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 Woman
 Artist
 Model
Suzanne Valadon was born in 1865 at
Bessines-sur-Gartempe, an illegitimate
daughter of a French laundress. She
became an artists' model, posing for such
artists as Pierre Puvis de Chavannes,
Henri de Toulouse-Lautrec, and
Renoir.Mingling with the Impressionists in
the clubs and cabarets of Montmartre,
where she caused a sensation with her
provocative stunts, Suzanne took
numerous lovers. At eighteen she gave
birth to an illegitimate son, the future artist
Maurice Utrillo. Valadon soon took interest
in painting. She observed the techniques
of the artists for whom she was posing and
began creating her own paintings. Among
the artists she knew were van Gogh,
Gauguin, Picasso and Modigliani.
With her son, the famous painter
Maurice Utrillo, born Maurice
Valladon
Family portrait, c. 1910.
Utter, Valladon, Utter’s
mother and Maurice
Utrillo
Mother Suzanne Valadon (1865-1938) and son Maurice Utrillo, born Maurice Valadon
(1883-1955)
From age nine
Suzanne supported
herself by doing odd
jobs. One was as a
circus acrobat. She did
it until she fell off the
trapeze when she was
sixteen.
The Violin
Box, 1923
Suzanne Valadon painted
still-lifes, floral art, and
landscapes that were noted
for their strong composition
and vibrant colors. Her first
exhibitions in the early 1890s
consisted mainly of portraits,
among them one of Erik
Satie with whom she began
an affair in 1893.
Portrait of Composer Erik Satie
c.1892
Portrait of Lily Walton
1923
Portrait of Mme
Zamaron 1922
Geneviève Camax-
Zoegger, 1936
Portrait of Madame Coquiot
1918
Femme allongée sur un canapé
Even if Valadon received
no formal art training, she
was able (through her
close associations with
prominent artists) to
develop a re-gendering of
women's bodies and
strength. The self-
absorption and vitality of
her subjects, for instance,
are in stark opposition to
the essential passivity of
females nudes that had
until then been the
traditional manner of
representing
womanhood.
The abandoned doll
This painting exhibits all
the characteristics of
Valadon's mature work:
brightly colored forms
defined by heavy, dark
outlines; strange,
somewhat awkward
poses; and deliberately
simplified, distorted
anatomy and space.
Reclining Nude on a Sofa , 1928
Nudes
(1919).
(MASP, São
Paulo).
Nu assis sur un
divan 1922
Le lancement du filet ,1914
Adam and Eve, modeled
on Valadon and her
young lover
In 1906, her son
Maurice introduced
to her his friend
André Utter. By that
time she was
married to
stockbroker Paul
Mousis, whom she
had married in 1896.
She fell in love with
André Utter, na artist
21 years younger
than her, who
became the love of
her life
Self portrait, 1927
Portrait de Utrillo 1921
La femme aux
bas blancs 1924
Woman with
a Double
Bass 1914
Montocorin farm
L’aulne dans la
prairie - 1922
Houses on the countryside -1916
View from My
Window in
Genets
(Brittany)
1922
Portrait of Maurice Utrillo
(1883-1955), his
Grandmother and his Dog,
1910
The Blue Room
Young Girl sitting on a
low wall -1930
Marie Coca and her
Daughter
The Bath, 1905
A strikingly beautiful
girl, she found work
as an artists' model
and used the
opportunity to
observe and learn
the artists'
techniques. She
modeled for such
greats as Edgar
Degas, Henri de
Toulouse-Lautrec,
Pierre-Auguste
Renoir
and Pierre Puvis
de Chavannes, all
of whom would
have an affair with
her. She haunted
the sleazy bars of
Paris with the men
and in 1889
Toulouse-Lautrec
would paint a
famous portrait of
her titled: "The
Hangover” (La
Buveuse).
Toulouse Lautrec, The Drinker c. 1888
Toulouse Lautrec, La Buveuse 1889
Pierre Renoir – Umbrellas.
