HEY YOU, GET OFFA MY
CLOUD!
The Future of Music Collections
in Libraries
May 10, 2013
Music Industry In Flux
• Album sales down
• Shift to digital
• Traditional channels in decline
• Major labels eating one another
Market Fragmentation
• New channels, More selection
• The Long Tail
• Niche Is the new norm
The DIY Spirit
• Album sales are down; music creation is not
• Increased emphasis on touring and live music
• Bandcamp, bigcartel, and Reverbnation
• Small labels support regional scenes
Is The Industry's Tail Long Enough?
• Legacy albums rival new releases
• Specialty & reissue labels digging deep
• "Lost formats" return
Massive and Passive
• Albums ->Singles -> Streams
• Renting (Cloud) vs. Owning (Albums)
• Earbuds edge out stereo speakers
• Music becomes background noise
Digital Services
Perks of Being Physical
Ease Of Use
• Is your digital service user friendly?
• "This is harder than Spotify!"
• Usability issues might alienate patrons, new
• and old.
Freegal
NAXOS
NAXOS App
Alexander Street
Alexander Street
Overdrive
Overdrive Media Player
Hoopla
DRAM
DRAM
Everyone Jumping Everyone's Train
• In terms of digital music delivery, how much can / should
libraries be expected to deliver?
• Make sure your digital vendor will serve you well.
"Free" Services
Marketing Your Collection
Wake the town
and tell the people!
Partnerships
• Musicians
• Labels
• Local bloggers & writers
• Music-savvy professors
• Show promoters
• Public Radio Stations
Think Local, Buy Local
• Circulate local music
• Community Collaboration
• Market Alternatives
• Economic Development
• Build a scene
• Destination
The Librarian as...
• Investigator
• Amateur Musicologist
• Creative instigator
Music Advisory
• Personalized Playlists
• Use the opportunity to turn patrons to to something
new
• Subject Expertise
Lost In The Stacks
Lost In The Stacks
Music Clubs
• Listening Party
• Library patrons gather to hear and discuss music around a
theme
• Guest presenters
• Like a book club.... but better!
Library as Creative Hub
• Cultural bazaar within the community
• Library can serve information consumers...
• ...And information creators!
• Help local artists of all types: authors, musicians, sculptors,
painters, game producers, filmmakers, etc, etc.
Library as Creative Hub
• Live Music
• Media labs and
recording
facilities
• Rehearsal rooms
Photo Slide 2 of Live Happenin's
Media Consumption - A Tale of Two Models
Industry Model:
• Industry centered
• High overhead
• Radio, TV, Streaming
• Profitability is the goal
• Libraries are primarily a
customer
New Model:
• Artist centered
• Very lean
• Direct to consumer
• Sustainability is paramount
• Libraries can get involved
and help!
Vibrant Music Collection
• Quality content
• Digital content chosen carefully
• Built up by subject expertise
• Engages and partners with local music scene
• Programming & outreach
• Spurs creativity
Thank You!
Matthew Moyer
Andrew Coulon - @acoulon
Audience Share / Q+A

The future of music collections

  • 1.
    HEY YOU, GETOFFA MY CLOUD! The Future of Music Collections in Libraries May 10, 2013
  • 2.
    Music Industry InFlux • Album sales down • Shift to digital • Traditional channels in decline • Major labels eating one another
  • 3.
    Market Fragmentation • Newchannels, More selection • The Long Tail • Niche Is the new norm
  • 4.
    The DIY Spirit •Album sales are down; music creation is not • Increased emphasis on touring and live music • Bandcamp, bigcartel, and Reverbnation • Small labels support regional scenes
  • 5.
    Is The Industry'sTail Long Enough? • Legacy albums rival new releases • Specialty & reissue labels digging deep • "Lost formats" return
  • 6.
    Massive and Passive •Albums ->Singles -> Streams • Renting (Cloud) vs. Owning (Albums) • Earbuds edge out stereo speakers • Music becomes background noise
  • 7.
  • 8.
  • 9.
    Ease Of Use •Is your digital service user friendly? • "This is harder than Spotify!" • Usability issues might alienate patrons, new • and old.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 19.
  • 20.
  • 21.
    Everyone Jumping Everyone'sTrain • In terms of digital music delivery, how much can / should libraries be expected to deliver? • Make sure your digital vendor will serve you well.
  • 22.
  • 23.
    Marketing Your Collection Wakethe town and tell the people!
  • 24.
    Partnerships • Musicians • Labels •Local bloggers & writers • Music-savvy professors • Show promoters • Public Radio Stations
  • 25.
    Think Local, BuyLocal • Circulate local music • Community Collaboration • Market Alternatives • Economic Development • Build a scene • Destination
  • 26.
    The Librarian as... •Investigator • Amateur Musicologist • Creative instigator
  • 27.
    Music Advisory • PersonalizedPlaylists • Use the opportunity to turn patrons to to something new • Subject Expertise
  • 28.
  • 29.
  • 30.
    Music Clubs • ListeningParty • Library patrons gather to hear and discuss music around a theme • Guest presenters • Like a book club.... but better!
  • 31.
    Library as CreativeHub • Cultural bazaar within the community • Library can serve information consumers... • ...And information creators! • Help local artists of all types: authors, musicians, sculptors, painters, game producers, filmmakers, etc, etc.
  • 32.
    Library as CreativeHub • Live Music • Media labs and recording facilities • Rehearsal rooms
  • 33.
    Photo Slide 2of Live Happenin's
  • 34.
    Media Consumption -A Tale of Two Models Industry Model: • Industry centered • High overhead • Radio, TV, Streaming • Profitability is the goal • Libraries are primarily a customer New Model: • Artist centered • Very lean • Direct to consumer • Sustainability is paramount • Libraries can get involved and help!
  • 35.
    Vibrant Music Collection •Quality content • Digital content chosen carefully • Built up by subject expertise • Engages and partners with local music scene • Programming & outreach • Spurs creativity
  • 36.
    Thank You! Matthew Moyer AndrewCoulon - @acoulon Audience Share / Q+A