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[Guitar tabs] heavy metal ballads

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[Guitar tabs] heavy metal ballads

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[Guitar tabs] heavy metal ballads

  1. 1. {k , / I / . ‘v. ' 51 l a} .4 Guswasauwzosrzsî FVÀîx! aèznnssvs r‘ ‘rssua, Î LITÀ FORD {ìsÌucÀ-ulfiaîfgsflè: EMKERGROUPÀ vlîéìfllî VIMCEMT IMVASION
  2. 2. 7mm. " 4 Music Engraving by W. R. Music Production Manager: Daniel Rosenbaum Art Direction: Alisa Hìll Administration: Tom Haydock Director of Music: Mark Phillips ISBN: 0-89524-446-2 Copyright 9 1989 Cherry Lane Music Company, Inc. International Copyright Secured AII Rights Reserved x791;
  3. 3. CONTENTS GUNS N’ ROSES: I" E 87 PATIENCE 9 SWEET CHILD O’ MINE VAN HALEN: 64 LOVE WALKS IN ‘I9 WHEN IT'S LOVE TES LA: ' 29 CHANGES 7T WE'RE NO GOOD TOGETHER LITA FORD: 59 BROKEN DREAMS 25 CLOSE MY EYES FOREVER McAlÌLEY-SCHENKER GRÙLIP: .. I .9 80 FOLLOW THE NIGHT 53 TIME VINNIE VINCENT INVASIÙN: 34 ECSTASY 45 NO SUBSTITUTE f 8 Tablafure Explanafion
  4. 4. ALPHABETICAL CONTENTS . ... ... ... ... ... ... ... ... ... . . . BROKEN DREAMS " As recorded by LITA FORD 29 . ... ... ... ... ... ... ... ... ... ... ... ... ... .. . . CHANGES As recorded by TESLA 25V . ... ... ... ... ... . . . CLOSE MY EYES FOREVER T As recorded by LITA FORD & OZZY OSBOURNE 34 . ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . . ECSTASY As recorded by VINNIE VINCENT INVASION 80 . ... ... ... ... ... ... ... ... .. FOLLOW THE NIGHT » As recorded by McAULEY-SCHENKER GROUP 64 . ... ... ... ... ... ... ... ... ... ... . . . LOVE WALKS IN As recorded by VAN HALEN 45 . ... ... ... ... ... ... ... ... ... ... . . . NO SUBSTITUTE I As recorded by VINNIE VINCENT INVASION 87 . ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. PATIENCE As recorded by GUNS N‘ ROSES 9 . ... ... ... ... ... ... ... .. . . SWEET CHILD O’ MINE As recorded by GUNS N‘ ROSES 53 . ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. . . TIME ' As recorded by McAULEY-SCHENKER GROUP 7'I . ... ... ... .. WE'RE NO GOOD TOGETHER As recorded by TESLA I9 . ... ... ... ... ... ... ... ... ... ... .. WHEN IT'S LOVE As recorded by VAN HALEN 8 . ... ... ... ... ... ... ... .. . . Tublature Explanatîon
  5. 5. 2m: N8359.
  6. 6. ‘Mal; I VAN HALEN
  7. 7. McAULEY c SCHENKER - knmmlm Dlsnnlo UÎIXEM N319
  8. 8. S z z rTu S z O l'I'I z -l É > l’ o z
  9. 9. TABLATLIRE EXPLANATION TABLATURE A six-Iine staff that graphlcally represents-the guitar lingerboard. By plecing a number on the appropriate Iine, the string ‘and fret of any note can be indicated. For example: 5th string, 3rd fret 1st string, 15th fret, 2nd string, 15th fret. pleyed together an open E chord Definltions tor Special Guitar Notation (For both traditional and tablature guitar Iines) I]: Il! înn Full l (e: Full} M I/ t (n: Full) Il: (w Full) I l 1 (ur FuIlI u: tu m) 7 Il} tor Ful) Full il mi BEND: Strike the note and bend up ‘A step (one fret). BEND: Strike the note and bend up e whole step (two lrets). LEGATO BEND AND RELEASE: Strike the note. Bend up ‘A (or whole) step. then release the bend beck to the originel note. AII three notes are tied; only the lirst note is struck. GHOST BEND: Bend the note up ‘l: (or whole) step. then strike il. GHOST BEND AND RELEASE: Bend the note up ‘la (or wnole) stop. Strike it end release the bend back to the origina! note. UNISON BEND: The tower note is struck slightly betore the higher. lt is then bertt to the pitch 0t the higher note. They are on ediacent stringe VIBRATO: The string is vibrated by rapidly bendihg and releasing e note with the tret hand or tremolo ber. SHAKE OR EXAGGERATED VIBFIATO: The pttch is varied to a greeter degree by vibrating with the fret hend or tremolo bar. 21x pie/ t ma: SLIDE: The lirst note is struck end then the seme finger 01 the tret hand moves up the string to the Iocation ol the second note, The seoond note ls not struck. SLIDE: Sante es above. exoept the seoond note is struck. SLIDE: Sfide up to the note indioated trorn e tew lrets below SLIDE: Strike the note and slide up en indeftnhe number 0t frets, releesing finger pressure et the end of the slide. PICK SLIDE: The edge ot the pick is rubbed down the Iength 01 the string. A scratchy sound is produce; HAMMEWON: Strike me lirst (tower) note, then sound the higher note vrith another finger by lretting Ìt without picking. g, PULL-OFF: Both fingere are initially plaoed on the notes to be sounded. Strike the lirst (higher) note, then sound the lmver note by pulling the finger ott the higher note white keeping the lower note lretted. FFIETBOARD TAPPING: Hammer (‘tap’) onto the lret- board with the index or middle finger 0t the pick hand and puit ott to the note tretted by the lret hand m" indcates "tappeti" notes). ‘mm. Il. TREMOLO PICKING: The note is picked es rapidly and oontinuously es possible. NATUHAI. HARMONIC: The tret hend Iightty touches the ' string aver the fret indicated: then il is struck. A chime-Iike sound is produced. ARTIFICIAL HARMONIC: The tret hand tingere the note indicated. The pick hend produees the harmonic by using a finger to lightly touch the string et the tret indcated in parentheses and plucldng with enother finger AFtTlFIClAL ‘PlNCH" HARMONIC: The note is fretted normelly and a harmonic is produoed by addihg the edge of the thumb orthe tip 0t the index finger 01 the pick hand to the normal pick atteck. Him volume or distortion will eltow tor e greater variety ol harmonics TREMOLO BAR: ‘the pnch 0t a noteorchordisdroppeda specified number of steps, .then retumed to the original pitch. PALM MUTE (HM): The note is partialiy muted by the piok hend lightly touching the stringts) just before the bridge. MUFFLED STRINGS: A percussive sound is produoed by Iaying the tret hand across the strings without depressing them to the tretboerd and strik— ing them with the pick hand.
  10. 10. SWEET CHMDO’ MINE As recorded by GUNS N‘ ROSES Words and Music by W. Axl Rose, Slash, Izzy Stradlin, Duff ‘Rose’ McKagan and Steven Adler ' D5“ D C add9 G Dsus4 Dsus2 A5 B5 C5 D5 D25 %m%%%%%%www% "a- G5 G501» z) E5 Esvu 35v" B], 5 A5‘, Tune down M stop: x ' 3“ x 7ÎI- x 7Î| ’- XXGÎI. Sfl‘. 8'292: = a (9 " 195G) ' E‘! Medium Rock J- 122 lntro RiffA (su. I) - 13 ‘ Càdd9' cc: m ° _ o 3° ° (IcousJ Rhy. F13, l(Gtr. Il) ‘Let nrpeuinted figure: rin; whenever possible (throughout). copyrigmo 1987 Gum N‘ Roses Muslc (ASCAP) 111i: Arrunoammtò 1988 Guru N‘ Roses Mute Inhmnflmnl copyrigm Sound n: Righi: Bosorvod 9
  11. 11. w/ Riff A (-lst‘6 bars only) &. Rhy. Fig. 1 Gtr. llI (acous. ) , 2nd Ve .7.’ _/ Rhy. Fi . child - hood mem-o-ries, _ where ev- T1 O e m _ m m m m l. 910'930! a smile- that i! seems to me- 2. Se: addmonal lyrics sky ‘ry-thing- was as fresh- a} the bright- blue
  12. 12. w/ Rhy. Fig. 1 (1st7 baxs only) a Cadd9 Chorus w/ Fill 2 3rd time Rhy_ A5 B5 C5 D Dsus4 D Dsus2 D 581%) 7 A) J j J 7 )‘J J 7 ÌJ 7 j j JAJ ‘ - ’ " f-Î _ (end Rhy. F13 2) " è_ ——II’. E LÙ' ) Whoa, wh0a, _ whoa. -sweet child o‘ mina; ‘Gtnl ‘On D. S. duuble Gtr. Il
  13. 13. E. .77.--- _ J J ___. 7 m . ._. J n, _J a lx G 7|! J . ._7 m m J J mm. @ . = u mfiv n Man a L d . .7 m J . . 7 DA D o _ Àiî . I w. à 7m 7 ___ 7 m . ___ 7 . _ 7 o ___7 . _ 7 L, 7. ___ 7 m 7 m . _ m w u __" E 7 m 7m a) l. . . . = . .7 w mD u. m > Dm m y . ___ 7 ___ m M __ 7.77 m . h. u M i _ a n 7 7. 7777 . ___ .7 w T. .. h. . c F __ 77 E m, 7 7% 12
  14. 14. C5 B5 w/ Rhy. Fig. 2 ( 1% limes} 7) u. .. . -7 L. .. 7 u m. .___. 7 m . == W 7. h 7. E ma 77 7 7m __ 7. 7 .7 7 7 7 7777 7. n. 7 7 = 7 7 m, .7 __ "___. O m m7 A. __ m. .___ 77 7 __. 7 g“. “___. u 3.77. 7 ___. ___ , _. 7 ___ 7 d": 7A ___ 7 7. 7 77___ 7 . ___7 7 n 7: . = 77 m 7 7.. . ___. 7 __ ___. 7 . ___ 7 7.. 7 77 7 E 7 . ___ u. c" . = n u: C W ___. ___. 7 m, m N ___. 77 _, 7 m 7 ___ 7 m 77.7 m 7; 7" _ 77 7m m m“ m —— 77 w o m ma .77_ r/ . 7.. 77 É 77"77“, 7a}
  15. 15. w/ Rhy. Fìll l A5 w/ Fil] 3 w/ Rhy. Pia, 3 (lst 3 bara only) 'CÎî| l Full Full Full Full Fill 3 (2nd lead gtr. ) I . ‘C.
