Ancient Rome notes

1,699 views

Published on

0 Comments
0 Likes
Statistics
Notes
  • Be the first to comment

  • Be the first to like this

No Downloads
Views
Total views
1,699
On SlideShare
0
From Embeds
0
Number of Embeds
269
Actions
Shares
0
Downloads
22
Comments
0
Likes
0
Embeds 0
No embeds

No notes for slide

Ancient Rome notes

  1. 1. Art History 1 de Beaufort ROME WORKS Portrait of Vespasian, Head of an old man Portrait of Constantine, from the Basilica Nova, Rome, Italy. Portrait of Caracalla Portrait bust of Livia Equestrian statue of Marcus Aurelius Portrait of Augustus as general Heroic portrait of Trebonianus Gallus Aule Metele (Arringatore) Portraits of the four tetrarchs, from Constantinople Arch of Constantine (south side), Rome, Italy Ara Pacis Augustae (Altar of Augustan Peace looking northeast), Rome, Italy. Female personification (Tellus?), panel from the east facade of the Ara Pacis Augustae, Rome, Italy. Aerial view of the Colosseum (Flavian Amphitheater) APOLLODORUS OF DAMASCUS, aerial view of the Markets of Trajan, Rome, Italy. Interior of the Pantheon, Rome, Italy. Still Life with Peaches, detail of wall painting Herculaneum, Italy Portrait of a husband and wife, wall painting Pompeii, Italy OVERVIEW Chronology • Romulus founded Rome: 753 BCE • Republican Period: 509-27 BCE • Early Empire: 27 BC - 96 AD • High Empire: 96 - 192 AD • Late Empire: 192-337 AD ORIGINS Roman Foundation Myths: Aeneas • According to the Aeneid, the survivors from the fallen city of Troy banded together under Aeneas, underwent a series of adventures around the Mediterranean Sea, including a stop at newly founded Carthage under the rule of Queen Dido, and eventually reached the Italian coast. • The Trojans fought with local tribes, won the right to stay and to assimilate with the local peoples. • Aeneas was the son of the Goddess Venus Therefore all Romans connected to Olympic Gods Emphasizes connections with Carthaginians who fought bravely against the Romans in the Punic Wars Roman Foundation Myths: Romulus and Remus • According to legend, Romulus and Remus were twin sons of Mars, the God of War. • Jealous gods wanted to harm the boys-so to protect them, their mother Rhea sent them afloat in a basket down the Tiber River. • They were found by a female wolf and she fed them and took care of them. • Eventually a shepherd adopted the boys and raised them. • As the twins grew older, they decided they didn’t want to tend sheep, but wanted something greater and they built a city along the banks Tiber River. • However, both wanted to be king. Eventually they quarreled and in a fit of rage, Romulus killed Remus. • The city was then named after its first king, Romulus.
  2. 2. The new city grew rapidly, swelled by landless refugees; as most of these were male and unmarried, Romulus arranged the abduction of women from the neighboring Sabines. • The ensuing war ended with the joining of Sabines and Romans as one Roman people. • Emphasizes absorption of local tribes and cultures. Rome: Origins • In reality, Rome was built by the Latin people between 1000 BC and 500 BC along the Tiber River located on the Italian peninsula in center of Mediterranean Sea. • The site of Rome was chosen for its fertile soil and strategic location-the city was built on seven hills, making it difficult to attack. • Located on the Tiber River and the Mediterranean Sea meant that the people could easily conduct trade throughout the region. • Two other groups also lived on the Italian peninsula, the Etruscans in the north and the Greeks in the South. • Both the Greeks and the Etruscans have a strong influence on the development of Rome. • (ex. culture, architecture, military, religion, etc.) • All three groups competed for control of the region with the Romans the ultimate victors. PATRONAGE and ARTISTIC LIFE in ancient Rome: Roman government and wealthy people = major patrons of the arts Spent lavishly on themselves and homes • Dedicated to the general good of the arts • Gave generously to public projects • Huge workshops cranking out Greek-style works • Romans built houses to impress and entertain • Lavish interiors of homes (marble plumbing fixtures!) • Interiors were grand domestic spaces that announced the importance of the owner • Artists = low on social scale - treated poorly – many were slaves and never got credit for their work. • INNOVATIONS IN ROMAN ARCHITECTURE • Romans were master builders • Built great roads and massive aqueducts – efficient way to connect