺒﻘﻨﻲ ﺍﻟﻲ ﺍﻟﻤﻌﺒﺩ . ) ﻴﺨﺭﺝ ﺍﻟﺨـﺎﺩﻡ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺘﻀﺤﻙ ﺍﻟﺴﺎﺤﺭﺓ ﻭﺘﻠﻘﻲ ﺍﻟﻭﺸﺎﺡ ﻋﻠﻲ ﺍﻷﺭﺽ ﻭﺘﺘﺠﻪ ﻟﺘﺤﺘﻀﻥ ﺍﻟﻜﺎﻫﻥ (‬ ‫: ﻜﺩﺍ ﻴﺒﻘﻲ ﻨﻭﺜﻕ ﺍﻻﺘﻔﺎﻕ. ) ﺇﻅﻼﻡ ﺜﻡ ﺇﻀﺎﺀﺓ ﺍﻟﻤﻜﺎﻥ ﺨﺎﻟﻲ ﻴﺩﺨل ﺴﻭﺒﻙ ﻴﺤﻤـل‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻁﺒﻠﺔ ﻴﺩﻭﺭ ﻓﻲ ﺍﻟﻤﻜﺎﻥ ﻴﻌﻠﻥ ﺍﻟﺒﻴﺎﻥ ﻭﺨﻠﻔﻪ ﺍﻷﻁﻔﺎل ﻴﺤﺎﻭﻁﻪ ﺍﻷﻫﺎﻟﻲ (‬ ‫: ﻴﺎ ﺃﻫل ﻭﺍﺩﻯ ﺍﻟﻨﻭﺏ .. ﺒﺄﻤﺭ ﺍﻟﻜﺎﻫﻥ ﺴﺎﺡ ﻴﺄﺠل ﺍﻻﺤﺘﻔﺎل ﺒﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻓﻲ ﺠﻤﻴﻊ ﺍﻷﻨﺤﺎﺀ ﺍﺤﺘﺭﺍﻤﺎ ﻻﻨﺘﻘﺎل ﻜﺎﻫﻥ ﺍﺴﺘﻁﻼﻉ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ﻭﻴﻤﻨﻊ‬ ‫ﺍﻟﺘﺸﺎﺅﻡ ﻭﻴﻤﻨﻊ ﺍﻟﺒﻜﺎﺀ .. ﻋﻠﻲ ﺍﻟﺭﺠﺎل ﻭﻋﻠﻲ ﺍﻟﻨﺴﺎﺀ ﻻﻥ ﺍﻟﻜﺎﻫﻥ ﻴﻌﺘﺒﺭ ﺸﻬﻴﺩ ..‬ ‫ﻷﻨﻪ ﺃﻨﺘﻘل ﻓﻲ ﻟﻴﻠﺔ ﻋﻴﺩ ) ﻴﺘﺤﺭﻙ ﺴﻭﺒﻙ ﻟﻠﺨﺎﺭﺝ ﻭﺨﻠﻔﻪ ﺍﻟﺠﻤﻭﻉ ﺜﻡ ( .‬ ‫٠٢‬ ‫‪www.kotobarabia.com‬‬
  • 21. ‫) ﺃﻅـﻼﻡ (‬ ‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻧﻲ‬ ‫= ﺍﻟﻤﻴﻼﺩ =‬ ‫) ﺍﻟﺯﻤﺎﻥ ﻟﻴﻼ ..ﺍﻟﻤﻜﺎﻥ ﺤﻘل ﻭﺒﻪ ﺸﺠﺭﺓ ﺠﻤﻴﺯ ﻭﺨﻭﺥ ﺭﻴﻔﻲ ﻭﺍﻟﻌﺭﺍﺴـﺔ "ﻤﻜـﺎﻥ‬ ‫ﺘﺠﻤﻴﻊ ﻤﻴﺎﻩ ﺍﻟﻔﻴﻀﺎﻥ ﻜﺤﻔﺭﺓ ﻋﻤﻴﻘﺔ ﺒﻴﻀﺎﻭﻴﺔ ﺍﻟﺸﻜل" ﻭﻓﺭﻥ ﺭﻴﻔـﻲ = ﺍﻟـﺴﺎﺤﺭﺓ‬ ‫ﺘﻘﻑ ﻓﻲ ﻭﺴﻁ ﺍﻟﻌﺭﺍﺴﺔ ﻭﺃﺒﻭﺸﺎﺩﻭﻑ ﻴﺩﺨل ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻟﻜﻭﺥ ﺇﺜﻨﺎﺀ ﺍﻟﻤﻨﺎﺠﺎﺓ (‬ ‫١٢‬ ‫‪www.kotobarabia.com‬‬
  • 22. ٢٢ www.kotobarabia.com
  • 23. ‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﱐ‬ ‫: ﺒﺤﻕ ﺁﻤﻭﻥ .. ﺭﺍﻓﻊ ﺍﻟﺴﻤﺎﺀ .. ﺒﺎﺴﻁ ﺍﻷﺭﺽ .. ﻤﻀﺊ ﺍﻟﺸﻤﺱ .. ﻭﺍﻫﺏ ﺍﻟﺤﻴﺎﺓ ..‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺒﺤﻕ ﺠﻤﻴﻊ ﺍﻵﻟﻬﺔ .. ﺃﻭﻫﺏ ﻟﻲ ﻨﺒﻭﺀﺘﻙ .. ﺃﻭﻫﺏ ﻟﻲ ﻭﺭﻴﺙ ﻟﻴﻪ .. ) ﻴﺩﺨل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ( ﻤﺎﺘﻘﻁﻌﺵ ﺼﻠﺘﻲ ﺒﺄﺭﻀﻙ ﺒﻌﺩ ﻤﺎ ﺃﺭﺤل ﻤﻨﻬﺎ .. ﺤﻘﻕ ﻨﺒﻭﺀﺘﻙ ) ﺒﺎﻨﻔﻌﺎل (‬ ‫ﻟﻤﺎ ﺩﻤﻭﻉ ﺇﻴﺯﻴﺱ ﺘﻔﻴﺽ ﻓﻲ ﺍﻟﻨﻴل .. ﻴﻠﻤﻊ ﻨﺠﻡ ﺍﻟﺴﻤﺎﺀ .. ﻭﻴﺠﻲﺀ ﺍﻟﻭﺭﻴﺙ ﺍﻟﺠﻤﻴل ..‬ ‫ﻤﺎﺘﺤﺭﻤﻨﻴﺵ ﻤﻥ ﻓﺭﻉ ﻟﻴﻪ ﻴﻤﺩﻨﻲ ﻓﻲ ﺍﻷﺭﺽ .‬ ‫: ) ﻟﻠﺴﺎﺤﺭﺓ ( ﻤﻭﻻﺘﻲ ﺍﻟﺴﺎﺤﺭﺓ .. ﻤﺭﺍﺘﻲ ﺒﺘﻭﻟﺩ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﻻ ﺘﻠﺘﻔﺕ ﺇﻟﻴﻪ ( ﻁﻭل ﻋﻤﺭﻯ ﺃﺤﻔﻅ ﺘﻌﺎﻭﻴﺫﻙ ﺍﻟﺴﺤﺭﻴﺔ ﻭﺃﺴﺠﻠﻬﺎ ﻓﻲ ﺍﻟﻘﺒﻭﺭ ﻭﺍﻟﺤﻘﻭل‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﻭﺍﻟﺒﻴﻭﺕ ﻋﺸﺎﻥ ﺃﺤﻤﻲ ﻋﺒﻴﺩﻙ ﻤﻥ ﺃﻯ ﺭﻭﺡ ﺸﺭﻴﺭﺓ ﻭﻴﻨﺎﺩﻭﺍ ﺒﺎﻟﻤﺠﺩ ﻻﺴﻤﻙ .. ﺃﺭﺤﻤﻨﻲ ..‬ ‫ﺘﻌﺒﺕ .. ﻨﻔﺴﻲ ﻓﻲ ﺒﻴﺕ ﻴﺤﻤﻴﻨﻲ ﻭﺃﺭﺽ ﺘﺄﻭﻴﻨﻲ .. ﻭﻁﻔل ﻴﻨﺎﺩﻴﻨﻲ ﻴﺎ ﺃﻤﻲ .. ﻜل ﻋﺒﻴﺩﻙ‬ ‫ﻓﻲ ﺍﻷﺭﺽ .. ﻟﻴﻬﻡ ﺒﻴﺕ ﻟﻴﻬﻡ ﻭﻟﺩ ﺃﺸﻤﻌﻨﻲ ﺃﻨﺎ.‬ ‫: ﻤﻭﻻﺘﻲ .. ﻤﺭﺍﺘﻲ ﺒﺘﻭﻟﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻨﺘﺒﻪ ﺇﻟﻴﻪ ﻭﺘﻨﻅﺭ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ( ﺃﺒﻭ ﺸﺎﺩﻭﻑ ﺸﺎﻴﻑ ﺍﻟﻨﺠﻡ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﻨﺠﻡ ﺃﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻨﺠﻡ ﺍﻟﻨﺒﻭﺀﺓ ﻅﻬﺭ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺃﻨﺎ ﻤﺵ ﺸﺎﻴﻑ ﻏﻴﺭ ﻤﺭﺍﺘﻲ ﺸﺭﺍﻗﻲ ﺍﻟﻠﻲ ﺴﻨﻬﺎ ﻜﺒﺭ ﻭﺃﻭل ﻤﺭﺓ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺘﺨﻠﻑ ﻭﺘﻌﺒﺎﻨﻪ ﻗﻭﻯ .. ﺘﻌﺎﻟﻲ ﺃﻟﺤﻘﻴﻬﺎ .