  16. 16. = mf‘ m» 0 . 6 m v.5 «u. m —_ . m MG 2.. .. % m m, se: ha p. < m = J. r p, s a , —_ _ m D 3.. F 2.: h. p, . 5 w : . w. c _, Î. " _. . | >—-' . _ u . 2 __. v m. mw: m: m 1.2 ma r. m . : _ m. a MJ __. m F . , F W . ,=. A . 3.. .. m. . u E: a s = A, m = Gsflvr 2) m D5 m su a m ed cs . . . ___ . u r u. .. , == . a . ___ va , .___. p2.. . a __. . __. ., p . ___ p . ___“ . ma. . M a . ... _.. una. “ " + - trebla o-bna
  17. 17. 1 r. : . ÉÉ_—IÌÈÎÉ n w/ Rhy. Fig. 5 (2 times} E5 A Where do we go? _ c5 A5 C5 D5 050"") D‘ . ___. .. ! —E—= =-—=5=——= _-—_= Where do we go__. now? Where do we go? _. WC Where do (whispered) Sweet Chlld! G5 (W9C 2) P. M. throughout A5 c5 D5 os“”‘” E5 E F. y. JJJJJJÌÌJJÌÌJJJH“) ÀKJ Jj î95=%= -—= === =55== == ì KÌ’ J Where do we go; now, now’ W119“ 4° We 807- Fuu Fu" 3V“; """"" ' '/ FI1_": :_'_‘_'_‘. '_'_: : '. : : : : ::: : : :: : : ::. '.: : : .': ::: :.'. '. ' f' 'îî' , , wwvvwwvv s]. ' ‘ ‘ a. Full Full F“ """"""""""""""""""' ' L m” s1. I j 5 . d)
  18. 18. ‘Ì JAJ J Î 4b") F55 ‘f’? J ‘Î “J” _ ' (end Rhy. Fig. 6) Where do we go? Where do we go___ now? Full b” . r P H P r r r r r P r r r F“. 8W'1 fi x x N w x x / —. ‘ 1 - L‘I"î — L3 5 5 " slow band 5 5 5 5 5 F r ’ "_" r , P r 1> 1> r r p 1> 9""- w/ Rhy. Fig. 6 (1st3 bars only) C5 D5 G5 “W '> E5 G5 I": uîîîî: u'î . u. ='—'-—- ‘ h" Where do wc go’! Full u_u_ Full Full ___ j / / P m1 Full Full - P — — , /z—-sg / m. A“ î; tî——î'î——x'îx—__jzx ' — ‘x——- ‘= "—'—"‘""'—***""' u- î— -_3_. 3 Full Full Full slow "mi F --- l, A l, Full Full F11 P - Àx 17
  19. 19. w/ Rhy. Fig. 6 (lst 2 bars only) E5 . / D : = Sweet child, _ J Bsvll Bbs ASV 6501M! ) . -——3————. J J J b J‘ 3%. ESV" D5 . .——3———. à É——————5— No, = __. . . ... .. .. . _ ___ m . _ m . .:. xn 7.. . . . . . . . . .. ... . __ . .- _. . __ . _. . . . . . __ . ___. .___ o H 3 u . . . . . . . =.. .. ... . D. .w È: .w . fi Le 1‘2----. .---. -.. .-. .----- —————— ————: — l/2-. --. .--. ... ... -.. --- o 2 n H. .3 . ___ . .1 , . A u . = Èsn a. m-v m Iîrwzuw . .. ì 5 A. __ V . . . . __ m . . __. . . . . , m ___ c. A u . .= . . . __ 5. A o, u . . La4? . . MJ= .. . , .5 ”À. n;: M __ . . =. J __ f . __ m. 5.. . ___ o __ ‘îîî-n l/ Z Full . ___3 ì Full d 12 I2 _-. ._-----------. -.. -., .-. .--. ... .-. . __--__. I l D. Addltional Lyric: 2. She's got eyes of the blues: sldes, u i! they thought of nin. I hate to look into those eyes end see un ounce of pnin. Her hai: reminds me of a wnrm ufe piace where n a child I'd hide, And pny for the Ihunder 1nd the nin to quietly pus me by. (T0 (Morra) 18
  20. 20. WHEN IT’S LOVE As recorded by VAN HALEN Edward Van Hmflfiîgfiflvtfiîggx Mlchael Anthony and Alex Van Halen D A D/ Ft G5 F6/9(no 3rd)Csus2 F5 F5“”’°” G5“"’° ” F5““" ” G5“"‘ ” x° ° ° 3n. 31:. 3fr. 31n str. 31n siz. 1 L; 3 2, 111 11 11 1 D5 A5 B5 Asus4 DS('"’° 1) C5 Tua? “ )‘ “5fr. ‘ “ "° sn. 31:. (A11 gtrs. ) 4 1] 1 34 1 Moderate Rock J = 100 Intro D A G5 D/ Fì o ‘Gtr. Il: Synth. chords(1ow stgs. ) 8c synthbass m". far gtr. “G1: l: Synth. pan (harps, madmba, ncous. piano à low stgs. ) un‘. far gtr. A 13/53 Q (end Rhy. Fig. 1) D ‘Continue Gtr. I's synth. pan w/ highstring voices ndded. Pan written is [or harps, marimba, acous. piano à low sta. 1='11 1 D/ Fî G5 n A ‘gag, 0 O 0 O 0 ‘ Allow chord: to sustain into each other émphasizing common tones. “Recorded r. part (no ad tati synth. bass doubles ruota. - swelled in w volume controfp o") Copyright 0 1988 Yssstp Music Company ‘ lnlamaxional Copyright Sewred All Righîs Fleserved 19
  21. 21. ‘Combined {n.21 synth. riff (G11. I). Gtr. lll in upnems. Basa m steady Sths. Riff B Am Ev - ‘ry-bod -y’s look-in‘ for some-thin’, some-thin’ to fill in the holes. —‘ w/ Riff C 05 c5/1= D5/G Am D5 C5/F C C/ A "—, —.—I_ -—. —-'ifi , —îî‘îîîîî‘jlîrflwi îîî n lîîîî îî'î j1l: îì ' “' Ghz: thmk a lot but dont talk ai}; a-bout 1t- ©2121] thmgs Set out of con -2ILJÎ’ open Chorus D A B E j ' A --J. JwJaJ. J. JxJNJ. J J»J"JaJ1J T7) : u== === =:= =E= :.-= ì=%= -î ; - î‘ îî: ow do l know. _when it's love? _ l can't tell_ you but it lasts for - ev - er Oh. ._. Rhy. Fig 2 011.1 _ fî 1 . I | 111 ___ - r: q‘ , a A fg: ='= Ég-= =E= =E5Eî= .== î= 2 mi’; î n1îî1î-î ' ' _/ "’ * * I) — le! rmg ‘ 5;", [et rmg - - - - — — - - - - - - - - - - - - 1 f m: = . ’ Iflmlfl {gmfilfi . ‘synth. chords ma tor gtr. “synth. basa un. tor gtr. ©6961! (amen ©3211. 2fr. ®F‘4ir. ©Aonen J JxJhJ. J. MJ J JNJNJÎhJì-JJ J un V g; - kw î——î- îîî How does it feel- when it’s love? _ lts Just some — thing you feel_ to-geth - er, when- it's love. _ (end Rhy. Fig. 2) I — k5 —: À’ Ì‘ I
  22. 22. w/ Riff B D5 C5/F D5/G Am D5 C5/F D5/G You look at ev — 'ry face. _ in the crowd. _ ©lfin } Bb c5 w/ RiffC D5 c5/1= D5/G -J 3 J 35 J‘ J- D5 C5/F 95/9 un. ------------ --J H ‘" È Some shìne and some keep you guess - in’. Wait - ing for some - one to C5/F C C/ A q _ D5 come in - to fo — cus. Cl)orus _ wy. Fxg. 2(1st 6 bars only) I Teach you your ti - nal love les - son. Ugh! . ,., .. ©. ,.. @2,, _ , ,_ m g» q. ì J» A J. ì m r7 1 How do I know- when it's l0ve? _ l can't tell— you but it lasts for - ev- ®4fn ®open Q open (9 open , . How does it feel__ when it's love? _. It's just some- ©2fr. (x930. m, Bridge ‘synth. chord: upatems. synth. bm downstems.
  23. 23. GSW" n F50yve 2) . /’—î . .. Ì n. . , » » _. _ _ ' RÉÎÉZIì= ÈE un ì ‘i6ì ' Oh, î_. ___ when it's- love. __ You can feel 1t, yeah = ""' ‘d: ‘"5 - (Ah ah ) Noth - ing's miss - ing. Yeah . î ‘l/ î (end Rhy. Fig.3) "““ P f“ H“; .. ... .. __‘ Z" _ _ cu- w A A A A ____, ___, =fiî—gggggn= =gggmlî——îe= y 1 — — — — — ’—" slow —— — — — — F u trem bar bend T’ ILLLJÈL F p u mmgn 1 . - —_l : | - 1 ‘Doubled by synth. bus on root. ‘Full up on bar. 37gg}? D5/G 1,, Am D5 CS/ F U4 95/a Full ‘synth. m. tor gtr. 5’-
  24. 24. Bridge sl. _ ‘Sustain to beat 3 of W/ RhY- FÌE- 3 next measure. F50!! !” 3) > 3L G5ayp° S) > FS“"’° 3) > S] 05m? ‘ 3) > > s’ s PÎÎÌM Jîmmggrfi mira J‘’- mm: J/ srîi: n: rJ JQ . . - — - - - - - - - - - - - - - - - - - - , . . — — - - — - — ’ xx '- _ e È; m a fîîg a: m1 a 55gg g! ' Yeah, _ you can feel it. Ohwmwhen it‘s love. _. (Ah î ah. )__ (Ah _— ah. ì_ w/ Fill 2 w/ Rhy. Fill 1 Fsflm 3) > > 05W‘ 3’ ©m. rJîîJ-fix-DJA ‘A777. . . . 1777.. . w/ fî A’ 5?; P1 % -— Lì. - t: __ ‘Doubled by synth. bass on root. (when) Non, . jngg miss . mg, (NÌJ flh-)-—— Chorus 2h. sir. ®7fr. w/ Rhy. Fig. 2 (lst 7 baxs only) E G A D5 A5 A4 J-‘J J J. J» J» J. J- J») J- 0w! How do I kn0w__ when it's love? ._ I can't tel1._. __ you but it lasts for — ev — er. 00h. How does it fee1._ when it's loveî’. .. __U _> _ J- JwJiJ. J. JwJ IÎJJ A w a —— —»— __ It’s just some - thing you feel__ to - geth - er. Hey. mi ai? ’ a semi-harm. - - - - - - — - — — - - - - - - - - - - - - - - - - - - - - - - - - - - — - - - - - - - - - - - i F __________________________ ___, plck sfide | IÈÈEÈI | I |
  25. 25. w/ Rhy. Fig. 2 (lst 3 bars only) D5 A5 J JJJ. J- JNJwJ- J. JsJsJ Ì er. Whemifis love. 00h, when it’s love. îî ‘Bus play; steady qunrters. Hey! G5 w/ Rhy. Fig. 1‘ (3 times} J J J J D3 A: DL" Bk d. Voc. Fig. 1 - - - - - - - - - — — - - - - - - — - - - - - — - - - - - - - - - - - - - — - — - - — - - - - - — - - - — - - — - — - - - - - - -- ÈÎ 4E j J ” ‘ " ‘I r‘ r‘ 3 ‘- E; Éà Et J lt — ‘Il last for - ev - er. When it's- love. _ (Na na__ na na na. Na na _ na__ w/ Bkgd. Voc. F15. l (5 times) pick s1. Rhy, G5 Fig. D5(‘"’° ‘ì A5 D/ Fl o x‘. —4 o o o É ' ' ' ' ' ' ' ' ' ' '5- ' ' ' ' ' ' ' ' ' ' ' ' ‘I É È E You and 1, _ na na. ) G5 w/ Rhy. Fig. 4 (4 times) 0 (end Rhy. Fig. 4) D5 A5 Èé Q4513 {È/ î‘ J “ we’re gon-na feel__ this thing to-pth - er. When it’s love. _ / f‘; D/ F: c5 D5 A5 __ 00h. Whenit’s_. love, _ ' ba-by. D/ FS G5 D5 A5 D/ FG È ' Erg J You can feed it, yeah! r G5 . A ,35 A5 D/ Ft c5 x1 K V v — We’llmake it Iast for - ev - er. 0oh, ___ when it's love. _ w/ Rhy. Fig. 1A (2 times) D5“"’° 2) FSWF”) c5 FSWI" 1) c5 5‘ e O 0 0 0 E I j ‘- l — u-î Ì uî H 24
  26. 26. SE EYES FOREVER As recore by LITA FORD a. OZZY OSBOURNE Words and Music by Lita Ford and Ozzy Osbourne B5 Gm Dm C A x Xfx X X0 Slow” J: 68 3rr. 5rx. 3n. Àm add9 I 2 G Gtr. I (IZ-string aus. ) 1st, 2nd Verses Am add9 G I _ —- E= -a1:mn——— Î ‘C. _ A — _. _.— LÙ’ I eîîîîîîîîîîî‘ l. Ba-by, I get so scared ‘in -side__ and I don‘t real - ly un — der-stand. Is it 2. Se: additional Iyrics Rhy. Fig. 1 _—. î. ‘ ___ à ——— r ì r copyngmo ma Usnbella wsccxvlrgin Music (Publshers) m. (ASCAP) Publiahed in mo U. S.A. and Canada by Llsabella Music and Virgin Music Inc. Intnrmfloml Copyright Secured A| I Righs Reservod 25
