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Graffiti Fur: Turning Your Carpet into a Computer Display (UIST2014)

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Graffiti Fur: Turning Your Carpet into a Computer Display (UIST2014)

  1. 1. Graffiti Fur: Turning Your Carpet into a Computer Display Keio University / Nagoya Institute of Technology / The University of Tokyo Yuta Sugiura, Koki Toda, Takayuki Hoshi, Youichi Kamiyama, Takeo Igarashi and Masahiko Inami
  2. 2. Motivation • Living spaces tend to appear static (boring) • What if they were dynamic and adaptable?
  3. 3. Projector Technology • How to keep a sense of clam in a living environment? Mixed Reality Living Spaces, Schorr 2014
  4. 4. Non-emissive Display and Ink Technology Pixelroller, rAndom International 2005Dotanco, Kawana 2012 Fur Display, Furukawa 2009KERIDO, Haneda 2009 Wooden Mirror, Rozin 1999 ShaderPrinter, Saakes 2012
  5. 5. Carpet Enchant Your Living Space • Carpets cover large areas of the environment
  6. 6. Basic Idea • Shading properties of fur change as fibers are raised or flattened
  7. 7. Displays Created by Manipulating Existing Objects Snow Water Padding Art Sand Rock Water jet
  8. 8. Advantages • Easily and economic installation and use – no requiring any non-reversible modifications to the carpet – No ink required • Adaptable to human and home environments – No glare emission • High durability and Large size
  9. 9. First Prototype • Attach paper on sticky roller cleaner
  10. 10. Shading Property of Fur • Difference of appearance based on incident and reflected angle Incident light Incident Angle Reflected Light Reflected Angle
  11. 11. Experiment • Study to find condition to get high contrast patterns • Incident light 60° (g) Reflected light -20° Light Source Material Camera Position _
  12. 12. Three Drawing Methods 1.Roller 2.Pen 3.Pressure Projection
  13. 13. Roller Type Device • Collaborative device to draw patterns Rod Servo Motor Drag Direction
  14. 14. 1. Draw using finger or pen 2. Capture from real world objects 3. Capture from pictures 4. Type text into the textbox Four Types of Input Method
  15. 15. Multiple Layer Drawing • Device creates marks for drawing the next line. • Large images can be drawn. Marker
  16. 16. Device Attached to Roomba
  17. 17. Pen Type Device Finger vs PenRotating wheel is always oriented parallel to the growth direction of the fur Wheel Wheel Calibration Button Servo and Gyro (inside) Stop Button Start Button GripBattery (wrong side)
  18. 18. Pressure Projection Device • Using airborne ultrasonic focused display (AUFD) – Can be placed vertically – Ability to re-write patterns automatically – Adaptable to long fur
  19. 19. Principle • Two AUFDs are placed face to face. • AUFDs are used to raise and flatten fur fibers by projecting pressure from opposing angles Drawing Erasing
  20. 20. System Configuration AUFD Spot Light Tablet PC Horizontal version Vertical version
  21. 21. Findings • Shining at the projected part • Fur begins to return to original position after force is projected because of elastic property
  22. 22. Art enters to our daily life spaces
  23. 23. Calm Message • Welcome message, Schedule or weather
  24. 24. Fixing the Pattern • Laundry starch holds the pattern • Restored to original form by washing
  25. 25. User Observation • One child created a story integrating a picture with plush toys • Edited pattern with his fingers Airplane with Monster
  26. 26. Limitation • Slow refresh rate • Multiple colors are not used • Low resolution
  27. 27. Future Work • Explore the reflectance model (BRDF) on fur surfaces • Drawing patterns in gray scale • Enabling users’ interaction on surfaces • Adapting to grass fields
  28. 28. Thank you for listening • Graffiti Fur: Turn your carpet into a computer display θ Φ Light Source Incident Angle Camera Reflected Angle + Basic Idea Implementation Applications Drawing MethodExperiment Creative SupportCalm Message Art come to daily lifeCommunication Shading properties of fur change as fibers are raised or flattened Roller Pen Non-contact Keio University / Nagoya Institute of Technology / The University of Tokyo Yuta Sugiura, Koki Toda, Takayuki Hoshi, Youichi Kamiyama, Takeo Igarashi and Masahiko Inami

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