‬ ‫: ) ﻨﺎﻅﺭﺓ ﺍﻟﻲ ﺍﻟﺴﻤﺎﺀ ( ﺍﻟﻨﺠﻡ ﺒﻴﻜﺒﺭ .. ﺍﻟﻨﺠﻡ ﺒﻴﻠﻤﻊ .. ﺩﻤﻭﻉ ﺇﻴﺯﻴﺱ ﻫﺎﺘﻔﻴﺽ ﻡ ﺍﻟﻨﻴل.‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﺸﺭﺓ ﺨﻴﺭ .. ﺍﻟﺤﻘﻲ ﻤﺭﺍﺘﻲ ﺃﺒﻭﺱ ﻴﺩﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺎﻨﻔﻌﺎل ( ﺍﻟﻨﺠﻡ ﻅﻬﺭ ﻴﺒﻘﻲ ﺍﻟﻔﻴﻀﺎﻥ ﺠﺎﻯ . ) ﺼﻭﺕ ﺼﺭﺨﺔ ﺍﻷﻡ ﻤﻥ ﺃﻻﻡ ﺍﻟﻭﻀﻊ (‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺍﻟﺤﻘﻴﻨﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻨﺘﺒﻪ ( ﻤﻴﻥ ﺼﺭﺥ ﻤﻴﻥ ﺒﻴﺼﺭﺥ ؟ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻘﻭﻟﻙ ﻤﺭﺍﺘﻲ ﻭﺍﻟﺩﺍﻴﺔ ﻤﺵ ﻋﺎﺭﻓﺔ ﺘﻭﻟﺩﻫﺎ . ) ﺘﻅﻬﺭ ﻤﻥ ﺒﺎﺏ ﺍﻟﻜﻭﺥ ﻴﺩ ﺘﺤﻤـل ﺭﺍﻴـﺔ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺒﻴﻀﺎﺀ ﺘﺸﻴﺭ ﺒﻬﺎ ﻟﻠﺴﺎﺤﺭﺓ( .‬ ‫٣٢‬ ‫‪www.kotobarabia.com‬‬
  • 24. ‫: ﺒﺘﻭﻟﺩ ﺇﻤﺘﻲ ؟ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺩﻟﻭﻗﺘﻲ ﻭﺍﻟﺩﺍﻴﺔ ﻗﺎﻟﺕ ﺃﻨﺩﻩ ﺍﻟﺴﺎﺤﺭﺓ ﻁﻠﻌﺕ ﻟﻘﻴﺘﻙ ﻗﺩﺍﻡ ﺍﻟﺒﺎﺏ ﻭﻜﺄﻥ ﺃﻭﺯﻭﺭﻴﺱ ﺒﺎﻋﺘﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺘﻭﻟﺩ ﺩﻟﻭﻗﺘﻲ .. ﺒﺘﻘﻭل ﻤﻊ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ .. ﺃﻜﻴﺩ ﺒﺎﻋﺘﻨﻲ ﺁﻤﻭﻥ ﻋﺸﺎﻥ ﺃﺤﻀﺭ ﻤﻴﻼﺩ ﺒﻨﺕ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻨﺒﻭﺀﺓ .‬ ‫: ﺒﺱ ﺃﻨﺎ ﻨﻔﺴﻲ ﻓﻲ ﻭﻟﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﻟﻨﺒﻭﺀﺓ ﺒﻨﺕ .. ﺘﺘﻭﻟﺩ ﻤﻊ ﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﺍﻹﻟﻪ ﻭﻤﺠﻴﺌﻲ ﺍﻟﻔﻴﻀﺎﻥ ) ﺼﻭﺕ ﺼﺭﺍﺥ ﺍﻷﻡ (‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻨﺕ .. ﻭﻟﺩ .. ﺍﻟﻤﻬﻡ ﺸﺭﺍﻗﻲ ﺘﻘﻭﻡ ﺒﺎﻟﺴﻼﻤﺔ ﺃﻟﺤﻘﻴﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻟﻤﺎ ﺍﻟﻔﻴﻀﺎﻥ ﻴﻬل .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺍﻟﺤﻘﻲ ﻓﻴﻀﺎﻥ ﺩﻤﻭﻋﻬﺎ ﺍﻷﻭل .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺩﻭﺭ ﺤﻭل ﺍﻟﻌﺭﺍﺴﺔ ﻭﻜﺄﻨﻬﺎ ﻻ ﺘﺴﻤﻌﻪ ( ﺒﻨﺕ ﺘﺘﻭﻟﺩ ﻤﻊ ﻅﻬﻭﺭ ﺍﻟﻨﺠﻡ ﻭﻤﺠﻴﺌﻲ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻔﻴﻀﺎﻥ. ) ﺼﻭﺕ ﺼﺭﺨﺔ ﻭﻟﻴﺩ ﻭﺃﻡ ﻓﻲ ﺤﺎﻟﺔ ﻭﻀﻊ ( ﺒﻨﺕ .. ﺒﻨﺕ .. ﺒﻨﺕ .‬ ‫: ﺭﺤﻤﺘﻙ ﻴﺎ ﺃﻭﺯﻭﺭﻴﺱ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺩﺍﺨﻠﻪ ( ﻤﺒﺭﻭﻙ ﻴﺎ ﺍﺒﻭﺸﺎﻭﻑ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻭﻟﺩ ﻭﻻ ﺒﻨﺕ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ﺒﻨﺕ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺸﺭﺍﻗﻲ ﻋﺎﻤﻠﺔ ﺃﻴﺔ ؟ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺨﻴﺭ ﻜﺄﻨﻬﺎ ﺒﻨﺕ ﺍﻟﻌﺸﺭﻴﻥ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺍﻟﺤﻤﺩ ﻟﻙ ) ﻴﺩﺨل ﺇﻟﻲ ﺍﻟﻜﻭﺥ ( .