Digital and Media
Literacy Education
Renee Hobbs
Professor, Department of Communication Studies
Director, Media Education Lab
Harrington School of Communication and Media
University of Rhode Island
EMAIL: hobbs@uri.edu
TWITTER: @reneehobbs
WEB: www.mediaeducationlab.com
PEER-TO-PEER FILE SHARING
Medium Theory. Media & technology are immersive cultural
environments; media structures re-shape human perception & values.
Active Audience Theory. Audiences are active; meaning-making is
variable; lived experience & social context are key dimensions of
interpretation.
Communication & Education. Institutions of education, communication
practices & democratic values are interconnected.
Inquiry Learning. People learn best from experiences that engage them
in active work that promotes intellectual curiosity and collaboration.
Critical Pedagogy. Awareness, analysis, and reflection enable people to
take action to make society more just and equitable.
Theoretical Framework
expanding the concept of text
ACCESS
expanding the concept of literacy
expanding the concept of literacy
open access
multitasking
transmediation
curation
play
data ownership
identity
representation
privacy
addiction
PEER-TO-PEER FILE SHARING
Define and operationalize digital and media literacy with examples from
K-12 and informal learning contexts
Describe some of the approaches to professional development we’re
exploring in K-12 and higher education
Consider why an examination of teacher motivations for digital learning
is essential for implementing curricular reform
Share an example of how teacher motivations shapes innovation in
digital literacy
Goals for Today’s Talk
Stakeholders in Digital Literacy
TECHBUSINESSACTIVIST
GOVERNMENTLIBRARY
EDUCATIONCREATIVE
Rhetoric
Literacy
Visual Literacy
Information Literacy
Media Literacy
Computer Literacy
Critical Literacy
News Literacy
Digital Literacy
Defining Digital Literacy in Historical Context
A Lifelong Process
A Lifelong Process
A Lifelong Process
Digital Literacy Competencies
Access, Use and Share
 Keyboard and mouse skills
 Be familiar with hardware, storage and file
management practices
 Understand hyperlinking & digital space
 Gain competence with software applications
 Use social media, mobile, peripheral & cloud
computing tools
 Identify information needs
 Use effective search and find strategies
 Troubleshoot and problem-solve
 Learn how to learn
 Listening skills
 Reading comprehension
Access: Read & Comprehend
Digital & Media Literacy Competencies
Analyze & Evaluate
 Understand how symbols work: the
concept of representation
 Identify the author, genre, purpose and
point of view of a message
 Compare and contrast sources
 Evaluate credibility and quality
 Understand one’s own biases
and world view
 Recognize power relationships that shape
how information and ideas circulate in
culture
 Understand the economic context of
information and entertainment production
 Examine the political and social
ramifications of inequalities in information
flows
Analyze a YouTube Video
Digital Literacy Competencies
Create & Collaborate
 Recognize the need for communication and
self-expression
 Identify your own purpose, target
audience, medium & genre
 Brainstorm and generate ideas
 Compose creatively
 Play and interact
 Edit and revise
 Use appropriate distribution, promotion &
marketing channels
 Receive audience feedback
 Work collaboratively
 Comment, curate and remix
Learn about Primary Source Materials
by Creating a Music Video
Digital Literacy Competencies
Reflect
 Understand how differences in values and
life experience shape people’s media use
and message interpretation
 Appreciate risks and potential harms of
digital media
 Apply ethical judgment and
social responsibility to
communication situations
 Understand how concepts of ‘private’ and
‘public’ are reshaped by digital media
 Appreciate and respect legal rights and
responsibilities (copyright, intellectual
freedom, etc)
Digital Literacy Competencies
Take Action
 Acknowledge the power of
communication to maintain the status
quo or change the world
 Participate in communities of shared
interest to advance an issue
 Be a change agent in the family &
workplace
 Participate in democratic self-
governance
 Speak up when you
encounter injustice
 Respect the law and work to change
unjust laws
 Use the power of communication and
information to make a difference in the
world
Act: Create a Public Service
Announcement
PEER-TO-PEER FILE SHARING
Define and operationalize digital and media literacy with examples from
K-12 and informal learning contexts
Describe some of the approaches to professional development we’re
exploring in K-12 and higher education
Consider why an examination of teacher motivations for digital learning
is essential for implementing curricular reform
Share an example of how teacher motivations shapes innovation in
digital literacy
Goals for Today’s Talk
www.harrington.uri.edu
 Project-based
learning
 Real-world client
 Intensive faculty
involvement
 Digital literacy
competencies are
embedded
 Student work is
gifted to client
Media Smart Libraries
Children’s Librarians & Children’s Media Professionals
In Partnership with the Providence Children’s Film Festival and the
Rhode Island Office of Library and Information Services
Graduate Certificate in Digital Literacy
A 12-credit graduate program that enables educators, librarians and media
professionals to acquire the knowledge and skills required for full
participation in a read/write culture where active participation in a
knowledge community requires the skillful use, creation and sharing of
digital texts, tools and technologies.
