Scott Richard Ashley Production & Design Lighting & Scenic Designssricharddesign@gmail.com (904)616 - 1187
“The set is fabulous – another triumph by Scott Ashley.”“. . .start out by giving a standing ovation to Scott Ashley, - The St. Augustine Record Limelight’s Set Designer. His ingenuity and inventiveness Frankenstein continue to inspire awe and respect. . .” -The St. Augustine Record Biloxi Blues “The set, the latest creation of Scott Ashley, the Limelights resident designer and technical director, is absolutely spectacular . . . Perfect!” “We should no longer be surprised by such excellence.“One last comment: Scott Ashleys set design, as usual, Ashley has designed and supervised the construction of every is Broadway quality.” Limelight set since his triumphant debut last season with the -The St. Augustine Record sumptuous Manhattan apartment for "Rumors." Greetings -St. Augustine Record Down an Alley Filled with Cats “I got the distinct impression patrons would love to have had the chance to applaud the design—which was superlative. Designer Scott Ashley continues to raise the bar, setting new standards for rich detail that invite audience members into the world of the play. The opportunities it provides for simultaneous action, appropriately highlighted or muted, help enrich the play’s visual layering considerably. With that first note sounded, it’s hard not to be thoroughly enveloped and involved in the story in a very personal way.” -Entertaining U (EU) “Scott Ashley’s set design is, A Raisin in the Sun as I predicted in my review “Its the set -- it speaks volumes, another remarkable of Limelight’s Criminal Minds last month, achievement by Scott Ashley, resident designer . . .” a masterpiece . . .” -The St. Augustine Record -Entertaining U (EU) I’m Not Rappaport Frankenstein “Set Designer Scott Ashley’s plantation bedroom with a veranda across the front of the stage . . . is intoxicating. I mean you just want to look at it and look at it. I wanted to jump up on stage into that big brass bed. The lighting for set is impressive as well.” -Entertaining U (EU) Cat on a Hot Tin Roof“Scott Ashleys set for Neil Simons "Rumors" at the Limelight is so sensational that you know, even before the house lights dim,that youre in for an exceptional evening of theatre.” Trust Set Designer Scott Ashley to truly set the "ominous" stage to perfection. -St. Augustine Record -The St. Augustine Record Deathtrap
A CHRISTMAS CAROL (AN ADAPTATION)LIGHTING & PROJECTION SURFACE DESIGN
NICOLES BEDROOM Scene Inserts were Constructed w/ Steel Frames and Painted Muslin and Flown into the Opening at the Bottom Center of the Backdrop for Each of the Anne Frank & Me 5 Major Locations.Orlando Repertory Theatre (Regional) Scenic Design
GORILLA, MY LOVE LIGHTING DESIGN CLARKE STUDIO THEATRE, NYCLINCOLN CENTER FOR THE PERFORMING ARTS & VICTORIA THEATRE, NEW JERSEY PERFORMING ARTS CENTER
Dining Room of the Hotel Ponce De Leon New Years Eve Ball Lighting Design
The Flid ShowOff-Broadway Production, SoHo RepLighting Design/Master Electrician “The production itself is lovely, with beautiful lighting and scrim work.” -Jenny Sandman, Curtain Up
TAIKO DRUMMING LIGHTING BY: SCOTT ASHLEY CLARKE STUDIO THEATRE LINCOLN CENTER FOR THE PERFORMING ARTSI USED MICROPHONES, SPEAKERS,WATER AND MIRRORS TO THROW DIFFERENT COLOR VIBRATING REFLECTIONS ONTO THE CYC.
Down an Alley Filled With Cats Lighting & SceneryThe Design Concept was such that we could go to very a film noir/ black & white world at moments.
ONLY 10 MINUTES TO BUFFALO LIGHTING & SCENIC DESIGN CLARKE STUDIO THEATRE,LINCOLN CENTER FOR THE PERFORMING ARTS, NYC
Fiddler on the Roof - Lighting Design Southeastern Tour 2010
Created custom steel gobos, Which were projected on unbleached muslin to create a simple nostalgic world.LAST TRAIN TO NIBROC LIMELIGHT THEATRE, FL SCENERY & LIGHTING
The Good Times Are Killing Me Scenic Design Turner Auditorium, FL
Each house was on a central pivot point that allowed it to rotate to become the “Projects” or to see inside.
CAMELOTScenic & Lighting Design Flagler College Auditorium
Produced By:OKLAHOMA! Columbia Artists Theatricals LIGHTING DESIGN & 2010 National Tour American International Music Management
Cat on a Hot Tin Roof Limelight Theatre, FL Scenery & Lighting
The Tempest Scenery & Lighting – Limelight Theatre, FL The Stage floor was covered in 5 tons of sand. So that it was apprx . 9”-10” deep This Ship was held together and rocked by Prospero’s Spirits so that at the right time it could be Torn ApartThis is a Hologram of a feast which I created by projecting the image onto a curtain of sand. It’s hard to make out in this Photo , but you can see the candle stick at the top
Raisin in the Sun -Scenery & LightingAnd Then There Were None -Scenery & Lighting
Smoke on the Mountain Scenery & Lighting Elevation of Flat for RainmakerOther Peoples Money - Scenery & Lighting
Marvin Gaye,The Man & The Music Lighting Design