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M A K I N G M E A N I N G B Y
M A K I N G C O N N E C T I O N S
K I M J A X O N ( A N D P E T E R K I T T L E I N S P I R I T )
N O R T H E R N C A L I F O R N I A W R I T I N G P R O J E C T
H T T P : / / K I M J A X O N . C O M
@ D R J A X O N
@ P K I T T L E
1
T L ; D R
• Writing
• Making As…
• Teaching & Making
• Making
@ D R J A X O N
2
P O Ï E S I S ( A N C I E N T G R E E K : Π Ο Ί Η Σ Ι Σ )
I S E T Y M O L O G I C A L L Y D E R I V E D F R O M T H E A N C I E N T G R E E K
T E R M Π Ο Ι Έ Ω , W H I C H M E A N S " T O M A K E . ” T H I S W O R D , T H E
R O O T O F O U R M O D E R N “ P O E T R Y , " W A S F I R S T A V E R B , A N
A C T I O N T H A T T R A N S F O R M S A N D C O N T I N U E S T H E W O R L D .
— W I K I P E D I A
@ D R J A X O N
3
4
Y O U K N O W T H A T ‘ M A K I N G ’ ( P O I E S I S ) H A S A
W I D E R A N G E ; F O R , Y O U S E E , E V E R Y K I N D O F M A K I N G I S
R E S P O N S I B L E
F O R
A N Y T H I N G W H A T S O E V E R T H A T I S O N T H E W A Y F R O M
W H A T I S N O T T O
W H A T
I S . A N D T H U S A L L T H E P R O D U C T I O N S T H A T A R E
D E P E N D E N T O N T H E
A R T S A R E
M A K I N G S , A N D A L L T H E C R A F T S M E N E N G A G E D I N T H E M
A R E M A K E R S ( P O I E T A I ) .
— P L A T O ’ S S Y M P O S I U M
5
W H A T K E Y W O R D S D O Y O U A S S O C I A T E W I T H M A K I N G
O R M A K E R ?
J O T D O W N W O R D S T H A T C O M E T O M I N D …
6
W H A T D O E S A S P A C E L O O K L I K E T H A T I S D E S I G N E D
F O R M A K I N G A N D M A K E R S ?
D R A W T H E S P A C E O R J O T D O W N D E S C R I P T O R S O F T H E
S P A C E
7
W H A T K E Y W O R D S D O Y O U A S S O C I A T E
W I T H C O M P O S I N G , W R I T I N G , O R
W R I T E R ?
8
W H A T D O E S A S P A C E L O O K L I K E T H A T I S
D E S I G N E D F O R C O M P O S I N G A N D
W R I T E R S ?
9
C O M P A R E Y O U R K E Y W O R D S A N D Y O U R I D E A S
A B O U T M A K I N G A N D W R I T I N G S P A C E S : W H A T
S I M I L A R I T I E S D O Y O U S E E B E T W E E N M A K I N G A N D
W R I T I N G ?
W H A T D I F F E R E N C E S T O Y O U S E E I N Y O U R W O R D
L I S T S A N D I D E A S A B O U T S P A C E S ?
O N C E Y O U ’ V E C O M P A R E D Y O U R O W N L I S T S , S H A R E
W I T H O T H E R S : W H A T D O Y O U H A V E I N C O M M O N ?
10
Making As…
11
I . M A K I N G A S D I S P O S I T I O N …
12
“The vicious cycle starts: if
you fail at something, you
think it is your fault.
Therefore you think you can’t
do that task. As a result, next
time you have to do the task,
you believe you can’t, so you
don’t even try. The result is
that you can’t, just as you
thought.”
― Donald A. Norman, The
Design of Everyday Things
13
14
15
16
I I . M A K I N G A S C O N T E N T …
17
C O M P O S I N G
S C I E N C E
18
“Design is really an act of
communication, which
means having a deep
understanding of the person
with whom the designer is
communicating.”
― Donald A. Norman, The
Design of Everyday Things
19
20
I I I M A K I N G A S R E P A I R …
21
P O Ï E S I S = " T O M A K E "
T H I S W O R D , T H E R O O T O F O U R M O D E R N “ P O E T R Y , ” W A S
F I R S T A V E R B , A N A C T I O N T H A T T R A N S F O R M S A N D
C O N T I N U E S T H E W O R L D .