  27. 27. ‘I: ‘ rfiî= jîj1îîîîîîîîîî ì! Heav-en is in the palm of my hand- and it's wait - ing here- for you. What am î—— îîì îîuî ìîî ——î îîî î—— —. .—-—î. ‘(€- ' . ._ . . 4 i g, __. _ Chorus Fsust4 Amadd9 gFaddu/ c A n-n- î A "‘ -"— Ii1îìî — I I i 1gg .5 {L " 5 T‘ ‘l È 19|. ..- I. _. sup—p0sed-to do_with a child—h0od trag - e - dy? __ If l closed my eyes- for-ev- _ (end Rhy. Fig. 1) 1 Am FaddM/ C Am ‘ a " l'x '. '.I'è' . 11%. ' 55.125 i — —! ! Il! ‘ I - er, will it al]. .. re-main_un - changed? _ ‘î— > > > *—— > > > a —— I-n ì ì _. —— __ _____ . __ ì RÎ= =L= ==J? -— v III-ì v Z1 ti. I- q: î'î —L 11'. îgîîîfi L; 1J ‘ î îîî ÀÎîÌVZI 151 ZÙ". t îìî 1 tîîî I"'- Îî-î F addì 4/c Am F add wc 4 — A A . " A H’ — - — — - ;3,= î‘. === _-= ;== EEEE2= = .== ==EEEEE. ==% lf I closed my eyes- for-ev - er, will it all__ re-main- the same? _ . îî ì ì > fiîfiììì: =E î"— '"Jj-i= = __* î= -== É. __. .. . _= :== _ . I. Il I . ' PJI- _- = =r= —ì ' t— ‘t t îîj 5' îjlîììîhlîîjî4î J îîî J o 3
  28. 28. ‘G Em T0 Coda Bb Gm Dm Gtr. Il ° ° sim — - C LLVTQ’ r‘ 0" Will you ev - er take_ me? No, I just can‘t take the pain. ' Synth un. for gtr. Bb x Gm Dm A ‘ rî . f v p ‘î. .". —.. .=. .__'. î=. ____. —_= ==: _'= _!—; ili I‘ il’ - nnn= i LÙJ É1-—îî1îîî— I Would you ev - er trust- me? No, I'll nev-er feel- the same. _______ Oh! ‘ Gtr. III r ' —— ' înc-{tni L" __ _ -îîîl s1. = == I I z I I Guilîar solo Gm Full Dm c 3L P B g: .s: :.--. ,---. :____-___; îî 121 ——_—_: — îYî —: Z——1:ZZ—"'————Z—— .1 : ———. î.__"——îî—î7——ì1 ì7ìî'1
  29. 29. 3rd Verse w/ Rhy. Fig. I A *Amadd9 A, a G . / ' ii“ ‘F 1 8m ' ' ' ' ' ' ' ' ' ' ‘ ' ’ ' ' ' . ' M ' ' m. ' ' , . ' N. ' ' . . ' M. "" . ' M ' ' ' ' ' ' ’ "1 I know I've been- so_ hard on you. _ ‘Baîs play: A pedal or bus. Fsusfi 4 Am add9 G/ A Am add9 A . A è ‘v . i ‘Z F - E- 7 o. l know I've told- you Iies. _ If I could have_ just- D. S. (take 2nd endlng) a1 Coda G6 Fsus84 15 - Amadd9 g f A ÉÈ °" fa‘? JHE-îlrî e‘ one more wish, ._ I’d wipe the cob-webs from my eyes. Additional Lyrics 2. Sometimes it’s hard to hold on, S0 hard to hold on to my dreams. 1t isn't always what it seems when you're face to face with me. You’re like a dagger and stick me in the heart And taste the blood from my blade. And when we sleep, would you shelter me In your warm and darkened grave? 28
  30. 30. CHANGES A5 '°C°"d°d bY TESLA Words and Music by Jefi Keith, Tommy Skeoch, Frank Hannon, Brian Wheat and Troy Luockena D/ C C Cmaj7 C5 D Q5 E5 G/ B ' su. 2h. A5 D5 7tz. 8fr. 7rn 3n. sn. 7rr. Moderate Rock J = 120 Free time (Halfltime feel) Em(add9) 1st, 2nd Verse: (halfi-time feel) w/ Rhy. Fig, l (4 times) Lfiréfiffl rin 1.Chang - es, time’s mak-imchang — es in_ my lrfe. __ Re — ar- 2. Sue addmonal Iyrics Em(add9) Em7(9) A E finì nmg - in’, imeî. .. 1 re- can’t seem to stop the hands- 0L. t and l see things dif - Prent - Iy. _ Olnî Angj’, (end halfrtime feel) ‘ " .3 e? gîggîr 34% 35g Time’s mak — in’ Can't you see? _ It’s chang - in‘ you- and me Chorus ‘ w/ Rhy. Fig. 2 (2 rimer) 05 D5 E5 / ' G5 35/‘ copyriqmo 1933 city Kìdd Music (ASCAP) m; Annngomenlcopyriqhlo1fl8 Clfy ma muse Inhrmflonal Copyright Secured AI Righu assuma 29 g» #3231; gàîflr
  31. 31. (Both gtrs ) 45% 6% = = : :- __ I m . = . e m __ ___ __ . *s ma . eA_î . 7 Z E. 2o. 774 mm “5th emme m. trem. bar 01------ " _- i . , si. ' '" ' P s1. 0'770 "È chang ®Aoven A5 . o îî î 7 al - ways son - na change on my . Gurtar solo w/ Rhy. Fig. 2 (5 times} E5 _. ; . G5 D5 mi: . ì’- / A . = ' ‘ Full SL I IWI IHì re - ar- rang - m’, A5 I I I I I I . . I ‘ I e îF= îà= iî er stayed the same. .. It's a Brmwywg. , m _ m wrh mie 7 Y F? .3“. Lrmw. m Time’s G5 3V Bndge (half lune feel) Noth — m’ Pm — V‘ ì’ 7% _ 2.: . e. ..
  32. 32. . 11111 i; ——. —.—--: .—. P, n __. .. ., a a , .. . .. . . . . . a _ . . a m e a m . .. . .. e . .. g . ., . . . .. u. . h, urti? n‘ sw-nmz-ze- m umane-cm navata u n. l gr.02- lux-un o assom- n: lîb"l
  33. 33. . 3rd Verse (“fiume tee“ _ w/ Rhy. Fig. 1 (2 times) ‘w/ Rhy. Frg. 1 (2 tzmes) Em(add9) 2 Em7(9) 2 Em(add9)n _ %e= ——4++. ————aar J. L—‘#%î ‘2nd time substitute rests far _ - _ - last threeìeighth notes uf figure. Chang es’ “Ines mak m Ètmw) b’? ! @5755 -, « e t sì‘; D/ C Em7(9) __ chang - in’, _ can't seem to stop the hands of_ tìme. _ Can't you seeî’. C D/ C Cmai7 (end half/ time feel) 0 0 Do Et - f? LEI Î ÈLÈH r7 C. __ It‘s chang-in’ ev - ’ry - thing. _ Time’s mak - in’ Glorus w/ Rhy. Fig. 2 (4 times) E5 G5 D5 g G5 D5 É E5 zx " ‘ È? r; 5 - -f a t 18:45 2.2% tifi; o. chang - es, î__ time’s_ mak - in’ chang — es in_. _ my_ life. _ E5 G5 D5 Iî ‘ s g 5 e « A o. __ Time’s re - ar - rang - in’, _ chang - in‘__ you. _ and me. .. Outro w/ Rhy Fig. 2(4 times) AES Ì G5 D5 E5 G5 D5 "É f‘ 7 r- 5 + . r"? 7,. _ k j l“. q. _ A —— Yeah, yeah. ._ Al1_ these Svchang - esî. a - — - — - — — — - — - - — - - - - - - — - - — - - - - - — - - - — - -- rteady gliss. Full Fuu 2 _ k
  34. 34. Fig. è) xx 5L (end Riff A) îfiàzLL ‘îìîrî 4rrvVr s]. xx mîvvwvwvvu Fll C5 G/ B (G) D5 (B) D5 C5 G/ B (G) Additional Lyricx 2. Faces, strange faces, cloud my mind. Empty traces make it hard for me to find. Somewhere in the distance is there someone who awaits For that momenti’ l am taken over by the hands of fate. Can't you see? The world is changin’ me. (T0 Choms)
  35. 35. Words and Music by Vinnie Vìnoent I m . . = = 4. E“. .. u u . u = u _ n = = u ___. m. e r _ = = m .5 m E. m. mm _ ___ m w .4.. . mm _ __ m w w mm _ m. 4 __. m n. D3 . m m. ___. m. :__1 _, m _____ M . p __ __ mfi _ m . . . . ___. .. z M a a m __. . m __ — A - ____, , . É m% m , m __ . . __ z . __; a W E CSTASY As recorded by VINNIE VINCENT INVASION there, A I’ . .. D ___ _ ì k D or: o . : . . G n: [III III D5 4 G8 7 {ì h one my heart _ where m. o ___ _ . . u: a . e m __ e X . . m ____ _ M3 m A w. m . s m D . ___. D m 5.-. . _. ___ e m É D . ___“ m __ 4. a ___ . __ P) p 5mm m m ___ __ M w . . . m 7:__ H _ m . , s mm m m m __ a Hfi. ma .4 4 m m . .1 . . . .. .. m n a _ u m. m u n — m _. r _ m. . m , _. L“ r .7 m ___ _ _n É a è g“, É camuno 1908 Vimh Wnoent Music/ Finn Blu Music. Inc. (AScAP) ‘mi 101m Vinnie Vulcani MuidRIro Bluo Music, Inc. hbtmlonnl copyright Secured AII night Round
  36. 36. g . l' s . ___ w ___ __ ___ m = l W . . R 1 .3! . ìî W m. .0. __+Vp . d . n a mio. m zflv V r. . 0 a m . . a L (H H 7 n î W 7 M _. m . ._: +.I M F = b — . M m. .. 1 w __ . ., E w l É Z î YOIIX’ arms come _ Em9 Ietring---—----—-----. -4 w1ll ì 1 — sun WWW 3.33.. .. . ... ... . . . . e c . ___. “F. a. .. I i9 . _ ___ _ .5 . . ___ __ . . . 0 . ___ e a . ..__ . f E = A. .. m > -__ . . m m. u. _ su I . __ m d . zonv e t m m u. V u m d. r. “ n . M Jr 4m , Ì . . 9 nmv. F î m a . 7 . l. I. m . . V. u . . _. . . 4 _. .m a, w 7 R di. . m Ì. . m . _ n . . m ) m. o . = _ 1 ma m W î: _. e . s“ w m. » É 0 _. e mm. S w v. n. m mu m 2m a q w _. __ a a . __ È. , 1mm: 9 a: É. .. _ . . F? III 7 = m _, w F = d just a dream_ a- way E g} . __. ÈÈ letflng-----------—---—-1 G605) ì one. .. Some - e _ A . __ . .___. . . ___ . . . . ___. __ . _ _ = . e a. .. , __. E. .. . _ ___. .. .. ____ . ___
  37. 37. (Overdub clean t0ne)—------------ to fa1th - ful- ly __. letflng-uu-u-----------4 heav-en. 111 — ——îîî Iìxî-ì = =5€—‘ —" Il- 1 % A . __ _ ma E. _ . _ __ . ___. __ L. n: n 7.. .. = î m, L? . 4 m. m. s. ..’ > . ... . m . ___. ____ a = î _“___“. V> Ì E. __ 3 . I" . w = m ì. _, .._, .: , i . . S E _ ___ h ___ - . __. . . . . m u. . . m . _. . ., on/ n t lo. L; W R f ma. % o , __ m ma u. Ì der_ t0__ î î-î î — — — — was meant- ‘w/ Diatortion heav - en to — —Z - ì îî 1 g à _ this ___ B5 ren > f w/ Dmonion ur - and me, — . . ì you m. fl .1 m L mw m snv. . F m u m mm y ___. m” m u .0 h/5 h l! t d m CwE C». .. n h . , e m m v. .. H . = m . .. . w m ___ 4 __ __. . x E- . “__- - . _ . . . __ u > Il . . îì a Ha n: m à. . . . n . , m ___ m .1 _ . m .3 m Î _ n n u u ___ n m _ __. u _ w m I. .. . a m . ___. m u . una s ___ u. m. . k , m .1. {X H H B î e N e _“_ __. _m , ... . a ___ ,
  38. 38. B5 (“d Rh" F“ 2) w/ Rhy Figs 2 a 2A and Rhy Fili 1 r. e . w . .1 m d n a W 0 n - sta - sy, ._ we’1l (end Rhy. Fig. 2A) Ec T0 Coda Figs. 2 & 2A (lst 2 bars only) and Rhy. Fill H} F55 w/ Rhy. E5 i. 7- — — I . v lînznnflîîîî pî-C'Zîî21 | ‘iv - sta - sy we’1l al —ways be_ fa - fall — in’ for- ev - er, CC N.2 h . ' 2nd Verse D(add2)
  39. 39. Ffim7(add4) = = . .1. S l. .. S . . . been search - ing w/ Rhy. Fig. 1 Ffim7 Fìm7 = ' a 2:‘ me will_ 22 1V a , _____ ì . __ . 0| 2 _- 2.: . . .- 2 E .2 , . , . m. dreams e 9V . I. e m ___. . è îrîîî A part of o __. . W A ) I m m _ m i m. 6 —_ G m m b ___. u W (All gtrs vnb ) I1 . . . . . . . . . . . . . . . . . . . . . . . . . u m, m t. m r s e À l. — — tru - er love . . da: «a . . sì . P __ 2 m H = )ls7.= _ n. __ . ... ___ _ < ___ 2 _ __ ___ . . _ . : . ____ . 5 y . _= __ . _- —— M . m W "i. .. .__. m _. __ a g" ___ ara É ma É. “ l'10 w/ Dxstortnon Cmaj7(addì4) . "' " ' u. » = 1 11 Full P 1 ‘ì i Full warm, rrem bar 7 1.. Z ma‘ ) Q I‘ 1h ù
  40. 40. yeah, _ . __ ___ . . ___ __ _ Iul g __. ? ___. . _ —= _. . .2 _ . ___ sta - sy, . m. == F55 w/ Riff A Em9 A7sus4 ev - er. 31m. letfing-----—----------------1 w/ Rhy. Fil12 è o _ h O w: 2V . ___ m_ V V E .2 . a . _ _ u 2 . .. . __ _. .. y __ . . u ___ ___ P H . . ATI , Ò . ___ m Ietrlng-------—-----—--------4 ) r. n. s . u O c A ( 2 m F m.
