1) The document discusses the filmmaker's short film "The Misadventures of the Teenage Mind" which tells the story of Lottie and her struggle with insecurity and fear of rejection through three fictional characters that personify these feelings.
2) The filmmaker took inspiration from the internal monologues and uses of setting in other short films like "The Slap", "Operator", and "The Arrival" to convey Lottie's inner thoughts through her interactions with her "friends" and through the mise-en-scene of her bedroom.
3) Through techniques like tracking shots, close-ups, editing, sound design, and acting, the filmmaker aimed to
This document is a call sheet for the production of "The Misadventures of the Teenage Mind" taking place on December 2nd at Castle Field. It lists the crew call times from 9am-4pm and actor call times from 9am-4pm. It provides contact details for the crew and cast. It also includes a list of props needed and their owner, Harriet Grey. Finally, it includes 81 shot descriptions for scenes being filmed.
Nat Green asks Lottie to a party in Scene 2 of the film. Scene 1 shows Lottie getting ready for school, and Scene 3 has Lottie preparing to go to the party Nat invited her to. The breakdown sheets provide production details for each scene such as cast, props, wardrobe, sounds and notes for filming.
Harriet Grey will run a production meeting for the film "The Misadventures of the Teenage Mind" which will include Adaam Wallis, Lucy Prouten, Poppy McAllister, Lee Reeve, and Hayley Turner. The meeting will involve distributing screenplays, schedules, and call sheets, providing character descriptions and allowing questions, and reading through and blocking scenes with a focus on the opening and banishing sequences.
This document provides a risk assessment for the film "The Misadventures of the Teenage Mind". It lists the team members, filming locations, potential hazards, risk levels, and control measures. Hazards include trip hazards from wires, being hit by props, dehydration, hot lighting equipment, actors walking into scenes, rain causing slips, electrical injury from rain, and general slips/trips/falls. Control measures include warning crews, clearing spaces, keeping water available, turning off equipment, rehearsing blocking, assessing slip hazards, and removing tripping hazards.
1) The document discusses the filmmaker's short film "The Misadventures of the Teenage Mind" which tells the story of Lottie and her struggle with insecurity and fear of rejection through three fictional characters that personify these feelings.
2) The filmmaker took inspiration from the internal monologues and uses of setting in other short films like "The Slap", "Operator", and "The Arrival" to convey Lottie's inner thoughts through her interactions with her "friends" and through the mise-en-scene of her bedroom.
3) Through techniques like tracking shots, close-ups, editing, sound design, and acting, the filmmaker aimed to
This document is a call sheet for the production of "The Misadventures of the Teenage Mind" taking place on December 2nd at Castle Field. It lists the crew call times from 9am-4pm and actor call times from 9am-4pm. It provides contact details for the crew and cast. It also includes a list of props needed and their owner, Harriet Grey. Finally, it includes 81 shot descriptions for scenes being filmed.
Nat Green asks Lottie to a party in Scene 2 of the film. Scene 1 shows Lottie getting ready for school, and Scene 3 has Lottie preparing to go to the party Nat invited her to. The breakdown sheets provide production details for each scene such as cast, props, wardrobe, sounds and notes for filming.
Harriet Grey will run a production meeting for the film "The Misadventures of the Teenage Mind" which will include Adaam Wallis, Lucy Prouten, Poppy McAllister, Lee Reeve, and Hayley Turner. The meeting will involve distributing screenplays, schedules, and call sheets, providing character descriptions and allowing questions, and reading through and blocking scenes with a focus on the opening and banishing sequences.
This document provides a risk assessment for the film "The Misadventures of the Teenage Mind". It lists the team members, filming locations, potential hazards, risk levels, and control measures. Hazards include trip hazards from wires, being hit by props, dehydration, hot lighting equipment, actors walking into scenes, rain causing slips, electrical injury from rain, and general slips/trips/falls. Control measures include warning crews, clearing spaces, keeping water available, turning off equipment, rehearsing blocking, assessing slip hazards, and removing tripping hazards.
This document contains props and costume lists for multiple scenes of a production. The props list for scene one includes items like a laptop, watch, DVDs, posters, hairbrush, mirror, books, and makeup belonging to Harriet Grey and a bag and phone belonging to Lucy Prouten. Scene two only includes Lucy Prouten's bag, while scene three repeats several of Harriet Grey's items and Lucy Prouten's phone. The costume list provides details of the costumes for various characters, including what each character wears in each scene and who provided each costume piece.