Summer Institute in Digital Literacy
July 26 – 31, 2015
Providence RI
70% rated it the best professional
development of their career, giving it
a 10 on a 10-point scale
PEER-TO-PEER FILE SHARING
Define and operationalize digital and media literacy with examples from
K-12 and informal learning contexts
Describe some of the approaches to professional development we’re
exploring in K-12 and higher education
Consider why an examination of teacher motivations for digital learning
is essential for implementing curricular reform
Share an example of how teacher motivations shapes innovation in
digital literacy
Goals for Today’s Talk
LOVE HATE
PRINT VISUAL SOUND DIGITAL
Educators’ attitudes about media, technology and
popular culture shape their work with learners
Empowerment
Protection
How do Teachers Make Sense of
Digital Media and Learning?
Exploring the
relationship
between teacher
motivation and
likelihood to use
digital media
and technology
in the classroom
Motivations
for Using Media & Technology
in Education
12
TECHIE
You’re the educator who loves tablets, apps, programs, plug-
ins, widgets, websites, and other types of educational
technology because you have a passionate curiosity about
new tools. You see much potential to engage students with
the technology tools they love and use in their everyday lives.
TRENDSETTER
You’re tuned into pop culture and curious about kid culture.
Maybe your own most-loved popular culture isn’t too far
removed from that of your students. You are inquisitive about
the trends and hot topics that make up a crucial component
of the fabric of your students’ everyday lives. You want school
culture to meet kids where they live with the popular culture
they know and love.
DEMYSTIFIER
As a teacher, you “pull back the curtain” to help students see
how various forms of information and knowledge are
constructed. You emphasize the practice of critical thinking,
helping students ask good “how” and “why” questions.
WATCHDOG
You are a natural critical thinker, aware of how economic
systems and institutions influence our everyday lives,
particularly through the media we use. You want your
students and your peers to be more mindful of the ways that
things are bought and sold. Who owns and controls the
media content that we see, hear, read, and play with? You feel
responsible for giving your students a “wake-up call” about
the economic and institutional inner-workings of the
technology and the world that surrounds them.
ACTIVIST
As an educator, you want to make society more just and
equitable by promoting democratic participation. You use
media in the classroom as a catalyst for students to
understand how they might have a voice in improving the
quality of life in their communities and in the world.
TASTEMAKER
You want to broaden your students’ horizons. You want them
to have exposure to the kinds of media experiences that put
them in touch with historical, aesthetic, and critical
appreciation. You know that a key component of students’
future interactions will require them to draw from a variety
of cultural sources both classical and popular.
ALT
You are an inventive, perhaps “DIY,” teacher. You’re always
ready to challenge students with alternative ways of finding,
using, thinking about, and making media in the classroom.
Whether you use open source programs on school computers,
encourage students to start alternative clubs or magazines, or
introduce students to media that’s “off the beaten path” of
mainstream and mass media, you are likely a key proponent
of broadening students’ understanding of the many different
ways that people can communicate in the world.
MOTIVATOR
You are an inspiration, a catalyst for your students’ creative
energy. Students who have never felt comfortable speaking
up in class, participating in activities, or contributing to class
dialogue find it easier to speak their mind when you’re
leading the classroom. You see your role as helping students
be the best they can be.
SPIRIT GUIDE
You are a listener. You have a dedication to the social and
emotional well-being of your students, and want to make
sure that everything you do in the classroom connects to their
immediate needs to understand themselves and their lives.
Students likely find you trustworthy, and may even confide in
you in ways that they do not for other teachers. You know
media is just one facet of student life, and you want to engage
with it to help them through the highs and lows of life in all of
its challenges and opportunities.
