1. __ ~ colt Jhe iano u'f'j ™
Favorite Piano Fake Boo
aturing over 70
eat Songs in Lead
eet otation
eludes Basie and
dvaneed Chord
harts for Every Song
2. Contents
Most of them are there but a few are missing
Just enjoy what you got!
4 Some Notes from Scott. .. 42 Here, There and
6 All the Things You Are Everywhere
5 Amazing Grace 44 Hey Jude
8 Autumn Leaves 46 Hound Dog
9 Blue Suede Shoes 48 How Sweet It Is
10 Blueberry Hill (To Be Loved by You)
12 Bye Bye Blackbird 50 I Left My Heart in San
14 Call Me Irresponsible Francisco
16 Can You Feel the Love 27 I Will Remember You
Tonight 52 I've Got You Under My
18 Crazy Skin
20 Don't Get Around 56 If
Much Anymore 58 Imagine
22 Don't Know Much 60 In a Sentimental Mood
24 Endless Love 62 Isn't It Romantic?
30 Fly Me to the Moon 64 It's Only a Paper Moon
(In Other Words) 66 Jailhouse Rock
32 Georgia on My Mind 68 Kansas City
34 The Girl from Ipanema 55 Let It Be
(Garota de Ipanema) 73 Mandy
36 God Bless' the Child 70 Michelle
38 Great Balls of Fire 76 Misty
40 Heart and Soul 78 Mood Indigo
3. 80 Moon River 118 Stardust
82 Moonglow 120 Stella By Starlight
84 Moonlight in Vermont 122 Stormy Weather
86 My Favorite Things (Keeps Rainin' All the Time)
88 My Funny Valentine 124 Tangerine
90 My Romance 126 Tears in Heaven
92 A Nightingale Sang in 130 Till There Was You
Berkeley Square 132 Try to Remember
94 Raindrops Keep Fallin' 129 Twist and Shout
on My Head 134 Waltz for Debby
96 Ribbon in the Sky 136 The Way We Were
98 Satin Doll 138 The Way You Look
100 Saving All My Love for Tonight
You 140 What a Wonderful World
104 Sentimental Journey 142 When I Fall in Love
106 Skylark 144 When the Saints Go
108 Smoke Gets in Your Marching In
Eyes 146 Wonderful Tonight
110 Solitude 145 Yesterday
112 Somewhere out There 150 You've Got a Friend
114 Sophisticated Lady 148 Your Cheatin' Heart
116 Stand By Me
4. Some notes
from Scott ...
I hope you're as thrilled with this fake book as I have been creating Itt Tt7(Ougn the feedback
from thousands of television show viewers, many of whom were just starting down the path of
non-classical piano playing, I was able to include all the things that everyone most wanted and
needed in a fake book. I'm proud to say that I listened! It's all in this first-of-its-kind fake book.
Having said that, I need to explain a few things that I think will answer many of the questions
you may have when you dig into playing your favorite tunes.
How to Use the Chord Charts
You'll immediately notice that at the beginning of every tune, there is
a set of chord diagrams split into an upper and lower row. The upper
row contains diagrams of the basic chords designated by the symbols
used in the tune. Immediately below every basic chord is a possible
chord substitution that you may want to try and use as you begin to
:::Jet the tune "under hand." These more advanced chords are simply
substitutions that professional players tend to use when they are really
Jut working gigs. You will find that they will sound a little more polished,
Jr perhaps jazzy (for lack of a better description). Understand that
-'lese more advanced substitutions are not cast in stone. There is no
::.osolute right or wrong choice when choosing whether or not to play
-~e basic or the more advanced chords. Let your ear and taste be your
~ ",ide. Also, there will be times when the basic and advanced chords
s:ed are exactly the same. That usually occurs where there is just no
=:::J1cal chord substitution to be made.
:ilink the chord diagrams are the best part of my fake book, because
-'-ey will allow you to kind of "get into a real player's head" a bit and start
-:: understand why even if you play basic chords perfectly as listed in
.:. ead sheet, you still might not sound like players that you hear out
. Jrking professionally. Professionals tend to use more hip-sounding
:: --ord substitutions for the basic chord symbols given in a lead sheet.
. ,ow you can start to get a handle on some of those substitutions, You'll
"-d that similar chord substitutions occur over and over, which will
.:. ·ow you to start internalizing and allowing them to sneak into your
:: ~ying very naturally.
One Substitute to Watch Out For!
:nlnk you'll quickly notice that one chord substitution is made time
.:.-d time again: using a major 7th chord instead of a regular old major
:: --ord (i.e. C becomes Cmaj7). It is a great substitution that sounds
~:'eat most of the time but has one major issue to watch out for: If
-"e melody note that is being emphasized when you play the chord
.- appens to be the root of the chord, you probably shouldn't use the
substitution. For example:
'ou have a C chord symbol given above a melody line that has E,F,G in
:'lat measure. Great! Go ahead and use the major 7th substitution and
olay a Cmaj7 instead of the regular C chord.
--1owever, if you have a C chord symbol given above a melody line that
'las a single C note held through the measure~watch out' Because
:'le C in the melody line is the root of the C chord, it will tend to clash if
-,ou use the Cmaj7 as a substitute.
-0 give your ear a chance to hear this, just play any major 7th chord
,', ith your left hand while emphasizing the root note (the note the chord
'::egins with) in your right hand in some octave above where you are
:: aying the chord, It's pretty dissonant... So to be safe, just keep a look
::...J: for that "major 7th for a major" chord substitution when the melody
-e happens to be focusing on the root of the chord, You'll probably be
- ~opier just sticking to the original chord,
Voicings
Voicings is a term used for different variations of a chord that you can
play that don't necessarily contain every note in the chord, Voicings
give you the parts of a chord to leave out to make them simpler to play
and still sound great. In most cases in the chord diagrams in this book,
we have given you the entire chord in root position, It will be up to you
to decide on using a voicing or not, depending on your taste and skill
level, However, in a few cases (primarily 13th chords) we went ahead
and gave you the chord diagram using a voicing when there was one
very obvious one to use, Let me explain further .. ,
You may have noticed that in the case of 9th chords, there are 5 notes,
Playing all 5 of those notes is not only very difficult physically to finger,
but can also sound a little "muddy," In the real world, players would
seldom play all five notes in the 9th chord, Instead they would use a
voicing to give them a simpler, cleaner-sounding version of the chord
to play, For example, instead of playing all 5 notes in a C9 chord, which
are C, E, G, B-flat, 0, I would probably choose to play just the E, B-flat,
o in the chord (and maybe try to reach down and play the C root
separately an octave lower),
This topic is more advanced than can be dealt with here in any depth,
so I encourage you to find a book that deals with voicings to learn
more, One tip I can give you is that the most important notes in a chord
to play (which you need to know to be able to decide which ones to
leave out) are the 3rd, 7th, and whatever else is in there that gives the
chord its distinctive sound, like the 9th or 13th.
Slash Chords
(D/C, Fmaj7/G, DmlE for example)
In lead sheet notation, slash chords direct you to playa particular note
in the bass (in other words the lowest note you hear). They work like this:
• Whatever the chord symbol is to the left of the slash is the
actual chord you are supposed to play,
• Whatever the individual note name is to the right of the slash is
the single note you are supposed to play in the bass,
For example, G/A means playa single A note down low in the bass
(grab it with your sustain pedal to keep it sounding), and come up and
playa G major chord in its normal position, In other words, playa G
major chord over an A in the bass,
Am/C means play an A minor chord over a C in the bass. In this case
the C is actually a note in the A minor chord, So another way you could
look at it is that it is forcing you to play the A minor chord in an inversion
with C on the bottom.
Know that sometimes the bass note is in the chord; sometimes it is not.
You still just make sure that it is the lowest note you are playing,
For the slash chord in the chord diagrams of this fake book, we are
showing you only the chord portion of the slash chord, not the bass
note portion, Therefore it is your responsibility to get that bass note
played even though it does not appear in the chord diagram,
Have fun! Scott
7. 7
~
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trem - bles on the brink of a love - ly song.
--:
C#m / F#7 B 1"("-'(
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You are the an gel glow that lights a star.
Bbm Eb7 Ab "(0.1 "
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The dear - est things I know __ are what you are.
Am7 Dm 7 G7t; C j/' '~~ .
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Some day my hap - py arms will hold you and
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Fr'Y',"~j I Fm C rv)~'! 3
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some day I'll know that rna - ment di
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vine, when all the things you are are mine.
