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Introduction to Creative Commons

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I N T R O D U C I N G
C R E A T I V E C O M M O N S
A N D R É S G U A D A M U Z

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A P O L O G I E S
Löki http://www.flickr.com/photos/tyltu/4041895378/

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A S T O R Y

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Introduction to Creative Commons

  1. 1. I N T R O D U C I N G C R E A T I V E C O M M O N S A N D R É S G U A D A M U Z
  2. 2. A P O L O G I E S Löki http://www.flickr.com/photos/tyltu/4041895378/
  3. 3. A S T O R Y
  4. 4. C U L T U R A L C O N S E R V A T I O N A R E A S By howardignatius http://www.flickr.com/photos/howardignatius/3492077372/
  5. 5. N I N A P A L E Y “You can’t monetize anonymity.” Nina Pailey http://www.sitasingstheblues.com Nina Pailey http://www.sitasingstheblues.com
  6. 6. L I C E N S I N G S T A N D A R D F O R O P E N C O N T E N T
  7. 7. S O Y O U W A N T T O M A K E A V I D E O …
  8. 8. C C I N B R I E F
  9. 9. C R E A T I V E C O M M O N S
  10. 10. C R E A T I V E C O M M O N S Attribution: Every CC licenses allows the world to copy and distribute a work provided that the licensee credits the creator/licensor. The author may include these other elements: NonCommercial: licensees can use the work for non-commercial purposes. No Derivatives: the work cannot be modified. ShareAlike: the work can be copied, modified and distributed if the author releases the derivative under the same license.
  11. 11. H U M A N - R E A D A B L E C O M M O N S D E E D L A W Y E R - R E A D A B L E L E G A L C O D E M A C H I N E - R E A D A B L E D I G I T A L C O D E < A R E L = " L I C E N S E " H R E F = " H T T P : / / C R E A T I V E C O M M O N S . O R G / L I C E N S E S / B Y - S A / 3 . 0 / " > < I M G A L T = " C R E A T I V E C O M M O N S L I C E N S E " S T Y L E = " B O R D E R - W I D T H : 0 " S R C = " H T T P : / / I . C R E A T I V E C O M M O N S . O R G / L / B Y - S A / 3 . 0 / 8 8 X 3 1 . P N G " / > < / A > < B R / > T H I S W O R K I S L I C E N S E D U N D E R A < A R E L = " L I C E N S E " H R E F = " H T T P : / / C R E A T I V E C O M M O N S . O R G / L I C E N S E S / B Y - S A / 3 . 0 / " > C R E A T I V E C O M M O N S A T T R I B U T I O N - S H A R E A L I K E 3 . 0 U N P O R T E D L I C E N S E < / A > .
  12. 12. B Y A T T R I B U T I O N B Y - N C A T T R I B U T I O N - N O N C O M M E R C I A L B Y - S A A T T R I B U T I O N - S H A R E A L I K E B Y - N D A T T R I B U T I O N - N O D E R I V A T I V E S B Y - N C - S A A T T R I B U T I O N - N O N C O M M E R C I A L - S H A R E A L I K E B Y - N C - N D A T T R I B U T I O N - N O N C O M M E R C I A L - N O D E R I V A T I V E S L I C E N C E S
  13. 13. C C 0 • Relatively new licence that works both as a dedication to the public domain, and as a full licence where it’s not permitted to relinquish copyright.
  14. 14. C C 0 • Public domain dedication to the extent permitted by law. • If local copyright law does not allow relinquishment, then it acts as a “royalty-free, non-transferable, non sublicensable, non exclusive, irrevocable and unconditional license” to exercise all rights in the work. • As of 2014, there were 832 works marked under CC0, and 1220 marked under the public domain.
  15. 15. P U B L I C D O M A I N M A R K “This work has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.”
  16. 16. S P A C E X A N D F L I C K R H T T P : / / G O O . G L / K B G O 8 3
  17. 17. S O M E M O R E D E T A I L
  18. 18. G R O W T H Total licensed works Year 140 million 2006 400 million 2010 882 million 2014 1.1 billion 2015
  19. 19. C A S E S • Curry v. Audax (Netherlands) • Pontevedra ruling (Spain) • Case 09-1684-A (Belgium) • Avi Re'uveni v. Mapa inc. (Israel) • Gerlach v die-rechte.info (Germany) • Drauglis v. Kappa Map Group, LLC (USA) • Great Minds v Fedex Office (USA, ongoing).
  20. 20. I N T E R N A T I O N A L A P P E A L
  21. 21. I N T E R O P E R A B I L I T Y Alexandre Dulaunoy http://www.flickr.com/photos/adulau/3011878917/
  22. 22. C O N C L U D I N G . . .
  23. 23. T H A N K Y O U H T T P : / / C R E A T I V E C O M M O N S . O R G @ T E C H N O L L A M A @ T E C H N O L L A M A O N T W I T T E R C C A T T R I B U T I O N - S H A R E A L I K E

Editor's Notes

  • I always start with an apology, particularly when presenting to technical and legal audiences.
  • We strongly believe that CC is a way to empower authors through copyright. Personally, I strongly believe that by giving users a user-friendly licensing tool, the public becomes more familiar with copyright, and they respect it better. Copyright is not something that happens to nameless corporations and zillionaire artists, it’s something that happens to them.
  • CC is becoming a standard for sharing open content.
  • This is a big concern for us, as the more licences we have, the more likely there will be incompatibilities between licences. CC is aware of this, and we are working to reduce the number of licences used by the public.
  • There seems to be recognition in some circles that different approaches are needed to copyright and enforcement. Creative industries, pubic sector and international institutions should not wait to be dragged down screaming to change. CC suggests that other avenues are open, not as competition, but to complement existing models.

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