  41. 41. c ìmn . mm C. C h e d e www mm< w/ Rhy. Fills 3V a. 4 w/ Fill 3 mm; --—------------—----- q . ‘i rxn È _ E . in (Acous. gtr. ) Ietrîng--—-—--------——----—1 N. î è Fill 3 (Lead gtr. solo entrance) Full u î w/ Dìstortion Iight vib. w/ trem. bar Rhy. Fill 3 (Acous. gtr. & Elec. gtr. ) Rhy. Fi1l4 (Clean elec. gtr. w/ chorus)
  42. 42. w/ Rhy. Fill S g Guitar solo w/ Fill 4 ì E5 C35 J J j P” j J J j J j j 30%; ’; gtrs. ) E‘ ‘t. L’ H P (A11 gtrs. vibrato) . Zî n . - -Z—î "mm '- "fiì-î ì 'n—l-. î-ZL 4 Il'4——”-’- — > KÌV: îî. -—ù 3 rrem. bar Full x-x Fill 5 (Additional harmony gtrs. ) 1/2 Full 1/2(3 gtrs. ) A . ÉVZIIHII. 7.11:: ‘Top voice doubled in unison until beat 4. 41
  43. 43. we’1l _ day Some 35 Oflàî beat will _. hearts n'nÎnnz f. îhlfl‘ I "1 LIV _____ _____ m ___ H ___ H ___ b_ ___ : _. M m , :_ m mm: _. . __ w «hm E { 1 ha g: non ma ___ . the sun, J‘ l w E 2.. .. .1.. . r. ..“ .5." _____ _____ _____ . ___ . . . . . _____ w J_________ . __ __ . ___ m e . ___ er young. for H _ 0111.. m t. ., _ 0 n w J. __ O . I n fl uma- . a _ V u A __ Ietrlngu--------------—-. .-1 we’1l l . — î à. " 7J. su m,
  44. 44. gta - 1g. 3A) 3=* îî C85 (end Rhy. m. 3) D J J’? J Jî . . P. M.---J P. M.----I Ec - (end Rhy. !’ __ 5 F . .Wu_ ba. b m. -- A _. .. I “___ bb . bbb= __ u , b, .. ___. ___. b b ___ ___ b H. Ab____ b. a ____ E ___" ___ b m b ___ b m; - . ._ ___. n à ___ ___. 7 ___ = w/ Rhy‘ Fill 6 E106 3o É 1.? J — c e - brate- this heav - en - l; É _ = .- P M - - - 4 — heav - en. È J J‘? J PMu-J î . ' Iî ìì7î'1 . .. We = -.—-= .=î'—: '=-. E îìî bîî . îîuî- - I I n susM sus2 B5 9 (w/ Dxstortxon) i}! î_%%% V through the end. _ of îîîZ heav-en to u-I = '2 —= II- î-îîîtì-îî-îuîîuîuîz _ J _ . ___, b. b, .___ m — _ m _ ) b . . __ a = - a J î w b M J y 4 s 3 n" . ___ A q m . . 3 1 . . M. b: m b= — . m p}: n __- m b _ u J = y, m i a m 5 . | . bmu . . F 3 S I W _. . b. _ A s b. .. mm”, b. ..» ù m p m. a. .. . , . kw
  45. 45. ì G5m7 e35 v= ..—_= == e = %î—-= -—- be- fall- in’ for - ev- er. Oh, __ ec - sta - sy, _. si. w/ Distortion b. _.____. _ L; b ___ . ___ __. _. . ‘.2 r . .__ g: Eî 5J 1.. .. —= . .. ha ____ m a. .. . __. u r P P F85 5 ‘ C V. . __. .1.. u. .___. __. .2.: b m. .. . .__" ___. b - u. .. u . _. . 2J. P P . .bb_. _.__ b. ___. __. : . ___. îs . ___ . __ . b. a: . . H. ìflb-g d. . _ = uî . ha : —bb. P . P V. m. ù m m. a. .. .0.. .“ u
  46. 46. NO SUÉSTETUÎE As recorded by VINNIE VINCENT INVASION Words and Music by Vinnie Vlnoent A D G A‘ Ffim7 Gmqi7 G6 Csus2 D5 A7suì4 Moderate Rock J = 116 1st Verse (Band tacet) . —-—- 3 line. While your in - tu - i - tion keeps hold - in; you down, you're 2nd, 3rd Verses (end Rhy. Fig. l) w/ Rhy. Fig. 1 (l'A tlmes) A D A D G A" A D A han; - in; me up ev — ry time. 2. I wunt you to wanl me_. .__î__ and 3. See additional Iyrics whìs - per my name ry ’ breath- thnt you take. l wan - na touch youî__ and fill up your dreams- and vow your heart- will nev-er break. l want your copmmonesvumwmumuanuuammlmuscm munrummmoroeowmnvhammunuomnwmm 45 lnhrluflonalcopyumtsouuhd Alfligmnouwod
  47. 47. pu-ww Gmaj 7 G6 7 Csus2 Don’t you know there’s Chorus w/ Bkgd. Vocal Fill 1 (3 times) Em7 Gmaj7(no3rd) l : A7sus4 A7add4 . r-—-—-'3—’" Zî A7sus4 A7add4 , îìî — I live for your touch. Rhy. Fig. 2 - — - - - - — - - - - - - - - - - — - - — — - — — - — - — - - - - - - — - - - - - — - - - - - - - - - - - - - - - - - - - - - 1 a , _ 1 —î I'QJV—'. Ì—'—Î'—Z*Î' 7.îhI: I ‘ (. .-I—' tu‘ Î- VVÎ z. yvf . e . V Bkgd. Vocal Fill 1
  48. 48. Em7 Gmnj7(no3td) A7sus4 A7add4 Gmaj7(no3rd) for your sub sti - mte_ No ' w/ Rhy. Fig. l (lst 2 bara only) A D A love. - pen YOIII’ O l 8va---——---—«-----------------------------—---------------------------—-- Eva--------------------------------------------------r----_-. _.---—----—v-_-—. .-_-. .__--. ".. ..-. --. ... --. .-. --. ..-. . 1/1/1/'/ 1/ 1/1/1/1/1/| / 1/1/1/1/1/l/ 47
  49. 49. Guitar solo D5 J J J J 8va - - - - — - - - - - - - — - - - - - - - - - - - - - - - - - - - - - - - - - - - — — - - — - - - - - - - - - - - - - - - - - - - - * trem. bar ‘ Graduauy depress bar, then gradually releasc.
  50. 50. (D5) F8m7 J J 5J 3 PP —— I want your Full HH ‘_ P 4 H P P H bi . -=-I’.7.—n= 11-1 1 ———— A/ G Pre-chorus ion, _ Though_ it's not your fash sion. ,_. pas E V Don’t you know there’s no. style. it your can make know you Outro Chorus Gmaj7(n03rd) - w/ Rhy. Fig. 2 & Bkgd. Voc. Fill 1 (both 3 7 for your touch. live
  51. 51. A7sus4 A7add4 Gmaj7(no3md) - tute_ your w/ Rhy. Fig. 2 k Bkgd. Voc. Fill 1 (both 3 times) A7sus4 0 A want you so much. w/ RhyÀFig. 1 (lstàbars only) A7add4 . Av love. got. .. to make you see. I've __ there’ll nev-er be. _ w/ Rhy. Fig. 1 (lst 2 bus only) love. N0 1 u. " o. y" n M . m . 7 _ A a m m . B 7 , . A, u W . G a1 E m . " 7 u a . m u G . u V . S . 7 _ A 9 m 9 e . m m u _. . 0m u 1m . 17 u HA u w «V v m 4.. .. _. . e M9 m. u wm a n E A 1 _ w/ Rhy. Fìg. 3 (256 times) Em9 A7sus4 you and- a - bout drcam -ìng and dream -ing and dream - in; and dream -ing A7sus4
  52. 52. A7sus4 A7sus4 - tute. sti m9 b 81:11------------—---—------------------------------------------—-—-—-------. w/ Bkgd. Voc. Fill l (till end) E su R10 no, No, A7sus4 w/ Rhy. Fig. 4 (till end) Gmaj7/B A7sus4 tute î A7sus4 ‘îî-E: _ = = 1 2 . . 5715 , ,__ . __ ___ : _ L __ . m __ V m 2E. u . f A n m . _ 9 __ g iaflummfi .1 m . . mm __. ... G o: m i. 11V; . __ _ m A m m m , . M . ___": PP . ._ . w _ ug___ V . 1 w“ e . .__ E A _. .. 0o Em9‘ Gmaj7/B I k ; .'Z ) love, 8va- - - - - P 2x , —a——— ‘I’ I‘ —’Ì- 1L! L—JI — n») ìcàeîîî : :- —*_ H P . __. V . À . ___: A. a 2%. . u _ o. ____ n, w n.1.“ —’. I‘I| î '-îhrî—î- sub - sn- sfid- Lum-
  53. 53. Em9 A7sus4 Gmaj7/B A7sus4 Em9 A7sus4 P r Ì b Vîì-î-‘à . - — e e- 111.2 n 4 41 . — l . . e eî-ìqà e43 t: x nwîeîeîuì—tìîjì—— —x à x1 ì: ""' """"'— —: —= z: == 3 n. ._4 . __ a g3—' s _, _3_‘ H l: P H H H A P P P P P P P H P P H H 01:11.1 - A7sus4 Em9 A7sus4 v*——3"" —". 'î'î—î' —— I"; FH| î Y ——— | " ì‘ for your ‘Addìtìonal L yrics 3. Open your window and ace th‘e real world T0 know what you've been missing. Come out o! ‘ the shadows. Insecurity lies In a heart afraìd to listen. Pte-chorus: Don’t gamble your life away Onjhings thnt will fede away. Love is waiting for you. (T0 Chorus)
  54. 54. TIME As recorded by McAULEY-SCHENKER GROUP Words and Music by Michael Schenkeraîgwobìfl hlrlqcAuley an ‘ y ewton Em G5 C D Dm add9 Gm6 A Fmaj7 Am a m H%"“%’“%"‘fi°“w‘"w‘"fi"‘ F ctw = > 37 EmV“ c1 D" c Am‘ E an. 3fr. 7fr. 1tr. 1:. , Slow RockJ =7o ' l own, m. ®ornn2fn ®5fr.3!r. îfr. astri? 5m e n05 c D Em E F: c5 C D D c a ‘ÎJ. JÎJ J JJÎJ J J. JÎJ mm F13‘ I s1. 5x’ sL° s1. 54’ ‘ ‘Chord: pllyed by acounic lZ-strin; and elec. G-Itring w/ ohonu. 1st Versa "A11 three stra. vibrato. I was just an - oth - er fool, _ break-ing ev — ‘ry-bod - y's ru1es. _ Same mis-take- g: the Dm add9 F C "7" ’) Dm add9 Gm6 Dm add9 Gm6 A Rh . J J Jaw fini; J J J J J J A) copydghte 1087 Ram Bluo Mulo. Inc. (AScAPyRobh MeAuloy. dmln. colonne-EHI Mueb, ImJRooky Nowbn Thie Amalgamate 1968 Hm Blue Muoio. lne/ Robh Muauoy. odmin. Galgano-EHI Music. lm/ Fbdxy Newton lntemeflonul copyright Sound Al Righi; Rnervod
