Astoria, Queens is a diverse neighborhood with a population of over 211,000 people. While over 40% of residents are white, the neighborhood has significant Asian, Hispanic, and multiracial populations. Over 30% of residents speak a language other than English at home, with Spanish, Greek, Italian, Chinese, and Portuguese being the most common languages. Astoria has historically been an immigrant gateway, with early Greek immigrants seeing it as a homeland outside of Greece while they dreamed of returning. It also has a cluster of Brazilian businesses, making it unique in New York City.
This document outlines a sound/video project that aims to interview residents from three generations living in or affected by the SPURA site in New York City. The project seeks to capture personal stories about how SPURA has influenced lives and gather different generational views on the same history and future development. Interviews will be conducted in subjects' homes and focus on main themes of importance. The final under-10 minute product will be published on the New School Radio website and relevant blogs to advocate for including resident voices in development decisions.
This audio project aims to document the personal stories of residents from different generations who were impacted by the SPURA redevelopment plan in New York City. The students will interview residents still living in the SPURA site to understand how the development influenced their lives and what they want for the future of the area. They plan to edit the interviews into a 10 minute audio piece to raise awareness of the importance of low-income housing and displacement caused by urban development. It will be published on the New School Radio website to educate those less familiar with the conflicts surrounding the SPURA project.
Japan is a developed nation while Ethiopia is an under-developed country. South Africa occupies a middle ground as a developing country between developed and under-developed economies. The document provides a brief categorization of the economic development levels of Japan, Ethiopia, and South Africa.
A man named Ed Rudyk was displaced from his neighborhood at age 13 and now lives in the Bronx. He will discuss in a rally footage his favorite spots from his old neighborhood that are now absent. Diagrams and thumbnails were created to depict the open and active spaces at eye level near elevators and waiting areas in a presentation about space.
This document discusses a video project focusing on Ed Rudyk's insights about his favorite neighborhood spots that are now absent. Footage will be filmed on December 6th on site to showcase open spaces that were once active places near elevators and waiting areas.
Astoria, Queens is a diverse neighborhood with a population of over 211,000 people. While over 40% of residents are white, the neighborhood has significant Asian, Hispanic, and multiracial populations. Over 30% of residents speak a language other than English at home, with Spanish, Greek, Italian, Chinese, and Portuguese being the most common languages. Astoria has historically been an immigrant gateway, with early Greek immigrants seeing it as a homeland outside of Greece while they dreamed of returning. It also has a cluster of Brazilian businesses, making it unique in New York City.
This document outlines a sound/video project that aims to interview residents from three generations living in or affected by the SPURA site in New York City. The project seeks to capture personal stories about how SPURA has influenced lives and gather different generational views on the same history and future development. Interviews will be conducted in subjects' homes and focus on main themes of importance. The final under-10 minute product will be published on the New School Radio website and relevant blogs to advocate for including resident voices in development decisions.
This audio project aims to document the personal stories of residents from different generations who were impacted by the SPURA redevelopment plan in New York City. The students will interview residents still living in the SPURA site to understand how the development influenced their lives and what they want for the future of the area. They plan to edit the interviews into a 10 minute audio piece to raise awareness of the importance of low-income housing and displacement caused by urban development. It will be published on the New School Radio website to educate those less familiar with the conflicts surrounding the SPURA project.
Japan is a developed nation while Ethiopia is an under-developed country. South Africa occupies a middle ground as a developing country between developed and under-developed economies. The document provides a brief categorization of the economic development levels of Japan, Ethiopia, and South Africa.
A man named Ed Rudyk was displaced from his neighborhood at age 13 and now lives in the Bronx. He will discuss in a rally footage his favorite spots from his old neighborhood that are now absent. Diagrams and thumbnails were created to depict the open and active spaces at eye level near elevators and waiting areas in a presentation about space.