8. 8
AUTUMN LEAVES
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. :..:- . 950 (Renewed) ENOCH ET CIE
: . ~ 3:, ~g Agent for U.S. and Canada:
English lyric by JOHNNY MERCER
French lyric by JACQUES PREVERT
Music by JOSEPH KOSMA
'.' :::;::kEY MUSIC CO" by agreement with ENOCH ET CIE
~ = :-:5 Reserved
-,
Bdim! Am
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leaves __ drift by my win - dow, _ the au- tumn leaves _ of red and gold.
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lips,_ the sum-mer kiss - es, _ the sun-burned hands _ I used to hold.
N.C.
...
The fall-ing
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I see your
Since you
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went a - way_ the days grow long,_ and soon I'll hear _ old win - ter's song. But I
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miss you most of all my dar - ling, when au - tumn leaves start to fall.
10. 10
BLUEBERRY HILL
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_ - = . - ~~ ;;: 1940 by Chappell & Co.
: : = .. ~- Renewed. Assigned to Chappell & Co., Larry Stock Music Co. and Sovereign Music Corp.
~ = :-- ':Jr Larry Stock Music Co. Administered by Larry Spier, Inc., New York
-.~--,,- ~al Copyright Secured All Rights Reserved
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found my thrill
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Hill on Blue - ber
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Words and Music by AL LEWIS,
LARRY STOCK and VINCENT ROSE
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Blue - ber - ry
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Hill
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when I found you. The moon stood
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------ ---- ---- still on Blue - ber - ry Hill.
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And lin - gered un - til my dreams came
11. 11
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true. The wind III the wil low played
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vows we made were nev - er to be.
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Tho' we're a part you're part of me
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still for you were my thrill
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13. 13
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~ I I g J 0 0 bye bye black bird-. ------------
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No one here can love and un der
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stand me, oh what hard luck sto - nes they all
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hand me. Make my bed and
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light the light, I'll ar rive late to night,
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black bird bye bye.
15. 15
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e ~ ~r I #n I ~r r I r C1 r F bore you? Well, I'm not too elev - er. I
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just a - dore you. Call me un - pre - diet - a - bIe,
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tell me I'm 1m - prae ti - cal, ram bows
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I'm m - clined _ to pur - sue. Call me
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Ir - re - spon - SI - ble, yes. I'm un - re - Ii a - ble,
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but it's un - de - ni - a - bly true, I'm
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Ir - re - spon - si - bly mad for you.
16. 16
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. :-:-.: Wonderland Music Company, Inc.
~ = ~'l'S Reserved Used by Permission
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There's a calm
There's a time
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when the heat
CAN YOU FEEL THE LOVE TONIGHT
from Walt Disney Pictures' THE LION KING
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sur - ren - der to the rush
for ev - 'ry - one if they on
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of the roll - mg world can be turned
that the twist - mg ka - lei - do - scope moves us all
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It" s e - nough for this rest - less war - ri - or just to be
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Music by EL TON JOHN
Lyrics by TIM RICE
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of day,
- ly learn
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a - way.
m turn.
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me through.
out - doors
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with you. I And
with yours.
17. 17
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can you feel the love to -night? It IS where we are.
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It's e - nough for this wide - eyed wan - der - er that we got this
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how it's laid to rest? It's e - nough to make
"l Em' F Dm· G I' C 112 C I $ : : J J J 9 I ~ ~ J J I :I II -e- -e-kings
and vag - a - bonds be - lieve the ver - y best. best.
18. 18
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: _ = .' ~r: ~ 1961 Sony/ATV Songs LLC
: -= . - cr
Renewed
: c = ~~:s Administered by Sony/ATV Music Publishing,
: '.'.JSIC Square West, Nashville, TN 37203
-~-oo: c'1al Copyright Secured All Rights Reserved
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CRAZY
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era - zy,_
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I'm era - zy, _
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Words and Music by
WILLIE NELSON
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era - zy for feel - in' so
era - zy for feel - in' so
I knew_ you'd love me as long as you
19. Dm!
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want -ed, _
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wor -ry;_
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hold you,_
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era - zy for
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and then some -day __ you'd leave me for some -bod - y
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for think - ing that my love eould
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era - zy for try - in',
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lov - in' you.
20. 2C
DON'T GET AROUND MUCH ANYMORE
from SOPHISTICATED LADY
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~ =.' ~-' ;: 1942 (Renewed 1969) by Famous Music LLC and Harrison Music Corp. in the U.S.A.
= : ·'0 ':' :he world outside the U.S.A. Controlled by EMI Robbins Catalog Inc. (Publishing)
,.: :, 2""er Bros. Publications U.S. Inc. (Print)
Words and Music by DUKE ELLINGTON
and BOB RUSSELL
.'c.'.'" :"31 Copyright Secured All Rights Reserved
lissed the Sat - ur - day dance,_ heard they crowd - ed the floor. _
got as far as the door._
A7
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Could - n't bear it with - out
They'd have asked me a - bout YOU'l
you,
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Jon't get a - round much an - y - more. Thought 1'd vis - it the club,_
21. $
$
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more. Dar
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mind's more at ease.
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less, why stir up mem - 0 - ries'?
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might have gone but what for? __
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out you, don't get a - round much an
21
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ling I guess my
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23. 23
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and that may be __ all I need __ to know. __
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So man - y gues - tions still left un - an - swered.
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So much I've nev -er bro-ken through. ___ _ And when I
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feel you near me some - ti mes I see so clear - ly the on - ly
--
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truth I've ev - er known IS me and you.
25. 31
E7
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Fill my heart with song, and let me
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sing for - ev - er more; you are all I
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long for, all I wor ship and a
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dore. In oth - er words, ____ _ please be
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true! In oth - er words,
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I love you!
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true! In oth - er words, ____ _
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I love you! ______ _
27. I'
Am F7 Am
...,
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out to me,_ oth - er eyes _ smile ten - der - ly. _
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Still, m peace ful dreams I see the road leads back to
--, 13
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you. Geor - gla, __ Geor - gla, __
$ Am' Fm C.,..,·",·· A7 :. t J J J I J :f1 I j : r J no peace I find. Just an old sweet song keeps
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-e- .~ Geor - gla on my mmd.
29. 35
How ____ _ can I tell her I love her? ___ _
Dm'
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Yes, ___ _ I would give my heart glad - ly, ___ _ but each
~ C J J r ~ f I If' E If J J J r r I
day when she walks to the sea, she looks straight a - head not at
~
G7
~ #r'
C·
t I f' J I f I -=- J D r EJ EJ I
me. Tall and tan and young and love ly, the
el
D7
~ r i r r u J
girl from I - pa - ne rna goes walk - ing, and when she pass - es
l (
Db7
~ ••
I
3 I
D r r J
Db7 3 I
o
t I 7 D r r J I
smile, but she does - n't see. She just does - n't
C·, Db7 3 I C n ('J ;::i: .
~ ~ I 0 t 7 ----- J~o II ::::-
D r r 0
see. No, she does - n't see.
31. 39
~
$ F7
~6
Ib C N.C. ~ IV br r ~
-; ~ t r r L; )1 : r r t
love's just fine. _ Good - ness gra - cious, great _ balls of fire!
F7 C~ .~
$ t r r r br I t f ~ I Ell E r t I
Kiss me, ba - by. Woo, it feels good.
-
G7
- I L r r r E [ F! I p r ~:J t
Hold me ba - by. ~ Girl, just let me love you like a lov - er should. -l
l I want to love you like a lov - er should. _ ~
$ ~,.
t":::::, t":::::, t J r t It r r r t IC C rr r r r r I
You're fine, _ so kind. _ I'm gon -na tell the world that you're
C
mine, mme, mine, mine. _ I chew my nails and I twid - dIe my thumb._
$ F7 t G7
~ r JEW r r -Jj
~
I I I
7 !~ F EJ ~ r t -; P r -;
I'm real ner -vous but it sure IS fun. _ Come on, ba - by, you're
,""
JiVbE F7 C N.C. C
~ b~ I bE ~
E F c r t r r J1r t - II
driv -ing me era -zy. Good - ness gra - cious, great _ balls of fire!
33. 41
12 C7 F I~""(' E7 $ 2
-j~j ~ : J 7 ~ J
moon mist. Oh! But your lips were
A7 D7 G7 C" F E7 $ #J j IJ ~J IJ J
thrill ing, much too thrill ing.
