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Fayum mummy portraits

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  • Intriguing. Thanks.
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  • Fantástica colección, no había visto muchos de ellos. Gracias, Pilar
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  • splendid collection! Thank you
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  • Hi dear, very beautiful !!! Just WONDERFUL !!! Thanks for sharing with us !!! :))) Catherine
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  • I learned a lot with this presentation, Sotirios, and I really love to learn (and create). Viewing this presentation was a rich human experience making me doing a kind of travel in time, crossing with people from the ancient times who still seem so alive in those paintings. The variety of expressions and moods is really a sign of the realistic style. It's transcendent to stare at those faces and expressive eyes as if they were here right now looking at us. The art of portrait is really a way of defeating time and filling the memory with the incomprehensible wonders and misteries of life. They are all so alive and so human! Thank you for sharing, Sotirios.
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Fayum mummy portraits

  1. 1. Fayum mummy portraits• Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of realistic painted portraits on wooden boards attached to mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the only large body of art from that tradition to have survived.• Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. "Faiyum Portraits" is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the time of the Roman occupation of Egypt.• They date to the Roman period, from the late 1st century BC or the early 1st century AD onwards. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. They are among the largest groups among the very few survivors of the highly prestigious panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post- classical world, including the local tradition of Coptic iconography in Egypt.
  2. 2. • The portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies. Almost all have now been detached from the mummies.They usually depict a single person, showing the head, or head and upper chest, viewed frontally. In terms of artistic tradition, the images clearly derive more from Graeco-Roman traditions than Egyptian ones. The population of the Faiyum area was greatly enhanced by a wave of Greek immigrants during the Ptolemaic period, initially by veteran soldiers who settled in the area.• Two groups of portraits can be distinguished by technique: one of encaustic (wax) paintings, the other in tempera. The former are usually of higher quality.• About 900 mummy portraits are known at present.The majority were found in the necropoleis of Faiyum. Due to the hot dry Egyptian climate, the paintings are frequently very well preserved, often retaining their brilliant colours seemingly unfaded by time.
  3. 3. Fayum mummy portraits (1st century BC - middle of the 3rd century AD) sources• http://en.wikipedia.org/wiki/Faiyum_mummy_portraits• http://commons.wikimedia.org/wiki/Fayum_mummy_portraits• http://commons.wikimedia.org/wiki/Category:Fayum_mummy_portraits• http://visipix.dynalias.com/search/search.php?userid=986539414&q=fayum&s=1&l=en&u=2&ub=1&k=0 presentation by sotos

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