PROFESSIONAL
You have high standards for your students’ work, and you may
be seen as the go-to media professional in your school. You
know how to push your students to understand and emulate
the professional conventions that is important to being taken
seriously in the world of media creation. To help students
enter the real world of media creation, you bring other
authors, professionals, and media-makers into your classroom
to enrich the learning experience.
PROFESSOR
You balance your interest in media and technology with a
clear connection to academic standards. You want to be sure
that media and technology are not used in the classroom for
their own sake, but to gain content knowledge. Multimedia
presentations, engaging websites, and educational technology
serve the purpose of helping you deliver the core content and
skills students need to master.
TEACHER 2.0
You understand that participation in digital media and
learning cultures requires flexibility to new formats, modes of
expression, and participation in and out of school. You use
online or interactive versions of classic literature to explore
meaning behind texts. Teacher 2.0 teachers always trying new
things in the classroom and finding new ways to connect
learning to children’s culture.
Instructional Practices of
Digital and Media Literacy are
Linked to Teacher Motivations
Find, comprehend and
interpret content
Gain knowledge
and information
Examine the quality of
information resources
Share ideas through
dialogue & discussion
Create, build or
make something
Reflect on expected and
unanticipated consequences
Plan and implement action
to effect social change
Critically analyze how
messages are constructed
Motivations
for Using Media & Technology
in Education
12
Why reflection is a transformative practice
Self-reflection on one’s own motivations
may increase focus and creativity
Collaborative reflection may promote respect
and cultivate shared values
Respect for teacher motivations may expand the
diversity and range of instructional practices and tools
Sensitivity to teacher motivations may contribute to the
design of PD with greater impact
WATCHDOG ACTIVIST
Hobbs, R. & Moore, D.C. (2013). Discovering media literacy: Digital media and popular culture in elementary school. Thousand
Oaks CA: Corwin/Sage.
Hobbs, R. (2013). The blurring of art, journalism and advocacy: Confronting 21st century propaganda in a world of online
journalism. I/S: A Journal of Law and Policy for the Information Society 8(3), 625 – 638.
Hobbs, R. (2013). Improvization and strategic risk taking in informal learning with digital media literacy. Learning, Media and
Technology, 38(2), 182-197.
Hobbs, R. & RobbGrieco, M. (2012). African-American children’s active reasoning about media texts as a precursor to media
literacy. Journal of Children and Media 6(4), 502 – 519.
Hobbs, R. (2013). La tension dialectique entre les perspectives de l’empowerment et de la protection dans les programmes
americans d’education aux medias. Jeunes et Medias 4: 19 – 31. Publibook, Paris France. [Translation: The dialectic tension
between empowerment and protection in media literacy education in the United States.]
Babad, E., Peer, A., & Hobbs, R. (2012). Media literacy and media bias: Are media literacy students less susceptible to non-verbal
judgment biases? Psychology of Popular Media Culture.1(2), 97 – 107. DOI: 10.137/a0028181
Cappello, G., Felini, D. & Hobbs, R. (2011). Reflections on global developments in media literacy education: Bridging theory and
practice. Journal of Media Literacy Education 3(2), 66 – 73.
Hobbs, R. (2011). The state of media literacy: A response to Potter. Journal of Broadcasting and Electronic Media 55(3), 419 –
430.
Hobbs, R. and RobbGrieco, M. (2010). Passive dupes, code breakers, or savvy users: Theorizing media literacy education in
English language arts. In D. Lapp and D. Fisher (Eds.), Handbook of research on teaching the English language arts. Third edition.
New York: Routledge (pp. 283 – 289).
Hobbs, R. (2010). Digital and Media Literacy: A Plan of Action. Washington, D.C.: John S. and James L. Knight Foundation and
Aspen Institute.
PEER-TO-PEER FILE SHARING
Define and operationalize digital and media literacy with examples from
K-12 and informal learning contexts
Describe some of the approaches to professional development we’re
exploring in K-12 and higher education
Consider how an examination of teacher motivations for digital learning
supports teacher reflection – a vital element of curriculum reform
Share an example of how my motivations influenced the development of
a interactive multimedia website for exploring contemporary propaganda
Goals for Today’s Talk
Digital and
Media Literacy
Education
Renee Hobbs
Professor, Department of Communication Studies
Director, Media Education Lab
Harrington School of Communication and Media
University of Rhode Island
EMAIL: hobbs@uri.edu
TWITTER: @reneehobbs
WEB: www.mediaeducationlab.com

The Future of Digital and Media Literacy Education

  • 1.
