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AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AR for Cultural Heritage
Giovanni Landi @AWE2014
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Three works in progress will be shown that explore the possible
interactions between an AR mobile application and a work of art, using
different datasets provided by researchers from different fields:
•The HolyTrinity fresco (Masaccio, 1426) and the studies of Prof. M.T.
Bartoli about linear perspective in the early renaissence.
•The S.Maria Novella Chapter House (frescos by Andrea di Bonaiuto,
1355) and its Phase Shift 3d Laser Scan by Arch. Carlo Battini.
• Panoramic Multispectral Imaging of Early 1900 Sicilian Devotional Art by
Dr. Antonio Cosentino.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
The HolyTrinity
•Church of Santa Maria Novella, Florence, Italy
•317cm (125in) wide and 667cm(263in) high.
•Painted by Masaccio in 1426 at the age of 25 in 26 days
•First real example of geometrically correct Linear
Perspective
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
ATRIANGLE IN A SQUARE
Frontal perspective view of a cube with a side of d,
the point of view O at a distance of 1.5 times d,
the horizon on the support plane of the cube.
The image of the upper face of the cube stays between the sides of the triangle.
The rear edge of the cube lies at 2/5 of the height of the isosceles triangle.
The viewing angle is 68°.
Image courtesy of M.T.Bartoli
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of M.T.Bartoli
ATRIANGLE IN A SQUARE
Frontal perspective view of a cube with a side of d,
the point of view O at a distance of 1.5 times d,
the horizon on the support plane of the cube.
The image of the upper face of the cube stays between the sides of the triangle.
The rear edge of the cube lies at 2/5 of the height of the isosceles triangle.
The viewing angle is 68°.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of M.T.Bartoli
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AR Application based on Unity and Vuforia
3D section:
Users can explore a 3d complete reconstruction of HolyTrinity
Perspective construction section:
Users can follow step by step the geometric construction of the
fresco’s perspective through intuitive outline animations showing the
relations between 2d and 3d.
In both sections the users is notified when he is staying in the exact
position Masaccio chose as the point of view of his poerspective.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Video
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Future developments:
Other superimposed contents about the fresco’s
realization: explanation of the used fresco
techniques and reconstruction of the fast paced 28
days sequence the artist followed to complete the
fresco.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
The former chapterhouse, now the "Spanish Chapel"
(or Cappellone degli Spagnoli)
•Church of Santa Maria Novella, Florence, Italy
•Construction started c. 1343 and was finished in 1355
•Decorated from 1365 to 1367 by Andrea di Bonaiuto
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of C.Battini
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of C.Battini
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
The chapterhouse 3d scanned by Arch.Carlo Battini using a Zoller-Fröhlich
3DImager 5006i phase shift LARA spot Laser Scanner.
Image courtesy of C.Battini
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
A 3d mesh was
obtained from the
pointcloud using the
Cyclone software
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AR Application based on Unity and Vuforia
AR section:
Users can explore the 3d reconstruction of the Chapterhouse and its
frescos from a perspective that make them extremely readable.
This section was intended for printed material.
360° section:
Users can explore the frescos in an immersive 360° user experience
and “project” himself near to the walls to better examine the details of
them.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of Darts Engineering
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
DEMO
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Future developments
For the existing sections:
•High definition Imagery
• 3d Animations showing the geometrical construction
of the vault
New section for on site usage:
•Tracking of the original frescos
•Superimposed outlines of the fresco’s most important
features
•
Images courtesy of C.Battini
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Early 1900 Sicilian Devotional Art
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Panoramic Multispectral Imaging is a valid
alternative to more costly equipment for high
resolution imaging.
•Implementable with consumer panoramic
imaging tools
•Resolutions up to 25 pixel/mm
•The stitching software is easy to use
•No specialized personnel or intensive training
requred
Image courtesy of A.Cosentino
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of A.Cosentino
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Image courtesy of A.Cosentino
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
AR Application based on Unity and Vuforia
Users can choose what layer of the multispectral dataset they want to
explore, and use their fingers on the device’s screen to expose it
drawing directly on the painting.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
DEMO
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Future developements:
Give the possibility to users to leave localized annotations on the work
of art.
Use a combination of “structure for motion methodologies” and 3d
tracking to apply the same techniques to threedimensional objects and
datasets.
AWE2014
AR for Cultural Heritage
© Giovanni Landi
giovannilandi@yahoo.it
Thanks for your attention!

