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Principles of AAVTC
Lighting:
The Ins and Outs of Lighting inVarious
Forms of Media
Copyright © Texas Education Agency, 2012. All rights
reserved. Images and other multimedia content used with
permission.
1
Introduction
• Lighting is an aspect of production that is common
throughout many different mediums.
• Namely photography, video, and animation.
• A knowledge of lighting is required to create a specific
mood or effect and to make sure the subject of your
creation is visible in the way you want it to be seen.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
2
Introduction
• Just as finding a subject can be challenging, so too is
selecting the lighting that illuminates your subject(s) in
the most effective manner.
• Training your eye to see/create dramatic light can take
some self-training.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
3
Types of Light
• Ambient light – Non-direct, soft lighting that comes from no
direct source.
• Diffuse light – Light that has been spread out to cover a large
area and has a neutral color.
• Hard light –This type of light comes directly from the source; it
is not diffused.
• Natural light – Light that is not man-made.
• Artificial light – Light created by the use of a flash (not the
sun).
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
4
Why Learn Lighting?
• Oftentimes in photography or video, you will be in
situations in which the lighting is less than ideal.
• Because of this, the use of artificial lighting is required to
ensure that you get the best quality light in any situation
without leaving it to chance.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
5
Lighting Uses
• We’ll discuss the following:
• Key Light
• Fill Light
• Rim Light
• Hair Light
• In photography, video, and computer generated images,
these lighting uses are all the same.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
6
Working with Lighting
• In some situations, a single light source may be all that is
required. In other situations, six or more lights may be
needed to get the effect you are looking for.
• Whatever the situation, if you know what you are doing,
getting the desired result will happen a lot faster.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
7
Key Light
• The key light is always the MAIN LIGHT in your
photograph.
• It has to be the brightest light.
• It casts the main shadows in your images and gives your
subject volume.
• For these reasons, it is important that the key light always
be placed off camera.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
8
Fill Light
• The fill light illuminates shadows but has no direction.
• Ambient light is often used as a fill light because it fills in
the shadows.
• A fill light should be very soft and very broad.
• You may add several to any given lighting setup, if
needed.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
9
More on Fill Light
• The fill light is normally placed on the opposite side of the
camera from the key.
• i.e., if the key is left of camera, the fill is right of camera.
• The fill light is normally set to half the power (or below)
the key light.
• i.e., if the key is set to full power, the fill should be set to half
power or lower.
• The fill light is always a lower height than the key.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
10
Rim Light
• The rim light (sometimes called a back light) creates a
bright line around the edge of the object to help visually
separate the object from the background.
• The rim light provides separation and creates depth.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
11
More on the Rim Light
• There is no general consensus on just how bright a rim
light should be.
• Depending upon the look you are going for, you may want a rim
more powerful than your key.
• A rim light is set behind your subject and pointed towards
the back of them.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
12
Hair Light
• A hair light in a portrait setup adds dimension and drama
to the image by accenting the shoulders and crown of the
subject.
• The brightness of the hair light should never be the first
thing you notice about a portrait.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
13
More on Hair Light
• A hair light is always placed above a subject’s head and
pointed down…towards their hair.
• In terms of placement, a hair light doesn’t necessarily have to
be directly above a subject, it can be in front of or behind your
subject, but must be high enough to illuminate their hair.
• As a general rule, a hair light should be about 25% less
powerful than your key.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
14
Lighting Setups
• A lighting setup is a predetermined, proven arrangement
of a set of lights in a manner that gives a certain type of
look.
• You may choose want to use a certain lighting setup to
achieve a specific mood or tone in your image, video, or
animation.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
15
Lighting Setups
• Let’s discuss the following lighting setups, why they’re
important, the type of light they create, and how to go
about creating them.
• We’ll discuss the following:
• Butterfly Lighting
• Three-Point Lighting
• Rembrandt Lighting
• Split Lighting
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
16
Butterfly Lighting
• Butterfly lighting (also known as “paramount” lighting) is
popular for the clean, poppy look it can give a subject.
• This lighting can be recognized by the strong light falling
on the forehead and by the distinct shadow under the
subject’s nose that looks like a butterfly.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
17
Butterfly Lighting
Example
• How can you tell that this photo
has a butterfly lighting setup?
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
18
Photo by Flickr Creative Commons user derricktakase
How to Setup
Butterfly Lighting
• In any given butterfly lighting setup, the key light will be
placed in front of and above the subject’s head and
pointed down, towards them.
• The fill light will be half the power of the key and set
below and in front of their face.
• A rim can be used, if needed, in the setup.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
19
Three-Point Lighting
• Three-point lighting can be a simple starting-point for
lighting just about any subject.
• We discussed functions served by key lights, fill lights,
and back lights.
• A three-point lighting setup uses all three of these lights.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
20
Example of aThree-Point
Lighting image
• Can you identify all three light
sources?