    Digital and Media LiteracyEducation Renee Hobbs Professor, Department of Communication Studies Director, Media Education Lab Harrington School of Communication and Media University of Rhode Island EMAIL: hobbs@uri.edu TWITTER: @reneehobbs WEB: www.mediaeducationlab.com
  • 3.
    PEER-TO-PEER FILE SHARING MediumTheory. Media & technology are immersive cultural environments; media structures re-shape human perception & values. Active Audience Theory. Audiences are active; meaning-making is variable; lived experience & social context are key dimensions of interpretation. Communication & Education. Institutions of education, communication practices & democratic values are interconnected. Inquiry Learning. People learn best from experiences that engage them in active work that promotes intellectual curiosity and collaboration. Critical Pedagogy. Awareness, analysis, and reflection enable people to take action to make society more just and equitable. Theoretical Framework
  • 5.
  • 6.
  • 7.
    expanding the conceptof literacy open access multitasking transmediation curation play data ownership identity representation privacy addiction
  • 8.
    PEER-TO-PEER FILE SHARING Defineand operationalize digital and media literacy with examples from K-12 and informal learning contexts Describe some of the approaches to professional development we’re exploring in K-12 and higher education Consider why an examination of teacher motivations for digital learning is essential for implementing curricular reform Share an example of how teacher motivations shapes innovation in digital literacy Goals for Today’s Talk
  • 9.
    Stakeholders in DigitalLiteracy TECHBUSINESSACTIVIST GOVERNMENTLIBRARY EDUCATIONCREATIVE
  • 10.
    Rhetoric Literacy Visual Literacy Information Literacy MediaLiteracy Computer Literacy Critical Literacy News Literacy Digital Literacy Defining Digital Literacy in Historical Context
  • 11.
  • 12.
  • 13.
  • 14.
    Digital Literacy Competencies Access,Use and Share  Keyboard and mouse skills  Be familiar with hardware, storage and file management practices  Understand hyperlinking & digital space  Gain competence with software applications  Use social media, mobile, peripheral & cloud computing tools  Identify information needs  Use effective search and find strategies  Troubleshoot and problem-solve  Learn how to learn  Listening skills  Reading comprehension
  • 15.
    Access: Read &Comprehend
  • 16.
    Digital & MediaLiteracy Competencies Analyze & Evaluate  Understand how symbols work: the concept of representation  Identify the author, genre, purpose and point of view of a message  Compare and contrast sources  Evaluate credibility and quality  Understand one’s own biases and world view  Recognize power relationships that shape how information and ideas circulate in culture  Understand the economic context of information and entertainment production  Examine the political and social ramifications of inequalities in information flows
  • 17.
  • 18.
    Digital Literacy Competencies Create& Collaborate  Recognize the need for communication and self-expression  Identify your own purpose, target audience, medium & genre  Brainstorm and generate ideas  Compose creatively  Play and interact  Edit and revise  Use appropriate distribution, promotion & marketing channels  Receive audience feedback  Work collaboratively  Comment, curate and remix
  • 19.
    Learn about PrimarySource Materials by Creating a Music Video
  • 20.
    Digital Literacy Competencies Reflect Understand how differences in values and life experience shape people’s media use and message interpretation  Appreciate risks and potential harms of digital media  Apply ethical judgment and social responsibility to communication situations  Understand how concepts of ‘private’ and ‘public’ are reshaped by digital media  Appreciate and respect legal rights and responsibilities (copyright, intellectual freedom, etc)
  • 21.
    Digital Literacy Competencies TakeAction  Acknowledge the power of communication to maintain the status quo or change the world  Participate in communities of shared interest to advance an issue  Be a change agent in the family & workplace  Participate in democratic self- governance  Speak up when you encounter injustice  Respect the law and work to change unjust laws  Use the power of communication and information to make a difference in the world
  • 22.
    Act: Create aPublic Service Announcement
  • 23.
    PEER-TO-PEER FILE SHARING Defineand operationalize digital and media literacy with examples from K-12 and informal learning contexts Describe some of the approaches to professional development we’re exploring in K-12 and higher education Consider why an examination of teacher motivations for digital learning is essential for implementing curricular reform Share an example of how teacher motivations shapes innovation in digital literacy Goals for Today’s Talk
  • 24.