  55. 55. man u: 655:. m H»
  56. 56. B7 p C0190 l) : ._ w m P m l What was (Two gtrs. ) l should have known. I should have known, _ __ W 9 . . u u. a. 1m A _ . '% The on - ly one to un-der-stand me now was you, al un now noth-ing will be clear a: —— M __. h_m__ _- m. 0 m . ,I -rum _ = u g- _____ M u h. _. . e h. .. n n n p Chorus vI/ Rhy. Fig. I Stil] I can't find the Words. (Time, when you need just one more l just can’t find the It’s on - ly time. (Time, and there's so much left to say. )-
  57. 57. Gm6 Dm add9 Gm6 Gutùr solo Dm add9 p___ M m____ W w J . .__: _ . __. e Î p p p g _ 1p. . p p p . .__. p WJ p m _____: .. , ___: .p __ p _. 2.. .; . m . ____: p a: e: p. p É m __. . . ___. _ a: J . __ p . x . m _ ___ a 5:3 J p. _ _. ... . + . p p pJp . ___ ___ . i p“ . . __ w p. m p a. .. p p p . p u p n 3 H: H 3 H . .. p . 2.: : p. p E: p_ = =. n . .__ u p . .__ . . __ p . . n . a . . . p; . _ . ___ p p . ___ J _____ m p p __ p . “p . __! p p . ___. p . . ___ p4. __ m. p gxpp p p? = - . m w > H mp __. : p. p . .. __ p . . . . H un. “ 1. ___ p v p p Jmp ___: p __ p . p. . zp > _ . .p . .__ p _. . p J i mp __. ;p pppp p .1 mp p: n p Îp p p - _. . . p. p p . __ p. _ _ . "H pr H H ___ H . . "p . _ n Îpp . mm n: m” n . .: _ m” p P x Jpp __. ... pp "__. Gfiné 1I. .: î—= === : J Dm add9 w . J p __ e ___. d. .. J . ___. p a . _ __. p p . .__. è. RE. .. p . . a J _ . ___: p p.62 J . p __ J m __p pappe c 1mm xwì_+—nî-îî—uînxàn———_— Full Full P ‘VWMN SÌ. P “N54* SI. l/2 1/2 u. 111 A? P e». .. ' m "r — ì ‘ = 2: ì —— - ‘ s. . ‘i J A J ' 25.53% f.2=à"= î——-î-î—- > d 1 n’nîî. p‘: ùca1fla
  58. 58. cl . -__. . ___ p. .. ___ p . _ . ___ p _. . p. p p w pp. ..= __ ama . ". ___. ___ p. u. p. .. , n 7|! p. p t o . .__: m. J“ p . u I ___ p p m ___ p . .=_ p. m m . ___ p . .__. p. pp m pp ___ , p . ___? . p m p pp m p . ___ . p. ___ s u pp. m . _ . p z. .. . . ___ p g. .. p . p pppp pp p. p p p. . pp p p. __ p p __ p . ___ m pp c ì p p p: p . =p_ . . m m p n _ p. _. . 6 . ___. __.6 p. u p ma m u . .__ p . .__: m p X p. c _ p. ___ p . ___ p . m . ___ p . .__. p. u . ___ p . .__. m ___ . __" p. p 6 un p. p 6 e . . D w. . p. ___ m p. .___. m p 2. p. . p ___ w p pp . ___ p p _ m . __ = = i- o M . ___ m. . C1 J loco i4 ___ __ _ S when you need just ì _ . o w/ Wnh wah in fixed (mid-nnge) politica w/ Slide ‘Tela no on left 1a tor Gtr I l I ìîì. .. - _p mppapîa n. N — 1. m e ‘î m C m d. “ .0 ) t p i G p. a p. m p d. . E p. ma p pp 1. p p. .. A. n ù À 1p: “p. up Eh G 9p. ... » P. ..“ ha — I Î v — w/ Wnh wxh in fixed (mld-nnge) potition w/ Slide Chonu IOutro w/ Rhy. Fig. 1 ( 1st 4 bar: only) (till end) Em (E F8) G5 C (Tnme, and there’: so much left 57
  59. 59. i} fin (E F3) G5 C D I x1 A rx 1 î Q’ îî — îî. ‘ _ — îîî l‘ 4: î —u—àu——îuìî [4 ÎÀ J time. Stil] l_ canîî (Tune, and there's so much left to say. )_ “mfl- _ l l F u Full Full F u Full "4 (omni) """"""" ; ;:-. -.-. ;—-ì( " “ m: n . Z _ _ —— - " "" ‘ ‘I L — Ì - —îîîîî—îîîî——j— 7 Îîì7_1îî"—*_. __îîÎîîî l I — x15: ’ _ trem. bar 6"‘! _— ' ' —: l 1 Full l Full Full Full 1% Full P Hum. / SI. L P . _ flnd_the wordsî. Need just one more (Time, when you need just one more day. ) 8vav -------------------------------- -— Em (E H) G5 C Z1 I= 1- 1a 1 AZ111—-1îî îîîfilîîîî 11 î—î 11 — E. D"Ù r‘! rtîî Z -111 ——, ìî-î 1 îîî—j——u——1u—t——îìî —àrnu 1ì11 '-3-' —_-'" H r H? —/ ‘1- d J —- HPHP H_PHP nrnr una? ‘ AH si. > I. /'
  60. 60. BRO KEN DREAMS As recorded by LITA FORD wuùulîy un Fodéîî G El: F Dm 1) C Am For» 2) con» n m‘ “si: “mm. ‘Wfin ‘m3’: xfixm Ex, ‘ H”; 3211 1a 21 321: m2 1333 Isaa 2a! 134:! 13421 Moderate Rock J= 90 ‘RÈW- G E“ IHÎIO (Dmms) Flg' JR? “ A (i (i D J 3 è D J 3 ‘ ‘Kybd. m‘. tor gtr. Il, 1 2. w/ Fill. 1 F F OopyriqhtO 1988 Lbflnlh Mmh/ Th Midi Pubilhhg ca Lfl. (Minh. by Nhl Mulo. Inc. ) (ASOAP) Inbnlflonllcopyflohîseolfiod Allflbhnknwod 59
  61. 61. 1st, 2nd Verses w/ Rhy. Fig. 1 à RiffA 1.1 see the pic - ture; - you're so- bm-ken heart-ed- But can 1 steal a lit - tle love_ from 2. See addigonal Iyrics you- to - night? l tell you whis - pers, _ a lit - tle sto - ry, that theres a place in my heart- for you to - night. ___ But why must_ we be lone-ly on this night__ ‘full- of rain? _ ‘ i ‘ î ‘WWW 5L NAGNAAA/ ‘Nwàflfiìîì î Zî — Iî 112:. ‘ . ': -' ‘V5- wfivy IE IH— C7(no 3rd) ___‘? Fm __, . Iv‘ 1. A o ' î ' ’ À b î K E3SZf= -'= î— îî= _=î1—EÉÌÉE= —È'% ' _____ Hold mg In your dreams, and leave me breath-less. .. once. .a - gain. .. 5L «ovvvvwvv g www / ’ D"HIIZ—Î 7' ‘îî — SI lì ì {.3,-. ::-. =-——-—__Î= ;_—. ,=E= _;___——= !ì , s] ° ‘A’, vywvyy‘, S] g] ‘Qwvvvv, IH lHî è
  62. 62. Why_must the rain. _ will nev - er un - der-stnndz- But ) 2 Cl u. o F v. . , . 5 6.. Î. E M _. .. w 2 . . . . . a . F t e & _ . ) 5 . nIr w . ... . 1 a F Z . M. w m b u pfl a a B m .9 H î d n m. l w W Ìlnlll k à . m . . . b u. n: , , a D5 . Hflflx d. w flHH. u. _. .. ; z __ ì. __ Èî È. . _. . . 9.. .“. D5 Blu C5 = uv on the boul - e- vard- of . .. . . . i m ___ Do . __ . .. C M . ___ mo v. . H . H _ E f _. . . . f . m . __ . . M m. full down- w/ Rhy Flg 2 __ . m: 7 a. -vu; 61
  63. 63. m. ‘ -—— ' . a t}! ‘ E L! ’ fî—îîl I m 2.1 close my eyes, _ m P «vvvvvvvvv» P r 5"" F l b x r): A b x D: y __ P _ _ w , . V gli 5' d ——— . __ . v A . Q Q ‘W’ _. î _I—uÌ. :t-x! x—’ n.34 > 1.3.. > ì H 3 179m» b" s1‘ trem. bar ‘L Full P l P vvvvvvvv. » P l — l, wwvvwvvvvv v n» — I —x I - ' I
  64. 64. Chorus w/ Rhy Fig. 2 (4 times) fall down_ on the boul - e - vard- of bro - ken dreams? _—. Must the tears_ fall, ‘ mist - y sky? .__ It's a boul - e - vard- of bro-ken dteams. _ D5 B, C Am D5 BI: ’ ‘Î 3 Why— must the rain fall _ down. .. on the boul - e — vard_ 0t” Additional Lyric? I 2. I close my eyes, and it feels Iike yesterday, When wc fought for tomorrow and lived for the day, So sweet and innocent, Iike a child with his toy, Who wishes for nothing, left alone with his dreams. But why must we be sad On this night full of rain. Take me back to the king And leave me breathless once again. But I will neve: undetstand: (Tothorus)
  65. 65. LOVE LKS IN As record by VAN HALEN Words and Music by Edward Van Halen. Sammy Hagar. Michael Anthony and Alex Van HaJen BI! " Am" Dm Bb C F G Am Em l 0fn l 0fr. Bfr. 6ù. Sfr. 10h, 7‘ 12m l3ftr 3ft. u 1 32 l _ g _ _ > 4 Moderate Rock Ballad J = 88 Intro open 4h. ®open Sfr. 7h. *GÎL Il C E A F G ‘@ = C) o o o J e] ‘synth. Bass m. for gtr. (Tune © down to C. ) "synth. un. for gtr. (Standard tuning. ) copyrìghtò 1986 Yessup Music company 64 This Arranqernent® 1988 Yessup Music Company Imamaflonal copyright Sowred All Rights Reserved