22
“ P A I N U N M A K E S T H E W O R L D . ”
– D R . L A U R A S P A R K S
23
“Scarry argues that while the
world, like the self, is
‘unmade’ in instances of war
or torture, it is ‘made’ through
imagining and creating
artifacts. If extreme pain
unmakes the world, if pain is
indeed language-destroying,
what possibilities exist out of
that for rhetoric to create,
remake, or bring forth?”
–Dr. Laura Sparks
24
https://www.youtube.com/watch?v=f66b2UE9lk0
25
“ I F W E A R E C O M M I T T E D T O P R O V I D I N G S T U D E N T S
W I T H O P P O R T U N I T I E S T O F O R G E N E W
C O N N E C T I O N S , T O W O R K I N N E W W A Y S , T O
P R O D U C E N E W K I N D S O F T E X T S . . . I T I S C R U C I A L
T H A T W E T A K E C A R E N O T T O L I M I T T H E T E X T S ,
T O O L S , A N D C O M P O S I N G S T R A T E G I E S S T U D E N T S
M I G H T E M P L O Y A N D A L T E R I N C O M P E L L I N G W A Y S . ”
— J O D Y S H I P K A “ N E G O T I A T I N G R H E T O R I C A L ,
M A T E R I A L , M E T H O D O L O G I C A L , A N D
T E C H N O L O G I C A L D I F F E R E N C E : E V A L U A T I N G
M U L T I M O D A L D E S I G N S ”
26
T E A M S M A K E :
C R E A T E A R E P R E S E N T A T I O N F O R M A K I N G
O R M A K E R C U L T U R E : A D R A W I N G O F T H E
S P A C E , A C O N C E P T M A P O F K E Y T E R M S , O R
S O M E C O M B I N A T I O N ?
P E R H A P S A L S O P O S E Q U E S T I O N S A B O U T
T H E C O N N E C T I O N S B E T W E E N
M A K I N G / C O M P O S I N G T H A T W E C O U L D
C O N S I D E R A S W E M O V E T H R O U G H T H E D A Y .
27

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Making Meaning By Making Connections

  • 1. M A K I N G M E A N I N G B Y M A K I N G C O N N E C T I O N S K I M J A X O N ( A N D P E T E R K I T T L E I N S P I R I T ) N O R T H E R N C A L I F O R N I A W R I T I N G P R O J E C T H T T P : / / K I M J A X O N . C O M @ D R J A X O N @ P K I T T L E 1
  • 2. T L ; D R • Writing • Making As… • Teaching & Making • Making @ D R J A X O N 2
  • 3. P O Ï E S I S ( A N C I E N T G R E E K : Π Ο Ί Η Σ Ι Σ ) I S E T Y M O L O G I C A L L Y D E R I V E D F R O M T H E A N C I E N T G R E E K T E R M Π Ο Ι Έ Ω , W H I C H M E A N S " T O M A K E . ” T H I S W O R D , T H E R O O T O F O U R M O D E R N “ P O E T R Y , " W A S F I R S T A V E R B , A N A C T I O N T H A T T R A N S F O R M S A N D C O N T I N U E S T H E W O R L D . — W I K I P E D I A @ D R J A X O N 3
  • 4. 4
  • 5. Y O U K N O W T H A T ‘ M A K I N G ’ ( P O I E S I S ) H A S A W I D E R A N G E ; F O R , Y O U S E E , E V E R Y K I N D O F M A K I N G I S R E S P O N S I B L E F O R A N Y T H I N G W H A T S O E V E R T H A T I S O N T H E W A Y F R O M W H A T I S N O T T O W H A T I S . A N D T H U S A L L T H E P R O D U C T I O N S T H A T A R E D E P E N D E N T O N T H E A R T S A R E M A K I N G S , A N D A L L T H E C R A F T S M E N E N G A G E D I N T H E M A R E M A K E R S ( P O I E T A I ) . — P L A T O ’ S S Y M P O S I U M 5
  • 6. W H A T K E Y W O R D S D O Y O U A S S O C I A T E W I T H M A K I N G O R M A K E R ? J O T D O W N W O R D S T H A T C O M E T O M I N D … 6
  • 7. W H A T D O E S A S P A C E L O O K L I K E T H A T I S D E S I G N E D F O R M A K I N G A N D M A K E R S ? D R A W T H E S P A C E O R J O T D O W N D E S C R I P T O R S O F T H E S P A C E 7