Model: Suzanne Valadon
Renoir, Girl Braiding
Her Hair
Renoir,
Danse à
Bougival
Steinlen,
Portrait of
Suzanne
Valadon
Renoir, Portrait
Suzanne
Valadon by
Henri de
Toulouse-
Lautrec. 1886-
87
Toulouse Lautrec,
The Laundry Worker
Puvis de Chavannes, Pierre
(1824-98) Untitled painting of
Suzanne Valadon 1880
Amedeo
Modigliani, “Portrait
de Suzanne
Valadon”
Marcel Leprin (1891-1933) Suzanne
Valadon and her Cat
T-A Steinlen, Portrait de Suzanne Valadon
,
T-A Steinlen, Suzanne Valadon (vue en
contre-plongée), 1896.
André Utter, Suzanne
Valadon Combing
Herself
Utrillo, Portrait of Suzanne Valadon
In 1890 she became
friends with painter Edgar
Degas. After seeing
some of Valadon's work,
Degas encouraged her
efforts to become an
artist, buying some of her
pieces and helping her
get her career started.
Due to encouragement
from Degas, in 1894
Valadon became the first
woman to show at the
Société Nationale des
Beaux-Arts, a major
French artistic
accomplishment.
Edgar Degas -Le Tab model Suzanne Valadon
the character of
Suzanne Rouvier in
Somerset
Maugham’s The
Razor’s Edge.
When she died ,
many notables from
the Parisian art
community came to
her funeral,
including Pablo
Picasso, Georges
Braque and André
Derain. Suzanne
was buried in Paris.
Suzanne Valadon
died in 1938. Her art
continues to generate
interest as time
passes and is
significantly
represented in
collections of The
Cleveland Museum of
Art, The Art Institute
of Chicago, The
National Museum of
Women in the Arts
and Paris’ Centre
Pompidou. The
intensity of Suzanne’s
palette
matched the passion
of her actions and
emotions, just like her
ability to go from
model to peer among
painters reflected her
self-determination
and resilience. Her
free-spirited ways
have inspired novels,
biographies and films,
and she was even the
,likely basis for
Self portrait
« Que des hommes
m’aient aimée, soit.
Mais je veux être aimée
des hommes qui ne
m’auront jamais vue, qui
demeureront à rêver et
à m’imaginer devant un
carré de toile où, avec
mes couleurs, j’aurai
laissée un peu de mon
âme »
Suzanne Valadon
1/28/2012

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Suzanne Valadon french painter

  • 2. Suzanne Valadon was born in 1865 at Bessines-sur-Gartempe, an illegitimate daughter of a French laundress. She became an artists' model, posing for such artists as Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Renoir.Mingling with the Impressionists in the clubs and cabarets of Montmartre, where she caused a sensation with her provocative stunts, Suzanne took numerous lovers. At eighteen she gave birth to an illegitimate son, the future artist Maurice Utrillo. Valadon soon took interest in painting. She observed the techniques of the artists for whom she was posing and began creating her own paintings. Among the artists she knew were van Gogh, Gauguin, Picasso and Modigliani.
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  • 4. With her son, the famous painter Maurice Utrillo, born Maurice Valladon
  • 5. Family portrait, c. 1910. Utter, Valladon, Utter’s mother and Maurice Utrillo
  • 6. Mother Suzanne Valadon (1865-1938) and son Maurice Utrillo, born Maurice Valadon (1883-1955)
  • 7. From age nine Suzanne supported herself by doing odd jobs. One was as a circus acrobat. She did it until she fell off the trapeze when she was sixteen.
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  • 20. Suzanne Valadon painted still-lifes, floral art, and landscapes that were noted for their strong composition and vibrant colors. Her first exhibitions in the early 1890s consisted mainly of portraits, among them one of Erik Satie with whom she began an affair in 1893. Portrait of Composer Erik Satie c.1892
  • 21. Portrait of Lily Walton 1923
  • 24. Portrait of Madame Coquiot 1918
  • 25. Femme allongée sur un canapé
  • 26. Even if Valadon received no formal art training, she was able (through her close associations with prominent artists) to develop a re-gendering of women's bodies and strength. The self- absorption and vitality of her subjects, for instance, are in stark opposition to the essential passivity of females nudes that had until then been the traditional manner of representing womanhood.