  66. 66. GF-I-Dm B1: C Dm B1: c 13b Am" J JÎÎJÙAJ J-x)“ FFLLÎ Q4 'LÎCZI‘7J to change your life, to lose your place in- time. _ Bb C ab“ AmV F J D344 J 7 M r}: flmvmn Con — tactL A- sleep or a-wake. _ Com-ing a-round- you may wake up to_ findî Em F Am c; F G Am ‘F Am G F G Am x777 x75 Jîîîmfl. a. 277-: raaara 433'222“ i - è/ fîiv‘ . ‘ri: a _ 4r x4 .0.. . %- È-î-ÈÌIÉ-Éfi- î= îî%uîr——l d‘ - ques - tions deep- with - in your eyes. ._ Now more than ev - er you re - al — lize. .. _ (oon, î.__ ooh, _____î 0011314913149)‘. Fax. l d: 1A) Gtr. I A F: à I u'«‘. —î. —î——. _—— unì. ì u F I lÙ——-ìx—1—î î——1îî îÎî—-É—M I ‘Substitute Emat this point when ehm“ Rh. F'. l' td(btht' ). g one- m. ©°m y “E? ” ° ° "ÉÉÎ. Gtr. IIC E A F G ‘ 9 O _ O J A ur in. » ° ir: ‘ w 1th ilr .0: ” . _ . 4 53., ‘I g: fi"= — x': =55.%——. __ Iljfilfilfiîaîlî And then you sense a_ change, _ noth-ing feels the- same. _ A1l_ your dreams are. _ strange. _ Love- comes wa1k—in’_ in. Rhy. Fîg. 2 (Gtr. I only) 4 " u’ ' — = =— n J E A _v: i —-î’—*-’. ì LÙ‘—2——: ' î ' ì 4 ' E- ' —1Z ——: xì — Ì
  67. 67. (Ah. ) (end Rhy. Fig. 2) 2nd time to Coda I. ‘ A 3rd time to Coda 11 î Some kind of al - i - en_ waits for the o - pen - m3,: thensim-ply pulls a. .. string- il- _ . __ n m A 1 a ___. n _. . m "L. .. w. _ . ___ . : m ___ m m «ama: u i ___ . . k u . u n . . I . ___. _ à m m mm”. .. . , _ . __: . . . _ o u _ ___ i _ E u J ___: m m À w a m . .__ .5 1 m. L12 . s m 1). ! h . .2.. . . . . . . . i u fl u u o _. . m n n n. . _ — . v _ ma m mmmF s m. . _ c 1 p wmm m . u., .. v. .. n.45}: . nlin ___ , 2 m __ w F m u a - ___- — . o , m . . î F T . .I. _ U1 . . . . m . z" _ ___ a, w ___ sia m c _ ma H m _. f . t n. _ m. u w . .. m __ u v m w _ _ _ . 4 m 4m H m ___: __. .. mm . fl _ u. » m . . _ . IÀ— . _ m. è. .. m, n: m F B a u ___ È C ì m nwF . | L” w = = _—— c _ u . I m 2 . . S — î Z m _ . î ". __. ma _. . u. à _ m _ Jm . m , m . m . _ . __ m v m w m . __. “ ___. . . a m m . W m JW m _— m . w a. m m Ém . ___ . .., m m a m . r .1 _. _ U r . _ _ . M se __. . _ ÎV E É . v m m n m 0 92m era fina“, è m/ m cA _ c — 2w R. .. n f
  68. 68. A D B1» C PJMÎ: JJJjJJsIm éual'-'ÌÌ'-'—'ÎÎÌÎÌ'-'-'ÌîÌÎÌÌÌÎ --------------- --1= -------------------------- --1= u ------ —- 1,2 ------------- —-1 Full H P À 1 Full}, " l, H/ P s; 10m s, D11 î 3 trem. bar I F u____ 1/2 s F“ yvwwwmmw, u X. ..“ 1,2 FupnFn P m/ PL “MAN. sl. . ' s1. i F F Fu ' i A ì A .9 : “ È ì ©srx (sapu- a‘ ' ' ' ' ‘ ' ’ ' ‘ ' ' ' ' ' ' ' ' ' ‘ ' ' ‘ ' ' ' ' ' ' ' ' ‘ ' ' ' ' ' ' ' ' ' ' ‘ ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ‘ ' ' ' ' ' ' ' ' ' ' ' ' ’ ’ ' ‘ ' ' ' ' ' ‘ ' ' ' ' ' ‘ ' ' ' ‘ ' "H"P"P'"' 8F A Fll 59"- --------------- -- s1 F)“ , , _ . Îî" 9 ' Zîì ’ [ì 1- î / — 1- 11 '. "°-‘—ansntîsg= s=—= --= ---= -—-——— 15! ’ ‘ ’" 3 -3- -3.. . r u F"! ---------------- u- , Îfî . . xx . __-ì _—î/ ’î——a—. — -— = n ——— ' _ — È I _ [ZGÈQ «.2 C! ’ G 3 fi-‘S HH H? l’ --_-: :: H H H ' '. a;= =:5 «. .:= -gÉ5!: :=! !_'î: * î _, ______ —--—-— -3.. - rremw -3* F F A " F“"1> «www 1 H H P I . I . . i I H H _H H H H H o —-—‘—— -' lî- g t g — '— IF îî l. ‘ —Î à! ‘ ' | I 67
  69. 69. w/ Rhy. Fig. 2 (Gtr. I) f; e P H P 1.- nv‘ îì ‘è/ x/îvsl‘ g- IÉ- r i ' I ‘ M I î L ti A. ' - II . u r r I» u, i: —îÌ—i îHIEI: :IBI= îI îîî ha‘ __3_ — l. Full]: k P H P P Fugvvsvwss À A - 1'- -Ì — 3rd Verse w/ Rhy. Figs. l& 1A Dm BI: C _ Dm ' _-—xtlîîlj* ——— . Cîî ‘—:22—! —PìZ'î—'-— n: lîî. .. T -1 sleep and dream, - that’s al] I crave- l trav - el far a -cross the Milk - y_ way. .. C Dm BI: c DI" Bb "x a È i -'————-Q—n-n-—I——7î rîîî‘————l1l‘xxx-Vj—î— A‘: IîZ1Î*Î_—’-ZÀZK ì——î—V—î1 ’_—ì—jîîî To my mas-ter l be-come a slave, - till we meet a-gain some- 0th - er day, - where- a3- l0ud_ as war. _ Earth re - tums- to what it was be - f0re. _ ooh, ooh. ) 65h’. 7h". F G J J- 3A) 3 » rx . Î J __ sim - ply pulls a stfing and love comes walk - in’ in. 4. mar A — "" i îwî-îu . - —: .. - _ î- î—; - a- ì —-
  70. 70. Outro w/ Bkgd. Voc. Fill l tram. S116 SÌ """"“"‘”"‘”"" P À “NÉAAASÌ. SÌ“; H «vvwovvww (2/ S’. W «ma ’ J e z x _ / s! 5L a _ , Lu11î -Eg! — - 11A J‘ ÌA A - A A : - _ "' y A _ . /' A . H Il È IIÌ l . x e, —— ’ . î ’ noia . ‘ : ’ né; m’: . ' g ma n»; JJ Sfr. ©0901! ©5îr. @ m. 3f . F A D 3b c‘ / ‘ i‘ " A A A 9 —' xx ; o ’ A I’ ΗV-‘2Z —n——J—-—— 7J _- ît V ì’ — rxIj————-x— - -j'——"î —. Ba-by, pullì n a string. _ Love- comes walk — in‘. m _ 5L / u P5111 I H r H V2 “n p. "- A 1, 5- ml. V u” ' r S’- SI" ' . _ €3], -= fx v. xx EÉÎÉJÈÈî= É=EÉJÉE= =î %'= ÈÈÈ—= È== È‘—‘1‘î‘Ì'ÈJÉ“— ' i = EEE '—ÎîîJ= '—: -î 51- F u tram. bar Il l l 4 “Nvsl. SI. SI. ‘Fu l’ “www a s1. H P H wwvwv» V SI. ‘VVW / ' . . îfù"îlîîî—— li“î—’—n———-
  71. 71. 1 A1 î î fh ,41.‘ , __n__ u. ___ u. . J . . mmwFmo w . ... r. . _ . - 2 % t. — . ... .. .. î m2. m , _ . ___ . —= m 0A __ . . “. ___ . . m __ . ___ r _ . .. S. _. _ m . __ __ _ w J _ _ . ... u. A _ . ../ i. m 2. _ m . . îì W? @ mCIa H —_ m . _ u. .. g. f. .. . . . . . .. .. _ . . _ I. m. .. . C5. a. ®lîr 3h- Bb C PE= F%%JSJIÀ= IFEJ e’ Love comes walk - m‘ m y; m w. w. / A, A“ / — I à= =î= .î': =î. =î%= 1/2 m m 1” (8)50. ©m D" Bb J 3 s - J P. M.----1 Jî _ n Lnî Mm
  72. 72. WFRE N0 GOOD TOGETHER ‘As recorded by TESLA Wordsand Music by Jeffrey Keith, Troy Luocketta and Frank Hannon È 3h. Slow Rock J= 62 Intro w/ Riff A I m°°"'”". ... ... ... ° ‘°é‘°. .,. ... °'*' '°à‘. 'à. '?‘sa‘*%’ò. .n I c hbrmimd commi Sound AI Finta Fhmvod
  73. 73. some-thin’ herc t. __ Il H — _ ___. 1M. ” __. ... " . p there was _ knew Ietring--—--------- (1st),2nd Verses (2.) See additional Iyrics I had, _ IIII IIÌIÌ F . ._ . .. Eufl. n d . ___ ___. p v p , ___ ___. . î __ ___ . . . n ___. n a _ - _ . _ __ 5m C . ... E . . ___ __. __. . . __. _ _ _. . _. “E. . "___ g . n c ___ _. . __“ -3. n . __ n : ___. __ îg g: .. . E : ... __ __ . __ __. . __. . 3 ___ . .. d“- F _ (1 )When I thmk a - bout. .. 1t now, - whenl thmk n There was no chance for me C = u————x = =_îa letring----------1 H P C sim. xx . o _-= .-&= === '.= ==w11 = n: E I a - bout. .. al] the good- times we u1îî îî: Z‘ ' Ietring—----—--—--| ì îîaî —: -_ ì îî: _ wrong . _ 2' -"-"—'= th1ng_ some by, _ = __ Ietr1ng---—---—---———--{ -. ... ... ... ... ..-. ... -.. -.. .{ ght juz . ... .. T! ‘u’ F lo A ' —’-———x VnîLLîYîî
  74. 74. . . m m. I. . . __ . _ 5___ _ ____ n __. . o . ../ .___. .. . m . t .5; . n m m s c. HÉÉ: H . o w m 0 t . .___ . . __ . w . . m . .. .. V p m. .. ..__: _ _ __. .. a . .. L . . __. .. coca n. . .1 u, ___ a . . o . ___ . r b, _ y q c m . w ___ ___ u . r . s . .. . w m m m . ___ . __ . . m . .. . -___ n . ___ I . ___ n 4 m m. k . . w m r r . — N - m m. .. __. a u _ . . _ __. . ___. .. . m m = __. ”? . n. A o: s se . . . ... , r . x. =__ _ n n r. ” . . w = = . _ E. . . .. .. . I. . ... m m. ___ . ... _. ... . . .. . .. m m è n. ___. .. . .. .. è ì 0 un“ l. o q. .. . . n. .___ O n ì xfl H . H . ___ _ __ . .. . ___ _. .. ... . . ... .. . ... ..
