In this engaging and handsome book, Cammy Brothers takes an unusual approach to Michelangelo s architectural designs, arguing that they are best understood in terms of his experience as a painter and sculptor. Unlike previous studies, which have focused on the built projects and considered the drawings only insofar as they illuminate those buildings, this book analyses his designs as an independent source of insight into the mechanisms of Michelangelo s imagination. Brothers gives equal weight to the unbuilt designs, and suggests that some of Michelangelo s most radical ideas remained on paper.Brothers explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas. By turning the flexibility and fluidity of his figurative drawing methods to the subject of architecture, Michelangelo demonstrated how it could match the expressive possibilities of painting and sculpture.

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2. Book details
Author : Cammy Brothers
Pages : 272 pages
Publisher : Yale University Press 2008-09-23
Language : English
ISBN-10 : 0300124899
ISBN-13 : 9780300124897

3. Description this book
In this engaging and handsome book, Cammy Brothers takes an unusual approach to
Michelangelo s architectural designs, arguing that they are best understood in terms of
his experience as a painter and sculptor. Unlike previous studies, which have focused
on the built projects and considered the drawings only insofar as they illuminate those
buildings, this book analyses his designs as an independent source of insight into the
mechanisms of Michelangelo s imagination. Brothers gives equal weight to the unbuilt
designs, and suggests that some of Michelangelo s most radical ideas remained on
paper.Brothers explores the idea of drawing as a mode of thinking, using its evidence
to reconstruct the process by which Michelangelo arrived at new ideas. By turning the
flexibility and fluidity of his figurative drawing methods to the subject of architecture,
Michelangelo demonstrated how it could match the expressive possibilities of painting
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