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We make noise

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We make noise

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the slides of the workshop held in Milan at WeMake maker space about the ethnographic research by Federico Monaco. Sounds are recorded and used in the fablab settings to understand how opencare and co-design practices are enacted and shape horizons of care and innovation.

the slides of the workshop held in Milan at WeMake maker space about the ethnographic research by Federico Monaco. Sounds are recorded and used in the fablab settings to understand how opencare and co-design practices are enacted and shape horizons of care and innovation.

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We make noise

  1. 1. https://www.nasa.gov/sites/default/files/thumbnails/image/pia21345-full.jpg Far, far away...
  2. 2. SYSTEMSounds WherethePhysicsof Music and the Music of(Astro)Physics Collide http://www.system-sounds.com/
  3. 3. http://www.fragmentsofextinction.org/
  4. 4. ECO SYMPHONIESECO SYMPHONIES ““As compared to other scientific approaches, which mostly focus on aAs compared to other scientific approaches, which mostly focus on a single species’ sonic languages and behavior, the recording strategiessingle species’ sonic languages and behavior, the recording strategies we adopted called for a broader ecological perspective, involving thewe adopted called for a broader ecological perspective, involving the collection of as many components as possible of a complexcollection of as many components as possible of a complex soundscape. (…) The spatial information of a given acousticsoundscape. (…) The spatial information of a given acoustic environmentbecomesakey elementin understanding the complexityenvironmentbecomesakey elementin understanding the complexity of its organization and making it available to audiences. In highof its organization and making it available to audiences. In high canopy forests, sounds come from every direction, including abovecanopy forests, sounds come from every direction, including above (e.g. birds and monkeys) and below (e.g. amphibians and insects) the(e.g. birds and monkeys) and below (e.g. amphibians and insects) the listening position.“listening position.“ http://www.fragmentsofextinction.org/listen-to-ecosystems/africa/bai01/http://www.fragmentsofextinction.org/listen-to-ecosystems/africa/bai01/
  5. 5. http://www.folkways.si.edu/voices-of-the-rainforest/world/music/album/smithsonian
  6. 6. STEVEN FELD: SUONO DELLO SPAZIO, SPAZIO DEL SUONOSTEVEN FELD: SUONO DELLO SPAZIO, SPAZIO DEL SUONO https://c1.staticflickr.com/7/6180/6197129356_2c8f223d6d_b.jpg
  7. 7. https://upload.wikimedia.org/wikipedia/commons/9/9b/Kingston_street,_Jamaica.jpg http://wayneandwax.com/ ““Working with polyphonic sound montagesWorking with polyphonic sound montages is an engaging and fruitful way to presentis an engaging and fruitful way to present qualitative findings enabling the researcherqualitative findings enabling the researcher to include more people in the analysis of theto include more people in the analysis of the material”material” (Arnfred, 2015) Morten Arnfred, (2015) "Polyphonic sound montages: A new approach to ethnographic representation and qualitative analysis", Journal of Organizational Ethnography, Vol. 4 Issue: 3, pp.356-366, https://doi.org/10.1108/JOE-10- 2014-0034
  8. 8. http://wayneandwax.com/music/taximan.mp3 https://upload.wikimedia.org/wikipedia/commons/9/9b/Kingston_street,_Jamaica.jpg http://wayneandwax.com/
  9. 9. https://soundcloud.com/cvpido/corridor-in-maternity-ward I vantaggi della ricerca sociale e culturale dei suoni: 1) metodo originale rispetto al testuale e visuale 2) tecnica di ricerca sul campo poco invasiva 3) tecnica semplice e poco mediata 4) file facile e leggero da archiviare e riprodurre 5) permette indagine su durata e presenza 6) rileva l'intimità ecologica della connessione tra pratiche sociali e suoni