cities and make areas livable • Temples = hymns to the gods, symbols of civic pride • Arenas – awed spectators (size and engineering are awesome) • Perfected the arch and used it a lot (not used much before) • Used concrete in constructing huge buildings – but they thought it was ugly, so they covered concrete structures in other materials (like marble) to make them more attractive ROMAN TECHNICAL DEVELOPMENTS • Concrete • The Arch • Barrel vaults • Groin vaults • The Dome: architecture of light and space Roman Invention of Concrete • Cheap and strong; can be molded to any form • Placed in wooden frames, then dried • Architecture of space rather than mass. • Roman genius: many materials in the same building Roman Roads • “All roads lead to Rome” is an apt description of Roman roads • The network on this map show how the Roman army could go anywhere • Later, it also indirectly contributed to the spread of Christianity throughout the empire • The paving was basic to the rapids transport of troops
  3. 3. The Arch • Rome built on the arch, contributed by the Etruscans • Weight is evenly distributed from the keystone to the sides • It could provide so much strength that other structures could be built above it The Vault • Barrel Vault (Tunnel); a series of connected arches • needs buttressing dark and gloomy • Groin Vault: barrel vaults intersect at right angles over a square area. • Thrust is concentrated at four corners, eliminating walls, allows clerestory windows The Dome • Third form of rooftop architecture in Rome • Created by rotating a round arch through 180 degrees on its axis • Must be buttressed from all sides • The weight must be evenly distributed at all sides • The dome included a circular skylight Domestic Architecture  Entrance to a home was an atrium, a large hall entered through a corridor from the street,  An open compluvium (skylight) which let in rainwater and sunlight  Rainwater was collected in a sunken basin in the floor (impluvium) and channeled off into a cistern Public Architecture: The Forum • A rectangular open space, usually with a temple at one end • Bounded on three sides by colonnades (rows of columns) • Fourth side by a basilica • Best known: Forum Romanum and Forum Julium Architectural and Engineering Professions • Roman architecture and engineering were considered to be one discipline • The most influential manuals were Vitruvius’s Ten Books on Architecture • Function to the Roman architecture determined design • Classic architecture emphasized size to accommodate 1 million people of Rome: the coliseum, the amphitheaters, all designed for entertainment, whether gladiators, drama, or circuses THE REPUBLIC Roman Republic: Roots • Etruscans ruled the Latins but were overthrown in 509 BC • Gradually, monarchy gave way to government by the people (res publica) • Predominately comprised the patricians (aristocrats) and the plebians (farmers, artisans, and other common folk. • Slaves formed a third category as the empire expanded • The rise of the republic was a slow process The Roman Republic Following the expulsion of the Etruscans, the Roman people create a republic from the Latin term res publica or “public works”. • In this system, Roman citizens were allowed to elect the leaders of their government. • Only free-born males were considered citizens. Structure of the Roman Republic • Patricians through the Senate controlled the lawmaking process • However, plebians filled the ranks of the Roman army and exercised veto power over the decisions of the Senate
  4. 4. • Eventually, through their leaders, the tribunes, acquired the right to hold executive office and lawmaking power • Patricians and Plebeians Two groups struggled for power in the new republic—the patricians and the plebeians. • Patricians were the wealthy, land-owning class that held most power. o Made up a very small portion of the population • Plebeians were common farmers, artisans and merchants - Most people fell into this class Roman Government • Roman government had three parts. • The 2 consuls were like kings. One led the government, the other led the army. o They could veto each other’s decisions. • The second part of the government was the Senate. o Senate members were elected by the people; however, most Senators were patricians. o The Senate passed laws and also controlled the treasury (money). o The Senate is the most powerful group in the government of the Roman Republic. • Lastly, there were citizen assemblies. o Any citizen could