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How Mobile and Digital Media are Changing Our Cities
1. How Mobile and Digital Media
are Changing Our Cities
Martijn de Waal
www.martijndewaal.nl
www.themobilecity.nl
2. Scenario 1: Softwaretopia
Bill Gates, The Magic of Software
The continued growth of processing power,
storage, networking, and graphics is making it
possible to create almost any device imaginable.
But it's the magic of software that will connect
these devices into a seamless whole, making
them an indispensable part of our everyday lives.
Bill Gates, Information Week
4. Scenario 1I:
Technopolitopia
[Telelogs] could serve as a medium through
which individuals can communicate their
thoughts and ideas with others within their
environment
This would result in a better sense of
community solidarity.
Telelog Research Project, 2005
5. Scenario III: Urbocalypse
‘... the street is the ultimate public space and
walking along it is the defining urban experience.
It is all of us--different people who lead different
lives--coming together in the urban mixing
chamber.
But what if half of them are elsewhere, there in
body but not in any other way?’ ‘..
Paul Goldberger
6. Introduction: What is a City
4 Case studies from the Past
3 Case Studies from the Future
Conclusion: what’s up?
8. Chicago School (1920s): A City Is
Heterogenity & Density
Mike Davis reworking the Chicago School’s Concentric Zones Theory
9. Great Cities are not like
towns only larger;
They are not like suburbs
only denser.
Jane Jacobbs The Death and Life of Great American Cities
http://www.flickr.com/photos/gerardstolk/
10. They differ from
towns and suburbs in
basic ways,
and one of these is
that cities are by
definition full of
strangers.
Jane Jacobbs The Death and Life of Great American Cities
http://www.flickr.com/photos/dimorma
11. How do we Cope?
The Urban Public Sphere
as a site for encounter, trust-
building & confrontation
12. Historic Case Study 1
The 17th Century Coffee House:
the emergence of
the Modern Public sphere
19. Paris BLVDs by Haussmann (1852-1870)
Motives:
Sanitation
Modernization
Crowd Control
(Canon shot boulevards) Optimizing
Traffic
Paris BLVD network by Haussmann - http://www.bricoleurbanism.org/whimsicality/urban-fabric-form-comparison/
20. Paris BLVDs by Haussmann (1852-1870
Outcome:
Meeting Ground
Cafe Culture & Terraces
Mingling of
Classes
Pissaro Avenue de l’Opera (Musée des Beaux Art, Reims)
21. The Boulevard is the Communication Line
of the 19th Century
Marshal Berman All that is Solid
Pissaro Avenue de l’Opera (Musée des Beaux Art, Reims)
22. BLVD as ‘Confrontation Scene’
The setting that magically inspired the romance now
works a contrary magic and pulls the lovers out of
their romantic enclosure, into wider and less idyllic
networks.
In this new light, their personal happiness appears as
class privilege. The boulevard forces them to react
politically
Marshal Berman All that is Solid
Louis Léopold Boilly
23. BLVD as ‘Recognition Scene’
On the morning of December 4, 1876, several
hundred of the miscellaneous people on the Nevsky
will suddenly coalesce into a crowd and converge
collectively on the magnificent baroque colonnade in
front of the Kazzan Cathedral
History’s First Flash Mob?
Marshal Berman All that is Solid
http://www.skyscrapercity.com/showthread.php?t=431156&page=57
25. Historic Case Study 3
Pendrecht,Rotterdam, 1946
The Neighborhood Planning Principle
26. ‘Zijn onze groote steden nog wel stedelijke
gemeenschappen?
Zijn zij eigenlijk niet langzamerhand geworden tot
groote agglomeraties van afzonderlijk levende
menschen, die wel het verband voelen tot de sociale
groep waartoe zij behooren, doch die zich buiten
deze groep verloren wanen in de massa??
Burgemeester Oud, De Stad der Toekomst (1946)
27. Voor deze boodschappen kunnen de vrouwen even
uitlopen in hun werkkleding (zij het zonder
schort) ... het menselijk contact is voor haar hierbij
van de grootste betekenis, zij stelt belang in de
gebeurtenissen in de kring van mensen met wie zij
dagelijks in aanraking komt en zij speurt naar de
samenhang en controversen tussen de winkels en
bewoners van de buurt.
Commissie Bos De Stad der Toekomst (1946)
28. Lotte Stam Beese:
De moderne stad ... moet de mens het gevoel
van vrijheid van keuze uit vele mogelijkheden
geven
Ons democratisch bestel sluit de uitzondering,
het niet deel zijn van, bij voorkeur uit. Wij staan
in de ruimte en maken er deel vanuit
29.
30.
31.
32. In eerste instantie werd niet naar een incidentele
esthetische oplossing gestreefd
maar de structuur van een maatschappelijke
constellatie zelf als vormgevend element gebruikt.
Lotte Stam Beese
34. ‘If only we can get to an architecture
that really responded to human wish as
it occurred’
35. Computer City
who likes it straight?
who will buy what?
who believes which?
who lives or dies?
thought, action
chain response
life forces balanced
in tension
the urban community
the city
CROWD
Archigram, image: Seek / Software Exhibition Jewish
Museum New York, 1970
36. [the City is a place]… where so much
is happening that one activity is
stimulated by all the rest. It is the
collection of everything and everyone
into a tight space that has enabled the
cross stimulus to continue. Trends
originated in cities. The mood of cities
is frantic. It is all happening – all the
time
Archigram
37. ‘There is no desire to communicate
with everybody, only with those whose
thoughts and feelings are related to
our own’
Archigram
38. What have we learned?
4 Examples in which ‘urban publics’ emerged
City is a platform on which citizens make their lives public
Infrastructure (by design or by
accident) brought together citizens of
different backgrounds
Design & Infrastructure also act as ‘filters’
39. Now, Towards the Future
Which new infrastructures?
How do they allow us
To make our lives publics
And form Urban Publics?
40. WIFI
RFID
GSM
GPS Augmented
CCTV
Reality
senseable.mit.edu
45. who likes it straight?
who will buy what?
who believes which?
who lives or dies?
thought, action
chain response
life forces balanced
in tension
the urban community
the city
CROWD
58. ‘The visual and auditory function of the
artwork reveal to the chemists a
qualitative temporal experience of their
research.
for the chemists flâneurs, enabling them
to amble through the space whilst
perceiving subtle rhythms or
recognising complex patterns.’
Paul Thomas -Arch Os i500
59. BLVD as ‘Recognition Scene’
Marshal Berman All that is Solid
Monet, Boulevard des Capucines
60. We are like you: people, who get up
every morning to study, work or find a
job, people who have family and
friends.
No political party, association or trade
union represents us. Nor do we want
them to, because each and every one
of us speaks for her or himself
Urban Tapestries
61. Marshal Berman All that is Solid
http://www.skyscrapercity.com/showthread.php?t=431156&page=57