ETCHING FOR ARTISTS       AND HACKERS                     Kyle Geske         SkullSpace Hack-a-Thon                      A...
ETCHINGThe process of using corrosive chemicals to cut into theunprotected parts of an object’s surface.The process has be...
Mankindhas alwaysstrived toleavepermanentmarks uponthe world.
THE ISHANGO BONEA 20,000 year old baboon fibula with a piece of quartzaffixed to one end. The bone is covered with the mar...
ENGRAVINGThe practice of incising adesign on to a hard,usually flat surface, bycutting grooves into it.In ancient times co...
To preserve andcatalogue theirdesigns, goldsmithswould make “prints”of their work bytaking impressionsusing cloth or paper...
With the arrival of theprinting press inEurope in the early1400s, the engraving ofmetal plates to produceimages on paper c...
Albrecht Dürer.(Detail) The Knight, Death and the Devil c. 1513
Copperplate EngravingsStanley William HayterWrestling Angels c. 1950Torero c. 1932
Allan Geske - Copper plate Engraving
Allan Geske. Two Engravings c. 2005-2010http://allangeske.ca
CHEMICAL ETCHINGAcids had been knownto man since the time ofthe ancient Egyptiansand Greeks.In the Middle Agescorrosive ch...
Goldsmiths soon adopted the use of acids to etch their metalwork designs.Daniel Hopfer (Germany 1470–1536) was a craftsman...
EtchingsRembrandt van RijnThe Three Crosses 1632The Windmill 1641
EtchingsJim DineFive Paint Brushes, 1972Dartmouth Still Life, 1974
Allan Geske - Copperplate Etching
Allan Geske       Allan GeskeMy Own Map 1981   Atlas Vignette 2006
Printing                                                         Processing                                               ...
The Copper Etching ProcessPrintmaking     Circuit Board
Preparing the PlatePrintmaking        Circuit Board• Bevel Edges      • Clean Surface• Polish Surface   • Dull Surface wit...
Applying a Resist – Part IPrintmaking                           Circuit Board• Apply Acid Resistant Ground         • Downl...
Applying a Resist – Part IIPrintmaking                                               Circuit Board• Scratch Image into the...
Etch the Copper – Part IPrintmaking                           Circuit Board• Place Plate Face Down in Tub of     • Place B...
Etch the Copper – Part IIPrintmaking                               Circuit Board                      Kyle Geske - 2007• R...
Prototype Before Etching Circuit!Breadboard       Stripboard
North Nassau Studio Public ToursFirst Friday Evening of Every Month.Hot Plate and Wiping Table   Vented Acid Table
Artspace Building, 100 Arthur Street
North Nassau Studio, Room 523, Artspace Building
RESOURCESThe Intaglio Printmaking Processhttp://www.youtube.com/watch?v=SNKn4PORGBIHow to Etch a Single-Side Circuit Board...
HE WHO PRESENTEDKyle GeskeHardware / Firmware EngineerTurned Web DeveloperInstructor at Red River College(Ruby/Rails, PHP,...
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Etching for Artists and Hackers: Printmaking & Circuit Boards

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Etching is the process of using corrosive chemicals to cut into the unprotected parts of an object’s surface.

These slides explore the history of etching, intaglio printmaking, and the etching of circuit-boards.

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Etching for Artists and Hackers: Printmaking & Circuit Boards

