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Visual Elements part 2

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Visual Elements part 2

  1. 1. The Visual Elements (2)<br />
  2. 2. ISOMETRIC PERSPECTIVE<br />A means of rendering three-dimensional objects without reliance on vanishing points or converging lines; scale of objects remains the same regardless of the distance from the foreground and background.<br />
  3. 3. Isometric Perspective.<br />
  4. 4.
  5. 5.
  6. 6.
  7. 7. Indicating Time in Art<br /><ul><li>Dimensions of Time
  8. 8. Key terms:
  9. 9. Chronology
  10. 10. Narrative
  11. 11. Duration
  12. 12. Tempo
  13. 13. Scope
  14. 14. Sequence</li></li></ul><li>Indicating Time in Art<br /><ul><li>Actual Time
  15. 15. Implied Time
  16. 16. Recorded Time</li></li></ul><li>
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  27. 27.
  28. 28. KINETIC ART<br />Artifacts that are designed to move.<br />
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  30. 30.
  31. 31.
  32. 32. VALUE<br /><ul><li>Highlights
  33. 33. Shadow
  34. 34. Contrast</li></li></ul><li>VALUE<br />The relative degree of light or dark.<br />
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  38. 38.
  39. 39. CONTRAST<br />The degree of value difference in an image; high contrast is a wide separation between dark and light; low contrast is a narrow range of values in an image.<br />
  40. 40.
  41. 41. HUE<br />A name of a color family or an area on the color wheel.<br />
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  44. 44. White Light Refracted by a Prism.<br />
  45. 45.
  46. 46. SUBTRACTIVE COLOR PROCESS<br />The mixing of pigments and dyes so that all colors of light except the color are absorbed (subtracted).<br />
  47. 47. Pigment Primaries: Subtractive color mixture.<br />
  48. 48.
  49. 49. ADDITIVE COLOR PROCESS<br />The mixing of colored lights so that they shine on a surface, they combine (add) to make other colors.<br />
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  54. 54. PRIMARY COLORS<br />In a color system, the basic colors that cannot be broken down into other colors and that can be combined to create other colors.<br />
  55. 55. Hue – the color wheel.<br />
  56. 56.
  57. 57. SECONDARY COLORS<br />The product of mixing two primary colors.<br />
  58. 58. TERTIARY COLORS<br />The products of mixing a primary and secondary color.<br />
  59. 59. Hue – the color wheel.<br />
  60. 60. KEY<br />Used synonymously with value. In a scale of values, high-key colors are lighter than colors in the middle of the scale; low-key colors are darker than the colors in the middle of the scale.<br />
  61. 61. TONE<br />A color that has gray added to it.<br />
  62. 62. TINT<br />A color that has white added to it.<br />
  63. 63. SHADE<br />A color that has black added to it.<br />
  64. 64.
  65. 65. INTENSITY, SATURATION<br />The strength or weakness of a color.<br />
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  69. 69. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: yellow. <br />
  70. 70. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: magenta. <br />
  71. 71. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: yellow and magenta. <br />
  72. 72. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: cyan. <br />
  73. 73. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: yellow, magenta, and cyan. <br />
  74. 74. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: black. <br />
  75. 75. Sandro Botticelli. Detail of Birth of Venus. 1486.<br />Color Printing: yellow, magenta, cyan, and black.<br />
  76. 76. Sandro Botticelli. Detail of Birth of Venus. 1486. <br />Color printing detail.<br />
  77. 77. OPTICAL COLOR MIXING<br />Placement of different colors in such a way that the human eye mixes them to form new colors.<br />
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  86. 86. Color Schemes<br /><ul><li>Monochromatic, Analogous, and Complementary
  87. 87. Triads, Tetrads, and Hexads
  88. 88. Warm and Cool Colors
  89. 89. Earth Tones
  90. 90. Polychromatic Schemes</li></li></ul><li>
  91. 91. MONOCHROMATIC COLOR SCHEME<br />Variations in color based on one hue.<br />
  92. 92.
  93. 93.
  94. 94.
  95. 95. ANALOGOUS COLOR SCHEME<br />Variations in color between hues adjacent to one another on the color wheel.<br />
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  101. 101. COMPLIMENTARY COLOR SCHEME<br />Variations in color based on colors opposite each other on the color wheel.<br />
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  106. 106. TRIAD<br />Three colors that are equidistant from one another (form an equilateral triangle) on the color wheel.<br />
  107. 107.
  108. 108. TETRAD<br />Four colors that are equidistant from one another (form a square or rectangle) on the color wheel.<br />
  109. 109. HEXAD<br />Six colors obtained by choosing every other color on the color wheel.<br />
  110. 110.
  111. 111. SIMULTANEOUS CONTRAST<br />An effect achieved by placing highly contrasting colors (complements), values, and intensities next to each other.<br />
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  116. 116. Polychromatic Color Scheme<br />Having many colors; random or intuitive use of color combinations as opposed to color selection based on a specific color scheme. <br />
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  118. 118.
  119. 119. Earth Tones<br />
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  121. 121.
  122. 122. Analysis:<br />Color temperature<br />Color Scheme<br />Key<br />Mood<br />
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  126. 126.
  127. 127. TEXTURE<br /><ul><li>Actual Texture
  128. 128. Implied Texture
  129. 129. Visual texture: an illusion of tactile qualities
  130. 130. Invented Texture</li></li></ul><li>TEXTURE<br />ACTUAL TEXTURE: The tactile quality of the material used to make an artifact.<br />IMPLIED TEXTURE:<br />The tactile quality of elements in an artifact rendered in a way that gives the impression of texture.<br />

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