F.-,_,_, - E7 A7 D7 $ 7
~ -Jj ~ J ~ j I#J j
Nev - er be - fore were mme so
G7 C Fr G7 C' . , Ami $ J ~J IJ J J I; ; J
strange ly will mg. But now see
Dm G7 C Am $ 7 I ~ ~ j ~ J J ~ ) J J J
what one em - brace can do. Look at me,
Dm G7 C Am $ 7 --k- : j ,.. IE J J J : I J
it's got me loy - mg you mad ly,
$ Dm G7 C Am 7 -jj ~
~ J ~ j 0
that lit tIe kiss you stole
Dm"'" G7 C $ ~ 7 -jj f J ; J -e- I J. ~ II
~
held all my heart and soul.
35. ~
~
~
~
12 ",
Dm Bb7
j '1 ~ )1 ~j J
~ I want her
Fm G7 Cm
j
ev - 'ry - where
-;
Fm G7
43
J d
and if
she's be - side me I know I need nev - er care. But to love her is to need her
C n, n~'i Dm Em F(Y)~J / ' " '/
Crr,.,! Dm
~ ~ J .oj ---k- j .- ~ ~ .B j ~~ I J],o ';;;:;;;;;>
1
'-"
ev - 'ry where, _ know - ing that love _ is to share; _
Em (
Frv'lG...j I Bm E7
j ; ~ ~ ~ J J ~ I j ~ ~ ~~j ~ 0;;;;;;;;;;;>
~
each one be - liev mg that love nev - er dies, _
Bm! E7 Am D7
~ ~ ~ ~ ~ J .t Ij J ~ ~,~, ~ ~ D ;jj
I ~ ~
watch - ing her and hop ~ eyes_ ing I'm al ways there. _
II ~ Dm! Bb7 112 Dm"1 G7 C)" f I'~' Dm'
~vj "
'1 -J~~f1 : II : '1 J J J I ~ '1 ---k- ~ .B
V
I want her I will be there and
Em; F~Q.) CH'''J' Dm' Em' F'yc"j ~'r C,' '')1 ,:
~
J 1
j i ) I J. ---k- j 0 - ~ ~ .B
I cJ r II
ev - 'ry - where, here, there and ev - ery - where. _
37. ~
~
~
~
C
;.; t 3
get her.
get her.
C
j
skin.
heart.
~ -; ~ IE I
The
Re
G
F
~ )1
min
mem
J
ute
ber
)1
you
to
let her un
let her In
C
i ~ I J ~f J J J I)).
Then you be - gIn ______ _
Then you can start ______ _
to make it
to make it
bet - ter.
bet - ter.
C7 F FIE Dm I DmlC
der your
to your
-
45
And an - y - time you feel the pain,
So let it out and let it In,
hey Jude,_
hey Jude,_
re - frain, _
be - gin, __
don't car - ry the world _
you're wait- ing for some -
F
J
fool
you,
C
j
cold
shoul
da.
da.
Bb
up - on
one to
FIE
who plays_
hey Jude,_
J
er,
der,
C : Ii] J
your
per
shoul ders.
form _ with.
Dm!
it cool __
you'll do. __
7 ;}
da
da
D.S. al Coda
(Second time)
j : II
Hey
Hey
j
da
da
3
da
da
by
The
C7
For well you know that it's a
And don't you know that it's just
DmlC
i] I j.
mak - ing his world
move - ment you need
Gm
I ~j j r da da da
da da da
CODA
-$- C
~II:J
Da
G7
)1 j
a lit
IS on
G
~E •
J
da da
da da
da
tIe
your
r
da
da
da
~ F E F
C Repeat and Fade
r d 3 0
F
IF E F
da da da da da da da da, Hey __ Jude.
38. HOUND DOG
11.1 .1 1.1 11111 1IIIIIilili . . '.
C F7
1.I I. I.I Iilili 1111.1.1 1.1 11
C9 F13
~ = . ~ ~ -: 1956 by Elvis Presley Music, Inc. and Lion Publishing Co, Inc.
= ~-: ~enewed, Assigned to Gladys Music and Universal Music Corp
= ~-~3 ~drninistered by Cherry Lane Music Publishing Company. Inc. and Chrysalis Music
"0 ~ - c ~ = ~ a: Copyright Secured All Rights Reserved
%
,
C'
,~~ 7 bD F F F F F II: C'
f..;
You ain't noth - in' but a hound
~ • ~
I
- 7 bD F
11111.1.1 .1 1.1
G7
1111.1.1.1 1.1 1
G13
c:,
F ~
D
dog, _
F r E
time. You ain't noth - in' but
C
$ ~ 7 bD =[ I ~ f F - C E
cry in' all the time.
'".'
G7 F7
~ • r f-,i C r c r C F I bF r r
Ilc - er caught a rab - bit and you ain't no friend
11.1 .1 1.1 11111
C7
11. 1.1 1. 11.1 11
C9
Words and Music by JERRY LEIBER
and MIKE STOLLER
I ~ 7 bD "[
C E r I
cry in' all the
F7
,..-...,
F ~
F I C' D
a hound dog,_
To Coda-$-
t~
:!~ •
I ~ !
F Well, __ you ain't
c:
(J1r' ~
of mine. _
39. 47
C
~ I~F' ~ 7 7 D F D E ~ I ~ ~F E 7 I D [f
Well, they said you was high - classed, _ but, that was just a
F7
~ I ~F' D
"......,
F ~ - 7 7 D E E ~
lie. Yeah, they said you was high - classed, _
C
~ ~ ~E E r F • I F ~ - J I ~ E
but, that was just a lie. Yeah, _ you ain't
-1 •
G7 F7 C
~ r r L r L r ~ r I bE r r (JAr -
!
nev - er caught a rab - bit and you ain't no friend of mme._
1
1,2
11
3
D.S. al Coda
~ 1
7 V E F F F r II
b
V E F F F E : II b
You ain't noth - in' but a You ain't noth - in' but a
CODA
tD- ~;
G7 F7 C7
r r uIr - - II
nev -er caught arab - bit, and you ain't no friend of mine._
40. 48
HOW SWEET IT IS
(To Be Loved by You)
11111[1111 1IIIItlili 1IIIIIilili . . '. . . . I 1IIIrii II 1111111111 1111111111 111111'1111 • .: i- • . . . . . . . . . . .
F Dm G7 C Am F7 F#dim
1111.1 .1 i'. ll. II 11111111111 11111111111 111111[1111 1111111111 1111111111 1111111111 • • • !. . . '.
Fmaj7 Dm7 FIG
~ 1964 (Renewed 1992) JOBETE MUSIC CO., INC.
:'>'11 Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
on behalf of STONE AGATE MUSIC (A Division of JOBETE MUSIC CO., INC.)
All Rights Reserved International Copyright Secured Used by Permission
Dm
. . .
C
G7 c
J J iF 11} J J J I J
How sweet it IS __ to be loved by you .
- ~ ~ C 3
were.
you
G7
L r:
I need-ed the she I -ter
I close my eyes at
(Instrumental)
III my life._
[ -r
there you
ev - 'ry -where I went, seems I'd
.....,
Am
• 1) v
of some-one's
night
c
3
need-ed some-one to
Ev 'ry -thing I
5
F7
were __
been there
~ r
be-fore.
. :. . . . . . .
Am7 F13 F#dim
Words and Music by EDWARD HOLLAND,
LAMONT DOZIER and BRIAN HOLLAND
G7
- -
- II
G7
-
W 3
c rJ
3
there you
won-der-ing where would I be with - out
~7 Am'
un - der - stand my ups and downs;_
did was just a bore; _
c
L-3~
with sweet love and
But you bright en up for
de -
me
End Instrumental You were bet-ter to me than I
41. ~5
F7
vo - tion
all of my days_
was to my - self; _ for
Am ~/
deep -ly touch-ing my e-with
a love so sweet in
me there's you and there ain't
I
F7
i _"
F7 F#dim
mo - tion._ ! so man - y ways._ I
no -bod - y else._
c
49
want to
"1 Jft] I
stop
ba - by.
-
-
and thank you, ba - by; want _ to
F , I Dm
stop
F'; s.,
G7 c
- ; J 1119 ; J J IJ
How sweet it is ~_ to be loved by you.
F, .. '/! Dm G7 c
I ~ ; J p11J; J J IJ t -
How sweet it IS ~_ to be loved by you.
Dm G7 c
-
How sweet it IS ~_ to be loved by you.
and thank you,
-
1',2 G7
I
- : II
Repeat and Fade
- : II
42. 50
I LEFT MY HEART IN SAN FRANCISCO
11. 1.1 1. 11111 111111 :1111 II.I I.I .I ~III 11111. 11111 111111:1111 .- '. . . ..