belong to an assembly and they elected tribunes and made laws that applied to the common man. Dictators • Dictators were leaders appointed in times of crisis. • Chosen by consuls then approved by the Senate, Dictators had absolute power to make laws and control the army. • Their power would only last 6 months. The Roman Military • Romans placed a great value on their military. • All landowning citizens were required to serve in the military. • Some political positions even required 10 years of military service. • Roman soldiers were organized into large military units known as legions. • Therefore, soldiers were known as legionaries. Military Organization • The army was the tool of imperial expansion • The Roman army was a highly disciplined force and the backbone of Rome • Initially, all free men served two-years • Later, professional soldiers filled the ranks • As the empire expanded, non-Romans joined to gain Roman citizenship • The phalanx was the basic unit (Later it would be divided into smaller units • These units could combine to form a legion if necessary. Roman Expansion • In the fourth century B.C., Rome began to expand. o The Romans defeat the Etruscans in the north and the Greeks in the south. o Within 150 years, it had captured almost all of Italy. • Rome treated the conquered peoples justly. They even allowed some of the conquered peoples to enjoy the benefits of citizenship. • 211 BC: Romans conquered the Greek city of Syracuse, Sicily-plundered Greek art • 146 BCE Greece becomes a Roman Province
  5. 5. • Rome vs. Carthage • With full control of the Italian peninsula, Rome establishes a prosperous trade network throughout the Mediterranean Sea. • This brings Rome into conflict with the Punics. • The Punics were from Carthage, a powerful trading city located in North Africa (Tunisia). • The Punic Wars o In the third and final Punic Wars, Rome once again attacks the hated rival Carthage. o Rome burns the city to the ground and enslaves its 50,000 inhabitants. o It was even said that the Romans covered the ground in salt so that the earth would not be able to produce any more crops. o With Carthage finally destroyed, Rome gains dominance over the western Mediterranean • The Romans took over their neighbors one by one • 27 BC Republic becomes Roman Empire Roman Upheaval • Rome was now the sole power in the Mediterranean and very prosperous. • But as the territory grew, so did the gap between the rich and poor. • The wealthy patricians benefited greatly from Roman expansion. o Slaves brought from conquered territories were sold to wealthy landowners. • At one point, 1/3 of the population was slaves. Head of an old man, from Osimo, mid-first century BCE. Function: show elevated class status through genealogy Waxed death masks Bust of ancestors kept in the home Portrait of a Roman general, from the Sanctuary of Hercules, Tivoli, Italy, ca. 75-50 BCE. Cuirass(breastplate): military general Body: Hero (Idealized) Face: portrait (verism) VERISM Verism is the artistic preference of contemporary everyday subject matter instead of the heroic or legendary in art and literature; a form of realism. The word comes from Latin verus (true). • Verism can be defined as a sort of hyperrealism in sculpture where the naturally occurring features of the subject are exaggerated, often to the point of absurdity. • In the case of Roman Republican portraiture, middle age males adopt veristic tendencies in their portraiture to such an extent that they appear to be extremely aged and care worn. • This stylistic tendency is influenced both by the tradition of ancestral imagines as well as a deep-seated respect for family, tradition, and ancestry. • The imagines were essentially death masks of notable ancestors that were kept and displayed by the family. In the case of aristocratic families these wax masks were used at subsequent funerals so that an actor might portray the deceased ancestors in a sort of familial parade. • The ancestor cult, in turn, influenced a deep connection to family. For Late Republican politicians without any famous ancestors (a group famously known as ‘new men’ or ‘homines novi’) the need was even more acute—and verism rode to the rescue. • The adoption of such an austere and wizened visage was a tactic to lend familial gravitas to families who had none—and thus (hopefully) increase the chances of the aristocrat’s success in both politics and business. Funerary relief with portraits of the Gessii, from Rome(?), Italy, ca. 30 BCE.
