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Zeiss Full Frame & large format sensors fall 2018

Presentation about Full Frame Cinematography framing and lensing

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Zeiss Full Frame & large format sensors fall 2018

  1. 1. Carl Zeiss Lenses FF, Large Sensors and Beyond Snehal Patel Cine Sales Manger, Americas
  2. 2. History Begins in 1846 *Photo Optics Division founded 1890 Carl Zeiss Ernst Abbe
  3. 3. ARRI Lenses Super 35mm: PL mount Master PrimesUltra Primes Master Anamorphic Primes 1937
  4. 4. Recent Films that used ZEISS lenses
  5. 5. ZEISS HAS SERVED THE ARTISTIC PURSUIT OF CINEMATOGRAPHERS FOR 80 YEARS
  6. 6. ZEISS HAS SERVED THE ARTISTIC PURSUIT OF CINEMATOGRAPHERS FOR 80 YEARS
  7. 7. 35mm Full Frame vs Súper 35mm
  8. 8. The Future of Coverage Image Circle
  9. 9. The Future of Coverage Image Circle
  10. 10. Creative Lens Choice 15mm 35mm 85mm 150mm
  11. 11. 25mm
  12. 12. 21mm
  13. 13. 15mm
  14. 14. 85mm
  15. 15. Creative Lens Choice Zeiss Milvus: 15mm 18mm 21mm 35mm 50mm 85mm 100mm 135mm
  16. 16. Compact Primes Super Speeds Higher Performance T1.5 aperture Vintage Look Overall improved image quality sizes: 35mm, 50mm, 85mm
  17. 17. Vintage Look Compact Prime - Super Speeds
  18. 18. Interchangeable Mounts & Multi Format Coverage Future Proof Technology
  19. 19. Interchangeable Mounts Flexibility
  20. 20. Compact Primes CP.3 & CP.3 XD Higher Performance 10 full frame lenses with true cine look covering the complete focal range Ultimate cine ergonomics and consistent T- stop Compact and lightweight with 95 mm diameter for all lenses Simplified and streamlined production / post-production with eXtended Data /i is a registered trademark of Cooke Optics Limited used with permission
  21. 21. Compact Primes CP.3 & CP.3 XD • 10 full frame lenses with true cine look covering the complete focal range • Clean and crisp ZEISS look that matches with other ZEISS cine lenses • Color matching across the family
  22. 22. Compact Primes CP.3 XD PL mount cameras On set displays / recorders Lens Control System PC/ Mac software /i is a registered trademark of Cooke Optics Limited used with permission
  23. 23. Compact Primes CP.3 XD All RED DSCM2 cameras with PL mount ARRI Alexa system with PL mount and SW Package 7 Sony F55 with PL mount BMD URSA Mini Pro PL ZEISS eXtended Data (XD) Cameras taking advantage of eXtended Data
  24. 24. Compact Primes CP.3 XD Capture Shading and Distortion Characteristics in real-time
  25. 25. Compact Zooms Full Frame with Various Mount Options: PL, EF, E, F & Micro 4/3
  26. 26. Calibrated & accurate focus scales Minimized zoom shifts 35mm full frame T* coating to prevent reflection and control flare Smooth & long focus throw with Minimized Breathing Round 18-blade iris for elegant bokeh Robust yet lightweight aluminum cine housing Interchangeable Mounts  Arri PL  Canon EF  Nikon F  M4/3  Sony E
  27. 27. Alexa 65 Solutions for 5K and 5.5K Cinema Zooms CZ.2
  28. 28. RED Weapon 8K Vista Vision Solutions Cinema Zooms CZ.2
  29. 29. Panavision DXL Primo 70 solution Cinema Zooms CZ.2 28-80
  30. 30. Introducing Full Frame High-Quality Prime Lenses ZEISS Supreme Primes
  31. 31. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT… SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  32. 32. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  33. 33. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  34. 34. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  35. 35. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  36. 36. SUPREME PRIME LENSES COVER CINEMATIC LARGE FORMAT…
  37. 37. Covers Full Frame Sensors from ARRI, RED, Canon, Sony ZEISS Supreme Primes
  38. 38. Lightweight, Well-built and featuring XD Technology ZEISS Supreme Primes