C E~dim Om G7 A7
11. 1.1 .1 [.1 111 1IIIIrlili 1111111111 1111111111 111111'1111 . , . :. . . . . ... . . . ..
Cmaj7 E~dim7 Om7 G13 A9
1.1 .1 1111111 111.1 11.1.1 11 11111.1 ,.11 .1 1 11.1 11.1.1 111
Bm E7 Am 07
1.1.1 11.1 1111 111. 11.1!1. 11 11111.1 1. 1.1 1. 1111111111 . .,'
Bm7 E9 Am7 07
. ~:.! Renewed 1982) COLGEMS-EMI MUSIC INC
~ = ~~:s Reserved International Copyright Secured Used by Permission
Words by DOUGLASS CROSS
Music by GEORGE CORY
C'"l'.,.l' , Ebdim '-7 Dm
~! j3 ~~ 1 ~ j #F' ~
~
r' ---k
-iE ~ J
;P
II 1 1 1 , q I G7 c· ~ . -.' A7 Ebdim ,I f F ~ J ; II e 1/ ~ ~ r' D '> ----- ~
I left my heart In San Fran -
::'
Dm G7 Dm
~ ~ ;P
~, ~ I ~ J #J II
W I ----I
~ ---------
cis - co. High on a hill,
, - , J
G7 C., " ..
, G7
~ ~
~ r' ~
~) '-' F I j #J e ~ ~ 1 f.; ~~
it calls to me. To be where
43. 51
C,
'7
Bm i
~ ~ J J J ~ Je ~, ~ I ~ ~ J J r/~'I >-
..............
lit - tle ca - ble cars climb half - way to the stars
'f
'-, E7 Am' D7
~' 'r I
() /?'": IF r L. r #_0
D I
r' J1
the morn ing fog may chill the
~ ,.,
j,,'
G7 Dm G7 C'" , ,
~ ~, ~- ~ ; I J. --k ~) : e J '> ---- ----- air I don't care! My love waits there
cr f >:
A7 Ebdim' Dm ..
G7
~,=,: ~
r F I J1 J. £ I t J #J J ~
III San Fran - CIS - co, a - bove the
G7
!
Dm E7
~ ....-- --- l'r ~ ] If' II F F D I
e r F I
blue and wind - y sea. When I come
~
I
A7 D7
~ r:;o ---1 jJ ---1 ~ F I#r r F I r ~o I~ ~ .............. --
home to you, San Fran - CIS - co, your gold - en
Dm G7 C~
~ r ~ I r r ~ II I t II r'
sun will shine for me!
45. 53
C;, • i Dm, G7
$ ~ ~ ~ ad ~ ~ u IJ ~ I ---k '=:......... ~ .0
ski~ tried so not to give
C r> ".Fl .. ' / Fm'j
.J
3 3 $ I I I I I~ ~
~ I ~~ ~ ~ ~ ~ ~ e ~
in. I said to my self, "This af
I'~
G7 Cr,,~.1 $ b~ ;
~ ~ ---k 1#2. ---k ~ ~ .0 ~ I ~. ~
~
fair nev - er will go so well." But
Bm-' E7 A~'I
$ r---3~ r---3~
#~ j ~ J J J I#J ~ ---k .0 J #ffi l;p. #ffi J I
~
why should I try to re - sist when, dar - ling, I know so well
Dml ~
G7 Cry, ..... '·· J $J J
ill I j J~j ~j J J I -
V "IT
I've got you un - der my s km. '~
! •
Dml G7
$
vJ ~ J
r---3 ----r r---3 ----r r---3 ~
IJ J J J J J Ij J J ~ ~ I
I'd sac - n - fice an - y - thing, come what might, for the
C ,"(··:v , Dm7
r---3~ r--3~ r---3~ r--3~ r---3~ r---3~ $ 1 ~ ~ ~ ~ I ~ ~ ~ ~ ~ I j j j J
sake of hav - ing you near, in spite of a warn - ing voice that
46. 5 ...
G7 Cn ."t. "
--3~ ~3~ ~-'3~ ~3~ ~3~
-:l,mes m the night and re - peats and re - peats in my ear: __ _ "Don't you
--,
Am' Dm cd;; C/ .1,
~ ~ -k- r r r J ~ r 1'r r p -JJ e
---- ----- know lit tIe fool, you nev - er can WIll.
~
Dm! G7
w~ ~ -k- ~. -t- ~ ~ ~ -k-
p -JJ I ~ de r p -JJ
.............
Use your men - tal i - ty, wake up to re -
C FM~I"
~ -k J ~. ~ ~ J ~ ~ ~ ,J ~. ~ ~ ~ I I
>- C1 .............
al i - ty." But each time I do, just the
Fm: Cr" ,I, A7· ",
~ C- O r EJ I ~ k; J k; I .t) ;} .t) I J
thought of you makes me stop be - fore I be - gIll. 'Cause I've
,~
.~
Dm G7 C,·,·'
~ ~ I ~ -k-
-JJ J ;F I II
~ -e- -e-got
you un - der my s kIll. '~
49. 57
C Cmaj7
$ C' D C E EtE r F- -- E 7 D
face could launch a thou sand ships, _ then
world should stop re volv ing, spin ning
C7 F Fm
$ C ~~;;~ ~ ~ ~ D ~ ~ ;j= [j1r ~ t j I D F J
where am I to go? __ There's no one home _ but you._
slow - ly down _ to die, __ I'd spend _ the end_ with you._
C Fm G7 $,) taJW C' ~
D D I r ~ c1 I
~ b • ~
You're all that's left _ me to. And when _
And when_ the world _ was through then one _
Am A miG # A miG
$~r ,..........--.. D r ¥~f~v E D1F E 7'-'
I
~ J CJ ~
my love for life __ IS run - ning_
by one the stars __ would all_ go_
F Em A7
$ r ~ r I r- r t4r' E
dry, you come and pour your
out. Then you and I would
I'Dm G7 112Dm
$ r F I r ~ F ~ : II r E
self on me. If a slm ply
G7 C
$ €' ~
-a- ~'
I ~ II
fly a way.
50. 60
IN A SENTIMENTAL MOOD
11111. 1.1 .1 1.1 11111.1 1.1 .1 1 11.1 1.1 .1 1111 11111.1 11.1 1. 11. 1.1 1. 11111 111111'1. 111
G7 Am Dm A7 C Ab
11111. 1.1 111 1111111111 1111111111 1111111111 111111]111 1111111111 ~. . . . . . . . . . . .. . . . . . .
G7 Am7 Dm7 A7 Cmaj7 Abmaj7
1111.1 11.1 11 111111111.1 11111. 11111 1111.1 .1 1'. 111 1111.1 11111
Fm Bt>m Eb7 F7 Bbm7
1111.1 11.1 11 ~IIIIIIIII 11111.1 '1111 1111.1 1.1 '.1 111 1111111111
Fm7 Bbm7 Eb7 F7 Bbm7
- =.' ;~,:g 1935 (Renewed 1963) and Assigned to Famous Music LLC and EMI Mills Music Inc. in the U.S.A. Words and Music by DUKE ELLINGTON,
: :-.~ .~. ~he world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing) and Warner Bros. Publications U.S. Inc. (Print) IRVING MILLS and MANNY KURTZ
_.~.- ,,: :'1al Copyright Secured All Rights Reserved
mood, __ _
G7
N.C. ~
J J j J J II
In a sen - ti - men - tal
--,
Dm' c::f J J j J I j TJ j
I can see the stars come through my room, --
Am A7
~ ~; £ J J d J J I J f J ~J J I r' j
while your loy - ing at - ti - tud~ is like a frame that
-"/
Dnl G7
t-y ,'" i -,
C ..N.C. Am·
~ Q J '-
the gloom. On the wings of ev - 'ry kiss __ drifts a mel - 0 - dy so
51. 61
G7
strange and sweet, ___ _ III this sen - ti - men - tal bli~ you make my
A7 Dm i G7 C VYJq)'/ Abn1[ . Fm7
~ r' ~ I j J IJ ~ I ~ J~ ~ ~~ ~~ ~ 3 I
par a - dise com plete. Rose pet - als seem to fall, it's
Bbm7 Eb7 Ab n,cJ~! Fm 7
- -
all like a dream to call you mille. My heart's a light -er thing since
Bbmf Eb7 G7 N.C.
"IT
you made this night a thing di - ville. In a sen - ti - men - tal mood, __
G7
J8Jj I~
I'm with - in a world so heav - en - ly, ____ _ for I nev - er dreamt that
Ami A7 Dm G7 Cn,C." "i
~ ~
.. t: J J J ~J ~ I r' I ~ J II -&
~
you'd be loy - ing sen ti - men tal me.