  10. 10. “Sound studies challenge is to think across sounds, to consider sonic phenomena in relationship to one another - as types of sonic phenomena rather than as things-in- themselves - whether they be music, voices, listening, media, buildings, performances, or another other path into sonic life.” SDS 9 1985 Bass drum Sterne, Jonathan, ed. The sound studies reader. Routledge, 2012
  11. 11. https://youtu.be/HWmvbxGpra4
  12. 12. NUMBER 9
  13. 13. Termini teorici e metodologici utili Acusmatica: separazione della fonte dal suonoAcusmatica: separazione della fonte dal suono Acustemologia: crasi tra acustica e epistemologia, ovvero il suono comeAcustemologia: crasi tra acustica e epistemologia, ovvero il suono come teoria di conoscenzateoria di conoscenza PDFPDF PDFPDF Eco-muse-ecologia: l'etnico comporta l'altro, l'eco la presenzaEco-muse-ecologia: l'etnico comporta l'altro, l'eco la presenza PDFPDF Phonesthesia: phonetic synaesthesiaPhonesthesia: phonetic synaesthesia Schizophonia: “splitting of an original sound and its electroacousticSchizophonia: “splitting of an original sound and its electroacoustic reproduction” (Schafer, 1969)reproduction” (Schafer, 1969) PDFPDF Soundscape: paesaggio sonoroSoundscape: paesaggio sonoro Soundwalk: passeggiata sonoraSoundwalk: passeggiata sonora Struttura sonora come struttura sociale: suono come fatto sociale puroStruttura sonora come struttura sociale: suono come fatto sociale puro PDFPDF Suono come sistema simbolico: tamburi come sentimentiSuono come sistema simbolico: tamburi come sentimenti PDFPDF
  14. 14. LaricercaacustemologicaLaricercaacustemologica aWeMakeaWeMake
  15. 15. opencareas weirdsounds?opencareas weirdsounds?
  16. 16. Ilmondo deisuoniè intimamente collegato allepratiche
  17. 17. LL'ecosistema sonoroèutile perlaricerca sulla'ecosistema sonoroèutile perlaricerca sulla simultaneitàe interattività nella narrativaopencaresimultaneitàe interattività nella narrativaopencare aWeMake: chifa cosa,comeechesuoni produceaWeMake: chifa cosa,comeechesuoni produce conchi... lasciandotraccia dellenegoziazioni, tempiconchi... lasciandotraccia dellenegoziazioni, tempi morti,sincronieeasincronie nellacollaborazione.morti,sincronieeasincronie nellacollaborazione.
  18. 18. https://soundcloud.com/cvpido/sets/the-sounds-of-wemake Giulio Berretta: è così problematico un goldwave?Giulio Berretta: è così problematico un goldwave? https://soundcloud.com/cvpido/cosi-problematico-un-goldwavehttps://soundcloud.com/cvpido/cosi-problematico-un-goldwave
  19. 19. https://soundcloud.com/cvpido/sets/the-sounds-of-wemake From beep to bytes...(or bits)From beep to bytes...(or bits) Un esperimento di eco-muse-ecologiaUn esperimento di eco-muse-ecologia https://soundcloud.com/cvpido/giulio-soundscape3https://soundcloud.com/cvpido/giulio-soundscape3
  20. 20. Qualche conclusione sulla rilevazione dell'ecosistema sonoro a WeMakeQualche conclusione sulla rilevazione dell'ecosistema sonoro a WeMake ● ● Caratterizza gli spazi e la durata temporaleCaratterizza gli spazi e la durata temporale ● ● Presenta un ambiente eclettico ePresenta un ambiente eclettico e ● polifonico, eterogeneo e di sensemakingpolifonico, eterogeneo e di sensemaking ● ● Riporta esperienze e passaggi essenzialiRiporta esperienze e passaggi essenziali ● per la comprensione del quotidiano opencareper la comprensione del quotidiano opencare ● ● Facilmente condivisibile e fruibile online a sua voltaFacilmente condivisibile e fruibile online a sua volta ● ● Poco invasivo per l'etnografia delle pratichePoco invasivo per l'etnografia delle pratiche ● ● Problematizza le attività per via della loro ricorrente centralità oculareProblematizza le attività per via della loro ricorrente centralità oculare ● ● Include l'acustica quale tema di ricerca opencareInclude l'acustica quale tema di ricerca opencare

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