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺴﻤﻊ ﺼﻭﺕ ﺍﻷﻫﺎﻟﻲ ﻭﺼﻭﺕ ﺍﻟﻔﻴﻀﺎﻥ ( ﺍﻟﻨﺒﻭﺀﺓ .. ﺍﻟﻨﺒﻭﺀﺓ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫: ) ﺘﻨﻅﺭ ﺤﻭﻟﻬﺎ ﺜﻡ ﺘﻬﻤﺱ ﺃﻟﻲ ﺍﻟﺴﺎﺤﺭﺓ ( ﺨﺎﻟﺕ ﻋﻠﻴﻪ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺃﻨﺘﻲ ﺃﻴﺔ ﺍﻟﻠﻲ ﺃﺨﺭﻙ .. ﻤﺵ ﻗﻭﻟﺕ ﻟﻙ ﺘﺸﺎﻭﺭﻱ ﺒﺎﻟﺭﺍﻴﺔ ﺃﻭل ﻤﺎ ﺘﻭﻟﺩ ﻋﺸﺎﻥ ﺍﻋﺭﻑ‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫ﺍﻟﻤﻭﻟﻭﺩ ﻭﻟﺩ ﻭﻻ ﺒﻨﺕ.‬ ‫: ﻤﺵ ﻟﻤﺎ ﻋﺭﻓﺕ ﻭﻻ ﺃﺸﺎﻭﺭ ﻏﻠﻁ ﻭﺍﻟﺒﺕ ﻤﺎ ﻨﻁﻘﺘﺵ ﻏﻴﺭ ﻟﻤﺎ ﺸﻤﻤﺘﻬﺎ ﻓﺤل ﺒﺼل‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺍﻓﺘﻜﺭﺘﻬﺎ ﻤﻴﺘﺔ .‬ ‫: ﻤﻴﺘﺔ ﻋﺸﺎﻥ ﻜل ﺘﻌﺒﻲ ﻴﺭﻭﺡ ﻫﺩﺭ .‬ ‫ﺍﻟﺴﺎﺤﺭﺓ‬ ‫٤٢‬ ‫‪www.kotobarabia.com‬‬
  • 25. ‫: ﻴﺎﻟﻼ ﺒﻴﻨﺎ ﺍﺴﺘﺤﺒﻲ ﻟﺤﺴﻥ ﺤﺩ ﻴﻅﻬﺭ. )ﻴﺩﺨل ﺍﻷﻫﺎﻟﻲ ﻴﺤﻤﻠﻭﻥ ﺃﻭﺍﻨﻲ ﺍﻟﻤﺎﺀ ﻭﻴﺼﺒﻭﻥ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺩﺍﺨل ﺍﻟﻌﺭﺍﺴﺔ ﻭﻴﺭﺸﻭﻥ ﻋﻠﻲ ﺒﻌﻀﻬﻡ ﻭﻋﻠﻲ ﺍﻟﺠﻤﻬﻭﺭ ﻤﻊ ﺇﻴﻘﺎﻉ ﺍﻟﺩﻓﻭﻑ ﻭﺯﻏﺎﺭﻴﺩ‬ ‫ﺍﻟﻨﺴﺎﺀ( .‬ ‫: ﺃﻤﻠﻭﺍ ﺍﻟﻌﺭﺍﺴﺔ ﺒﻤﻴﺔ ﺍﻟﺩﻤﻴﺭﺓ ﻴﺎﺒﺕ ﺃﻨﺘﻲ ﻭﻫﻴﻪ .‬ ‫ﺭﺠل‬ ‫: ﻭﺃﻨﺘﻪ ﺃﻴﺔ ﺍﻟﻠﻲ ﻤﺴﺭﺒﻌﻙ ﺩﻯ ﺒﻴﺤﻤﻭﺍ ﻓﻴﻬﺎ ﺍﻟﻌﻴﺎل ﻤﺵ ﺍﻟﻠﻲ ﺯﻴﻙ ) ﻴﻀﺤﻜﻭﻥ ﻭﻫﻡ ﻓﻲ‬ ‫ﺍﻤﺭﺃﺓ‬ ‫ﻫﺭﺝ ﻤﺴﺘﻤﺭ ﻭﻴﺨﺭﺝ ﻋﻠﻴﻬﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻴﺤﻤل ﻤﻬﺩ ﻁﻔل ( .‬ ‫: ﺃﻴﺔ ﺍﻟﻠﻲ ﻓﻲ ﻴﺩﻙ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺭﺠل‬ ‫: ﺍﻟﺯﺭﻕ ﺍﻟﻠﻲ ﺠﺎﻨﻲ ﻤﻊ ﺍﻟﻔﻴﻀﺎﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﻫﻭ ﺍﻟﻔﻴﻀﺎﻥ ﺒﻴﺠﻴﺏ ﻋﻴﺎل ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﺩﻯ ﺒﻨﺘﻲ .. ﺸﺭﺍﻗﻲ ﻭﻟﺩﺕ ﺒﻨﺕ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﻟﻤﺭﺓ ﺍﻟﻌﺎﻗﺭ ﺒﻘﺎﻟﻬﺎ ﺍﻜﺜﺭ ﻤﻥ ٥. ﺴﻨﺔ ﺘﺨﻠﻑ ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﺩﺍ ﺤﻜﻡ ﺃﻭﺯﻭﺭﻴﺱ ﻭﺭﺤﻤﺘﻪ ﺒﻴﺎ ﻤﺩ ﻟﻲ ﻋﻤﺭﻯ ﻉ ﺍﻷﺭﺽ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻟﻴﻙ ﻭﻟﻴﻨﺎ ﻤﺒﺭﻭﻙ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺭﺠل‬ ‫: ﺴﻤﻴﺘﻬﺎ ﺇﻴﺔ ؟ .‬ ‫ﺍﻤﺭﺃﺓ‬ ‫: ﻫﺎﺴﻤﻴﻬﺎ ﻓﻲ ﺍﻟﺤﺼﺎﺩ ﻟﻤﺎ ﺍﻟﻜﺎﻫﻥ ﻴﺒﺎﺭﻜﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﻜﻭﻥ ﻟﻙ ﺃﻋﻅﻡ ﻭﺭﻴﺙ .‬ ‫ﺭﺠل‬ ‫: ﺘﻜﻭﻥ ﺜﻤﺭﺓ ﺼﻠﺒﺔ ﻓﻲ ﺤﻴﺎﺘﻙ .‬ ‫ﺭﺠل‬ ‫: ﻴﺎﻟﻼ ﻴﺎﺒﺕ ﺇﻨﺘﻲ ﻭﻫﻴﻪ ﻋﺒﻭﺍ ﺍﻟﻌﺭﺍﺴﺔ ﺍﻟﻠﻲ ﻫﺎﻨﻐﻁﺱ ﻓﻴﻬﺎ ﺒﻨﺕ ﺃﺒﻭﺸﺎﺩﻭﻑ ﺒﻤﻴﺔ‬ ‫ﺭﺠل‬ ‫ﺍﻟﻔﻴﻀﺎﻥ.‬ ‫: ﺃﻤﻠﻭﻫﺎ ﻉ ﺍﻷﺨﺭ .. ﻻ ﺯﻡ ﺒﻨﺘﻲ ﺘﺩﻭﻕ ﻭﺘﺴﺘﺤﻤﻲ ﻓﻲ ﻤﻴﺔ ﺍﻟﻔﻴﻀﺎﻥ ﺍﻟﻠﻲ ﺠﺎﺕ ﺒﻴﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫)ﻴﺩﺨل ﺴﻭﺒﻙ ﻴﻨﺎﺩﻯ ﺒﻴﻥ ﻫﺭﺝ ﺍﻟﻔﻼﺤﻴﻥ(‬ ‫: ﺇﻟﻲ ﺃﻫﺎﻟﻲ ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻓﻼﺤﻴﻥ ﺃﻥ ﻤﺄﺠﻭﺭﻴﻥ .. ﺒﺄﻤﺭ ﺍﻟﻜﺎﻫﻥ ﺴﺎﺡ .. ﻴﺒﺩﺃ ﺒﻌﺩ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﻔﻴﻀﺎﻥ .. ﺍﻟﺘﻭﺠﻪ ﻟﻠﻐﻴﻁﺎﻥ ﻟﺘﻁﻭﻴﺵ ﺍﻷﺭﺽ ﻭﻨﺜﺭ ﺍﻟﺒﺫﻭﺭ ﻭﺍﻟﻠﻲ ﻫﺎ ﻴﺘﻠﻜﻊ ﺃﻭ ﻴﻐﻴﺏ ﻫﺎ‬ ‫ﻴﻌﺘﺒﺭ ﻫﺭﻭﺏ ﻭﻤﻥ ﺭﺤﻤﺔ ﺁﻤﻭﻥ ﻤﻁﺭﻭﺩ .‬ ‫: ﺭﺠﻌﺕ ﺘﺎﻨﻲ ﻴﺎﺴﻭﺒﻙ ﻴﺎ ﻭﺵ ﺍﻟﺴﻌﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻜل ﻋﺎﻡ ﻭﺃﻨﺕ ﻓﻲ ﺴﻼﻡ .‬ ‫ﺴﻭﺒﻙ‬ ‫٥٢‬ ‫‪www.kotobarabia.com‬‬