53. $
-,
Am!
III
or
()
While
And
C#dim
love.
back.
such
cook
Dm'/
J
Ev
And
()
Sweet
We'll
-
F#dim
I
that
t
J
'ry
if
E7 Am
J l ~ .t) ) -e-the
trees a bove.
she'll get the sack.
G7 E7 Am
I ~ J j 3 : J I). J) J
all the world IS say ing you were meant
when I take a show - er she can scrub
G7ID G7 Cr.'CA) "1 Dml G7
~J J J J I; ). IJ J J J ;
Is n't
Is n't
G7
~ .t) l
a night
me on
G7
J J ;
note that's sung
we don't fight
G7
I ~
it
it
~ .t)
as
Ion
J
sym - boIs
help the
Fm'/,
,,1~ r" ~
will fall m
we owe to
IE
I
ro - man - tic, mere - ly to be young
ro - man - tic, on a moon - lit night
C"""'iQ "7 G7 C,)"
J I j J J J J I; ).
this?
soup.
J
IS
we
2
m
pop
CrY! c.,)~!
r
love
dear
Is n't it ro
Kid - dies are ro
C ,~t
'""'.::II.) I
I l
like a lov
soon will have
E7
3 j J I).
the moon - light, do
u la tion. It's
-, Am Dm!
r j d< : '>
""""""
per chance?
old France.
- man
- man
~ .t)
C7
I~o
tic?
tic.
er's kiss.
a troupe!
:1 ) l
you mean
a du
G7
r E
Is n't
Is - n't
mance? _____ _ Is - n't it ro - mance? _____ _
L
it
it
~ J1
for
my
J
on
she'll
that
ty
r
ro
ro
t
63
-
-
I
II
54. 64
IT'S ONLY A PAPER MOON
from the Musical Production THE GREAT MAGOO
111111111 1111111111 111111:1111 1111111111 11111111111
o 0 0 o 0 o 0 0 . . . . o 0 0
C C#dim Om G7 C7
11. 1.1 1. 1.1 111 1111111111 1111111111 1111111111 111111:1111 o 0 . . . . . .. .. . o 0 0
Cmaj7 Odim7 Om7 G9 C7
1111111111 111111 ill II 1111111111 IIIII[~III
o 0 • 0 . '. o. • il
• •
F 07 F#dim A7
1111111111 I11111 :1111 1111111111 11111111111
: . . . . 0 o • o • 0 o 0
Fmaj7 07 F#dim7 A7
c 1933 (Renewed) CHAPPELL & CO., GLOCCA MORRA MUSIC and SA MUSIC CO .
.:. Rights Reserved
Lyric by BILLY ROSE and E.Y. HARBURG
Music by HAROLD ARLEN
C~l')
$~~ 1 i C#dim Dml
(~
G7
Say, it's on - ly a pa - per moon_
Yes, it's on - ly a can - vas sky_
"; Dm/
l p r p I
sail - ing 0 - ver a
hang - ing 0 - ver a
C7 FtvA 'I D7
card - board sea, _ !
mus - lin tree,_
",
G7
~=r tr~r
- be - lieved_
11 J l D r #D I r ' E:r r'r E1 '~'I
but it would- n't be make - be - lieve _ if you _
II C.>.:~i ')
G7 112 C ""/ C7 FI)~lI . "''"J. j" F#dim !
" glr - :rr t F I r If
III me._ With - out your
55. 65
C ;, YC~' ~7 Dm' G7 C .. ,.,'i C7
$ )
F' t= ~ E I
~. ~ F' ~ I ~. F
love, it's a hon ky - tonk pa - rade. With
I r E E E 'E •
F,·,·,,'· F#dim C"" .. ",'i A7 $ F 'F I F' 'E •
J J
out your love, it's a mel - 0 - dy played In a
q
Dml "1
D7 G7 Cn -:' I C#dim G7
$ r r r r J ~ ~ E ~ I r E ) --
7 IE ~ J F
pen - ny ar - cade. It's a Bar - num and Bai - ley world, _
I .. ~
Dm' G7 C',:I' .i C7
$ r w
J ----k ;jj ~ ~ E J ----k ~ ~ #~ 7 I ~" ~ ~ 7 ;jj
I just as pho -ny as it can be,_ but it would -n't be
, '. },
F,. ';' D7 G7 C .'v,c;·f '
$ r E 7 """ l1'j'r ~~~ j~' II ~ r C1 ~ J
make - be - lieve _ if you __ be - lieved _ in me. __
56. 68
KANSAS CITY
111111 ill II 111111 ill II 111111:1111 111111:1111
• e. • • . . . . .. ' . . .
G7 F7 C7 C
1111.1. 1,1111 1IIIIIilili 11111111111 1111111111 .' . . . . . . . . . . .
G13 F13 C9 C7
~ . ::;52 (Renewed) JERRY LEIBER MUSIC, MIKE STOLLER MUSIC
and NANCY NATHAN GOLDSTEIN
Words and Music by JERRY LEIBER
and MIKE STOLLER ;. ==Ights Reserved
, ,", t'
G7 F7 C7 3
I'm go-in' to
j.J t
Kan -sas Cit - y, Kan-sas Cit - y here I come. __ I'm go-in' to
~ C EJ Jl · "1 )j j 1
Kan -sas Cit - y, Kan -sas Cit - y here I come. __ _ They got a
G7 F7 C7
cra - zy way of lov - in' there and I'm gon - na get me some. ___ _
3 C
1-
I'm gon -na be stand - in' on the cor - ner Twelfth Street and Vine._
pack my clothes, _ leave at the crack of dawn._
57. -
, I
.-'
3 F7
I'm gon-na be stand- in' on the cor- ner
I'm go - in' to pack my clothes_
69
- • J J Q J
Twelfth Street and Vine_
leave at the crack of dawn._
... ,
~~~ G7
- j ; ~ r E F ! ~ J I
~
F7 3
bot - tIe of
won't
C'
E E ~
Kan - sas __
know
f
F F'
Cit - y
where I'm
with m Kan - sas Cit
My old la - dy will
C7 J I~ I;
"-' ~.
wille. _________ _
gone. _________ _
C
••
- y
be
ba - by and a
sleep - in' an' she
'Cause
l!
Well I
if I
might take a train, _
stay with that worn -an,
I
I
might take a plane. _
know I'm gon - na die.
but if I have to walk
gotta find a brand new baby
I'm
and
goin' just the same. - l I'm go -in' to
that's the reason why. _
) ;.
k I • •
........
Kan-sas Cit -yo
, J
; .j
Kan -sas Cit - y here I
C"' G7
If rEF J j ~ J 1
() jJ .r1
•
come. ______ _ They got a cra - zy way of lov - in' there and
F7
J u "1 JU j 1
I'm gon -na get me some. _____ _ I'm go-in' to They got a
fEE F J j ~ J I J E2F"1 - II
"-.-/ ~
cra - zy way of lov - in' there and I'm gon -na
get me some. ______ _
59. 71
Cm Eb7
r--3~ r--3~
~ r ~r ~ • r ~ I r -ks (2" 7
~~. ~" -k- I
~JJ I
loye you, I love you, I love you, that's all I want to
need to, I need to, I need to, I need to make you
& A.b''!'>, I : G7 Cmf 7 JJ ~ ~ J f 3] J~ ~l ~ J J
90 F f.., ~
say. Un - til I find a way I will
see. Oh, what _ you mean to me un
~
G+ Cm"-I Ab rt (,~}!
~ ~ ~ ~ I ~ ~ • ~ I j J d
say the on - ly words know that you'll un - der
ti I I do, I'm hop - mg YOU will know what I
11 112
G G C Fm'/
~ : II I t ~ ~D ~ F"
1n
0 0
stand. mean. love you.
Bb Cdim G Cdim
~ ~o IJ J j J ~J bJ I ~J ~J ~~ J ~
( Instrumental)
G Cm")
~ I 3 I 3 I
~ ~J. 7 .t' I F ~r ~ F r ~ r b~
I == ~ I want you, I want you, I want you,
60. 72
E:J7 Ab rV',~ '/ G7 -t u
v ~~ J d I~o ~ J ,p b. 7 ,p •
~ I
I think you know by now, I'll get to you some -
~'}
Cm' G+ Cm'
~ 17J j J J J J J J J J ~ I I .t'
~
how, un til do, I'm tell - ing you, so
Ab .. ),cc~ ~'! G C Fm
~ j
j J ~J j j t h. I I I d
0
you'll un - der - stand; Mi chelle, rna belle,
Bb Cdim G Cdim
~
3
J J I; d #J j 1 J J j ; J d
sont des mots qm vont tres bien en - semble, tres bien en -
! G Cm G+ Cm;
~ 11[1 I~J J ~~ 1 2 7" ; J J J 7 I ~ ~~ )1
.;;emble. And I will say the on - ly words _ I know that
~
Ab" ~, . G C -
1 2 ; ~J ; J IJ t II )0
~ -&---- ----- . '~l' 11 un - der - stand, my Mi chelle.