  6. 6. Plebian Relief Sculpture, Slavery was common Stylistic tastes tied to social and political status Funeral portraits of deceased freedmen. Legal members of society-thus the portraits Murals • Scene from the Villa of the Mysteries • An initiate is flagellated (by a winged woman out of view) • Another women plays cymbals while in a frenzied dance • The technique give a three-dimensional image on a two dimensional surface • Portraits were common, as seen in Young Woman With a Stylus • This was probably the Lesbian poet Sappho—from the Isle of Lesbos, but not necessarily homosexual Pompeii and the cities of Vesuvius Buried by a volcano 79 AD Excavated mid 1700’s Classical Revival 1760’s- (Neo Classic period) Villa of the Mysteries, Pompeii, Italy 60-50 BCE Celebrate rites of the god of Bacchus • Women emulate Ariadne • Figures interact across the room • Fasting, alcohol, physical abuse • Pictorial devices: Modeling of figures- illusion of a ledge Roman Fresco Painting, Four Styles from Pompeii • Not portable, • Fresco: mortar, lime, marble dust, color • Wet on wet • Used to lighten up windowless interiors Gardenscape, 2nd style Villa of Livia. Primaporta, Italy 30-20 BCE • Illusion of nature • Atmospheric Perspective: blurring of colors further away • no framing element Gardenscape, Second Style wall painting, from the Villa of Livia, Primaporta, Italy, ca. 30–20 BCE. • Tiny floating landscape, no illusionism • Picture gallery • Candelabra replaced columns • Wall is painted to support framed paintings as in a gallery • Portrait of Husband and wife, wall painting Pompeii, Italy 70-79 CE Which attributes show social class? Scroll, Stylus, writing tablet FROM REPUBLIC TO EMPIRE • Rome begins to build an empire • Conquest of the known world was the extension of conquest of the Italian peninsula by the Latins • War with the Phoenicians of Carthage (Punic Wars) was the first phase of Roman expansion • Other expeditions led to Roman control of the entire Mediterranean (Mare Nostrum, “Our Sea”) and much of Europe: Hispania (now Spain), Gallia (France) Britannia (England) and part of Germania (Germany) • Led by military dictators, of which Julius Caesar was the best known • Caesar expanded the empire to include western and central Europe • He directed the construction of a wooden bridge to enable the troop to invade and conquer Germania (central Europe) • Under Caesar Augustus, the empire entered into a pax romana (peace under Rome) • This, which brought in a long era of high culture and stability Propaganda
  7. 7. • In Rome- presentation of absolute power • Creation, manipulation, and display of imagery • Persuasion of those who are subjugated to accept it 44BC Julius Caesar Murdered! The Ides of March • Rome: Civil war for 13 years • 32 BC Octavian (Augustus), the grandnephew and adopted son of Caesar, crushes Anthony and Cleopatra- they commit suicide. • Egypt becomes a Roman province 30 BC EMPIRE THE EARLY EMPIRE, 27BC-96AD • Senate confers the title of Augustus on Octavian-27 BCE • Supreme emperor • Calls himself the son of god • Controls all aspects of Roman public life How does the change in the political structure of the Empire change the artistic representation? From Verism to Idealism Portrait of Augustus as general • Idealized • He was 76 when this was made • Polykletian style • A god and a man • Iconography: • Every part carries a political message • Cupid- descended from gods • Hero- bare feet • Cuirass: military power • Aule Metele (Arringatore), from Cortona, near Lake Trasimeno, Italy, early first century BCE. • Oratorical pose • Cuirass: current events-the return of the captured Roman military standards by the Parthians Pax Augusta aka PAX ROMANA • Peace reigns for 200 years • Huge number of public works projects • Art and architecture become a tool of propaganda • Classical style after the Athenians Portrait bust of Livia • Wife of Augustus • Not veristic, peak of youth and health • Classical Greek Goddess Ara Pacis Augustae (Altar of Augustan Peace looking northeast), Rome, Italy, 13–9 BCE. • The Altar of Augustan peace:Documents a specific event • Commemorates Augustus’ return after the conquer of Gaul • Union of portraiture and allegory, religion and politics • Private and public message  God Aeneas making a sacrifice  Aeneas: son of Venus  Augustus’ forefather
