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Södertörn Högskola del 2

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Del 2 av 3.
Presentationen från tisdagen den 25:e september, 2012 på Södertörns Högskola.

Published in: Education, Design, Technology
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Södertörn Högskola del 2

  1. 1. PHOTOSHOP (del 2 av 3)
  2. 2. WORKSHOP•Tillfälle 1 (21 sept) - grunderna i photoshop - funktioner i programmet•Tillfälle 2 (25 sept) - typsnitt - layout•Tillfälle 3 (27 sept) - bildredigering - tillämpad designhistoria
  3. 3. TYPSNITTTYPSNITTTextstilarGrupperas ofta i typerna: serif, sans-serif, slab, osv.FONTSjälva filen(olika vikter och varianter av samma typsnitt)
  4. 4. TYPSNITTTYPSNITTexempel:- Bodoni
  5. 5. TYPSNITTTYPSNITT FONTexempel: Roman- Bodoni Book Italic Book Italic Bold Poster Bold Italic Poster Italic Bold Condensed Poster Compressed
  6. 6. TYPSNITT {TYPSNITT FONTexempel: Roman- Bodoni Book Italic Book Italic Bodoni Bold Poster Bold Italic Poster Italic Bold Condensed Poster Compressed
  7. 7. TYPSNITT
  8. 8. TYPSNITT
  9. 9. TYPSNITT
  10. 10. LAYOUTHELVETICAEn film om typsnitt
  11. 11. LAYOUTGRIDSEn struktur för referens vid layout.(används både vid analog och digital design)
  12. 12. LAYOUTEvolution of the modern gridAfter World War II, a number of graphic designers, including Max Bill, Emil Ruder, and Josef Müller-Brockmann, influenced by the modernist ideas of Jan Tschicholds Die neue Typographie (The NewTypography), began to question the relevance of the conventional page layout of the time. They began todevise a flexible system able to help designers achieve coherency in organizing the page. The result was themodern typographic grid that became associated with the International Typographic Style.The seminal work on the subject, Grid systems in graphic design by Müller-Brockmann, helped propagatethe use of the grid, first in Europe, and later in North America.The International Typographic Style, also known as the Swiss Style, is a graphic design style developedin Switzerland in the 1950s that emphasizes cleanliness, readability and objectivity. Hallmarks of the styleare asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk, and flush left, ragged righttext. The style is also associated with a preference for photography in place of illustrations or drawings.Many of the early International Typographic Style works featured typography as a primary design element inaddition to its use in text, and it is for this that the style is named.
  13. 13. LAYOUT
  14. 14. LAYOUT
  15. 15. LAYOUT
  16. 16. LAYOUT
  17. 17. LAYOUT
  18. 18. LAYOUT
  19. 19. LAYOUT
  20. 20. LAYOUT
  21. 21. LAYOUT
  22. 22. LAYOUT
  23. 23. LAYOUT
  24. 24. LAYOUT
  25. 25. LAYOUT
  26. 26. WORKSHOP (del 2)
  27. 27. WORKSHOPGÖR EN TIDNINGSIDA OM LE COURBUSIER•Skapa en ny fil (A4 - 210 x 297mm, 300 dpi)•Gör en grid (välj ett enhetligt format: 4, 6, 8 kolumn)•Sätt bakgrundsfärg•Hämta en passande bild från nätet•Sätt Rubriken•Infoga ingress•Brödtext (lorem ipsum är ok)•Vi ses igen på torsdag! - välj en designer ur modernismen till på torsdag
  28. 28. STEFAN LEIJON sleijon@gmail.com @SLeijon stefanleijon.com
  29. 29. STEFAN LEIJON sleijon@gmail.com @SLeijon stefanleijon.com
  30. 30. sleijon@gmail.com@SLeijonstefanleijon.com
  31. 31. stefanleijon.com
  32. 32. WORKSHOP•Hämta från nätet - leijo.net/S7g0IF, plus en av dessa: leijo.net/Psslcx leijo.net/PsstsB leijo.net/PssvAX leijo.net/PssBZ9 leijo.net/PssPQ2 leijo.net/PssUmF

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