This document discusses a video project focusing on Ed Rudyk's insights about his favorite neighborhood spots that are now absent. Footage will be filmed on December 6th on site to showcase open spaces that were once active places near elevators and waiting areas.
El documento presenta una serie de temas relacionados con la planificación estratégica desde diferentes perspectivas. Aborda conceptos como la comunicación visual y verbal, las generaciones en el mundo laboral, la globalización y la tecnología, la cadena de valor y los modelos de negocio, la importancia de la planificación, el tiempo y los recursos, y la necesidad de conectar ideas a través de redes y la comunicación.
The document discusses ideas for a horror film project including three potential story ideas. The first involves students camping in the woods who experience hallucinations and a murderer. The second features a young girl and murderer in a big scary house with a dead girl coming back from the dead. The third is about a psychotic serial killer who falls in love. It also mentions targeting the film towards teenage and adult audiences and includes potential taglines and elements that often appear on horror movie posters.
A man named Ed Rudyk was displaced from his neighborhood at age 13 and now lives in the Bronx. He will discuss in a rally footage his favorite spots from his old neighborhood that are now absent. Diagrams and thumbnails were created to depict the open and active spaces at eye level near elevators and waiting areas in a presentation about space.
The document discusses the history and perception of tattoos. It notes that tattoos were once seen as socially unacceptable but are now often viewed as an art form. The document also discusses how tattooing has moved from being on the margins of society to becoming mainstream and incorporated into popular culture. Tattooing is now also more firmly situated within the world of serious art, with tattoos being displayed in museums and art shows.
Slavery began in the 15th century in the Caribbean and was an important part of the island economies by the late 17th century as they switched from tobacco to sugar production. Some of the earliest slave societies were in the Lesser Antilles islands like Barbados, Antigua, Martinique, and Guadeloupe. Slavery continued until being abolished in the early 19th century. The document provides a brief overview of the history of slavery in the Caribbean, including when it started and ended and some of the key islands that relied on slave labor.
Slavery began in the 15th century in the Caribbean and was an important part of the island economies by the late 17th century as they switched from tobacco to sugar production. Some of the earliest slave societies were in the Lesser Antilles islands like Barbados, Antigua, Martinique, and Guadeloupe. Slavery continued in the Caribbean until being abolished in the early 19th century.
The document provides ideas for three horror film trailers involving students in the woods encountering a murderer after taking drugs, a young girl and murderer in a big scary house with a dead girl coming back from the dead, and a psychotic serial killer falling in love. It discusses targeting the audience of teenage to adult horror fans and couples. It also provides recommendations on typical horror movie posters focusing on a person's face and includes potential taglines.
The document discusses ideas for a horror film project, including three potential storylines: 1) College students camping in the woods who experience drug-induced hallucinations and a murderer; 2) A young girl and a murderer in a big scary house, with a dead girl coming back from the dead; 3) A psychotic serial killer who falls in love. The target audience is identified as teenage to adult viewers who enjoy the horror genre. Research is also presented on common horror movie poster elements and taglines.
Romantic posters from the early 20th century often featured idealized images of love and romance. Scenes typically showed a handsome man and beautiful woman in an embrace, focused on expressing feelings of intimacy, passion, and emotion through their physical contact and loving gazes into each other's eyes. These mass-produced posters reflected and shaped the popular conceptions of romance during that era by presenting dramatically lit images of couples expressing their affection.
Horror movie posters from the 1970s and 1980s often featured gruesome or disturbing images to attract audiences. These included graphic depictions of violence, mutilation, and threatening scenes. While effective at provoking interest, some critics argue such marketing strategies rely too heavily on shock value over meaningful storytelling.
Posters for romantic thriller movies were shown. The posters depicted intense scenes between couples that hinted at mystery, danger, and intrigue underlying the relationships. Overall, the posters aimed to attract audiences with provocative images that combined elements of romance and suspense.
This short document lists four genres of film: action, gangster, horror, and romance. It does not provide any additional context or details about movies that fall into these broad categories of cinematic storytelling.