  • 8. W H A T K E Y W O R D S D O Y O U A S S O C I A T E W I T H C O M P O S I N G , W R I T I N G , O R W R I T E R ? 8
  • 9. W H A T D O E S A S P A C E L O O K L I K E T H A T I S D E S I G N E D F O R C O M P O S I N G A N D W R I T E R S ? 9
  • 10. C O M P A R E Y O U R K E Y W O R D S A N D Y O U R I D E A S A B O U T M A K I N G A N D W R I T I N G S P A C E S : W H A T S I M I L A R I T I E S D O Y O U S E E B E T W E E N M A K I N G A N D W R I T I N G ? W H A T D I F F E R E N C E S T O Y O U S E E I N Y O U R W O R D L I S T S A N D I D E A S A B O U T S P A C E S ? O N C E Y O U ’ V E C O M P A R E D Y O U R O W N L I S T S , S H A R E W I T H O T H E R S : W H A T D O Y O U H A V E I N C O M M O N ? 10
  • 12. I . M A K I N G A S D I S P O S I T I O N … 12
  • 13. “The vicious cycle starts: if you fail at something, you think it is your fault. Therefore you think you can’t do that task. As a result, next time you have to do the task, you believe you can’t, so you don’t even try. The result is that you can’t, just as you thought.” ― Donald A. Norman, The Design of Everyday Things 13
  • 14. 14
  • 15. 15
  • 16. 16
  • 17. I I . M A K I N G A S C O N T E N T … 17
  • 18. C O M P O S I N G S C I E N C E 18
  • 19. “Design is really an act of communication, which means having a deep understanding of the person with whom the designer is communicating.” ― Donald A. Norman, The Design of Everyday Things 19
  • 20. 20
  • 21. I I I M A K I N G A S R E P A I R … 21
  • 22. P O Ï E S I S = " T O M A K E " T H I S W O R D , T H E R O O T O F O U R M O D E R N “ P O E T R Y , ” W A S F I R S T A V E R B , A N A C T I O N T H A T T R A N S F O R M S A N D C O N T I N U E S T H E W O R L D . 22
  • 23. “ P A I N U N M A K E S T H E W O R L D . ” – D R . L A U R A S P A R K S 23
  • 24. “Scarry argues that while the world, like the self, is ‘unmade’ in instances of war or torture, it is ‘made’ through imagining and creating artifacts. If extreme pain unmakes the world, if pain is indeed language-destroying, what possibilities exist out of that for rhetoric to create, remake, or bring forth?” –Dr. Laura Sparks 24
  • 26. “ I F W E A R E C O M M I T T E D T O P R O V I D I N G S T U D E N T S W I T H O P P O R T U N I T I E S T O F O R G E N E W C O N N E C T I O N S , T O W O R K I N N E W W A Y S , T O P R O D U C E N E W K I N D S O F T E X T S . . . I T I S C R U C I A L T H A T W E T A K E C A R E N O T T O L I M I T T H E T E X T S , T O O L S , A N D C O M P O S I N G S T R A T E G I E S S T U D E N T S M I G H T E M P L O Y A N D A L T E R I N C O M P E L L I N G W A Y S . ” — J O D Y S H I P K A “ N E G O T I A T I N G R H E T O R I C A L , M A T E R I A L , M E T H O D O L O G I C A L , A N D T E C H N O L O G I C A L D I F F E R E N C E : E V A L U A T I N G M U L T I M O D A L D E S I G N S ” 26
  • 27. T E A M S M A K E : C R E A T E A R E P R E S E N T A T I O N F O R M A K I N G O R M A K E R C U L T U R E : A D R A W I N G O F T H E S P A C E , A C O N C E P T M A P O F K E Y T E R M S , O R S O M E C O M B I N A T I O N ? P E R H A P S A L S O P O S E Q U E S T I O N S A B O U T T H E C O N N E C T I O N S B E T W E E N M A K I N G / C O M P O S I N G T H A T W E C O U L D C O N S I D E R A S W E M O V E T H R O U G H T H E D A Y . 27