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Rise of the musical
styles that reflected a
move away from the
conventions of earlier
classical music.
preceeds Romantic Period
Dramatic emotionalism of
Romantic Period were
replaced in favor of moods
and impression
Most impressionist works centered on
nature and its beauty, lightness and
brilliance
It was an attempt not to depict reality, but
merely to suggest it
It was meant to create emotional mood
rather than a specific picture
Chords did not have a definite order and a
sense of clear resolution
(1862-1918) He is a primary exponent of
the impressionist movement and the focal
point for other impressionist composers
He changed the course of musical
development by dissolving traditional rules
and conventions into a new language of
possibilities in harmony, rhythm, form
texture and color.
1875-1937 Uniquely innovate but not
atonal style of harmonic treatment
Intricate and sometimes modal melodies
and extended chordal components
His work is pragmatic in nature, visual
imagery is either suggested or portrayed
Works deal with water in it flowing or
stormy moods as well as with human
characteristics
1874-1951 Dissonant to atonal as he
explored the use of chromatic harmonies
Although full melodic and lyrical interest,
his music is also extremely complex,
creating heavy demands on the listener
The traditional concepts of consonances
and dissonances do not apply in atonal
works.
Music is tonal through the asserting of
one note as more important than the
others. New sounds are synthesized
from old ones by juxtaposing two
simple events to create a more
complex new event
It has link to exoticism through the
use of materials from other cultures.
Nationalism through the use of
materials indigenous to specific
countries, and ethnicism through the
use of materials from European ethnic
groups
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music_quarter_1.pptx

  • 1.
  • 2. Rise of the musical styles that reflected a move away from the conventions of earlier classical music.
  • 3. preceeds Romantic Period Dramatic emotionalism of Romantic Period were replaced in favor of moods and impression
  • 4. Most impressionist works centered on nature and its beauty, lightness and brilliance It was an attempt not to depict reality, but merely to suggest it It was meant to create emotional mood rather than a specific picture Chords did not have a definite order and a sense of clear resolution
  • 5. (1862-1918) He is a primary exponent of the impressionist movement and the focal point for other impressionist composers He changed the course of musical development by dissolving traditional rules and conventions into a new language of possibilities in harmony, rhythm, form texture and color.
  • 6. 1875-1937 Uniquely innovate but not atonal style of harmonic treatment Intricate and sometimes modal melodies and extended chordal components His work is pragmatic in nature, visual imagery is either suggested or portrayed Works deal with water in it flowing or stormy moods as well as with human characteristics
  • 7. 1874-1951 Dissonant to atonal as he explored the use of chromatic harmonies Although full melodic and lyrical interest, his music is also extremely complex, creating heavy demands on the listener The traditional concepts of consonances and dissonances do not apply in atonal works.
  • 8. Music is tonal through the asserting of one note as more important than the others. New sounds are synthesized from old ones by juxtaposing two simple events to create a more complex new event
  • 9. It has link to exoticism through the use of materials from other cultures. Nationalism through the use of materials indigenous to specific countries, and ethnicism through the use of materials from European ethnic groups