  • 25.
     Project-based learning  Real-worldclient  Intensive faculty involvement  Digital literacy competencies are embedded  Student work is gifted to client
  • 26.
    Media Smart Libraries Children’sLibrarians & Children’s Media Professionals In Partnership with the Providence Children’s Film Festival and the Rhode Island Office of Library and Information Services
  • 27.
    Graduate Certificate inDigital Literacy A 12-credit graduate program that enables educators, librarians and media professionals to acquire the knowledge and skills required for full participation in a read/write culture where active participation in a knowledge community requires the skillful use, creation and sharing of digital texts, tools and technologies.
  • 28.
    Summer Institute inDigital Literacy July 26 – 31, 2015 Providence RI
  • 29.
    70% rated itthe best professional development of their career, giving it a 10 on a 10-point scale
  • 30.
    PEER-TO-PEER FILE SHARING Defineand operationalize digital and media literacy with examples from K-12 and informal learning contexts Describe some of the approaches to professional development we’re exploring in K-12 and higher education Consider why an examination of teacher motivations for digital learning is essential for implementing curricular reform Share an example of how teacher motivations shapes innovation in digital literacy Goals for Today’s Talk
  • 31.
    LOVE HATE PRINT VISUALSOUND DIGITAL Educators’ attitudes about media, technology and popular culture shape their work with learners
  • 32.
  • 33.
  • 36.
    How do TeachersMake Sense of Digital Media and Learning? Exploring the relationship between teacher motivation and likelihood to use digital media and technology in the classroom
  • 37.
    Motivations for Using Media& Technology in Education 12
  • 38.
    TECHIE You’re the educatorwho loves tablets, apps, programs, plug- ins, widgets, websites, and other types of educational technology because you have a passionate curiosity about new tools. You see much potential to engage students with the technology tools they love and use in their everyday lives. TRENDSETTER You’re tuned into pop culture and curious about kid culture. Maybe your own most-loved popular culture isn’t too far removed from that of your students. You are inquisitive about the trends and hot topics that make up a crucial component of the fabric of your students’ everyday lives. You want school culture to meet kids where they live with the popular culture they know and love.
  • 39.
    DEMYSTIFIER As a teacher,you “pull back the curtain” to help students see how various forms of information and knowledge are constructed. You emphasize the practice of critical thinking, helping students ask good “how” and “why” questions. WATCHDOG You are a natural critical thinker, aware of how economic systems and institutions influence our everyday lives, particularly through the media we use. You want your students and your peers to be more mindful of the ways that things are bought and sold. Who owns and controls the media content that we see, hear, read, and play with? You feel responsible for giving your students a “wake-up call” about the economic and institutional inner-workings of the technology and the world that surrounds them.
  • 40.
    ACTIVIST As an educator,you want to make society more just and equitable by promoting democratic participation. You use media in the classroom as a catalyst for students to understand how they might have a voice in improving the quality of life in their communities and in the world. TASTEMAKER You want to broaden your students’ horizons. You want them to have exposure to the kinds of media experiences that put them in touch with historical, aesthetic, and critical appreciation. You know that a key component of students’ future interactions will require them to draw from a variety of cultural sources both classical and popular.
  • 41.
    ALT You are aninventive, perhaps “DIY,” teacher. You’re always ready to challenge students with alternative ways of finding, using, thinking about, and making media in the classroom. Whether you use open source programs on school computers, encourage students to start alternative clubs or magazines, or introduce students to media that’s “off the beaten path” of mainstream and mass media, you are likely a key proponent of broadening students’ understanding of the many different ways that people can communicate in the world. MOTIVATOR You are an inspiration, a catalyst for your students’ creative energy. Students who have never felt comfortable speaking up in class, participating in activities, or contributing to class dialogue find it easier to speak their mind when you’re leading the classroom. You see your role as helping students be the best they can be.
  • 42.
    SPIRIT GUIDE You area listener. You have a dedication to the social and emotional well-being of your students, and want to make sure that everything you do in the classroom connects to their immediate needs to understand themselves and their lives. Students likely find you trustworthy, and may even confide in you in ways that they do not for other teachers. You know media is just one facet of student life, and you want to engage with it to help them through the highs and lows of life in all of its challenges and opportunities. PROFESSIONAL You have high standards for your students’ work, and you may be seen as the go-to media professional in your school. You know how to push your students to understand and emulate the professional conventions that is important to being taken seriously in the world of media creation. To help students enter the real world of media creation, you bring other authors, professionals, and media-makers into your classroom to enrich the learning experience.
