Participating in the Creative Commons (NLA/NEMA 2008)

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Presented by Michael Sauers and Karin Dalziel at NLA/NEMA 2008 in Lincoln, NE on 17 November 2008.

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  • Before Michael talks about Creative Commons, I am going to give an introduction to CC and talk about where it came from and why we need it. Michael graciously let me present with him even though he is clearly the CC expert, so for that I thank him
  • Participating in the Creative Commons (NLA/NEMA 2008)

    1. 1. Participating in the Creative Commons Michael Sauers Technology Innovation Librarian Nebraska Library Commission & Karin Dalziel Library Assistant Love Library
    2. 2. EULA (reasonableagreement.org)
    3. 3. me
    4. 4. we ≠ lawyer
    5. 5. broken
    6. 8. “ To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.”
    7. 9. http://flickr.com/photos/scobleizer/2236177028/sizes/l/ Lawrence Lessig
    8. 11. "The opposite of a free culture is a "permission culture“ — a culture in which creators get to create only with the permission of the powerful, or of creators from the past."
    9. 12. http://www.adbusters.org/cultureshop/corporateflag
    10. 13. videos
    11. 15. hhttp://flickr.com/photos/34041589@N00/453859907
    12. 16. <quote>
    13. 17. Just What Is It that Makes Today's Homes So Different, So Appealing? By Richard Hamilton, 1956 10.25 × 9.75 in
    14. 18. <quote>
    15. 19. Pic of cartoon wall http://flickr.com/photos/tacoma-cartoonist-society/2417018989/
    16. 22. ?
    17. 23. copyright.gov
    18. 24. Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include —  (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. 107
    19. 25. (a) Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute such copy or phonorecord, under the conditions specified by this section, if —  (1) the reproduction or distribution is made without any purpose of direct or indirect commercial advantage; (2) the collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and (3) the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section. (b) The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a), if —  (1) the copy or phonorecord reproduced is currently in the collections of the library or archives; and 108
    20. 26. me 2
    21. 27. creativecommons.org C
    22. 29. c = allow
    23. 30. Choose…
    24. 31. b
    25. 32. n
    26. 33. d
    27. 34. r
    28. 35. a
    29. 36. how?
    30. 38. get…
    31. 41. <a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/us/&quot;>
    32. 42. Other licenses…
    33. 44. Other ways…
    34. 47. examples
    35. 53. search.creativecommons.org
    36. 56. Any problems?
    37. 57. “ Once you choose a license for your work, it's irrevocable.”
    38. 58. Negative market effect?
    39. 59. What is “non-commercial”?
    40. 60. Unintended use
    41. 62. Right of publicity
    42. 63. CC in Libraries?
    43. 64. 1:License your work
    44. 65. 2:Catalog CC works
    45. 66. CC @ NLC
    46. 70. My Own Kind of Freedom: A Firefly Novel
    47. 72. Added to collection
    48. 73. Questions raised:
    49. 74. Competition?
    50. 75. Collection development policy?
    51. 76. Cataloging Issues
    52. 77. i ≠ cataloger
    53. 79. Michael Sauers [email_address] Karin Dalziel [email_address] del.icio.us/travelinlibrarian/ nlanema2008/cc www.slideshare.net/ travelinlibrarian

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