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Giovanni Landi AR for cultural heritage AWE2014

  • 1. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it AR for Cultural Heritage Giovanni Landi @AWE2014
  • 2. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Three works in progress will be shown that explore the possible interactions between an AR mobile application and a work of art, using different datasets provided by researchers from different fields: •The HolyTrinity fresco (Masaccio, 1426) and the studies of Prof. M.T. Bartoli about linear perspective in the early renaissence. •The S.Maria Novella Chapter House (frescos by Andrea di Bonaiuto, 1355) and its Phase Shift 3d Laser Scan by Arch. Carlo Battini. • Panoramic Multispectral Imaging of Early 1900 Sicilian Devotional Art by Dr. Antonio Cosentino.
  • 3. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it The HolyTrinity •Church of Santa Maria Novella, Florence, Italy •317cm (125in) wide and 667cm(263in) high. •Painted by Masaccio in 1426 at the age of 25 in 26 days •First real example of geometrically correct Linear Perspective
  • 4. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it
  • 5. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it
  • 6. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it ATRIANGLE IN A SQUARE Frontal perspective view of a cube with a side of d, the point of view O at a distance of 1.5 times d, the horizon on the support plane of the cube. The image of the upper face of the cube stays between the sides of the triangle. The rear edge of the cube lies at 2/5 of the height of the isosceles triangle. The viewing angle is 68°. Image courtesy of M.T.Bartoli
  • 7. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of M.T.Bartoli ATRIANGLE IN A SQUARE Frontal perspective view of a cube with a side of d, the point of view O at a distance of 1.5 times d, the horizon on the support plane of the cube. The image of the upper face of the cube stays between the sides of the triangle. The rear edge of the cube lies at 2/5 of the height of the isosceles triangle. The viewing angle is 68°.
  • 8. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of M.T.Bartoli
  • 9. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it AR Application based on Unity and Vuforia 3D section: Users can explore a 3d complete reconstruction of HolyTrinity Perspective construction section: Users can follow step by step the geometric construction of the fresco’s perspective through intuitive outline animations showing the relations between 2d and 3d. In both sections the users is notified when he is staying in the exact position Masaccio chose as the point of view of his poerspective.
  • 10. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it
  • 11. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Video
  • 12. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Future developments: Other superimposed contents about the fresco’s realization: explanation of the used fresco techniques and reconstruction of the fast paced 28 days sequence the artist followed to complete the fresco.
  • 13. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it The former chapterhouse, now the "Spanish Chapel" (or Cappellone degli Spagnoli) •Church of Santa Maria Novella, Florence, Italy •Construction started c. 1343 and was finished in 1355 •Decorated from 1365 to 1367 by Andrea di Bonaiuto
  • 14. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of C.Battini
  • 15. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of C.Battini
  • 16. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it The chapterhouse 3d scanned by Arch.Carlo Battini using a Zoller-Fröhlich 3DImager 5006i phase shift LARA spot Laser Scanner. Image courtesy of C.Battini
  • 17. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it A 3d mesh was obtained from the pointcloud using the Cyclone software
  • 18. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it AR Application based on Unity and Vuforia AR section: Users can explore the 3d reconstruction of the Chapterhouse and its frescos from a perspective that make them extremely readable. This section was intended for printed material. 360° section: Users can explore the frescos in an immersive 360° user experience and “project” himself near to the walls to better examine the details of them.
  • 19. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of Darts Engineering
  • 20. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it DEMO
  • 21. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Future developments For the existing sections: •High definition Imagery • 3d Animations showing the geometrical construction of the vault New section for on site usage: •Tracking of the original frescos •Superimposed outlines of the fresco’s most important features • Images courtesy of C.Battini
  • 22. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Early 1900 Sicilian Devotional Art
  • 23. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Panoramic Multispectral Imaging is a valid alternative to more costly equipment for high resolution imaging. •Implementable with consumer panoramic imaging tools •Resolutions up to 25 pixel/mm •The stitching software is easy to use •No specialized personnel or intensive training requred Image courtesy of A.Cosentino
  • 24. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of A.Cosentino
  • 25. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Image courtesy of A.Cosentino
  • 26. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it AR Application based on Unity and Vuforia Users can choose what layer of the multispectral dataset they want to explore, and use their fingers on the device’s screen to expose it drawing directly on the painting.
  • 27. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it DEMO
  • 28. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Future developements: Give the possibility to users to leave localized annotations on the work of art. Use a combination of “structure for motion methodologies” and 3d tracking to apply the same techniques to threedimensional objects and datasets.
  • 29. AWE2014 AR for Cultural Heritage © Giovanni Landi giovannilandi@yahoo.it Thanks for your attention!