  39. 39. Cinematographer: Akira Sako, JSC Shot with ZEISS Supreme Prime lenses and Sony Venice … AND ARE HIGH SPEED LENSES WITH A CONSISTENT T-STOP.
  40. 40. SUPREME PRIME LENSES FEATURE A VERSATILE LOOK… Cinematographer: Paul Cameron, ASC Shot with ZEISS Supreme Prime lenses and Sony Venice
  41. 41. SUPREME PRIME LENSES FEATURE A VERSATILE LOOK… Cinematographer: Paul Cameron, ASC Shot with ZEISS Supreme Prime lenses and Sony Venice
  42. 42. SUPREME PRIME LENSES FEATURE A VERSATILE LOOK… Cinematographer: Peter Pau, HKSC Shot with ZEISS Supreme Prime lenses and RED Monstro VV
  43. 43. …A GENTLE SHARPNESS… Cinematographer: Peter Pau,HKSC Shot with ZEISS Supreme Prime lenses and RED Monstro VV
  44. 44. …AN AESTHETIC FOCUS FALL-OFF… Cinematographer: Akira Sako, JSC Shot with ZEISS Supreme Prime lenses and Sony Venice
  45. 45. …AND AN ELEGANT BOKEH. Cinematographer: Jon Joffin, ASC Shot with ZEISS Supreme Prime lenses and Phantom 4K
  46. 46. • Compact design – 95 mm front diameter and 119 mm length for lenses from 21 mm to 100 mm • Lightweight lenses – less than 1.6kg for all focals between 21 mm and 100 mm • Consistent position of focus and iris rings for all lenses • Consistent smooth focusing and iris torque for all lenses SUPREME PRIME LENSES TAKE ERGONOMY AND PRECISION TO THE NEXT LEVEL.
  47. 47. SUPREME PRIME LENSES INHERIT ZEISS‘S CRAFTMANSHIP AND RELIABILITY. • Developed by ZEISS experienced engineering team • Manufactured in our factory in Oberkochen, Germany • Providing the highest grade of reliability has been our highest priority • Lenses has been tested and certified to perform in the toughest environmental conditions
  48. 48. • Integrated eXtended Data technology that includes and extends /i* protocol. • Provide frame accurate lens parameters such as distortion and vignetting. * /i is a registered trademark of Cooke Optics Limited used with permission. SUPREME PRIME LENSES ENABLE EFFICIENCY THROUGHOUT THE ENTIRE PRODUCTION.
  49. 49. AVAILABILITY APERTURE CLOSE FOCUS Supreme Prime 15 mm 2020 T1.8 0.35 m / 14‘‘ Supreme Prime 18 mm 2020 T1.5 0.35 m / 14‘‘ Supreme Prime 21 mm 2019 Q3 T1.5 0.35 m / 14‘‘ Supreme Prime 25 mm 2018 Q2 T1.5 0.26 m / 10‘‘ Supreme Prime 29 mm 2018 Q2 T1.5 0.33 m / 13‘‘ Supreme Prime 35 mm 2018 Q2 T1.5 0.32 m / 13‘‘ Supreme Prime 50 mm 2018 Q2 T1.5 0.45 m / 18‘‘ Supreme Prime 65 mm 2019 Q2 T1.5 0.6 m / 2‘ Supreme Prime 85 mm 2018 Q2 T1.5 0.84 m / 2‘9‘‘ Supreme Prime 100 mm 2018 Q4 T1.5 1.1 m / 3‘9‘‘ Supreme Prime 135 mm 2019 Q3 T1.5 1.35 m / 4‘5‘‘ Supreme Prime 150 mm 2019 Q4 T1.8 1.5 m / 4’11‘ Supreme Prime 200 mm 2020 Q1 T2.1 2.0 m / 6‘7‘‘ TECHNICAL DATA AND AVAILABILITY
  50. 50. AVAILABILITY APERTURE CLOSE FOCUS Supreme Prime 15 mm 2020 T1.8 0.35 m / 14‘‘ Supreme Prime 18 mm 2020 T1.5 0.35 m / 14‘‘ Supreme Prime 21 mm 2019 Q3 T1.5 0.35 m / 14‘‘ Supreme Prime 25 mm 2018 Q2 T1.5 0.26 m / 10‘‘ Supreme Prime 29 mm 2018 Q2 T1.5 0.33 m / 13‘‘ Supreme Prime 35 mm 2018 Q2 T1.5 0.32 m / 13‘‘ Supreme Prime 50 mm 2018 Q2 T1.5 0.45 m / 18‘‘ Supreme Prime 65 mm 2019 Q2 T1.5 0.6 m / 2‘ Supreme Prime 85 mm 2018 Q2 T1.5 0.84 m / 2‘9‘‘ Supreme Prime 100 mm 2018 Q4 T1.5 1.1 m / 3‘9‘‘ Supreme Prime 135 mm 2019 Q3 T1.5 1.35 m / 4‘5‘‘ Supreme Prime 150 mm 2019 Q4 T1.8 1.5 m / 4’11‘ Supreme Prime 200 mm 2020 Q1 T2.1 2.0 m / 6‘7‘‘ TECHNICAL DATA AND AVAILABILITY
  51. 51. Otus Premium SLR Prime Lenses ZE (Canon EF) or ZF (Nikon F)
  52. 52. Otus No Compromise Features Ultimate image contrast Medium format look Advanced design Apochromat Virtually distortion-free f-1.4 for all three lenses
  53. 53. Otus Simply the Best 28mm 55mm 85mm
  54. 54. Authorized Service Stations Offer service according to factory standard Level 4 Service Station ZEISS qualified business partners who offer certain repair jobs to provide fast local support ZEISS LENSES ARE PROFESSIONALLY SERVICED AROUND THE GLOBE

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