El documento presenta una serie de temas relacionados con la planificación estratégica desde diferentes perspectivas. Aborda conceptos como la comunicación visual y verbal, las generaciones en el mundo laboral, la globalización y la tecnología, la cadena de valor y los modelos de negocio, la importancia de la planificación, el tiempo y los recursos, y la necesidad de conectar ideas a través de redes y la comunicación.
The document discusses ideas for a horror film project including three potential story ideas. The first involves students camping in the woods who experience hallucinations and a murderer. The second features a young girl and murderer in a big scary house with a dead girl coming back from the dead. The third is about a psychotic serial killer who falls in love. It also mentions targeting the film towards teenage and adult audiences and includes potential taglines and elements that often appear on horror movie posters.
A man named Ed Rudyk was displaced from his neighborhood at age 13 and now lives in the Bronx. He will discuss in a rally footage his favorite spots from his old neighborhood that are now absent. Diagrams and thumbnails were created to depict the open and active spaces at eye level near elevators and waiting areas in a presentation about space.
The document discusses the history and perception of tattoos. It notes that tattoos were once seen as socially unacceptable but are now often viewed as an art form. The document also discusses how tattooing has moved from being on the margins of society to becoming mainstream and incorporated into popular culture. Tattooing is now also more firmly situated within the world of serious art, with tattoos being displayed in museums and art shows.
Slavery began in the 15th century in the Caribbean and was an important part of the island economies by the late 17th century as they switched from tobacco to sugar production. Some of the earliest slave societies were in the Lesser Antilles islands like Barbados, Antigua, Martinique, and Guadeloupe. Slavery continued until being abolished in the early 19th century. The document provides a brief overview of the history of slavery in the Caribbean, including when it started and ended and some of the key islands that relied on slave labor.
Slavery began in the 15th century in the Caribbean and was an important part of the island economies by the late 17th century as they switched from tobacco to sugar production. Some of the earliest slave societies were in the Lesser Antilles islands like Barbados, Antigua, Martinique, and Guadeloupe. Slavery continued in the Caribbean until being abolished in the early 19th century.
The document provides ideas for three horror film trailers involving students in the woods encountering a murderer after taking drugs, a young girl and murderer in a big scary house with a dead girl coming back from the dead, and a psychotic serial killer falling in love. It discusses targeting the audience of teenage to adult horror fans and couples. It also provides recommendations on typical horror movie posters focusing on a person's face and includes potential taglines.
The document discusses ideas for a horror film project, including three potential storylines: 1) College students camping in the woods who experience drug-induced hallucinations and a murderer; 2) A young girl and a murderer in a big scary house, with a dead girl coming back from the dead; 3) A psychotic serial killer who falls in love. The target audience is identified as teenage to adult viewers who enjoy the horror genre. Research is also presented on common horror movie poster elements and taglines.
Romantic posters from the early 20th century often featured idealized images of love and romance. Scenes typically showed a handsome man and beautiful woman in an embrace, focused on expressing feelings of intimacy, passion, and emotion through their physical contact and loving gazes into each other's eyes. These mass-produced posters reflected and shaped the popular conceptions of romance during that era by presenting dramatically lit images of couples expressing their affection.
Horror movie posters from the 1970s and 1980s often featured gruesome or disturbing images to attract audiences. These included graphic depictions of violence, mutilation, and threatening scenes. While effective at provoking interest, some critics argue such marketing strategies rely too heavily on shock value over meaningful storytelling.
Posters for romantic thriller movies were shown. The posters depicted intense scenes between couples that hinted at mystery, danger, and intrigue underlying the relationships. Overall, the posters aimed to attract audiences with provocative images that combined elements of romance and suspense.
This short document lists four genres of film: action, gangster, horror, and romance. It does not provide any additional context or details about movies that fall into these broad categories of cinematic storytelling.