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STRANGERS ON A TRAIN Alfred Hitchcock (1951) – Film Noir
Characteristics Adaptation:  Strangers on a Train   by Patricia Highsmith Muderer: appears the most. Music:  The Band Played On   by Dimitri Tiomkin Cameo McGuffin (increases suspense).
Editing Fade Dissolve
Mise-en-scene
Acting style   Anthony Bruno : spontaneous, extravagant, rich, obsessive, deeply disturbed, manipulative. Guy Haines : sensible, decent, accomplished, and respectable. - Bruno  gives direct eye contact when talking, creating a sincere message. He is a wickedly strange villain, a sexually frustrated lunatic.  - Guy  is sensible, ambitious, decent, accomplished, and respectable. Guy’s transformation during the film. Both main characters reinforces the duality of human nature
Costume Black and white clothes (virtue and villain). Bruno : tie pin, two tone wingtips…
Lighting Night shots Use of shadows in order to enhance the psychology of the character.  Strong light/dark contrasts and dramatic shadow patterning. Lighting definitely changes between scenes focused on Bruno, and scenes focused on Guy.
Props Glasses.  Murder shown as  reflection in a pair of eyeglasses. Lighter . The proof, becomes a  means of blackmail. Hitchcock  sets up a dual system with the  lighter as the centre and Guy and  Bruno as polar opposites  The railroad . The theme of the  double crossing (the "criss-cross"-theme).
Setting Washington D.C. (Federal Government) Park (which turns from fun to fear in just a few moments). City (labyrinth, maze) bars etc.
Composition
Adaptation Patricia Highsmith’s  Strangers on a train  (1950)
Characters A different story Important props  A different ending: Guy  commits the crime

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Presentation: Strangers on a train

  • 1. STRANGERS ON A TRAIN Alfred Hitchcock (1951) – Film Noir
  • 2. Characteristics Adaptation: Strangers on a Train by Patricia Highsmith Muderer: appears the most. Music: The Band Played On by Dimitri Tiomkin Cameo McGuffin (increases suspense).
  • 5. Acting style Anthony Bruno : spontaneous, extravagant, rich, obsessive, deeply disturbed, manipulative. Guy Haines : sensible, decent, accomplished, and respectable. - Bruno gives direct eye contact when talking, creating a sincere message. He is a wickedly strange villain, a sexually frustrated lunatic. - Guy is sensible, ambitious, decent, accomplished, and respectable. Guy’s transformation during the film. Both main characters reinforces the duality of human nature
  • 6. Costume Black and white clothes (virtue and villain). Bruno : tie pin, two tone wingtips…
  • 7. Lighting Night shots Use of shadows in order to enhance the psychology of the character. Strong light/dark contrasts and dramatic shadow patterning. Lighting definitely changes between scenes focused on Bruno, and scenes focused on Guy.
  • 8. Props Glasses. Murder shown as reflection in a pair of eyeglasses. Lighter . The proof, becomes a means of blackmail. Hitchcock sets up a dual system with the lighter as the centre and Guy and Bruno as polar opposites The railroad . The theme of the double crossing (the "criss-cross"-theme).
  • 9. Setting Washington D.C. (Federal Government) Park (which turns from fun to fear in just a few moments). City (labyrinth, maze) bars etc.
  • 11. Adaptation Patricia Highsmith’s Strangers on a train (1950)
  • 12. Characters A different story Important props A different ending: Guy commits the crime