  • 26. ‫: ﻴﻌﻨﻲ ﺒﺘﻨﺩﻩ ﺒﺩﺭﻯ ﺍﻟﺴﻨﺎﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻨﺎ ﻋﺒﺩ ﺍﻷﻭﺍﻤﺭ .. ﺍﻟﻜﺎﻫﻥ ﻗﺎل ﺍﻨﺩﻩ ﺍﻨﺩﻩ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻻ ﻭﺃﻨﺘﻪ ﺍﻟﺼﺎﺩﻕ ﺃﺭﻗﺹ .. ﺘﺭﻗﺹ .‬ ‫ﺭﺠل‬ ‫: ﻭﻤﺎﻟﻪ ﻭﻻ ﺃﻨﺘﻪ ﻤﺎ ﺘﺤﺒﺵ ﺍﻟﻔﺭﺡ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻫﻭﻩ ﻓﻴﻪ ﺤﻔل ﺠﻭﺍﺯ ﻭﻻ ﻁﻬﻭﺭ ﻭﻻ ﺤﺼﺎﺩ ﻴﻨﻔﻊ ﻤﻥ ﻏﻴﺭﻙ .‬ ‫ﺭﺠل‬ ‫: ﻗﻭل ﻟﻪ ﻴﻤﻜﻥ ﻴﻔﻬﻡ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻋﻠﻥ ﻴﺎ ﻭﺍﺩ ﻴﺎ ﺴﻭﺒﻙ ﺃﻥ ﺃﺭﺽ ﺍﻟﺠﺭﻥ ﺍﻟﺴﻨﺎﺩﻯ ﺃﺭﻀﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﻴﺭ ﻴﺎ ﺍﺒﻭ ﺍﻟﺨﻴﺭ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﺃﻨﺘﻪ ﻴﺎﻭﺍﺩ ﻤﺵ ﺸﺎﻴﻑ ﺍﻟﻠﻲ ﻓﻲ ﺃﻴﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺨﻀﺔ ( ﺃﺘﺠﻭﺯﺕ ﻋﻠﻲ ﺨﺎﻟﻪ ﺸﺭﺍﻗﻲ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻴﺨﺭﺏ ﻤﺨﻙ ﻴﺎﻭﺍﺩ ﻫﺎﺘﺠﻭﺯﻨﻲ ﻋﺭﻭﺴﺔ ﻓﻲ ﺍﻟﻤﻬﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﻨﺘﻪ ﻴﺎ ﺃﺒﻭ ﺍﻟﻌﻭﺭ ﻴﻑ .‬ ‫ﺭﺠل‬ ‫: ﻤﻌﻘﻭل ﺒﻌﺩ ﺍﻟﻌﻤﺭ ﺩﺍ ﻜﻠﻪ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻓﻲ ﺤﺎﺠﺔ ﺘﻌﺼﻲ ﻋﻠﻲ ﺁﻤﻭﻥ .‬ ‫ﺭﺠل‬ ‫: ﻭﻫﺩﻴﻬﺎ ﺃﺴﻤﻬﺎ ﻴﻭﻡ ﺍﻟﺤﺼﺎﺩ ﻟﻤﺎ ﺍﻟﻜﺎﻫﻥ ﻴﺒﺎﺭﻜﻬﺎ .. ﻋﺭﻓﺕ ﻟﻴﻪ ﺃﺭﺽ ﺍﻟﺠﺭﻥ ﻋﻨﺩﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻭﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﺍﻟﺴﻨﺎﺩﻯ ﻤﻥ ﻏﻴﻁﻙ .‬ ‫ﺴﻭﺒﻙ‬ ‫: ﻁﻴﺏ ﻴﺎﻟﻼ ﻴﺎﺨﻭﻴﺎ ﺍﻨﺩﻩ ﻋﻠﻲ ﺍﻟﺨﻠﻕ ﻭﻓﺭﺤﻬﻡ .‬ ‫ﺭﺠل‬ ‫: ﻏﻠﻲ ﺃﻫل ﺃﺭﺽ ﺍﻟﻨﻭﺏ.. ﻤﻼﻙ.. ﻓﻼﺤﻴﻥ.. ﻤﺄﺠﻭﺭﻴﻥ.. ﻴﺒﺩﺃ ﺒﻌﺩ ﺍﻟﻔﻴـﻀﺎﻥ ﺍﻟﺘﻭﺠـﻪ‬ ‫ﺴﻭﺒﻙ‬ ‫ﻟﻠﻐﻴﻁﺎﻥ .. ﻭﺒﺩﺀ ﻤﻭﺴﻡ ﺍﻟﺯﺭﺍﻋﺔ ﻭﻴﻜﻭﻥ ﻟﻠﻜل ﻤﻌﺭﻭﻑ .. ﺍﺭﺽ ﺍﻟﺠﺭﻥ ﻫـﺎﺘﺒﻘﻲ ﺍﺭﺽ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ. ) ﻴﺘﺤﺭﻙ ﺴﻭﺒﻙ ﻟﻠﺨﺎﺭﺝ ﻭﺘﺒﺩﺃ ﺃﻏﻨﻴﺔ (‬ ‫: ﻫﻭﺏ ﻫﻭﺏ .. ﻴﺎ ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻫﻭﺏ ﻫﻭﺏ .. ﻜﻭﺍﻨﺎ ﺍﻟﺸﻭﺏ ) ﻴﺘﺠﻤﻊ ﺍﻷﻫﺎﻟﻲ ﻓﻲ‬ ‫ﺍﻟﻤﺠﺎﻤﻴﻊ‬ ‫ﻟﻭﺤﺔ ﺘﻌﺒﻴﺭﻴﺔ ﻴﻁﻭﺸﻭﻥ ﺍﻷﺭﺽ ﺜﻡ ﻴﺤﺭﺜﻭﻨﻬﺎ ﺜﻡ ﻴﺒﺩﺭﻭﻨﻬﺎ ﺒﺎﻟﺒﺫﻭﺭ ﺜﻡ ﻴﺘﺠﻤﻌـﻭﻥ ﻋﻨـﺩ‬ ‫ﺍﻟﻌﺭﺍﺴﺔ ﻓﻲ ﺤﻠﻘﺔ ﻴﺘﻭﺴﻁﻬﻡ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻟﻠـﺼﻼﺓ ﻹﻨﺒـﺎﺕ ﺍﻟـﺯﺭﻉ ( ﺃﻭﺯﻭﺭﻴـﺱ ..‬ ‫ﺃﻭﺯﻭﺭﻴﺱ ﺃﻭﺯﻭﺭﻴﺱ .. ﺃﻭﺯﻭﺭﻴﺱ .‬ ‫) ﺃﻅﻼﻡ (‬ ‫٦٢‬ ‫‪www.kotobarabia.com‬‬
  • 27. ‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻟﺚ‬ ‫= ﺍﻟﺤﺼﺎﺩ =‬ ‫)ﺍﻟﺯﻤﺎﻥ : ﻟﻴﻠﺔ ﺍﻟﺤﺼﺎﺩ ﻓﺠﺭﺍ . ﺍﻟﻤﻜﺎﻥ : ﺍﻟﺤﻘل ﺒﺠﻭﺍﺭ ﺍﻟﻔﺭﻥ.. ﺸﺭﺍﻗﻲ ﺘﺠﻠـﺱ‬ ‫ﺃﻤﺎﻡ ﺍﻟﻔﺭﻥ ﻭﺒﺠﻭﺍﺭﻫﺎ ﺍﻟﻤﻬﺩ . ﻴﺩﺨل ﻋﻠﻴﻬﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ ﻤﺘﻠﺼﺼﺄ(‬ ‫٧٢‬ ‫‪www.kotobarabia.com‬‬