  • 43.
    PROFESSOR You balance yourinterest in media and technology with a clear connection to academic standards. You want to be sure that media and technology are not used in the classroom for their own sake, but to gain content knowledge. Multimedia presentations, engaging websites, and educational technology serve the purpose of helping you deliver the core content and skills students need to master. TEACHER 2.0 You understand that participation in digital media and learning cultures requires flexibility to new formats, modes of expression, and participation in and out of school. You use online or interactive versions of classic literature to explore meaning behind texts. Teacher 2.0 teachers always trying new things in the classroom and finding new ways to connect learning to children’s culture.
  • 47.
    Instructional Practices of Digitaland Media Literacy are Linked to Teacher Motivations Find, comprehend and interpret content Gain knowledge and information Examine the quality of information resources Share ideas through dialogue & discussion Create, build or make something Reflect on expected and unanticipated consequences Plan and implement action to effect social change Critically analyze how messages are constructed
  • 49.
    Motivations for Using Media& Technology in Education 12
  • 50.
    Why reflection isa transformative practice
  • 51.
    Self-reflection on one’sown motivations may increase focus and creativity
  • 52.
    Collaborative reflection maypromote respect and cultivate shared values
  • 53.
    Respect for teachermotivations may expand the diversity and range of instructional practices and tools
  • 54.
    Sensitivity to teachermotivations may contribute to the design of PD with greater impact
  • 55.
  • 59.
    Hobbs, R. &Moore, D.C. (2013). Discovering media literacy: Digital media and popular culture in elementary school. Thousand Oaks CA: Corwin/Sage. Hobbs, R. (2013). The blurring of art, journalism and advocacy: Confronting 21st century propaganda in a world of online journalism. I/S: A Journal of Law and Policy for the Information Society 8(3), 625 – 638. Hobbs, R. (2013). Improvization and strategic risk taking in informal learning with digital media literacy. Learning, Media and Technology, 38(2), 182-197. Hobbs, R. & RobbGrieco, M. (2012). African-American children’s active reasoning about media texts as a precursor to media literacy. Journal of Children and Media 6(4), 502 – 519. Hobbs, R. (2013). La tension dialectique entre les perspectives de l’empowerment et de la protection dans les programmes americans d’education aux medias. Jeunes et Medias 4: 19 – 31. Publibook, Paris France. [Translation: The dialectic tension between empowerment and protection in media literacy education in the United States.] Babad, E., Peer, A., & Hobbs, R. (2012). Media literacy and media bias: Are media literacy students less susceptible to non-verbal judgment biases? Psychology of Popular Media Culture.1(2), 97 – 107. DOI: 10.137/a0028181 Cappello, G., Felini, D. & Hobbs, R. (2011). Reflections on global developments in media literacy education: Bridging theory and practice. Journal of Media Literacy Education 3(2), 66 – 73. Hobbs, R. (2011). The state of media literacy: A response to Potter. Journal of Broadcasting and Electronic Media 55(3), 419 – 430. Hobbs, R. and RobbGrieco, M. (2010). Passive dupes, code breakers, or savvy users: Theorizing media literacy education in English language arts. In D. Lapp and D. Fisher (Eds.), Handbook of research on teaching the English language arts. Third edition. New York: Routledge (pp. 283 – 289). Hobbs, R. (2010). Digital and Media Literacy: A Plan of Action. Washington, D.C.: John S. and James L. Knight Foundation and Aspen Institute.
  • 60.
    PEER-TO-PEER FILE SHARING Defineand operationalize digital and media literacy with examples from K-12 and informal learning contexts Describe some of the approaches to professional development we’re exploring in K-12 and higher education Consider how an examination of teacher motivations for digital learning supports teacher reflection – a vital element of curriculum reform Share an example of how my motivations influenced the development of a interactive multimedia website for exploring contemporary propaganda Goals for Today’s Talk
  • 61.
    Digital and Media Literacy Education ReneeHobbs Professor, Department of Communication Studies Director, Media Education Lab Harrington School of Communication and Media University of Rhode Island EMAIL: hobbs@uri.edu TWITTER: @reneehobbs WEB: www.mediaeducationlab.com