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
21
How to Create a
Three-Point Lighting Setup
• In any given three-point lighting setup, your key light will
be to the left or right of the camera and setup to be the
highest light.
• The fill light should be 60 degrees on the opposite side
and set to about half (or lower) the power of they key and
be lower.
• The rim light should be set somewhere behind your
subject and be about as powerful as your fill.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
22
Rembrandt Lighting
• The Rembrandt lighting technique is named after the
Dutch painter Rembrandt, who often utilized the lighting
setup in his paintings.
• It is ideal for creating lighting which looks natural and
compelling by using a very small amount of equipment.
• Rembrandt lighting is characterized by the triangle
opposite the subject’s nose on the less illuminated side of
their face.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
23
Example Image using
Rembrandt Lighting
• What do you see in this image
that lets you know it uses a
Rembrandt lighting setup?
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
24
How to Create a Rembrandt
Lighting Setup
• Most Rembrandt lighting setups use a key light placed
about 40-60 degrees from the subject.
• If more light is needed, a reflector (or small fill light) can
be placed opposite the key.
• You can alter the size of the triangle on your subject’s face
by moving around your key within the 40-60 range from
your subject.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
25
Split Lighting
• Split lighting is a popular lighting setup due to the sense of
drama and mystery it can create in any given subject.
• For these reasons, it is very widely used in movies and
animations but not as much in photography wherein you may
want to see your subject’s entire face.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
26
Split Lighting Example
• Notice how one side of the
subject’s face is almost
completely in shadows.
• Where was the key light placed
in this photograph?
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
27
How to Create a Split Lighting
Setup
• To create a split lighting setup, you will need to place your
key light 90 degrees to your subject (pointed right at the
side of their head).
• The light should be placed at eye level to your subject.
• No other lights are used in a split lighting setup.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
28
Lighting a Background
• When shooting subjects, you may want to illuminate your
background so it will be completely white to make sure
that your subject is the focal point of your image.
• Digitally, this is very easy and you just set up a white
background.
• In photography and video, however, you will need to place lights
that are pointed directly at your background to ensure that it is
completely illuminated white.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
29
Review
• There will often be situations in which you have to create your
own lighting.
• There are many different types of lighting including key, rim,
fill, and hair lights.
• There different types of lighting setups including three-point
lighting, butterfly lighting, Rembrandt lighting, and split
lighting.
• Lighting a background correctly is also important to create a
desired effect.
Copyright © Texas Education Agency, 2012. All rights reserved. Images and other
multimedia content used with permission.
30

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01.04 lighting

  • 1. Principles of AAVTC Lighting: The Ins and Outs of Lighting inVarious Forms of Media Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 1
  • 2. Introduction • Lighting is an aspect of production that is common throughout many different mediums. • Namely photography, video, and animation. • A knowledge of lighting is required to create a specific mood or effect and to make sure the subject of your creation is visible in the way you want it to be seen. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 2
  • 3. Introduction • Just as finding a subject can be challenging, so too is selecting the lighting that illuminates your subject(s) in the most effective manner. • Training your eye to see/create dramatic light can take some self-training. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 3
  • 4. Types of Light • Ambient light – Non-direct, soft lighting that comes from no direct source. • Diffuse light – Light that has been spread out to cover a large area and has a neutral color. • Hard light –This type of light comes directly from the source; it is not diffused. • Natural light – Light that is not man-made. • Artificial light – Light created by the use of a flash (not the sun). Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 4
  • 5. Why Learn Lighting? • Oftentimes in photography or video, you will be in situations in which the lighting is less than ideal. • Because of this, the use of artificial lighting is required to ensure that you get the best quality light in any situation without leaving it to chance. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 5
  • 6. Lighting Uses • We’ll discuss the following: • Key Light • Fill Light • Rim Light • Hair Light • In photography, video, and computer generated images, these lighting uses are all the same. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 6
  • 7. Working with Lighting • In some situations, a single light source may be all that is required. In other situations, six or more lights may be needed to get the effect you are looking for. • Whatever the situation, if you know what you are doing, getting the desired result will happen a lot faster. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 7
  • 8. Key Light • The key light is always the MAIN LIGHT in your photograph. • It has to be the brightest light. • It casts the main shadows in your images and gives your subject volume. • For these reasons, it is important that the key light always be placed off camera. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 8
  • 9. Fill Light • The fill light illuminates shadows but has no direction. • Ambient light is often used as a fill light because it fills in the shadows. • A fill light should be very soft and very broad. • You may add several to any given lighting setup, if needed. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 9
  • 10. More on Fill Light • The fill light is normally placed on the opposite side of the camera from the key. • i.e., if the key is left of camera, the fill is right of camera. • The fill light is normally set to half the power (or below) the key light. • i.e., if the key is set to full power, the fill should be set to half power or lower. • The fill light is always a lower height than the key. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 10