  • 28. ‫ﺍﳌﺸﻬﺪ ﺍﻟﺜﺎﻟﺚ‬ ‫: ﻨﺎﻡ ﻨﻭﻨﻪ ﻨﺎﻡ .. ﻭﺃﺩﺒﺢ ﻟﻙ ﺍﻟﺤﻤﺎﻡ .. ﺃﻤﻙ ﺍﻟﻌﺠﻭﺯﻩ ﺘﻬﺩﻴﻙ ﺍﻟﺴﻼﻡ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺸﺭﺍﻗﻲ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺒﺴﻡ ﺇﻴﺯﻴﺱ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻜﻨﺘﻲ ﺒﺘﻐﻨﻲ ﻜﺄﻨﻙ ﺒﺘﻨﺎﺠﻲ ﺍﻟﻤﻼﻴﻜﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻫﻨﺕ ﻋﻠﻴﻙ ﺘﺨﻀﻨﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻤﺎﻫﻨﺵ ﻋﻠﻴﺎ ﺍﺤﺭﻡ ﻨﻔﺴﻲ ﻤﻥ ﺼﻭﺘﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻁﺏ ﻭﻁﻲ ﺤﺴﻙ ﻫﺎﺘﺼﺤﻲ ﺍﻟﺒﻨﻴﺔ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺩﺍ ﺃﻨﺎ ﻉ ﺍﻟﻜﻼﻡ ﺍﻟﺤﻠﻭ ﻭﺍﻟﺼﻭﺕ ﺍﻟﺠﻤﻴل ﺩﺍ ﺃﻨﺎﻡ ﻭﺃﺼﺤﻲ ﻴﻭﻡ ﺍﻟﺤﺼﺎﺩ ﺍﻟﺴﻨﺔ ﺍﻟﺠﺎﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﻨﺎﻡ ﺤﻭل ﺒﺤﺎﻟﺔ .. ﻴﻭﻩ ﻨﺴﺘﻨﻲ ﺩﺍ ﺃﻨﺎ ﻤﻭﻟﻌﺔ ﺍﻟﻔﺭﻥ ﻫﺎﺨﺒﺯ ﻟﺒﻜﺭﻩ ﻭﻻ ﺃﻨﺘـﻪ ﻨﺎﺴـﻲ ﺃﻥ‬ ‫ﺸﺭﺍﻗﻲ‬ ‫ﺒﻜﺭﻩ ﺍﻟﺤﺼﺎﺩ .‬ ‫: ) ﺒﺩﻫﺸﺔ ( ﻴﺎ ﺃﻭﺯﻭﺭﻴﺱ .. ﺍﻟﻨﺎﺱ ﻫﺎ ﺘﺤﺼﺩ ﺒﻜﺭﻩ ﻭﺃﻨﺘﻲ ﺤﺼﺩﺘﻲ ﻭﻁﺤﻨﺘﻲ ﻭﻋﺠﻨﺘﻲ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﻫﺎﺘﺨﺒﺯﻯ ﻜﻤﺎﻥ .‬ ‫: ﺃﻫل ﺍﻟﻭﺍﺩﻯ ﻜﻠﻬﻡ ﻫﻨﺎ ﺒﻜﺭﺓ ﻋﺎﻭﺯ ﺘﻌﺭﻨﺎ ﻗﺩﺍﻤﻬﻡ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻤﺎ ﻋﺎﺵ ﻭﻻ ﻜﺎﻥ ﺍﻟﻠﻲ ﻴﻌﺭﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺘﺴﻠﻡ ﻭﺘﻌﻴﺵ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺩﺍ ﺒﻜﺭﻩ ﻴﺎﺒﺕ ﻫﺎﻴﺒﻘﻲ ﻤﻬﺭﺠﺎﻥ ﺍﻟﻨﺎﺱ ﻫﺎﺘﻴﺠﻲ ﻡ ﺍﻟﻨﺠﻤﺔ ﻭﺍﻟﻜﺎﻫﻥ ﻭﻋﺭﻭﺴـﺔ ﺍﻟﻘﻤـﺢ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﺍﻟﺒﺭﻜﺔ ﻫﺎ ﺘﺤل ﻋﻠﻴﻨﺎ ﻭﻋﻠﻲ ﺤﻠﻤﻨﺎ ﺍﻟﺼﻐﻴﺭ . ) ﺘﻅﻬﺭ ﺍﻟﺩﺍﻴﺔ ﺘﺘﻠﺼﺹ ﺒﺎﻟﻤﻜﺎﻥ (‬ ‫: ﻭﺃﻨﺎ ﻟﺴﻪ ﻫﺎﺴﺘﻨﻲ ﻟﺒﻜﺭﺓ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻭﻫﻭ ﺒﻜﺭﺓ ﺒﻌﻴﺩ . ﻜﻠﻬﺎ ﺴﺎﻋﺎﺕ ﻭﺍﻟﺼﺒﺢ ﻴﻁﻠﻊ ﻭﺍﻟﺨﻴﺭ ﻴﻬل ﻭﺍﻟﻜل ﻴﻭﺼل .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻋﺸﺎﻥ ﻜﺩﺍ ﺃﻨﺎ ﺒﻌﺕ ﻟﻠﺩﺍﻴﺔ ﺘﻴﺠﻲ ﺘﺒﺨﺭ ﺍﻟﺒﺕ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻁﺏ ﻟﻴﻪ ﻤﺎ ﻩ ﻴﺒﺎﺭﻜﻬﺎ ﺍﻟﻜﺎﻫﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺨﺎﻴﻔﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨﺎﺱ ﻗﺒل ﻤﺎ ﻴﺠﻴﻲ ﺍﻟﻜﺎﻫﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫٨٢‬ ‫‪www.kotobarabia.com‬‬
  • 29. ‫: ﻴﺎ ﺃﺒﻭﻯ ﻋﻠﻲ ﻋﻘل ﺍﻟﻨﺴﻭﺍﻥ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻫﻥ ﻤﻨﻪ ﻨﺒﺨﺭ ﺍﻟﺒﺕ . ﻭﻤﻨﻪ ﺘﺴﺎﻋﺩﻨﻲ ﻓﻲ ﺍﻟﺨﺒﻴﺯ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﺍﻟﺩﺍﻴﺔ ﺩﻯ ﺃﻥ ﻤﺵ ﻤﺭﺘﺎﺡ ﻟﻬﺎ ﺒﺱ ﺃﻋﻤﻠﻙ ﺃﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﻌﻨﻲ ﻫﻴﻪ ﻋﻤﻠﺕ ﻟﻙ ﺇﻴﻪ . ﺩﺍ ﺒﺩل ﻤﺎ ﺘﺸﻜﺭﻫﺎ . ) ﺍﻟﺩﺍﻴﺔ ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻤﻬﺩ ( .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻟﻴﻬﺎ ﺒﺼﻪ ﻭﻻﺒﺼﺔ ﺍﻻﻓﻌﻲ ) ﺘﻤﺩ ﺍﻟﺩﺍﻴﺔ ﻴﺩﻫﺎ ﻋﻠﻲ ﺍﻟﻤﻬﺩ ﻓﻴﻠﻤﺤﻬﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ ( ﻤﻴﻥ ..‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻤﻴﻥ ﻋﻨﺩ ﺍﻟﻤﻬﺩ .‬ ‫: ) ﺒﻔﺯﻉ ( ﺃﻨﺎ .. ﺃﻨﺎ ﻴﺎ ﺃﺒﻭﺸﺎﺩﻭﻑ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﺃﻫﻼ ﻴﺎ ﺨﺎﻟﻪ ﺃﻨﺘﻲ ﻭﺼﻠﺘﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻜﻨﺕ ﺒﺘﻌﻤﻠﻲ ﺇﻴﻪ ﻋﻨﺩ ﺍﻟﻤﻬﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺍﺼﻠﻲ ﺒﺎﺒﺹ ﻟﺘﻜﻭﻥ ﺍﻟﺒﻨﻴﺔ ﻋﺭﻴﺎﻨﺔ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ) ﺒﺭﻴﺒﻪ ( ﻜﺩﺍ ﻁﺏ ﺍﺴﻴﺒﻜﻡ ﻭﺃﺭﻭﺡ ﺃﺭﻴﺢ ﺸﻭﻴﺔ ﻟﺤﺴﻥ ﺍﻟﺼﺒﺢ ﻗﺭﺏ ﻴﺸﺄ ﺸﺄ ) ﻴـﺩﺨل‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﺍﻟﻜﻭﺥ ﻭﻴﺭﺍﻗﺒﻬﻡ ( .‬ ‫: ) ﺒﻠﻬﻔﺔ ( ﺘﻌﺎﻟﻲ ﺒﻘﻲ .. ﺃﻨﺎ ﺠﻬﺯﺕ ﻜل ﺤﺎﺠﻪ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻭﺃﻨﺎ ﻋﻤﻠﺕ ﻋﺭﻭﺴﺔ ﺍﻟﻁﻴﻥ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻗﻴﻴﺩﻯ ﺍﻟﻤﺒﺨﺭﺓ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻫﺎﺘﻲ ﺍﻟﺒﺕ ﻭﺍﻭﻋﻲ ﺘﺼﺤﻴﻬﺎ ) ﺘﺤﻀﺭ ﺍﻷﻡ ﺍﻟﻤﻬﺩ ( ﺨﻁﻲ ﻋﻠﻴﻬﺎ ﺴﺒﻊ ﺨﻁﺎﻭﻯ ) ﺘﻤﺴﻙ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺍﻟﺩﺍﻴﺔ ﻋﺭﻭﺴﺔ ﺍﻟﻁﻴﻥ ﻭﺘﻐﻤﺱ ﻓﻴﻬﺎ ﺩﺒﻭﺴﺎ ﻭﺘﺭﺩﺩ ( ﺍﻻﻭﻟﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨـﺎﺱ .. ﻭﻗﻠﺒﻬـﺎ‬ ‫ﺍﻟﺩﺴﺎﺱ .‬ ‫ﺍﻟﺘﺎﻨﻴﺔ ﻤﻥ ﻋﻴﻭﻥ ﺍﻷﻫل .. ﻴﺠﻌل ﺩﻭﺍﻡ ﺴﻬل .‬ ‫ﺍﻟﺘﺎﻟﺘﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﻨﺩ .. ﻴﺠﻌل ﻤﺎ ﺒﻴﻨﻬﻡ ﺴﺩ .‬ ‫ﺍﻟﺭﺍﺒﻌﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﺒﺦ .. ﻤﺎ ﻴﻼﻗﻲ ﻓﻲ ﻗﻠﺒﻙ ﻓﺦ .‬ ‫ﺍﻟﺨﺎﻤﺴﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻟﺒﻊ .. ﻴﺤﻤﻴﻬﺎ ﺁﻤﻭﻥ ﻭﺭﻉ .‬ ‫ﻭﺍﻟﺴﺎﺩﺴﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻻﻡ .. ﻤﺎ ﻴﺠﻴﻠﻙ ﻤﻥ ﻭﺭﺍﻫﻡ ﻫﻡ .‬ ‫ﻭﺍﻟﺴﺎﺒﻌﻪ ﻤﻥ ﻋﻴﻭﻥ ﺍﻷﺏ .. ﻴﺠﻌل ﻜﺭﻫﻡ ﻟﻴﻙ ﺤﺏ .‬ ‫٩٢‬ ‫‪www.kotobarabia.com‬‬
  • 30. ‫: ) ﺩﺍﺨﻼ ( ﺃﻴﺔ ﻴﺎ ﻭﻟﻴﺔ ﻴﺎﻤﺠﻨﻭﻨﻪ .. ﻜﺭﻩ ﺍﻴﺔ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻤﻘﺼﺩﺵ ﻴﺎ ﺨﻭﻴﺎ ﺍﻟﺘﻌﻭﻴﺫﺓ ﻜﺩﺍ .‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫: ﻴﺎﷲ ﻜﻤل ﻋﺎﻭﺯﻴﻥ ﻨﻠﺤﻕ ﺍﻟﻌﺠﻴﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺘﺘﺤﺭﻙ ﺤﻭل ﺍﻟﻤﻬﺩ ﺒﺎﻟﻤﺒﺨﺭﺓ ( ﺁﻤﻭﻥ ..ﺁﻤﻭﻥ .. ﺨﻠﻴﻙ ﻋﻠﻴﻬﺎ ﺤﻨﻭﻥ .. ﺤـﺎﺒﻲ ﻴـﺎ‬ ‫ﺍﻟﺩﺍﻴﺔ‬ ‫ﺤﺎﺒﻲ .. ﺃﺠﻌل ﻁﺭﺤﻬﺎ ﺴﻨﺎﺒل .. ﻴﺎ ﺸﻤﺱ ﻴﺎ ﺸﻤﻭﺴﻪ .. ﻜﺒﺭﻴﻬﺎ ﻋﺭﻭﺴﺔ .. ﺇﻴـﺯﻴﺱ .‬ ‫ﺃﻭﺯﻭﺭﻴﺱ . ﻨﺒﺭﻯ . ﺤﺘﺤﻭﺭ . ﺃﺒﺩﺭﻭﺍ ﻭﺠﻬﻬﺎ ﺒﺎﻟﻨﻭﺭ .