  • 27. The abandoned doll This painting exhibits all the characteristics of Valadon's mature work: brightly colored forms defined by heavy, dark outlines; strange, somewhat awkward poses; and deliberately simplified, distorted anatomy and space.
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  • 29. Reclining Nude on a Sofa , 1928
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  • 33. Nu assis sur un divan 1922
  • 34. Le lancement du filet ,1914
  • 35. Adam and Eve, modeled on Valadon and her young lover In 1906, her son Maurice introduced to her his friend André Utter. By that time she was married to stockbroker Paul Mousis, whom she had married in 1896. She fell in love with André Utter, na artist 21 years younger than her, who became the love of her life
  • 38. La femme aux bas blancs 1924
  • 42. Houses on the countryside -1916
  • 43. View from My Window in Genets (Brittany) 1922
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  • 45. Portrait of Maurice Utrillo (1883-1955), his Grandmother and his Dog, 1910
  • 47. Young Girl sitting on a low wall -1930
  • 48. Marie Coca and her Daughter
  • 50. A strikingly beautiful girl, she found work as an artists' model and used the opportunity to observe and learn the artists' techniques. She modeled for such greats as Edgar Degas, Henri de Toulouse-Lautrec, Pierre-Auguste Renoir and Pierre Puvis de Chavannes, all of whom would have an affair with her. She haunted the sleazy bars of Paris with the men and in 1889 Toulouse-Lautrec would paint a famous portrait of her titled: "The Hangover” (La Buveuse).
  • 51. Toulouse Lautrec, The Drinker c. 1888
  • 52. Toulouse Lautrec, La Buveuse 1889
  • 53. Pierre Renoir – Umbrellas. Model: Suzanne Valadon
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  • 60. Puvis de Chavannes, Pierre (1824-98) Untitled painting of Suzanne Valadon 1880
  • 62. Marcel Leprin (1891-1933) Suzanne Valadon and her Cat
  • 63. T-A Steinlen, Portrait de Suzanne Valadon , T-A Steinlen, Suzanne Valadon (vue en contre-plongée), 1896.
  • 64. André Utter, Suzanne Valadon Combing Herself
  • 65. Utrillo, Portrait of Suzanne Valadon
  • 66. In 1890 she became friends with painter Edgar Degas. After seeing some of Valadon's work, Degas encouraged her efforts to become an artist, buying some of her pieces and helping her get her career started. Due to encouragement from Degas, in 1894 Valadon became the first woman to show at the Société Nationale des Beaux-Arts, a major French artistic accomplishment. Edgar Degas -Le Tab model Suzanne Valadon
  • 67. the character of Suzanne Rouvier in Somerset Maugham’s The Razor’s Edge. When she died , many notables from the Parisian art community came to her funeral, including Pablo Picasso, Georges Braque and André Derain. Suzanne was buried in Paris. Suzanne Valadon died in 1938. Her art continues to generate interest as time passes and is significantly represented in collections of The Cleveland Museum of Art, The Art Institute of Chicago, The National Museum of Women in the Arts and Paris’ Centre Pompidou. The intensity of Suzanne’s palette matched the passion of her actions and emotions, just like her ability to go from model to peer among painters reflected her self-determination and resilience. Her free-spirited ways have inspired novels, biographies and films, and she was even the ,likely basis for
  • 68. Self portrait « Que des hommes m’aient aimée, soit. Mais je veux être aimée des hommes qui ne m’auront jamais vue, qui demeureront à rêver et à m’imaginer devant un carré de toile où, avec mes couleurs, j’aurai laissée un peu de mon âme » Suzanne Valadon