  75. 75. F F: i n A o -'î— CC: îÌ "Il Z11 | V. î—— î Îî î———_îîîfiîîfl | m ‘fiîî_î—'—%ù= ="'îîî Iîîî I yeah, _ xs we're no good to — geth er _ Full , S1 J H ‘ —'x L vîî 1Hî1- PC s]. Full H _ ‘From this point unfll flidesolo, Gtr. I Badge dqubles Gtr. II, but play: bottom three . w vmfiîx Î You know_ we can’t go on,
  76. 76. BbS I‘ve_ got some-mm; to ___. ____ __: _ ____ ___ a % __ ____ ___ ____ .3", É E: S. . ,x—; — n un“ ì M. ,_Î____ _. ... . . -. Î ___. ___. % mmfig. . ___ __ __ _ . __ __ . ___ è __ ___ , W___ _ È . . 5m . . ___. . ì z %. ___. î . E. . _ m ù m E, . % > m. .__. rm , J FîîîVî Oh, lis - ten to me. I say, _ _. .“. .. m“ _. .. go! some-thing to Double time ( J = 124) cs À / î 5:: îî-î-îì I’ve_
  77. 77. I4 A "a __ . __ . ___ down _ 1 me ---- a . .___“. _ _ N _ 3. . _ À ìnmf _ _ “w . ___ a. .. _ { _ . _ 0 % . . . . . __ __ _ . .V . _ m ___ x É ___? .. . . . 3.. . . , . . % __ ___ __ _ . . . . . . __ m _ . __ __ ___ { _ {À e «V w 1 _ ___ n _ . . _. __. . __. ___. .__. . . ... .. in. “ . ... ..“ «n. E. “ E“ m w/ Rhy. Fig. l / Ì- ’ _ IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Now the b Z ì Ei in" to- geth - et, K — Iîîîî-îîìî le! ring a - bring-in’ u» good ___ Î 1,2 (end Rhy F13 1) I o, ‘A __- l/2 .1 [fl- IIIIIIIIICIIIIIIIIIIIIIIEIIIIIIIHIIIFIII B55 Î-î —— I , î î’ Z - er. I la m: în K_——‘——_ IIEIIIIIIIIIIIIIIIIIIiIIIIIIIIIIIIIIIEIIIIIIII C5 — . .__. _'_"_= .."î_—_-__! '="—Ù‘ you’re all o-ver town, _ ' and it’s è l .1 —I 1‘ = %î-ÉÉ— î _n word’s go - m‘ ‘round- _ _ 4 _. g. 7.: ; C5 l A N fl'ì——îî l. î—î7îîî lxi. '——xî—î' , _ l said now we're no î ÉÌ Îìî î A . '1' ‘ I î IfI IE
  78. 78. 1/4 1/4 1/4 1/4 1/4 Guitar solo w/ Rhy. Fig. l (354 times} C5 Full —"—L—“-I n I I
  79. 79. B55 = - u . .. p . .__ . p: . . . . =- p __ p p. = p __. : p _ p _ p __ __ À. ___"? . px x ÀÉ. p p __ A p. p. p à _, _ pmflmu . p, . _: _. Ì po . ___: A prua prîm good er 1/4 VI ‘I 2 u s1 Z n‘ t. C5 no . =_. _. to -geth good- We're no Full ‘E1 î E Full L P Full Full Full —— —i ____—___— ——— . ___ ___. .___. Full _ . __ _ u: ___. __ ___. ___ p. _ . ___ p _ p ___. p ___p , p ___ . .. p - . ___ xîxp p: p pp. m__ _ È. A n. .. .. p ___. p _ . ___ p. .e n . ___ "L. in. w p . ___ a p . . __. p . ___ p . __. p . mp5 A __ _ _ Z p {LÈÉÉÉÉCIÉÉIÉÉIIIHC . .-. V-. 78
  80. 80. I’ î H 11' I '. ———îî —- î ——— îîrxîîî {rfiî g îîîî Oh ba- by, ba- by, ba -by, babe, you know it's just not good, . O x-x A b A ' __ h Îî V b A a ’ '—' à? “ ' Se“! - er, Full __, Avana F: ' 2); : 1 H «. T" ——" Z î ———-r- ‘ ' È/ ' H P H ’—"-' Full s‘ Full ‘ ì A «vvvv — Hî à — —/ V P H H s1. H xx: î j ‘I 3 ‘ rì 3_ g I’ îr. ———- ù m >3," _ à Zîgîì î 041- = Eîî E I- ——_ l whoa, _ whoa, _ Full no good to -geth - er. Full ' Fu“ j P H P mm“. .. n Îî j b i 17A A A A ' A A A A A A F3‘I p3 -'x. -{1I - .1 I . ——- ‘— I . .. P) choppy phrasing 3 3 p’, Additional Lyrîcs 2. Now it’s been s0 long, s0 long Since the last time I seen your face. And I'll tell ya, there ain’t nobody, baby, In this whole wide world who could aver take your placa, no way, oh no. Now I try to tell you, baby, etc.
  81. 81. Words and Music by Michael Schenker and Robin McAuley Cl» G ma. 3 A5m7 351117 x x x. fi DI! AÎS B55 E55 xxx‘. “‘_ “, _ 6fr. 6h. a N _ m . ... à . .. .. ___" , . v. =- F I m: _. m . ___. H p p I p__. .p_ P. p p ___ un , < . u p . . . .. Mm . . .1 n . . = = m - p n I m __ . ___. m . In . HÉ mm É . ___. . .___ p ___. m . p . ___ p m__ _ J . .__ m. .. ___ m oI v. mmî ___ m ___. o P". un: IIIII FOLLO ÎHE NIGHT As recorded by McAULEY-SCHENKER GROUP Ebsus4 Blu/ Eh cs ‘ p. ‘ p. ‘ h. ‘ 8t sr 6 % F X % Moderate Rock Ballnd J = 14o c È B55 Alvs __ _. .» I . ___. . p. __wp z. _ p. _. .". _ . .. p. . . _ p. ___: p. ___”. I= = . . A . .__: I 2: . .. p “W p , ., E. cp/ a: u —. l. .. . . s . L = - M y A55 BbS ’_“"î— — Where do you al - ways find- the tirne? _ You ne - ver know where- to turn. _ ___ _____ a. .. unu H P a M a m W b 8va - - - - - - - E 7 h b — Con- fu - sion in - side. _ your uîpl'îîîfl'lffl îîîî-î-Z ‘w/ Echo repeats cauxing uch eighth note tu sound Iike two sixteenths 1st, 2nd Verse: 2nd time wégiff B (cont) ' ' ì E Fun-ny you un- der - stand- Oopy mo 1987 Rare Bluo mule, Inc. (AscAPyRohh Thbfivunqonunto 1988 Ram Blu Music. Inc. /Rubi: Irmmauoml copyright sound
  82. 82. 55 -Η' % space- ' ‘E % 5.1.. a5.. . n r‘ sol ca: 1 I 5E A55 B55 I__ can’t fmd. _ have- e = key_ and I'm them- from- the sturm. ’ (end Rhy. Fig2) — 13_- —îîîî . ... _.. ... ... ..-. ..——. --—‘ ___? m . m m m n e m p a . __ p . m —_ p ___ . .__ I s m w d. . p a m a 0 e W d . . . .D h . H n e e. . r. ì t 1 e D. à . a. p p . __ p . m . W In I 3 . 1 n , u 1 p , __ p“ u" ___ . .. ___. m ___", . p r. Lv I c z. .. ___ - p C = - B55 La ‘ JLJ — I îî I nons l round- m — stead, _ îîî: 1.4?- — B55 m - sideî’- Ione - ly word _ B nhî. :—I îî’ some - where _ 1g — nore, _ Èî ì ÎÌ E î ìîì . A. p. “a A p s _ m u m“ i: n I’ t p c . . Vu -____ . .___ p: p: p p ___. p . ___ __ D mm yp mm pm p. p . . m w pm e m . = n p —_ . t n- ___ p: —_ u n u . 2p un m _ î u . .. Mnap. c m D. î n . e . Iv e n . n ì H e n m u ù mm u __ p . . p __ . ___ . n m p m u . . E u _ w _ ___. u m m ___. u -. . . . __ ___ I I p p _. ___ p _ a u D. p a ma. 2 . a. pfi. . p? “ pan. 2". “. 81
  83. 83. Bi “F: E L A___ D ___; Î. ___ ___, ___ _ . ___ ___ . __ ___ : .. __ m . ____. V . __ _ ___ . __ m. H u. _ _. _ . _ . _ 2 g. L , .. m . ___ __ __ i J. .___ e . ___ Eî m . ___ m ___ __ _ __ . __“ ____ 5.. _ ___ m _ __: 2 __ . ___ ___ w 1 h ___ m La: m mms ___ . .. . . . o . . mm. 3c Là _ . ... -.. -.. .-. ... ... .J É" ___. __. ___. __ My thoughts so deep— = V g/ PM------- à î: {Vdîî Bet - ter to leave_ lt -——I——2Î.7A— îî—z_lîà— IH Elvsus2 Bb/ Eb . . / Z5 _ îîî}2 Bet - ter to weath Z — — —- = ì-îflà x y-u C5 D I I K‘ ) _ l can - not see -. IIr‘ ì îîî E ' HZÉÉ-‘ììî 5- ! ) ù: ‘.4 —Dl —| -I —UI Riff A (Elec. 12-string) . La n. .. .. 7 x
  84. 84. Rhy. F13. 3A A” s1. J I j j J j j j . .j. --. .j"--. J.---i-j-‘--. j—d j J j n j J j j 3) . ___ . ___ . ___ g: V ___. . ___ .1 ___ __. : ___. . 1.! » .5 e m PM. —--—---------——------n: Fol -low the signs 1g 3 PN -----------------4 (end Rhy F13. 3A) PJd. —-----------—------- — E (end Rhy Fig (l. )fmd. your fan you‘ll flnd your fan - h ì —a — FJI. ---------—------------4 ____ ___ . ... == .> ___ ___ ___ __. .» ___. .. t m . .. ... .- . ___ A _. 1 . ___. e __. . . _ __. ___ ___ e . . H ___ . ìî. .. ; _. . _____. ___" _ m a H. .. m . ..”. ì. _. .. . u A. 52 ÉV h . ___ . ___“. .. i y. . . ___. .___. ___. .. . ___- . .___ . ___ . . ___. .__. __ __. . ___ ___ ; ____ .3 . È . ___ __ t . È EH _ g”: _. _ . . .. n . .. eh. ..) . __“. e“. .1 . . ì‘ dr m. . .__. . ___-V. m. .. __. .. k e . ___ - . _____ . ... ___ ___ a t “u. Rhy. F seen. _ B55 C5 P" """""" """""" 0—-----—-----—-—---————-J fol - low your dreams- . ... ... ... ... ... ... -, P)! ----—-------------------------4 thmgs- you've PN ———-u---------------------1 PM --. ..--------------.4 W/ Rh)’ F13 3A 55 Fol -low the mght, _ g (2 3 ) "ah, I . .. ’, E ì 1 î 1 ‘f f v . .. 3 .1! . . . 7E nrun urnn i’.
  85. 85. Fol-low the road_ Z . "—"' Guitar solo Ci Fol - low the rught . .. ___. .. T: _ e _ . . . __. _ . __. . : _ __ . i . .___ . ___ e . . . _ _. W __. . _ _ . E . . . . . _ 2 A . ... 5.. |II| | H _ . 4m m . ___. . . _ m e . ___ e . .__ . .. .5 H. .___ ___ H È . .___ m. .. __. , e ___, H “. .__. .. H - n m _ . t. w. .. . __. . . .__. . m o _. .: m. 4a 1 mlw m: . . _ a . ___. A. .. E t. e m . w ì à . .__ , ___. _ e . ___. __ _ ___ t. . _ . . un . . . ___ _ . . ulnÌ l. v| “ Bbm7 A i5 Gtr III gmd release Full Yeah u leads__ s IÌ À v/ l-‘lnnuerorchoms
  86. 86. r __ . __ = . _= ___ . ___ . . . ___ e m J. . ., E n El: v ‘I À nnî Hil- I- C) — . ... ... ... ... .1 _ «m 7!. . . .__ - __. ., lo . . h. » = > . . . .2: . .. . . = _ . .. . n» . .__ . _. . .. . un "m. . .:. E = E = .. . T. _. ma. .. J . . . . m". __ m. .. . 1g m . i”. c m = __ w c. .. 1 . . l 4 o Il , . __ ___ .5 . ___ n: .. > . . a __ u - . e . __ . .. __ ___ , ___ . ___ Mfimàî m . . . __. .. I» . Î-fim . . . __ . . . . . . r, __ h. e . ... .___ 4 . P . P E. ‘ n. .. C î. “un _ w . . w . .. .. . w F . a t 5 . . “. .__ m . . C. u. . m. e ___ n a. " e u. _m g. 4 . .. V. .. . à . îi: fi m m o M . .. . . . n _. ,____. H wc _ q. __ A m a. .3 _ ". __ 4.. ..) . , .5“.