  • 11. Rim Light • The rim light (sometimes called a back light) creates a bright line around the edge of the object to help visually separate the object from the background. • The rim light provides separation and creates depth. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 11
  • 12. More on the Rim Light • There is no general consensus on just how bright a rim light should be. • Depending upon the look you are going for, you may want a rim more powerful than your key. • A rim light is set behind your subject and pointed towards the back of them. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 12
  • 13. Hair Light • A hair light in a portrait setup adds dimension and drama to the image by accenting the shoulders and crown of the subject. • The brightness of the hair light should never be the first thing you notice about a portrait. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 13
  • 14. More on Hair Light • A hair light is always placed above a subject’s head and pointed down…towards their hair. • In terms of placement, a hair light doesn’t necessarily have to be directly above a subject, it can be in front of or behind your subject, but must be high enough to illuminate their hair. • As a general rule, a hair light should be about 25% less powerful than your key. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 14
  • 15. Lighting Setups • A lighting setup is a predetermined, proven arrangement of a set of lights in a manner that gives a certain type of look. • You may choose want to use a certain lighting setup to achieve a specific mood or tone in your image, video, or animation. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 15
  • 16. Lighting Setups • Let’s discuss the following lighting setups, why they’re important, the type of light they create, and how to go about creating them. • We’ll discuss the following: • Butterfly Lighting • Three-Point Lighting • Rembrandt Lighting • Split Lighting Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 16
  • 17. Butterfly Lighting • Butterfly lighting (also known as “paramount” lighting) is popular for the clean, poppy look it can give a subject. • This lighting can be recognized by the strong light falling on the forehead and by the distinct shadow under the subject’s nose that looks like a butterfly. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 17
  • 18. Butterfly Lighting Example • How can you tell that this photo has a butterfly lighting setup? Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 18 Photo by Flickr Creative Commons user derricktakase
  • 19. How to Setup Butterfly Lighting • In any given butterfly lighting setup, the key light will be placed in front of and above the subject’s head and pointed down, towards them. • The fill light will be half the power of the key and set below and in front of their face. • A rim can be used, if needed, in the setup. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 19
  • 20. Three-Point Lighting • Three-point lighting can be a simple starting-point for lighting just about any subject. • We discussed functions served by key lights, fill lights, and back lights. • A three-point lighting setup uses all three of these lights. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 20
  • 21. Example of aThree-Point Lighting image • Can you identify all three light sources? Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 21
  • 22. How to Create a Three-Point Lighting Setup • In any given three-point lighting setup, your key light will be to the left or right of the camera and setup to be the highest light. • The fill light should be 60 degrees on the opposite side and set to about half (or lower) the power of they key and be lower. • The rim light should be set somewhere behind your subject and be about as powerful as your fill. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 22
  • 23. Rembrandt Lighting • The Rembrandt lighting technique is named after the Dutch painter Rembrandt, who often utilized the lighting setup in his paintings. • It is ideal for creating lighting which looks natural and compelling by using a very small amount of equipment. • Rembrandt lighting is characterized by the triangle opposite the subject’s nose on the less illuminated side of their face. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 23
  • 24. Example Image using Rembrandt Lighting • What do you see in this image that lets you know it uses a Rembrandt lighting setup? Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 24
  • 25. How to Create a Rembrandt Lighting Setup • Most Rembrandt lighting setups use a key light placed about 40-60 degrees from the subject. • If more light is needed, a reflector (or small fill light) can be placed opposite the key. • You can alter the size of the triangle on your subject’s face by moving around your key within the 40-60 range from your subject. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 25
  • 26. Split Lighting • Split lighting is a popular lighting setup due to the sense of drama and mystery it can create in any given subject. • For these reasons, it is very widely used in movies and animations but not as much in photography wherein you may want to see your subject’s entire face. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 26
  • 27. Split Lighting Example • Notice how one side of the subject’s face is almost completely in shadows. • Where was the key light placed in this photograph? Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 27
  • 28. How to Create a Split Lighting Setup • To create a split lighting setup, you will need to place your key light 90 degrees to your subject (pointed right at the side of their head). • The light should be placed at eye level to your subject. • No other lights are used in a split lighting setup. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 28
  • 29. Lighting a Background • When shooting subjects, you may want to illuminate your background so it will be completely white to make sure that your subject is the focal point of your image. • Digitally, this is very easy and you just set up a white background. • In photography and video, however, you will need to place lights that are pointed directly at your background to ensure that it is completely illuminated white. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 29
  • 30. Review • There will often be situations in which you have to create your own lighting. • There are many different types of lighting including key, rim, fill, and hair lights. • There different types of lighting setups including three-point lighting, butterfly lighting, Rembrandt lighting, and split lighting. • Lighting a background correctly is also important to create a desired effect. Copyright © Texas Education Agency, 2012. All rights reserved. Images and other multimedia content used with permission. 30

Editor's Notes

  1. 1
  2. The sun is the rim. There is a flash camera right acting as the key. Ambient light reflected off of the grass is the fill.