Anna-Maria Kokla has over 30 years of experience in education, including serving as the Head of Psychico College from 2002 to 2009. She was responsible for the strategic planning and academic operations of the college's primary, middle, and high school programs. Prior to that, she worked as a mathematics teacher and as an assistant professor of statistics. She holds a BSc in Mathematics from the University of Athens and a PhD in statistics from the University of Piraeus. Her research focuses on using new technologies in education.
Este documento apresenta uma atividade sobre folhas de cálculo no Excel com 5 perguntas para os alunos responderem sobre as diferenças entre livros e folhas de cálculo, suas principais funcionalidades, como identificar células ativas e intervalos de células. Também pede para os alunos legendarem uma figura com 12 células numeradas.
Horror film trailers typically feature stories that explore people's deepest fears in order to evoke emotions of fright or terror in viewers. Special effects are used to create graphic scenes depicting violence, disease, or supernatural events that preview the horrifying content of the film. An unsettling montage cut to build tension and fear is commonly used, culminating in a climactic attack by the killer to heighten the trailer's sense of danger.
Tourism at the iconic Taj Mahal in Agra, India is declining as foreign visitors are increasingly harassed by street vendors, unauthorized guides, beggars, and touts from the moment they enter the parking area, making visits to what should be a highlight of India an unpleasant experience and causing many tourists to avoid the area altogether.
Anna-Maria Kokla has over 30 years of experience in education, including serving as the Head of Psychico College from 2002 to 2009. She was responsible for the strategic planning and academic operations of the college's primary, middle, and high school programs. Prior to that, she worked as a mathematics teacher and as an assistant professor of statistics. She holds a BSc in Mathematics from the University of Athens and a PhD in statistics from the University of Piraeus. Her research focuses on using new technologies in education.
Este documento apresenta uma atividade sobre folhas de cálculo no Excel com 5 perguntas para os alunos responderem sobre as diferenças entre livros e folhas de cálculo, suas principais funcionalidades, como identificar células ativas e intervalos de células. Também pede para os alunos legendarem uma figura com 12 células numeradas.
Horror film trailers typically feature stories that explore people's deepest fears in order to evoke emotions of fright or terror in viewers. Special effects are used to create graphic scenes depicting violence, disease, or supernatural events that preview the horrifying content of the film. An unsettling montage cut to build tension and fear is commonly used, culminating in a climactic attack by the killer to heighten the trailer's sense of danger.
Tourism at the iconic Taj Mahal in Agra, India is declining as foreign visitors are increasingly harassed by street vendors, unauthorized guides, beggars, and touts from the moment they enter the parking area, making visits to what should be a highlight of India an unpleasant experience and causing many tourists to avoid the area altogether.
El documento detalla la ponderación para el Módulo 2 del Diplomado en Tecnología y Gestión Educativa. La nota mínima de aprobación es 70%. La ponderación incluye asistencia (8%), prácticas en clases (50%) y trabajos adicionales (42%). La asistencia y trabajos se evalúan en cuatro fechas diferentes con porcentajes específicos cada fecha.
The document analyzes and summarizes the settings and genre conventions shown in the trailers for the films 22 Jump Street and Kick Ass. For 22 Jump Street, the settings include New York City and parties. Actions like explosions, stunts, and chases indicate an action genre, while childish behavior suggests comedy. Genre conventions like introducing characters and displaying production logos and the film title are followed. For Kick Ass, the settings include a comic book store and rooftops in New York City. Physical stunts and fighting practice point to the action genre. Both trailers adhere to some genre conventions but omit others, such as listing the release date or actors' names.
This document discusses audience investigation and different theories about how audiences interact with media. It defines audience as the spectators or listeners of public events. It also discusses Stuart Hall's encoding/decoding theory of how audiences can have preferred, negotiated, or oppositional readings. Additionally, it covers Denis McQuail's uses and gratification theory that audiences consume media for surveillance, identity, relationships, or escapism. Finally, it mentions Ien Ang's view that audiences experience media in increasingly diverse and fragmented ways.
El documento detalla la ponderación para el Módulo 2 del Diplomado en Tecnología y Gestión Educativa. La nota mínima de aprobación es 70%. La ponderación incluye asistencia (8%), prácticas en clases (50%) y trabajos adicionales (42%). La asistencia y trabajos se evalúan en cuatro fechas diferentes con porcentajes específicos cada fecha.
The document analyzes and summarizes the settings and genre conventions shown in the trailers for the films 22 Jump Street and Kick Ass. For 22 Jump Street, the settings include New York City and parties. Actions like explosions, stunts, and chases indicate an action genre, while childish behavior suggests comedy. Genre conventions like introducing characters and displaying production logos and the film title are followed. For Kick Ass, the settings include a comic book store and rooftops in New York City. Physical stunts and fighting practice point to the action genre. Both trailers adhere to some genre conventions but omit others, such as listing the release date or actors' names.
This document discusses audience investigation and different theories about how audiences interact with media. It defines audience as the spectators or listeners of public events. It also discusses Stuart Hall's encoding/decoding theory of how audiences can have preferred, negotiated, or oppositional readings. Additionally, it covers Denis McQuail's uses and gratification theory that audiences consume media for surveillance, identity, relationships, or escapism. Finally, it mentions Ien Ang's view that audiences experience media in increasingly diverse and fragmented ways.