  87. 87. JO =1=_ __ %-. .35:EÉ Nev-er, nev-et a mo -ment 10st- While the work- is - 3 E . __. _ . a . ___ J a. .. ___ ___ = - . .: h. .. m I. . 1 u: 3rd Vene w/ Rhy. F1]. 2 o Îî hl _ E -ven for the most ea -ger ones, _ task. _ To find what you’relook - in; for- w/ Rhy, Fig. 3 à 3A (al! end) Coda and RiffA (lst 4 bar: Y it’: not un Q end) 3 end) You fol -low the road- that leads. you_ D. SaIC0da 3J JfJ 3 S: _ ask- yeah, ... __ you fol -low your drenms- me. _ that leads- you Oh. Fol-low the night". You fol-low the road-
  88. 88. Words and Music by W. Axl Rose, Slash, Izzy Stradlin’, Dufl "Rose" McKagan and Steven Adler A" . Z/ gîì 3o Zh! — Cadd9 hiàìîl‘—lie Em XXD ’ 21x. fi 141:. 1 2 GXIHHum. ) DXll xxax l” E ’ / C *. PATI E N C E As recorded by GUNS N‘ ROSES A D G6 93,034 G""" " F5 W (Whistle) G D us2 X J = 120 %%W%%%%% %5 Tune drown l/2 step: @ sul; ® acb <9 = A1r® = Bb © -Dlr® = Eb 1J: = = ‘le! ring ‘Let nll upeuinted figure: rin; throughout. D 3° (end Rhy. Fig. 1) w/ Rhy. Fig. 1 and Riff A "o = - (Gtr lll) (end Riff A) . .__ . . r! a. .. . . D . A i I_ __- . A ___. = = A . .;v . . G oc . _._. _—— g: e il . =ll . g. ... .- p p = 4 . .__ . ..) -rmu H D: P s C C, a . ___ __. . ___ __ __ __ = _ o î e. (ASOAP) o p. . = . __Ì ___ e___ II- H} = m . v 9.1 . . _ . 4" m __ m . . __ . ".M“; Sappiamo 1088 Gun: N‘ Rote: Music Thle Mutamento 196D Guns N‘ Roses Music lntennfloml Cop/ ridltsoeurud All Righi: Reeevved
  89. 89. 1 = = : .. ——— . . __. __. . ___. _ A _. .. . ... .. Î _. . . .. . .. _. .. . ,. . _. m _. ___ ___ ì. A. .. . , ì ___. 1. ___ _ . ___. __' c J . .. ___. __. , m. “ __ , . . ___ ì . I . ... _. ... . m . . L. __ ___— ___" m __ . ___. _= __ 5.) ì. .. __ > ì __# g“. g . ___ . , . ___ __. ,m G . __. _ ___ G . __ _, . A I . ... . . ... .. m . __ . ___ __ . ___ Î. . ___. , J î . __ __ _ ___ __ . .__ . . ___. __ . % . __ , -. . ___ _ . _ . __. . . . . _ . , . J __. .___. m P . .__ p ù FU . . m. __= . . .. m , .. .. . .. m ___ , , __. — X. L . ___. ..» 1. w __. 0' ma o . ... .. m ___ __. A _ a . 1.. , . .. L. 2.. . 2.. . ì è e. “. __. .. . 2, 1 h y . .. __. c a- R ____ ----. . m ____ ---. .- . ___ . __ : __ . ___. . __. _ ha? w . ..“? m a
  90. 90. —lîlù—Ì D Il I! ì; B (end Rhy. Fig. 2) (end Rh'y. Fig.2A) î a - bout. ._ you Girl, I thmk 6 G _ m e. m . . e % t a _ m m m YH w. L . . mm o m f. . n . 2m > n R / w k . . C r. O u w w m m m. t b . .In i . n . m e r! m , .._ m m n . s . .. M G v HM a u . . b w o 6 . d % 4m I 1 n h m. 6L m w i m M m hm: h. & r. . m 2. . .. tam .6 s . .. m V. . . m a W d C A ma .3 V. . hm. . RE:
  91. 91. DD g. n11 22 n.1 D: r . . a ___ . .__ 2 . _. .. .. . __. =- . - G6 G6 Em D5 Dsus2 D D5 Dsus4 D m . .__. .. . .__. _ . __. _): E. .. . W» . . m. __. D. a D D5 Dsus2 D5, D D5 (end Rhy. Fig. 3) D D5 Dsus2 D Dsus4 D5 D D5 Dsus2 D5 D pa tience. (end Rhy Flg 3A) and we come D5 Dsus2 D D5 Dsus4 D5 ( Whisperedd Pa D5 Dsus2D D5 Dsus4 D5 D D5 Dsus2D5 D A 2g > > yeah _ , . i s1 _ —îeìîîîîx s1 | c . G 1 s ì = 1' make it slow_ (end Rhy. Fig. 4) w/ Rhy. Fig. 4 (2 times) (Draw breath) D5 Dsus2 D D5 Dsus4 D5 D D Dsus2 D5 Dsus2 D5 D . ... .2 a . __. ... D 2 . _ 5m . ___. . __ w , .__ m , m. __ m . .. J 5 . d. D . . «E D a . ; . . mm m a D VI . .__. _ . 2 9% ama m
  92. 92. Guitar solo w/ Rhy. Fig. 3 Cadd 9 l D; D D5 09"? ”- D5 D D5 Dsus2 D5 D D5 D Full Full w/ Rhy. Fig. 4 (3 times) G6 D D5 Dsus2 D D5 Dsus4 Em D5 Dsus2 D D5 Dsus4 D5 DD5Dsus2 D5 D D5 D D5 D D5 Dsus2 D5 D D5 1/2 rit. poco a poco
  93. 93. Rh . F' .5 9 . Guyfi v 1x ( times) (end Rhy. F1g.5) D D/ Fg ___ 2, D m. .. . __. .- . .. . ___ m_ 1 m . . __ __. . . .__. .. .2.: D M . ... m . __. l. .. .: G ———. > . ... ___ _. . ___ __. . .. .-. ___ . . .__ > -. __ . ... t. . . ... .. so, .. .: . . . .__ p î ___ __. . ... .. . . .. .? É D/ Fî c; D D/ Ft A . 1D a l'aa. mm - tle just Yeah, lit - tle pa - tience, Need a yeah. __ d. d uî Fi]11 al. si.
  94. 94. .. .". .. . .. __ . ___" . __ z. . s ___ ___- _ . .. m . a_ _. .. 8 mm m M A , w m . __. _ a . ___. __ .1 . ì m — . .. D _ —- . . . = . . . . . . a I — 5 I beenwalk-m’ the streets- pa txenoe, D/ Fî 21!? îfiflgîìî t1ence, yeah, ... yeah, .._ but I need. _ yeah _. .. . .__. _D_ w . _ . __. . è ____ _. . . 3:. .. m. . . . î m . ___ . . D î , ___ _. . _ ____ . __ è . ___ _. . . ___ h è D. __. u __ * 2. H. . . . .. . D . . _ m . __ . . . , , .. __ _ m _ . _____ m . .__ x . m __. . . . 2.2. . .. . _ . m . __ . .__ . .__ . n . . . H. A _ . .__ . .. n. .__ . . . .. .. . .. .. u. .__ . . n . . .. . . . .. . . _ n. .___ . ___ . G . . . .. . ___ _ . .__ . ... 2. a _. D _ ___ D 2 e _. . , _ _. . . ... .. 2 . ..“, .. _.. w . ... ..“ . .__. “ sommare s and the streets don’t charme Could use_some pa l some hke am’t . W sie _— 2m cm _ m- a ___ __. ì M E m” ___. _. r . ... . _ . ._ s u . .. ù ì m m m _. .. _ — w . just try -m’ — 1 I ___ . ___ pa - txence, y l4 1121i‘ i ’H—Iî know I don't n r
  95. 95. l i I l. ‘ rfiìà’ g T g È x/ t V ___ you, 0o, this time. p: — tience is all. .. you need. .rlt. , —= _ *—— : :: 5L xx —'J rî 22 ù‘——'ù‘ì—tù _Ìî lì-— V îfl‘—a—uxdxd—uîn—dxu—nì'— ‘2’—‘—_-‘ >. )*-Ù"——" —_—2x— I’: D1 î I r flntî| î — I . -_Ì— : m (Whisperezt) Ah. ì É'C l‘ x2.'—îî—: E { I V; îI Ì! î-—îî1 I l u)) --j- Îxî-If I L"' 2——_= x—Î -x—' I “— r Lì lì innDDnì | ìînsÎu4 | îZr'utÎm-I | ' I I n Additional Lyrics Q 2. I sit here on the stairs ’cause I'd rather be alone. If I can’t have you night now l’ll wait, dear. Sometimes I get so tense but I can’t speed up the time. But you know, love, there’s one more thîng to oonsider. Said, woman, take it slow and things will be just fine. You and l’ll just use a little patience. Said, sugar, take the time ‘cause the lishts are shining bright. You and I've got whnt it takes to mnke it. We won’t fake it, ah, l’ll neve: break it ‘cause I can’t take ìt. (T0 Gtr. solo)
  96. 96. BUILD THE GUITAR LIBRARY OI-' THE FUTURE WITI-I 1 V Authorized Edition Our orlginal True-fo-the record guitar îranscrlptlons Include muslc by Today's b_e_s_t guitar Iegends and wlzards. Cherry Lone’s excluslve PIay-If-Llke-Is serles glves you accurate Ieads and Iyrics, precise chord volcings and guitar Ilcks and solos In sfandord and tablature nofaflon. AII of Cherry Lane’s gulfar edlflons are auîhorlzed by Guitar For 1719 Pracflclng Muslclan maga- zlne. 0nd Include Intervlews, blos. full color fold-oufs and photos. So look for the guitar muslc fhaî glves you the whole sfory - you'll never seme for ordlnary sheet muslc agalnl A _t*iEÎ'É31LLÌÈ-k, 4.1% ' HKMJ" GUNS N’ ROSES """""" """ ‘ GN! “ u METALLICA - IEAVY MEÌAL cl6975°‘ And Jusflco For AII ÌÀLLADS (16965 (16986 MEÎÀHJCA Master of Puppeîs ' cnno JOE SAÎÌIANI Appetito tor Desîrucflon Surflnfi Wm‘ m0 NÌÒD Cl6953 CL6959 è-îìmjfi’ m: Y BAND 7 HOÎ METAL H ‘“"î'; ".. 'ìîîìg. .. cmm. Cl6973 JOE SATRIANI Dreamlng #11 Cl6974 ' ‘ VAN HALEN u b| 00812 Catalogues are ava a e upon cmm f. | rlT 1o: l'ho Groaî Radio Comroversy reques p e056 w e (16930 ì CHERRY LANE MUSIC P. O. Box 430 Port Chesfer. NY 10573
  97. 97. I: N! 12055.5: IRIÎNSCÈÌRTÎQÉIÌKQÈ MLCOME îllEJUNGlEà Eddîe Van Halen Steve Vai Randy Rhoads Yngwie Malmsteen Jimi Hendrix Vinnie Moore Stevie Ray Vaughan Guns N’ Roses Jet-f Watson Carlos Santana Neal Schon Eric Clapton Jimmy Page Jake E. Lee Brad Gillis Geoiùe Lynch Metallica v Keith Richards Jeff Beck Mìchael Schenker and save SIDSG eft the newsstand prce! Just 824.90 buys you ansubscription to GUITAR MAGAZINE and the chance to spend a l l ___________________ ___ È YBI Enter my one-year subscription to GUITAR FOR THE l CING MUSICIAN at iust 324.90 tor 12 issues-a 30% I Ming ofi the cover price. . J Payment enclosed. El Please bi| | meΑ ‘lame kddreìss îîy èîîstate ' Zip allow 8 weeks tor subscription to begin. Send check or money l da! only (no cash) payable to Guitar Magazine. Outside U. S. add | [Dia postage. Send U. S. funds only. | Fîî î î î î î îîù’ î î î ì î î ì î î î î- L“- year studying the techniques and the artistry of the world's best guitar performers. Every issue of GUITAR gives you: - sheet musid you can't get anywhere else-with accurate transcriptions of the origina! artists. - in-depth interviews with guitar greats who candidly discuss the nuts and bolts of what they do. ° columns and artìcles on the muslc, the equipment and the techniques ihat are making waves. Become a betterguitar playerand performer. Study with the profession- als every month in GUITAR FOR THE PRACTICING MUSICIAN. T0 start your subscription — and save 30% oftthe cover price — write Io GUITAR, Box 889, Fa rmingdale, NY 1173749789.
  98. 98. BROKEN DREAMS As recorded by LITA FORD CHANGES As recorded by TESLA CLOSE MY EYES FOREVER As recorded by LITA FORD & OZZY OSBOURNE ECSTASY . As recorded by VINNIE VINCENT INVASION FOLLOW THE NIGHT As recorded by McAU LEY-SCHENKER GROUP LOVE WALKS IN As recorded by VAN HALEN NO SUBSTITUTE As recorded by VINNIE VINCENT INVASION PATIENCE As recorded by GUNS N’ ROSES SWEET CHILD O’ MINE As recorded by GUNS N’ ROSES TIME As recorded by McAULEY-SCHENKER GROUP WE'RE NO GOOD TOGETHER As recorded by TESLA WHEN IT'S LOVE As recorded by VAN HALEN ISBN: 0-89524-446-2 Cherry ( Lane Music Cîffifîjîdfififllflc- 514.95 Printea in USA. . . Bax430.PortChes1e1.NY1D573-43IJ FLEA 2004

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