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Data visualisation: Tools and tips for capturing internal communication's contribution

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Slides from our session at Melcrum Summit 2012 https://www.melcrum.com/aussummit/ in Sydney, organised by Jonathan Champ @meaningbusiness

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Data visualisation: Tools and tips for capturing internal communication's contribution

  1. 1. OWN IT! TOOLS AND TIPSFOR CAPTURING IC’SCONTRIBUTIONSMALL MULTIPLES9th Annual Melcrum Summit17 October 2012
  2. 2. http://thetypology.com/
  3. 3. DRIVEN BY DATAMAKING COMPLEX THINGS SIMPLEBEING PART OF A BIGGER PICTURE
  4. 4. DRIVEN BY DATASBS CENSUSEXPLORER579 LANGUAGES9,138 LOCATIONS sbs.com.au/census/
  5. 5. DRIVEN BY DATAHOLDEN CRUZE CARCHASE24,000 PLAYERS14 DAYS2,000 KMTRAVELLED https://vimeo.com/32542197
  6. 6. DRIVEN BY DATAPULSE49 OFFICE TOWERSENERGY BREAKDOWNEVERY 15 MINUTES http://www.investa.com.au/office/
  7. 7. ENGLISH ONLY LOTEMAKE COMPLEX THINGS SIMPLE http://small.mu/work/where-casino-picks-up-punters-interactive-maps/
  8. 8. BEING PART OF A BIGGER PICTURE www.investa.com.au/office/portfolio/detail/126-phillip-street-sydney-nsw-2000/
  9. 9. BEING PART OF A BIGGER PICTURE ignite.sydney.edu.au
  10. 10. WHAT IS DATAVISUALISATION?
  11. 11. HISTORICAL CONTEXT WILLIAM PLAYFAIR, 1786 IMPORTS AND EXPORTSWilliam Playfair (1786) The Commercial and Political Atlas: Representing, by Means of Stained Copper-Plate Charts, the Progress ofthe Commerce, Revenues, Expenditure and Debts of England during the Whole of the Eighteenth Century.
  12. 12. HISTORICAL CONTEXTCHARLES MINARD, 1869LOSSES OF NAPOLEON’S ARMYIN THE RUSSIAN CAMPAIGN Charles Minards 1869 chart showing the number of men in Napoleon’s 1812 Russian campaign army, their movements, as well as the temperature they encountered on the return path.
  13. 13. HISTORICAL CONTEXTJOHN SNOW, 1854CHOLERA CASES AROUND THEBROAD STREET PUMP Original map made by John Snow in 1854. Cholera cases are highlighted in black.
  14. 14. HISTORICAL CONTEXTŠARENISVJETSKIKOLEDAR, 1901 http://www.academia.edu/182997/Croatian_Diaspora_Almanacs_A_Historical_and_Cultural_Analysis
  15. 15. MODERN CONTEXT MARCOS WESKAMP,2004 NEWSMAP.JPnewsmap.jp
  16. 16. MODERN CONTEXT MARTIN WATTENBERG, 2005 BABYNAMEWIZARD.COM/VOYAGERwww.babynamewizard.com/voyager
  17. 17. MODERN CONTEXTJONATHAN HARRIS,2006WEFEELFINE.ORG wefeelfine.org
  18. 18. MODERN CONTEXTSTAMEN, 2009OAKLAND.CRIMESPOTTING.ORG/MAP oakland.crimespotting.org
  19. 19. MODERN CONTEXTMORITZ STEFANER, 2011OECDBETTERLIFEINDEX.ORG oecdbetterlifeindex.org
  20. 20. MODERN CONTEXTNEW YORK TIMES, 2012ALL THE MEDALISTS http://www.nytimes.com/interactive/2012/08/05/sports/olympics/the-100-meter-dash-one-race-every-medalist-ever.html
  21. 21. PROCESSTHE PATH TOGOOD DATAVISUALISATION
  22. 22. CONTEXTCOMMUNICATING ASENSE OF SCALE,RELATABILITY http://howbigreally.com/
  23. 23. PERSPECTIVESHOWINGDIFFERENTVIEWS www.nytimes.com/interactive/2011/08/27/us/preparations-for-hurricane-irene-and-reports-of-damage.html