62. 74
, B•? ' . DmlG I -k D ~ ---.. r r r f' F' :II 1 IE D D
'--"
cry - in' m the night, the night goes m to
2-4
DmJC Bb f" .1 I I
J ~ ~ ~ ... r ~ r ~ F F D r ~
1 F f' I ~
see a mem 'ry I nev - er re - a - lized how
up hill climb ing, the tears are m my mind and
face the morn ing, cry - ing on a breeze the
G7 C,; '-'r
~ ~ ~ -k ~ r r L E 7
F j L F , 1 1 r ~ F 7 ;j3 J
hap - py you made_ noth in' IS rhym mmge, 'l Oh, Man dy, well, you came _
pam IS call - mg. __
Am! F G
~=L ~ E fJ'D ~" ~ ~ ~
,
L r 7 L L E '>
~
and you gave __ with - out tak ing. But
G7 CiY',("f,', J
~ " L L p'J'r ~ E 7 ~ r r p F 'I ~ F 7 ~) J
sent you a - way. __ Oh, Man dy, well, you kissed _
Ami ~ : L E r F G
~ , r L E r 1'[ ~ ~ ~ ~ ~
j-me
and stopped _ me from shak mg, __ and I
To Coda -$-
G7 I'c".{/ '?
Am' F
~ • L
'."
r ~ ~ j
1
• ~ ~ 1 1 r- r r r" --- r EJ '--'
need OU to - day. _ Oh, Man - dy! ( Instrumental)
63. 75
r G7
~ ~ ~ ~ II J ~ ~ 3 J I ~ ~ E ~
I : II I'm
12 A 1 ~ ,I rm
Em' F
/ .......
I r I
~ r" r c J• r c J F I
Man - dy. (Instrumental)
Dm7 G7 D.S. al Coda
~=F" ~~~ r e
e
D I
I
II
CODA
~~ CIY~ ~-I Am F g- -=- 7 -=- r / ....... ~ F ? , F F c r r r r r F r 'I
Man - dy, well, you came_ and you gave_ with - out tak -
G7 C~'~j '/
- ing, but I sent _ you a - way. _ Oh Man dy, well, you kissed _
me and stopped _ me from shak
!
Am'
Ir F
you. (Instrumental)
- mg,
F
r F
G
- II
and I __ need
Repeat and Fade
FIG
65. $
$
$
$
can't __ _
mu
hat __ _
11 , ,
Em!
() ~
hand.
C"VII
'.,)
3
t F
You
Am!
3 3
un - der - stand __ _
sic I hear, __ _
from my glove, __
A7 Dmi
::=-:::---"
I r
,- 3
r E ~
can say that
I get
get
I'm too
~ "/
,J
G7
t
---,
~
you're
Dm'
J
mist - y
mist y
mist - y
f
Walk
Gm
I
be ~
lead - mg
77
, : To Coda -$-
G7
~~-3------'
Jl r F r
just hold - mg your
the mo - ment you're
and too much m
112
Cr. Fm
~ : II ()
my near.
~ ~
~~ r I
me on,
It F r r ~ I
but it's just what I want you to do._ Don't you no - tice how
F#m~? B7
I 3 e e r r r-----r
I
e r r f t ~
hope less ly I'm lost, that's why I'm f01 low - mg
.~
Em' A7 Dm I G7 CODA C:':_' Fm 7 C",· ......
D.S. al Coda -$- o~~ t Cg II $n :1 II ~ II I
you. On my love.
67. Fm':, C G7
.... ~ ,.
C7 Fm I
J J J f f fir' F If j J.
per - fect - ly will - ing to
mer - ry - go -round in a
swear
fair.
that
For
when you turned and smiled at me, a l
we were danc - ing cheek to cheek and a ~
h.1 ".,
C Am' Dm; G7 CAm'
night -in -gale sang III Berk - 'ley Square.
F#m B7
-
F#m B7
~ The moon that lin - gered 0 - ver
l When dawn came steal- ing up all
Lon-don
gold and
town, _
blue _
poor puz - zled moon, he wore a frown. How could he know we two were
I still re -mem-ber how you
F#~'
so in
smiled and
B7
love?_
said,_
to in - ter - rupt our ren - dez - vous,
G#m Dm G7 C Am
The whole damn world seemed up - side down. The streets of town were
"Was that a dream or was it true?" Our home- ward step was
, . " Em' C7 Fry'r:,,' E7 Am!
~3J~ r--3~
Fm C G7 C7 Fm'
paved with stars, it was
just as light as the
C Am
night-in -gale sang III
G7
such a ro -man- tic af - fair,
tap-danc-ing feet of As - taire.
Dm G7
and
And
as we kissed and
like an e - cho
1 Dm; G7
~~
Berk - 'ley Square. ___ _
Em' A7 Dm' G7 C
said good- night,!
far a - way,
a
"j
Am'
How Square.
93
~ I~, II
~
I know ' cause I was there that night in Berk - 'ley Square. ___ _
68. 104
SENTIMENTAL JOURNEY
11. 1.1 .1 11111 II.I III~III • i.
,~
C D7
11. 1.1 .1. [1111 11.1 111. :.11 11
C6 D7
. :~~ ,Renewed) MORLEY MUSIC CO. and HOLLIDAY PUBLISHING
: = ~~ts Reserved
c b $t 7 j j ) j.
Gon - na take
Got my bag,
$ 7 j J j.
gon - na set
spent each dime
Cb
1111111111 1111111111
• • ~l ~. • . . ; .
G7 F7
11111[1111 I 1IIIfili II
• .,!e • . . ~. .
G7 F9
1 ) I J J :
a sen - ti - men
I got my res
D7
,,1.... I : ~:
my heart at
I could af
1"c!'
F7
111111 ill II . . .
F
1111111111
-
-
-
• • e, •
Fmaj7
Words and Music by BUD GREEN,
LES BROWN and BEN HOMER
J ~ IE J.
tal Jour - ney,
er - va - tion,
G7
3~j
ease. _
ford._
$ 7 ~j j. I ~J J J J ---k j ) J J) ~.
Gon - na take a sen - ti - men - tal jour - ney
Like a child III wild an - ti - ci - pa - tion,
!
CO G7 C~)
$ 7 ~j -k J. ) IE I J ~J J J J :I ~
to re - new old mem 0 - nes._
long to hear that "AlI_ a - board." _
F,,·,··, '
~ ..... - ...... : - I P J ~. L F L F r' ~'
Sc - en. that's the time we leave at
69. 105
Cb
$ ,..
#J ~ ~. 1#- ~ J ~ ;P ~ ~. '>
/
~
sev - en, I'll be wait - in' up for
D7 $ .....-.... ~
#E 7 r " r I#r r r r ~F' Jl
Heav - en, count - in' ev - 'ry mile of
$ G7 ~ ,,1 ~ J. Jl ~
~ ~ J j D ~
I ~
rail - road track _ that takes me back. _
,
t: C-
$ -; : 1 l j I J J ~ J ~ , .t' J
Nev er thought my heart could be so "yearn - y,"
D7 G7 $ ~ l .... I ~ ~J -; 1, ;P J~j
why did I de - cide to roam? _
,
c '1
C F7 $ -; ~~ l I~J J ~ J --k j 1) IE ~.
Got ta take this sen - ti - men - tal jour - ney,
f
f
~ ~,
C G7 C $ 7 ~~ J -I-Ek J I : ~~ J J J II ~
sen ti - men - tal jour ney home. _
71. 107
I. G7
~ C p ~I,
I
ram, to a bIos -som coy - ered lane? __ And in your lone - ly flight, __ _
C7 A7 3
tJ ~fJ J J3 J
3
have- n't you heard the mu - sic in the night. ___ _ Won- der -ful mu - sic,
, I
Dm Ddim 3 Dm C7
faint as a "will- 0' the wisp," cra - zy as a loon, sad as a gyp - sy ser - e -
, i
t' ,,' ~
F#7 B7 E 'G7 Co G7 CO F~/
$ I~ ~~ #2 ~ ~, I ~ ~ ~J ~ ~ ~ ~ ~ I - ~ ~ ----
nad - ing the moon. _ Oh, Sky lark, I don't know if I can
C --
:::~) F}-",,"'td '-I CO --- ~ ~ ~ ~ J .- F~ I ~ ~ J J 1)1 J ~~ I '-" ~
! $ Em F(h~ C
'-" ~
find these things. But my heart is rid - ing on your wings,
I.