  8. 8. Female personification (Tellus?), panel from the east facade of the Ara Pacis Augustae, Personification of peace, prosperity, and fertility Goddess Pax( peace) Ceres( grain) or Venus( love)? Goddess Pax-mother earth-nurtures the Roman people-babies Women with billowing veils= sea wind & land fertility of Roman farms , domination over the Mediterranean Ara Pacis Procession of the Imperial family Decline in birth rate-Emperor Augustus encouraged marriage, marital fidelity, tax relief and large families Pont-du-Gard, 16 BCE Nimes Frances Function: Bridge and aqueduct Each person had 100 gallons of water per day Coliseum: Flavian Amphitheater 70-80 CE Former site of Nero’s Domus Aurea Held 50,000 spectators Games for 100 days running Gladiators, animal combats, dead Christians Colosseum: Flavian Amphitheater 70-80 CE Exterior travertine marble, interior concrete Unification of the multistoried façade ARCH COLUMN construction Used 3 orders of architecture: Tuscan Doric, Ionic and Corinthian Equivalent to 16 stories tall 76 entrances Elliptical shape, concentric circles, banked seats with valerium Aerial view of the Colosseum (Flavian Amphitheater), Rome, Italy, ca. 70–80 CE. Interior barrel and groin vaults The Flavian Dynasty 69-96 CE General Vespasian and his sons Titus and Domitian ruled for 25 years STRUCTURES: Colosseum 70-80 CE Arch of Titus, Rome 81 CE Triumphal Arch: Commemorative celebrate military victories, propaganda for ruler Engaged columns Composite capitals: Corinthian and Ionic mixed Arch of Titus, Rome, Italy, after 81 CE. Spandrels; Arch Titus Spandrels: area between the curve of the arch and the frame Personified Victories: (Nike)winged women as in Greek art Trajan: The First Spanish Emperor 98CE He became all things to all people: popular Instituted Social Programs He and Augustus became the yardsticks for success Goal of all Emperors: Felicior Augusto, Melior Traiano luckier than Augustus, better than Trajan The Forum of Trajan; Architect Apollodorus of DamascusRome 112 CE
  9. 9. Rome’s greatest forum to glorify Emperor Trajan Huge Basilica rather than temple dominates the colonnaded square. Celebration of victory over the Dacians. The Forum • Forum: a complex Greek agora. Several in each city. • Basilica, temples, library, triumphal arches, colonnades of shops. Column of Trajan, Forum of Trajan, Rome, Italy, dedicated 112 CE. –118 CE. • Arch of Trajan 114-118 CE • Relief panels • Billboard function • Advertise Emperors achievements • Trajan granting land Hadrian as General, Successor to Trajan; also Spaniard Age 49 forever Synthesis of the real and the ideal Power restrained The Pantheon. Rome, Italy AD 118-125 Most influential in architectural history Uses full potential of concrete Façade:classical Metamorphis from real to virtual -earth to heavens Pantheon: all the gods Interior orb of the earth 7 planets: seven niches Dome: vault of the heavens 27’d. oculus-the sun stars in the coffers The Antonines 138-192 CE Peaceful Succession: from Hadrian Antoninus Pius, 23 yrs, Marcus Aurelius 138-Hadrian adopted Antoninus Pius (age 51) Antoninus adopted Marcus Aurelius Marcus Aurelius Emperor /Philosopher End of Antonine Dynasty Marcus Aurelius, detail of a relief from a lost arch, 175-180 CE, marble, life size Turning point in art history Classical style being challenged Beyond Republican verism- exposure of the soul His personality appears Equestrian Statue of Marcus Aurelius, Rome, Italy 175AD Bronze11’ 6” high Why not melted down during middle ages? Power and Authority/ Super human size Figure beneath horse? Gesture of clemency Commodus as Hercules Commodus: Son of Marcus Aurelius Decadent and insane
  10. 10. Assassinated Septimius Severus takes power The Late Empire 192-337CE Lack of order and challenges to authority Under attack on all fronts-military important Economy in decline Bureaucracy disintegrating Decline of state religion :moving from a pagan to a Christian world • Edward Gibbon fixes the date of the fall in 476 CE, when Odoacer, a Germanic officer in the Roman army overthrew the last emperor Romulus Augustulus • Odoacer leads the “Barbarians at the Gates” • Others fix the date at 410 CE with the First Sack of Rome, a siege led by another Germanic officer Alaric; lack of food induced Alaric’s army induced it to leave • Alaric (lower left) died in 411, after his forces left • Dates vary from 410 CE to as recent as 1453, when Constantinople fell to the Turks; clearly this is a matter of definition The Third Century: Soldier Emperors 235-284CE Soldier emperors for the next 70 years Troubled times-out of control Death by assassination- frequently Little building activity Art expressed general/symbolic qualities Simplified and geometric forms Defensive building Increased demand for engravers & sculptors • Designing coins • Busts of ever changing emperors Heroic portrait of Trebonianus Gallus, from Rome, Italy, 251–253 CE. How does it reflect the art of the “soldier emperors”? Heroic Nudity Wrestlers body Not Greek Idealism- Image of brute force Battle of Romans and barbarians (Ludovisi Battle Sarcophagus), from Rome, Italy, ca. 250–260 CE. What aspects would define this as Late Roman Empire art? The Four Tetrachs 305 CE porphyry, 4’3” high Saint Marks Venice Characteristics of Roman sculpture in 4th century • Cubic heads • Squat bodies • schematic drapery • Shapeless bodies • Emotionless masks Diocletian and the Tetrarchy 284-306 CE Division of the Roman Empire into West and East Diocletian: Augustus of the East Power sharing “rule by four” Division continued throughout the Middle Ages; Latin west
  11. 11. The Four Tetrachs 305 CE porphyry, 4’3” high Characteristics of Roman sculpture in 4th century • Cubic heads • Squat bodies • schematic drapery • Shapeless bodies • Emotionless masks Byzantine (Greek)East What do these statues tell us about the rule of the four tetrachs? No indiv. identity Embracing each other Arch of Constantine (south side), Rome, Italy, 312–315 CE. Commemorates defeat of Maxentius Arch of Constantine 312-315 CE Rome Reuse of statues and reliefs From Trajan, Hadrian, Marcus Aurelius Decline in creativity Association with “good” emperors Continuity of the empire Constantine (in center without head) addressing the people. Portrait of Constantine, from the Basilica Nova, Rome, Italy, ca. 315–330 CE. Constantine 306-337 313:Issued Edict of Milan- no persecution of Christians The beginning of the Middle Ages 324: Founded New Rome: Constantinople 325: Christianity becomes the official religion Initiates many major changes: • Recognizes the new religion of Christianity. Gives freedom for Christians to worship. • Moves away from the classical style. • Changes the scale and materials of some sculpture. • Borrows reliefs from previous “good” Emperors. These are called ‘Spolia’ • Arch of Constantine (south side), Rome, Italy, 312–315 CE. • Commemorates defeat of Maxentius • Arch of Constantine 312-315 CE Rome • Reuse of statues and reliefs • • From Trajan, Hadrian, Marcus Aurelius • Decline in creativity • Association with “good” emperors • Continuity of the empire • Constantine (in center without head) addressing the people. Decline and Fall • The Edict of Milan of 313 CE allowed Christians freedom of worship and toleration became official policy • The state religion of the empire itself was Christianity by the end of the fourth century • When the fall finally came, Christianity was established in Rome • Rome was divided into the West and the East in 286 as an administrative convenience, but set the stage for the Eastern and Western churches. Factors Involved in the Fall of Rome • Christianity: Rome proved unable to resist the spread of Christianity despite persecution, partly because of its widespread appeal (details in the next presentation on roots of Christianity)
  12. 12. • Bread and circuses (including gladiator contests at the coliseum) were used to support and entertain the returning soldiers after the conquests ended • Moral and political decline: The emperor as office became a source of wealth, corruption, and an object of contention between armed factions • Social conditions: most Romans lived in poverty as the urban infrastructure declined • Division of the empire: the empire was divided into east (Greek) and west (Latin) by Diocletan in 296 CE • Several explanations, not just one, satisfactorily explain the decline. Conclusion • Romans were imperialists first and republicans second • Even the Republican era was one of conquests in the Italian peninsula—much like manifest destiny in the United States during the 19th century • Much of the themes emphasize war and conquest • The arts mostly had a practical side • Toward the end of the era, wealth mattered more than duty that had marked Rome’s earlier years • The insecurity of the latter years also opened the populace to new ideologies: mystical cults, revivals of older beliefs from Egypt—and Christianity

×