  1. 1. ETCHING FOR ARTISTS AND HACKERS Kyle Geske SkullSpace Hack-a-Thon April 2011
  2. 2. ETCHINGThe process of using corrosive chemicals to cut into theunprotected parts of an object’s surface.The process has been around for hundreds of years andhas both artistic and industrial uses.
  3. 3. Mankindhas alwaysstrived toleavepermanentmarks uponthe world.
  4. 4. THE ISHANGO BONEA 20,000 year old baboon fibula with a piece of quartzaffixed to one end. The bone is covered with the markings ofa tally stick. Was the quartz perhaps used for engraving?http://en.wikipedia.org/wiki/Ishango_bone
  5. 5. ENGRAVINGThe practice of incising adesign on to a hard,usually flat surface, bycutting grooves into it.In ancient times coinswere manufactured usinghand-engraved dies.European goldsmiths inthe Middle Ages usedengraving to decorate andinscribe armour, weapons,jewelery, and other metalwork.
  6. 6. To preserve andcatalogue theirdesigns, goldsmithswould make “prints”of their work bytaking impressionsusing cloth or paperwith charcoal andink.
  7. 7. With the arrival of theprinting press inEurope in the early1400s, the engraving ofmetal plates to produceimages on paper cameinto its own.Many early engraverscame from a goldsmithingbackground.Albrecht Dürer.The Knight, Death and the Devil c. 1513
  8. 8. Albrecht Dürer.(Detail) The Knight, Death and the Devil c. 1513
  9. 9. Copperplate EngravingsStanley William HayterWrestling Angels c. 1950Torero c. 1932
  10. 10. Allan Geske - Copper plate Engraving
  11. 11. Allan Geske. Two Engravings c. 2005-2010http://allangeske.ca
  12. 12. CHEMICAL ETCHINGAcids had been knownto man since the time ofthe ancient Egyptiansand Greeks.In the Middle Agescorrosive chemicals werebeing exploited byalchemists to dissolveprecious metals.Rembrandt. “Faust” c. 1652-53
  13. 13. Goldsmiths soon adopted the use of acids to etch their metalwork designs.Daniel Hopfer (Germany 1470–1536) was a craftsman who decoratedarmour in this way. He then applied the method to printmaking.
  14. 14. EtchingsRembrandt van RijnThe Three Crosses 1632The Windmill 1641
  15. 15. EtchingsJim DineFive Paint Brushes, 1972Dartmouth Still Life, 1974
  16. 16. Allan Geske - Copperplate Etching
  17. 17. Allan Geske Allan GeskeMy Own Map 1981 Atlas Vignette 2006
  18. 18. Printing Processing 1) Ink 2) Wipe 3) Press 4) Pullhttp://jimhubbman.calkinsc.com/mezzotint/mezzotint.htm
  19. 19. The Copper Etching ProcessPrintmaking Circuit Board
  20. 20. Preparing the PlatePrintmaking Circuit Board• Bevel Edges • Clean Surface• Polish Surface • Dull Surface with Sandpaper
  21. 21. Applying a Resist – Part IPrintmaking Circuit Board• Apply Acid Resistant Ground • Download or Create Circuit Layout• Affix Contact Paper to Other Side • Laser Print on Glossy Paper
  22. 22. Applying a Resist – Part IIPrintmaking Circuit Board• Scratch Image into the Ground • Iron Circuit Onto Plate as a Resist• Touch up with More Ground • Peel Away Paper(Ground coating should be consistent for best results.) • Touch up With Needle / Resist
  23. 23. Etch the Copper – Part IPrintmaking Circuit Board• Place Plate Face Down in Tub of • Place Board Copper-side Up in Tub Ferric Chloride for 15-20 Minutes of Ferric Chloride• Acid Will “Bite” Exposed Copper • Brush Board with Plastic Brush
  24. 24. Etch the Copper – Part IIPrintmaking Circuit Board Kyle Geske - 2007• Remove Plate from Acid • Remove From Acid When Exposed• Rinse with Water Copper has Dissolved• Remove Ground Using a Solvent • Remove Ink Using Sandpaper
  25. 25. Prototype Before Etching Circuit!Breadboard Stripboard
  26. 26. North Nassau Studio Public ToursFirst Friday Evening of Every Month.Hot Plate and Wiping Table Vented Acid Table
  27. 27. Artspace Building, 100 Arthur Street
  28. 28. North Nassau Studio, Room 523, Artspace Building
  29. 29. RESOURCESThe Intaglio Printmaking Processhttp://www.youtube.com/watch?v=SNKn4PORGBIHow to Etch a Single-Side Circuit Boardhttp://hackaday.com/2008/07/28/how-to-etch-a-single-sided-pcb/Two Interesting Circuit Board Etching Techniqueshttp://robot.homepageentry.com/pages/makepcb.phphttp://www.pulsarprofx.com/pcbfx/main_site/pages/tech_support/tips_n_tricks/rolling_pin.htmlAllan Geske & North Nassau Printmakers, Winnipeghttp://allangeske.ca
  30. 30. HE WHO PRESENTEDKyle GeskeHardware / Firmware EngineerTurned Web DeveloperInstructor at Red River College(Ruby/Rails, PHP, HTML, CSS,Javascript, Philosophy of Time Travel)Artist w/ Studio @ ArtspaceV-World AvatarsTwitter, Flickr, Pinboard,Github, Gmail, Etc: stungeyestungeye.comcodeglutton.tumblr.com

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