  24. 24. EXPLORATIONCHOOSE YOUROWN ADVENTURE gapminder.org/world
  25. 25. https://vimeo.com/25118844http://infographicsnews.blogspot.com.au/2009/03/malofiej-17-best-infographics-of-2008.html MEDIUM http://meshu.io/ DOESN’T MATTER WHAT THE MEDIUM IS http://teemingvoid.blogspot.com.au/2010/06/measuring-cup.html
  26. 26. VITAL INGREDIENTDATA INTEGRITY
  27. 27. VITAL METHODVISUAL INTEGRITY http://understandinggraphics.com/visualizations/information-display-tips/
  28. 28. FORM FOLLOWS FUNCTIONPURELY FUNCTIONAL? http://www.businesstoolsstore.com/news/3/Gantt-Chart%7B47%7DDiagram-Excel-Template.html#.UH3v7mlra18
  29. 29. FORM FOLLOWS FUNCTION PURELY NARRATIVE-DRIVEN?http://www.brazilianartists.net/home/flags/index.htm
  30. 30. INFORMATION AESTHETICS“THE BALANCE BETWEENTRUTH AND BEAUTY” http://moritz.stefaner.eu/
  31. 31. INFORMATION AESTHETICSTELLING STORIES
  32. 32. INFORMATION AESTHETICSINFLUENCING BEHAVIOUR
  33. 33. TELLING STORIESINFLUENCING BEHAVIOURINTERNALCOMMUNICATION
  34. 34. PULSEPROVIDING PEOPLE WITH www.greenbuildingsalive.com/datatools/pulse/A FEEDBACK LOOP
  35. 35. ICEHUBPROVIDING PEOPLE WITHA FEEDBACK LOOP
  36. 36. flowingdata.cominfosthetics.comchartsnthings.tumblr.cominfographicsnews.blogspot.comjunkcharts.typepad.comABSORBDATA VISUALISATIONRESOURCES
  37. 37. INTERACTIVE
  38. 38. INTERACTIVETHE DATA, THE VISUALISATION,AND THE STORIES Uta Eisenreich Network 2002 http://blogs.walkerart.org/design/2007/11/16/uta- eisenreich/
  39. 39. CREATEBUILDING YOUR OWNDATA VISUALISATIONS
  40. 40. NEED ANINFOGRAPHIC? visual.ly
  41. 41. THE EFFECTIVENESS OFINFOGRAPHICS Published by iStrategy , http://visual.ly/anatomy-mobile-market
  42. 42. JUST BECAUSE YOU HAVE DATA...junkcharts.typepad.com/junk_charts/2012/10/can-information-be-beautiful-when-information-doesnt-exist.html
  43. 43. TRUE INFOGRAPHICS National Geographics, Designed by Samuel Velasco, http://visual.ly/fifty-years-exploration
  44. 44. TRUE INFOGRAPHICShttp://infographicsnews.blogspot.com.au/2009/03/malofiej-17-best-infographics-of-2008.html
  45. 45. PEOPLE IGNOREBROADCASTED MESSAGES http://www.flickr.com/photos/f_x_l/5653858453/
  46. 46. CLEAR CAUSE + EFFECT http://www.diykyoto.com/uk
  47. 47. FAMILIARITY: CHOOSETHE RIGHT MEDIUM http://www.dezeen.com/2011/06/23/receipt-redesign-by-berg/
  48. 48. FAMILIARITY: CHOOSETHE RIGHT MEDIUM http://bergcloud.com/
  49. 49. INTIMACY: PERSONAL AND PERSONALISEDfitbit.com
  50. 50. GROUP BEHAVIOUR +FEEDBACK LOOPhttp://www.gettheworldmoving.com/
  51. 51. FAMILIARITY: CHOOSE THE RIGHT MEDIUMfitbit.com
  52. 52. Excel + PowerpointIllustratorwww-958.ibm.com/manyeyes/selection.datavisualization.ch/developers.google.com/chart/TOOLSYES, IT’S OKAY TO USE EXCEL
  53. 53. DRIVEN BY DATAGOOD DATAMAKING COMPLEX THINGS SIMPLEGOOD REPRESENTATIONBEING PART OF A BIGGER PICTURESTORY TO TELL
  54. 54. OWN IT! TOOLS AND TIPSFOR CAPTURING IC’SCONTRIBUTIONSMALL MULTIPLESinfo@small.muhttp://small.mu9th Annual Melcrum Summit17 October 2012

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