‬ ‫: ) ﺒﻐﻀﺏ ( ﻜﻔﺎﻴﻪ ﺍﻵﻟﻬﺔ ﻫﺎ ﺘﻐﻀﺏ ﻋﻠﻴﻨﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺒﺎﻨﻔﻌﺎل ( ﺘﻐﻀﺏ ﻤﻥ ﺍﻟﺩﻋﺎ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺒﺴﺨﺭﻴﺔ ( ﺘﻐﻀﺏ ﻤﻥ ﺼﻭﺘﻬﺎ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ .. ﻨﺸﻭﻑ ﺍﻟﻌﺠﻴﻥ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﻀﺤﻙ ( ﺨﺎﻟﻪ ﺩﻯ ﻤﻥ ﺩﻭﺭ ﻋﻴﺎﻟﻙ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺸﺎﺩﻭﻑ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻤﺘﺩﺍﺭﻜﺎ ( ﻗﺼﺩﻯ ﻤﻥ ﺩﻭﺭ ﺠﺩﻭﺩﻙ . ﻴﺎﷲ ﻴﺎ ﺃﺨﺘﻲ ﻉ ﺍﻟﻌﺠﻴﻥ .. ﺍﻟﺼﺒﺢ ﺸـﺄ ﺸـﺄ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫ﻭﻫﺎﻨﻲ ﺍﻟﻤﻬﺩ ﻓﻲ ﺤﻀﻨﻲ ﺃﻨﺎ ﻟﺤﺩ ﻤﺎ ﺘﺨﻠﺼﻭﺍ .‬ ‫: ) ﻟﻠﺩﺍﻴﺔ ( ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ ﻟﺤﺴﻥ ﺃﺘﺄﺨﺭﻨﺎ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﺴﺎﺨﺭﺍ ( ﻗﻭﻟﻲ ﻴﺎ ﺠﺩﺘﻲ ﻤﺵ ﻴﺎﺨﺎﻟﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﻬﺠﻡ ﻋﻠﻲ ( ﻭﺃﻨﺘﻪ ﺒﺎﻴﻨﻙ ﻤﺵ ﻫﺎﺘﺠﻴﺒﻬﺎ ﺍﻟﺒﺭ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﺴﻤﻊ ﺸﻴﺌﺎ ( ﺃﺏ . ﺏ . ﺏ .. ﺃﻴﺔ ﺩﻩ ﺴﺎﻤﻌﻪ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺴﺎﻤﻌﻪ ﻁﻭﻟﻪ ﻟﺴﺎﻨﻙ ﻭﺒﺱ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ﻴﺎﻭﻟﻴﻪ ﺍﺘﻨﺒﻬﻲ .. ﺃﻨﺎ ﺴﺎﻤﺢ ﺴﻭﺒﻙ ﺠﻲ ﺒﺎﻟﺯﻓﻪ ﻤﻥ ﺒﻌﻴﺩ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ﺃﻨﺘﻪ ﺒﺘﺨﺭﻑ ﻭﻻ ﺒﺘﻬﺭﺏ ﻤﻨﻲ .‬ ‫ﺸﺭﺍﻗﻲ‬ ‫: ) ﻴﻘﺘﺭﺏ ﻤﻨﻬﺎ ( ﺩﺍ ﺃﻨﺘﻲ ﺍﻟﻠﻲ ﻋﺠﺯﺘﻲ .. ﺃﺴﻤﻌﻲ ﻜﻭﻴﺱ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﺘﺴﻤﻊ ﺍﻟﺼﻭﺕ ( ﺩﺍ ﺒﻴﻨﻪ ﺼﺢ ..ﻴﺎﷲ ﻴﺎ ﺨﺎﻟﻪ ﻨﻠﺤﻕ ﺍﻟﻌﺠﻴﻥ ﺍﻟﺯﻓﻪ ﺠـﺕ . ) ﻴـﺩﺨل‬ ‫ﺸﺭﺍﻗﻲ‬ ‫ﺴﻭﺒﻙ ﻭﺭﺍﺀﻩ ﺍﻟﺒﺎﻋﺔ ﻓﻲ ﺍﺴﺘﻌﺭﺍﺽ ﻟﻴﻠﺔ ﺍﻟﺤﺼﺎﺩ (‬ ‫٠٣‬ ‫‪www.kotobarabia.com‬‬
  • 31. ‫: ﻴﺎ ﺃﻫل ﺃﺭﺽ ﺍﻟﻨﻭﺏ .. ﻤﻔﻴﺵ ﺘﻌﺏ ﻭﻻ ﺸﻭﺏ .. ﺍﻟﻠﻴﻠﺔ ﺠﻤﻊ ﺍﻟـﺯﺍﺩ .. ﺍﻟﻴـﻭﻡ ﻋﻴـﺩ‬ ‫ﺴﻭﺒﻙ‬ ‫ﺍﻟﺤﺼﺎﺩ . ) ﺯﻏﺎﺭﻴﺩ ﺍﻷﻫﺎﻟﻲ ﻭﺃﻓﺭﺍﺡ ﻭﻫﺭﺝ ﻤﻊ ﺩﺨﻭل ﺍﻟﺒﺎﻋﺔ (‬ ‫ﺒﺎﺌﻊ ﺍﻟﺤﻼﻭﺓ : ﺍﻟﻠﻜﻠﻭﻙ .. ﺍﻟﻠﻜﻠﻭﻙ .. ﺍﻟﻠﻜﻠﻭﻙ .‬ ‫ﻀﺎﺭﺒﺔ ﺍﻟﻭﺩﻉ : ﺃﺒﻴﻥ ﺯﻴﻥ ﺃﺒﻴﻥ ﻭﺃﺨﻁ ﺒﺎﻟﻭﺩﻉ . ﻭﺃﻁﻤﻥ ﺍﻟﺼﺒﻴﺔ ﻭﺍﺒﻠﻎ ﺍﻟﺠﺩﻉ .‬ ‫: ﺴﺒﻴل ﻭﺍﺸﺭﺏ .. ﺍﺸﺭﺏ ﺴﺒﻴل. ﺍﻟﻘﺭﺒﺔ ﻁﺎﻫﺭﺓ .. ﻭﺍﻟﻨﺒﻊ ﻨﻴل .‬ ‫ﺍﻟﺴﻘﺎ‬ ‫: ﻓﺅﻭﺱ ﻭﺘﻭﺍﺭﻯ .. ﺍﻟﺤﻕ ﻴﺎ ﺠﺎﺭﻯ .‬ ‫ﺍﻟﻨﺠﺎﺭ‬ ‫: ﺘﺎﻟﻴﺱ ﺤﻤل ﺍﻟﺠﻤﺎل .. ﻴﺎ ﻤﻬﻭﻥ ﺍﻷﺤﻤﺎل .‬ ‫ﺍﻟﺠﻤﺎل‬ ‫: ﻗﺹ .. ﻗﺹ .. ﻭﺸﻁ ﻴﺯﻴﺩ ﺍﻟﻨﺹ .‬ ‫ﺤﻼﻕ‬ ‫)ﻴﺩﺨل ﻋﻤﺎل ﺘﺭﺍﺤﻴل ﻭﺃﻁﻔﺎل ﻴﺘﺤﻠﻘﻭﻥ ﺤﻭل ﺍﻟﻌﺭﺍﺴﺔ ﻴﺄﺨﺫﻭﻥ ﻤﻥ ﻤﺎﺌﻬﺎ ﻜﻤﻥ ﻴﺘﺒـﺭﻙ ﺜـﻡ ﺘﺒـﺩﺃ‬ ‫ﺃﻏﻨﻴﺔ ﺴﻭﺒﻙ ﻓﻲ ﻭﺴﻁ ﺍﻟﺤﻠﻘﺔ = ﻴﺒﻘﻲ ﺃﻨﺎ ﻜﺩﺍﺏ .. ﺘﺭﺩ ﺍﻷﻫﺎﻟﻲ ﻟﻊ .. ﻟﻊ = ﻋﻠﻲ ﻤﻨﻭﺍل ﺃﻨﺎ ﺍﻷﺩﻴـﺏ‬ ‫ﺍﻷﺩﺒﺎﺘﻲ . ﻓﻲ ﻨﻬﺎﻴﺔ ﺍﻷﻏﻨﻴﺔ ﻴﺩﺨل ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ ﻭﺨﻠﻔﻪ ﺍﻟﺨﺎﺩﻡ(‬ ‫: ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺍﻷﻋﻅﻡ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺴﺠﺩ ﺍﻟﺠﻤﻴﻊ ﻴﺘﻘﺩﻡ ﺍﻟﺨﺎﺩﻡ ﺒﻜﺭﺴﻲ ﺍﻟﻜﺎﻫﻥ ﺃﻤﺎﻡ ﺍﻟﻌﺭﺍﺴﺔ ﻴﺠﻠﺱ ﻋﻠﻴﻪ ﺍﻟﻜـﺎﻫﻥ ﻭﻴـﺴﻴﺭ ﻟﻬـﻡ‬ ‫ﺒﺎﻻﻋﺘﺩﺍل( .‬ ‫: ﺒﺄﻤﺭ ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﺃﺼﻨﻌﻭﺍ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻭﺍﺭﻗﺼﻭﺍ ﻟﻬﺎ ﺭﻗﺼﺔ ﺍﻟﻐـﻼل ﺍﻟـﺴﺒﻌﺔ.‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺭﻗﺹ ﺴﺒﻌﺔ ﺭﺠﺎل ﻓﻲ ﺤﻠﻘﺔ ﻴﺘﻭﺴﻁﻬﺎ ﺍﻟﻨﺴﺎﺀ ﺍﻟﻼﺘﻲ ﻴﻌﺯﻟﻥ ﺍﻟﺴﻨﺎﺒل ﻓﻲ ﻫﻴﺌﺔ ﻋﺭﻭﺴﺔ‬ ‫ﻭﻓﻲ ﺍﻟﻨﻬﺎﻴﺔ ﻴﺴﻴﺭ ﻟﻬﻡ ﺍﻟﻜﺎﻫﻥ ﺒﺎﻟﺘﻭﻗﻑ ( .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻗﺩﻤﻭﺍ ﺍﻟﻘﺭﺍﺒﻴﻥ ﺇﻟﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻗﺒل ﺃﻥ ﻴﺼﻠﻲ ﻋﻠﻴﻬﺎ ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﻭﺍﻟﻤﻘﺩﺍﺭ ﻫـﺫﺍ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺍﻟﻌﺎﻡ ﻫﻭ ﻨﺹ ﺍﻟﻤﺤﺼﻭل .‬ ‫: ﺩﺍ ﻜﺘﻴﺭ .‬ ‫ﺭﺠل‬ ‫: ﻋﺎﻭﺯ ﺍﻟﻜﺎﻫﻥ ﻴﻐﻀﺏ ﻭﻴﺭﻓﺽ ﻴﺼﻠﻲ ﻋﻠﻲ ﺍﻟﻌﺭﻭﺴﺔ .‬ ‫ﺭﺠل‬ ‫: ﻭﺍﻟﺒﺭﻜﺔ ﻟﻤﻥ ﺴﺒﻕ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫)ﻴﺴﺎﺭﻉ ﺍﻷﻫﺎﻟﻲ ﻟﺘﻘﺩﻴﻡ ﻨﺼﻑ ﻤﺤﺼﻭﻟﻬﻡ ﺤﻭل ﺍﻟﻌﺭﺍﺴﻪ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟـﻲ ﺃﻤـﺎﻜﻨﻬﻡ ﺒﻤـﻥ ﻓـﻴﻬﻡ‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ(.‬ ‫١٣‬ ‫‪www.kotobarabia.com‬‬
  • 32. ‫: ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ﺍﻟﻤﺠﺩ ﻵﻤﻭﻥ .. ) ﻴﺸﻴﺭ ﺍﻟﻜﺎﻫﻥ ﻟﻠﺨﺎﺩﻡ ﺒﻌﺩ ﺃﻥ ﻴﻀﻊ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫ﺍﻟﺠﻤﻴﻊ ﺃﺤﻤﺎﻟﻬﻡ ( .‬ ‫: ﺃﻫﺩﺃﻭﺍ .. ﻤﻭﻻﻯ ﺍﻟﻜﺎﻫﻥ ﻭﺍﻓﻕ ﻋﻠﻲ ﺃﻥ ﻴﺼﻠﻲ ﻋﻠﻲ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤـﺢ ﻤـﻥ ﺃﺠـل ﺃﻥ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﺒﺘﺎﺭﻜﻜﻡ ﺒﺄﻤﺭ ﺁﻤﻭﻥ .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫) ﻴﻘﻑ ﺍﻟﻜﺎﻫﻥ .. ﻴﺭﻜﻊ ﺍﻟﺠﻤﻴﻊ ﻭﻫﻡ ﻴﺭﺩﺩﻭﻥ (‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﻓﺎﻁﺭ ﺍﻷﺭﺽ ﻭﺍﻟﺴﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﺼﺎﻨﻊ ﺍﻟﻬﻭﺍﺀ ﻭﺍﻟﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻴﺎ ﺴﻴﺩ ﺍﻟﺨﻴﺭ ﻭﺍﻟﻨﻤﺎﺀ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻓﻠﺘﺒﺎﺭﻙ ﻫﺫﻩ ﺍﻟﺴﻨﺎﺒل ﺍﻟﺘﻲ ﻨﺒﺘﺕ ﺒﺄﻤﺭﻙ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﻭﻟﺘﺠﻌل ﻫﺫﻩ ﺍﻟﻌﺭﻭﺴﺔ ﺤﺼﻨﺎ ﻟﻨﺎ ﻤﻥ ﻜل ﻗﺤﻁ .‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫: ﺁﻤﻭﻥ .. ﺁﻤﻭﻥ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﺒﺤﻕ ﻨﺒﺭﻯ ﺭﺏ ﺍﻟﺤﺒﻭﺏ ﻭﺍﻟﻐﻼل .. ﺒﺤﻕ ﺤـﺎﺒﻲ ﺭﺏ ﺍﻟﻨﻴـل ﻭﺍﻟﻔﻴـﻀﺎﻥ .. ﺒﺤـﻕ‬ ‫ﺍﻟﻜﺎﻫﻥ‬ ‫ﺃﻭﺯﻭﺭﻴﺱ ﺭﺏ ﺍﻟﺨﻴﺭ ﻭﺍﻟﻨﻤﺎﺀ .. ﺒﺤﻕ ﻜل ﺁﻟﻬﺔ ﺍﻟﺴﻤﺎﺀ ﺍﺠﻌﻠﻬﺎ ﻤﺒﺎﺭﻜـﺔ ﻟﻨـﺎ ﻭﻟـﺸﻌﺒﻙ‬ ‫ﺍﻟﻤﺨﻠﺹ ﺍﻟﻤﻁﻴﻊ )ﻴﺘﻠﻭﻯ ﺍﻟﻜﺎﻫﻥ ﻜﻤﻥ ﻴﻨﺯل ﻋﻠﻴﻪ ﻭﺤﻲ ﺜﻡ ﻴﻘﻊ ﻋﻠﻲ ﻜﺭﺴﻴﻪ( ﺃﻩ .. ﺃﻩ ..‬ ‫ﺃﻩ .. ) ﺒﺈﺠﻬﺎﺩ ﺸﺩﻴﺩ ﻤﺯﻴﻑ ( ﺘﻡ ﺘﺒﺭﻴﻙ ﻋﺭﻭﺴﺔ ﺍﻟﻘﻤﺢ ﻟﻬﺫﺍ ﺍﻟﻌﺎﻡ .‬ ‫: ﻫﻴﻪ .. ﻫﻴﻪ .. ﻫﻴﻪ .‬ ‫ﺍﻷﻫﺎﻟﻲ‬ ‫: ﺃﻴﻥ ﺍﻟﻁﻔﻠﺔ ﺍﻟﺼﻐﻴﺭﺓ ؟ .‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫: ) ﻴﺘﻘﺩﻡ ﺤﺎﻤل ﺍﻟﻤﻬﺩ ( ﺃﻫﻴﻪ ﻴﺎ ﻤﻭﻻﻯ .‬ ‫ﺃﺒﻭﺸﺎﺩﻭﻑ‬ ‫: ) ﻴﺤﻤل ﺍﻟﻤﻬﺩ ﻭﻴﺘﻘﺩﻡ ﺒﻬﺎ ﻟلﻜﺎﻫﻥ . ﻴﺭﻓﻊ ﺍﻟﻜﺎﻫﻥ ﺍﻟﻤﻬﺩ ﺇﻟﻲ ﺍﻟﺴﻤﺎﺀ ﻭﻴﺸﻴﺭ ﻟﻠﺨﺎﺩﻡ ﻜﻲ‬ ‫ﺍﻟﺨﺎﺩﻡ‬ ‫ﻴﺒﺩﺍﺀ ﺍﻷﻫﺎﻟﻲ ﺘﺭﺩﻴﺩ ﺭﻉ ﺭﻉ ﺃﻴﻭﺏ‬ ‫٢٣‬ ‫‪www.kotobarabia.com‬‬