J , ' !
".', r',
$ D7 G7 C " G7 C'"
J J 9J j J J j I; ~. .. ~ ~r ~r I r' ~ II
v
so, if you see them an - y - where won't you lead me there?
73. 109
I chaffed __ them and gay - ly laughed __ to think they could
~j j I~o If a F~J J ~j &3
doubt my love. Yet to - day, my love has
$ Bbm Adim Eb7IBb Eb7 Ab !,-,Clj "
p a : J J ~1 3 I j j ~ '>
$ Fm' G7 C " c+ i'v'"'....::......~ f
Fr'~"'lJ , G7 ~ 0
flown a - way, I am with - out my love.
'--t ~1
C ~'~~~,,'" Am Dm'/ I G7 $ J J J J J I ~ J J J J
Now laugh - mg friends de ride, tears I can - not
Crn",>] c+ Ft.,." ' F#dim C~,:o,' " Am $ J
~ Jr E E Ie F I r j J I
~ ------ ~ ~ ~ II
hide. So I smile and say, "When a love - ly flame
Dm' G7 C;"(,, $ ~ ~ ~ iI J I;. ~ II
-e-
~ dies, smoke gets m your eyes."
74. 1 1 ~
SOPHISTICATED LADY
from SOPHISTICATED LADIES
1111111111 111111:1111 11111111111 111111,1111 · . . . ,. . . . . . . . 11.1 1.1 11111 111I1.1 i~ I.I I. 1111111.1 11 11. 1.1 1. rlill
07 G7 C Dm B~7 A7 A~7 C7
III~IIIIII 1111111111 111111'1111 11111[1111 1111111111 1111111111 1111111111 111111:1111
· . . . .. I. . . . . . . . . . . . . . .. . . . . .
09 G9 Cmaj7 Dm7 B~7 A9 A~9 C9
111111111 1111111111 1111111111 1111111111 1111111111 1111111111 1111111111 11111[1111
· . . . . . . . . .
B7 F#7 B G#m C#m Cdim F#m Em
1II11 ~III 11111111.1 1 1.1 11111111 111111.1 111 111.1 11.1 111 11. 111.1 1111 11111.1 11.1 1 1111111111 . . -: '.
B9 F#7 Bmaj7 G#m7 C#m7 Cdim7 Hm7 Em7
~ :. - ;~t :g 1933 (Renewed 1960) and Assigned to Famous Music LLC
,,~::: EMI Mills Music Inc. in the U.S.A.
= : -'0 'y the world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing)
"~J Warner Bros. Publications U.S. Inc. (Print)
Words and Music by DUKE ELLINGTON,
IRVING MILLS and MITCHELL PARISH
-- c - =- ~ onal Copyright Secured All Rights Reserved
'.'1 ,.,
D7 G7 Ch"'O,,!'! Dm G7 N.C.
~ i j ~ E r F fiE f r r r I (J" I ~ J ~~ J ~r II
"~'I ., They
Dm Bb7 A7 Ab7 G7 Ci.,·QI/ b v
~ j ~ E E f riC r #E ~E J I r?~'E F r f I
say __ in - to your ear - ly life ro - mance came, _ and in this
c~ i I
C7 B7 Bb7 A7 D7 G7 C,re:'!',
~ E #r ~r If I j = E r Ff iE f EIT r I r" r I
heart of yours burned a flame, _ a flame that flick- ered one day and died a -
, ) 1.:'(
C7 Dm Bb7 A7 Ab7 G7 C" ,., b ~
I j ~ E r f j I C r #E ~EJ I (~'E F F F I
a. Then, _ with dis - il - Iu - sion deep in your eyes, you learned that
75. ~
~
115
1
C7 B7 Bb7
i ~
A7 D7 G~
F
I !
fools In love soon grow wise. __ The years have changed you, some-how;
F#7
-
see you now ...
(' ... ,./ -"1
B Cdim I C#m
mor - row, non -cha -lant.
tyof "'I 7
B 'Cdiml Em
man in a res - tau - rant;
') -1
Bb7 A7 Ab7 G7
b~ ~ #F ~lJ
cat - ed la dy, I
C1
I
D7
~ - I / ......... E r FJ
go, and when no -
F#m'
q
G7
Brl'o.) '/ G#m' C#m F#7 j1J!iJ If #J~#C 90 I
Smok - ing, drink - ing, nev er think - ing of to-
") B r'I-a.j ,
- -7
G#m 7 C#m i F#7 Plrn If #J~#C 90 I
•
Dia - monds shin - ing, danc - mg, din - ing with some
F#7 Dm'
I~~C EFt I
is that all you real - ly want? No, __ so - phis - ti -
,,~, l [1 I
C C7 B7 Bb7 A7
F ~f ~f ~ I -- ........ ~ I ~;;J= I <::: f9 ~ ~ t I I- r-- I
know, you miss the love you lost long a -
C1
I '-1 G7 Cn--,OIJ I
Et • F r F I ----- 1 ~ II II r'
bod - y is nigh you cry.
76. 116
STAND BY ME
1 II II iii I II 11111111111 11111[1111 111111fll'll
. . . I
·I·~: • • • !,
"j. • • • f C Am F G7
I.I I.U .I ~III 1111111111 11111111111 111111[1111 i I . .. . : : . .. . . • • i~
C Am F G7
; . :;51 (Renewed) JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and MIKE & JERRY MUSIC LLC Words and Music by JERRY LEIBER,
:. :::l g'lts Reserved MIKE STOLLER and BEN E. KING
Am F
c Am
When the night __ has come and the land is
F G7
~ J. 11 Il J. J
dark and the moon ~ is the on - ly _~_ light we'll
1- fJlJ lJJjSI
see. No, I won't be a - fraid, no __ 1_
F G7
11 IJ 11 Il J. J ;11) J. J fa I
von't be a - fraid
~ ~ just as long as you stand, stand by
~
tJ J 7
~ ,p I J j F r I fJ J J I J ,kpJ.
me. So, dar - ling, dar - ling, stand _ by me, oh,_
77. 117
Am F G7
~ 1330] J I;. j I )1. ~ . J I ~ f ) J
stand by oh, stand, ~ me, stand by me,
Fine C 3
stand by me~ If the sea __ that we look up - on
Am F
~ ~ -; ... : J J I;. f=1 I ~ )1 IE J. ~ j
should tum - ble and fall, the .~ or moun - tam should
G7 C
~ I I ~ J~ J. ... ~ I ~. ..~ I ~ 11 - ~ ~ -e-crum-
ble ~
m the sea, I won't cry, I won't
~
Am
~. -IE k : : J J I J ;f1 I J. ;f1 I
cry, no I won't shed a tear just as
F G7 C D.S. al Fine
j F r II
~ ~
long as you stand, stand by me. So, dar - ling, dar - ling,
79. P I F :J £ J bJ J J.
dream -ing of a song? The mel 0 dy
you are In my arms. The night - In gale
$
$
$
11S
~. I .,
; ~ J J J J I:J :J :J r "1) fa j J ~ •
Love IS now the star dust of yes - ter - day, the mu - SIC of the years gone
Dm' C Cdim' G7
~3~
J J I
by.~ Some-times I won - der why I
side a gar - den
r C,·, . )
,
Dm' A7 Dm
and I am once a - gain with you,
of par - a - dise, where ros - es grew.
G+ : C,
j 2ld.
~ J#J I : 7 J ~~
and each kiss an In - SpI - ra tion.