The location is a bedroom studio at Reigate College that is suitable for filming with a bed to appear as a teen bedroom. Cast and crew will take off shoes due to loud floorboards and are warned about the noise. Catering and toilets are available on site along with one telephone and power sources, while locals need to be contacted and time slots must be booked for the studio.
The document provides location information for filming on the green area outside Reigate College. It notes that filming should take place in the morning during lessons to minimize people being around. Catering and toilets are available on site, though there is only one telephone. The green is a suitable location as it is a communal area where characters could interact, is close to the studio, and likely won't be crowded during filming. Access is by bus or car, and the location itself can be accessed by walking.
A location manager is responsible for finding suitable filming locations that fit within budget, negotiating site access, and ensuring a disruption-free shoot. Location scouts photograph and video potential sites and aim to find locations close together to minimize travel. A location recce involves a pre-filming visit to assess a site's suitability, including lighting, sound, and proximity to facilities. Similarly, a tech scout searches for locations matching the narrative or aesthetic of the film.
Lottie is a 17-18 year old female who relies heavily on her three friends - Jareth, Peppermint, and Noah. She has dark hair and a grunge style in an attempt to blend in. Jareth is an 18-20 year old non-binary individual who acts as the voice of reason and wants to look after Lottie. Peppermint is a 16-17 year old female who is feisty and quick to anger, especially when protecting Lottie. Noah is a 17-18 year old male with fluffy hair who is charming with charisma and finds Lottie adorable. Nat is an 18-19 year old female who is graceful, cool,
The shooting schedule outlines scenes to be filmed on February 12th. The first scene will be filmed outdoors from 9:10-10:30am, showing Lottie being asked to a party while her friends protest. From 10:40-12:00pm, the opening scene of Lottie getting ready for school will be shot in the bedroom studio. Additional shots for the opening scene are planned from 1:00-1:30pm in the same location. The final scene, of Lottie getting ready for the party and being abandoned by her friends, will be filmed from 1:30-4:00pm in the bedroom studio, requiring a change in lighting.
Lottie is preparing for her first party invitation from her crush Nat. However, her friends Peppermint, Noah, and Jareth try to discourage her from going, saying she will be disappointed. At the party, Nat specifically invites Lottie. Later, while getting ready, her friends continue warning her not to go. Frustrated, Lottie yells at them to shut up and leave her alone for one night. Her friends then disappear, leaving Lottie alone in a panic as she realizes she cannot go to the party or function without their guidance and presence.
The film The Arrival follows a woman sitting alone in a cafe who is debating whether or not to keep her baby. Through a voiceover, the audience hears her inner monologue as she weighs the pros and cons. The film uses a consistent color palette and simple mise-en-scene to focus on the character's internal conflict. A single continuous shot zooms in and out on the woman as her thoughts spiral, representing her coming to a conclusion. Though nothing outwardly happens, the audience gains insight into her fears and decision-making through her thoughts. The film aims to create empathy and understanding for women facing an unexpected pregnancy.
1) Lottie is preparing for school and a party while being encouraged by her imaginary friends Peppermint, Jareth, and Noah to focus on her fan fiction writing instead.
2) At school, Nat invites Lottie to her party that night, but Lottie's friends discourage her from going.
3) That night, Lottie argues with her friends about attending the party, causing them to disappear when she yells at them to stop. Distraught at being alone, Lottie has a breakdown.
Lottie Conch is an awkward and introverted high school student who takes solace in fictional characters from books, TV shows, and films. She uses imaginary versions of these characters, like Peppermint Athos, Noah Porter, and Jareth, to cope with her loneliness. When her crush Nat invites her to a party, Lottie is shocked, believing it may be a trick. Her "fictional friends" warn her not to go, but convinced she no longer needs them, Lottie decides to face reality alone for the first time by banishing them from her imagination. The film will follow Lottie's coming of age story and internal conflict between fantasy and reality in a soft,
Oliver Quinton, a teenager, is on the phone with his mother while desperately trying to prevent her from coming home, as he has just robbed a bank. It becomes clear that Oliver gave in to peer pressure to join a gang and commit the robbery. As tensions rise during the phone call, Oliver begins apologizing to his mother, though she is unaware of why. The police then arrive at the house as Oliver's mother is still on her way. The short film aims to portray the awkward and strained relationship between Oliver and his mother through mundane household settings and lighting choices, with most of the story told through their phone conversation.
This document contains props and costume lists for multiple scenes of a production. The props list for scene one includes items like a laptop, watch, DVDs, posters, hairbrush, mirror, books, and makeup belonging to Harriet Grey and a bag and phone belonging to Lucy Prouten. Scene two only includes Lucy Prouten's bag, while scene three repeats several of Harriet Grey's items and Lucy Prouten's phone. The costume list provides details of the costumes for various characters, including what each character wears in each scene and who provided each costume piece.