J
spend
wall
when
Tho'
: ~ F I
()
the lone - ly night
when stars are bright,
Em' A7
I
• E j I t ~ J haunts my rev - er - ie,
tells his fair - y tale
our love was new,
I
D7
But that was long a - go: nO
, I D.S. al Coda
G7 Dm G1 C7
I J ~ g ] j. I ~ ~ I ~ ) ~Jl F
~ J d ~ :J ~
~
my con - so - la tion IS In the star dust of a song. Be
CODA
~
$ Fm CN~ '/
11 I:J :J
Am B7
F F •
dream In vain, __ _ in my heart it will re - mam; m
Ft"'· '" A7 G7 C I~' .• I
J J J J j.:J22J J J J J J ~ J ~ I I -e- -e-star
dust mel - 0 - dy, ___ _ the mem - 0 - ry of love's re - fra~
81. 121
G,1..'('(f
,
Cdim Dm G7-,I,-:
~
,J
F r ~ ~ ~ I ~ ~ ~. ~"~'~ I
P ~ I I i I
np - pIes by a nook where two loy - ers hide. A
A7 Dm
~ ~ o~~ r--3~
o If f f F I I f F f F I
great sym - phon - Ie theme, that's Stel - la by
Fm "
C"",::) ;'
~ r r c IF f r ~ F :;> 0 Dr r star light My
and not dream. ~ (Boy:) a
(Girl:) She's
, ,
F#m' B7 Em A7
~ .........-: 0 l'r ;I; r F I~ J j J J 0
.............: ~
heart and a gree she's ey - 'ry
all of these and more she's ey - 'ry
Fm G7 - ,-S C(l'.~~
~ t111 ~ ~~ ~ J ~. II ] 1/ ~ :s;:: 0
---=:::::::::: ----- thing on earth to me.
thing that you'd a dore.
82. 122
11.1.1.1 11111 11111.1 -.'1 .1 1
C Am
11.1 .1 1.1 .1 1111 11111.1 1.1 .1 1.
Cmaj7 Am7
STORMY WEATHER
(Keeps Rainin' All the Time)
from COTTON CLUB PARADE OF 1933
11.1 1.1 1. :1111 11111. 1.1 .1 1.1 111.1 .1 1]111
Dm G7 C#dim
11.1 1.1 .1 1.1 11 1111.1 1.1 .1 1.1 111.1 .1 11111
Dm7 G7 C#dim7
111111 :1111 1IIIIIi1111 . . f. . . .
F Em
1111.1 1. :.11 .1 1 111.1 1. 1.1 .1 11
Fmaj7 Em7
- . ~33 (Renewed 1961) TED KOEHLER MUSIC and SA MUSIC CO.
~ ::; ;;hts for TED KOEHLER MUSIC Administered by
::::;:::0 AHLERT MUSIC CORPORATION
Lyric by TED KOEHLER
Music by HAROLD ARLEN
~ ::; Jilts Reserved
~
Don't know why
~
weath - er. __
weath - er. __
Dm
bare,
G7
~ ~l d ~ J
keeps rain - in' all
So wear - y all
-.
Dm
p J I #J J
there's no sun
gloom and mlS -
Dm G7
IJ J J J J
Since my man and I
Just can't get my poor
G7
~ J #J ~J p
#J
up in the sky, storm
'ry ev - 'ry - where, storm
Cr ... ·.' Am
~
ain't to - geth - er, __
self to - geth - er. __
11 C Am Dm G7
~ I~i I; ~ ~ • j. ; #J ~ ~
the time. Life
the
Dm G7
~
J
- y
- y
J
is
time. the time, __ so wear -y all the time. __
I
: II
83. 123
F:. _ ..
When he went a - way the blues walked in and met me. If he stays a - way old rock - in'
~ C"
j. JiJ.
F, C
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chair will get me. All do is pray the Lord a - bove will let me
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walk in the sun once more. Can't go on, ev - ' ry - thing I had is gone, storm -y
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weath-er. __
time __ _
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Since my man and I ain't to - geth - er, __ keeps rain - in' all the
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keeps rain - in' all the time. ______ _
85. 125
Er" F#~ , B7 E7 A7' :
$ #D F' I F' #D #r ---- Or ~ r II r' D F
tas stare and ca - bal - Ie - ros sigh. And I've
" .
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seen toasts to Tan - ger - me raised m
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ev - 'ry bar a - cross the Ar - gen - tine. Yes, she
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has them all on the run but her heart be - longs to just one. Her
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heart be longs to Tan ger ine.
86. 130
TILL THERE WAS YOU
from Meredith Willson's THE MUSIC MAN
11. 1.1 1. [1111 111.1 1.1 :1111 11.1 1.1 . 1 11111 1111.1 11.1 111 1.I IIIrlill
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11.1 .1 1.1 .:1 111 111.1 1. 1,1111 1IIIIrlill 1111111111 111111:1111 . . . '." . . . .
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11111. 1.1:.1 1.1 1111.1 .1 1.1 11 111111.1 1111 111111[1111 1111111111 :. . . . . . .
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~ '950, 1957 (Renewed) FRANK MUSIC CORP. and MEREDITH WILLSON MUSIC By MEREDITH WILLSON
:. Rights Reserved
I Cn-"<;;""j ') C#dim
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There were bells on the hill, but I
birds in the sky, but I
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nev - er heard them nng - mg. No, I nev - er heard them at
nev - er saw them wmg - ing. No, I nev - er saw them at
9 Dm'7 II C <>'OL' I G7 3 "
~ I ~g J J j I 31 ~ ~ J ~ : II e ~ ----- all, till there was you. There were
all, till there was
2
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H)U. And there was mu - sic and
87. 131
,
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I I ~r ~r ~r I there were won - der - ful ros - es, they tell me, in
t ,:",
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sweet fra - grant mead - ows of dawn, and
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dew. There was love all a - round, but I
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nev - er heard it smg - mg. No, I nev - er heard it at
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all till there was you.
88. 132
TRY TO REMEMBER
from THE FANTASTICS
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1111111111 11111111111 11111111111 111111' III 11111111111 1111111111 111111]111
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: _ .' ;;~: '91960 by Tom Jones and Harvey Schmidt Words by TOM JONES
: = .' :'It Renewed Music by HARVEY SCHMIDT
- ':: =~I & Co. owner of publication and allied rights throughout the world
"-".':: Jnal Copyright Secured All Rights Reserved
~-; -7
Cr<J~j ~1 Am' Dm $1 F' D F I F r I J. ~ F Jl J
Try to re mem ber the kind of Sep -
Try to re - mem - ber when life was so
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I ~ I r tern - ber when life was slow and
ten - der that no one wept ex
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oh so mel - low._ Try to re
cept the wil - low._ Try to re
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mem - ber the kind of Sep - tern - ber when
mem - ber when life was so ten - der that
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grass was green and grain was
Jrc?ams were kept be side your
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cl - low._ Try to re mem - ber the
pi! - low._ Try to re mem - ber when
89. 133
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kind of Sep tern ber when you were a
life was so ten der that love was an
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ten der and cal low fel - low. __
em ber a bout to bil low. __
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Try to re mem ber and if you re
Try to re mem ber and if you re
lIe,
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mem - ber, then fol - low._ Fol - low, fol - low,
mem - ber then
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fol - low, fol - low, fol - low, fol - low, fol - low, fol - low.
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fol - low._ Fol - low, fol - low, fol - low, fol - low, fol - low,
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fol - low, fol - low, fol - low, fol low.
90. THE WAY WE WERE
from the Motion Picture THE WAY WE WERE
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I
.. :-3 I Renewed 2001) COLGEMS-EMI MUSIC INC.
~ ::; ;:'11s Reserved International Copyright Secured Used by Permission
Words by ALAN and MARILYN BERGMAN
Music by MARVIN HAMLISCH
en ~.!9 Em
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1 >- ...........
Mem - 'ries
pic - tures
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Mist - y wa - ter
smiles we gave to
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ere.
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- col - or
one an
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FIG
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light the cor - ners of my mind.
of the smiles we left be - hind,
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mem - 'ries of the way we
- oth - er for the way we
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Scat-tered were. __ _
91. 137
Em
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Can it be that it was all so sim - pIe then, or has time re - writ - ten ev - 'ry
A7 Dm D~e G7 en' ,,"~I cr
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line? If we had the chance to do it all a - gam, tell me would we?_
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Could we? _ Mem 'ries __ _ may be beau - ti - ful and yet,
1
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what's too pain - ful to re - mem ber ___ _ we sim - ply choose to for -
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get. So it's the laugh ter we will re -
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mem - ber, when-ev -er we re - mem - ber the way we
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were; the way we
o 0 II
~ were. _____ _
93. 139
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Oh, but you're With each word your
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ten - der - ness grows, _ tear ing my fear a
,
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part, and that laugh that
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wnn - kles your nose touch - es my fool ish
CODA
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...............
heart.
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m·gt. _~_h__
95. 143
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-e-cool
III the warmth of the sun. When I gIve my heart
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it will be com - plete - ly, or I'll nev - er give my
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heart. And the mo - ment I can
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feel that you feel that way too, IS
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when I fall in love with you.