The location is a bedroom studio at Reigate College that is suitable for filming with a bed to appear as a teen bedroom. Cast and crew will take off shoes due to loud floorboards and are warned about the noise. Catering and toilets are available on site along with one telephone and power sources, while locals need to be contacted and time slots must be booked for the studio.
The document provides location information for filming on the green area outside Reigate College. It notes that filming should take place in the morning during lessons to minimize people being around. Catering and toilets are available on site, though there is only one telephone. The green is a suitable location as it is a communal area where characters could interact, is close to the studio, and likely won't be crowded during filming. Access is by bus or car, and the location itself can be accessed by walking.
A location manager is responsible for finding suitable filming locations that fit within budget, negotiating site access, and ensuring a disruption-free shoot. Location scouts photograph and video potential sites and aim to find locations close together to minimize travel. A location recce involves a pre-filming visit to assess a site's suitability, including lighting, sound, and proximity to facilities. Similarly, a tech scout searches for locations matching the narrative or aesthetic of the film.
Lottie is a 17-18 year old female who relies heavily on her three friends - Jareth, Peppermint, and Noah. She has dark hair and a grunge style in an attempt to blend in. Jareth is an 18-20 year old non-binary individual who acts as the voice of reason and wants to look after Lottie. Peppermint is a 16-17 year old female who is feisty and quick to anger, especially when protecting Lottie. Noah is a 17-18 year old male with fluffy hair who is charming with charisma and finds Lottie adorable. Nat is an 18-19 year old female who is graceful, cool,
The shooting schedule outlines scenes to be filmed on February 12th. The first scene will be filmed outdoors from 9:10-10:30am, showing Lottie being asked to a party while her friends protest. From 10:40-12:00pm, the opening scene of Lottie getting ready for school will be shot in the bedroom studio. Additional shots for the opening scene are planned from 1:00-1:30pm in the same location. The final scene, of Lottie getting ready for the party and being abandoned by her friends, will be filmed from 1:30-4:00pm in the bedroom studio, requiring a change in lighting.
Lottie is preparing for her first party invitation from her crush Nat. However, her friends Peppermint, Noah, and Jareth try to discourage her from going, saying she will be disappointed. At the party, Nat specifically invites Lottie. Later, while getting ready, her friends continue warning her not to go. Frustrated, Lottie yells at them to shut up and leave her alone for one night. Her friends then disappear, leaving Lottie alone in a panic as she realizes she cannot go to the party or function without their guidance and presence.
The film The Arrival follows a woman sitting alone in a cafe who is debating whether or not to keep her baby. Through a voiceover, the audience hears her inner monologue as she weighs the pros and cons. The film uses a consistent color palette and simple mise-en-scene to focus on the character's internal conflict. A single continuous shot zooms in and out on the woman as her thoughts spiral, representing her coming to a conclusion. Though nothing outwardly happens, the audience gains insight into her fears and decision-making through her thoughts. The film aims to create empathy and understanding for women facing an unexpected pregnancy.
1) Lottie is preparing for school and a party while being encouraged by her imaginary friends Peppermint, Jareth, and Noah to focus on her fan fiction writing instead.
2) At school, Nat invites Lottie to her party that night, but Lottie's friends discourage her from going.
3) That night, Lottie argues with her friends about attending the party, causing them to disappear when she yells at them to stop. Distraught at being alone, Lottie has a breakdown.
Lottie Conch is an awkward and introverted high school student who takes solace in fictional characters from books, TV shows, and films. She uses imaginary versions of these characters, like Peppermint Athos, Noah Porter, and Jareth, to cope with her loneliness. When her crush Nat invites her to a party, Lottie is shocked, believing it may be a trick. Her "fictional friends" warn her not to go, but convinced she no longer needs them, Lottie decides to face reality alone for the first time by banishing them from her imagination. The film will follow Lottie's coming of age story and internal conflict between fantasy and reality in a soft,
Oliver Quinton, a teenager, is on the phone with his mother while desperately trying to prevent her from coming home, as he has just robbed a bank. It becomes clear that Oliver gave in to peer pressure to join a gang and commit the robbery. As tensions rise during the phone call, Oliver begins apologizing to his mother, though she is unaware of why. The police then arrive at the house as Oliver's mother is still on her way. The short film aims to portray the awkward and strained relationship between Oliver and his mother through mundane household settings and lighting choices, with most of the story told through their phone conversation.