Louis Treserras (French, 1958)1

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2. Louis Treserras claims to be a self taught painter. He is neither photographer, nor painter, nor poet, he is an Artist. A contemporary artist with a highly classical technique, characteristic of the uncompromising self-taught artist. For 30 years he has been painting young and mysterious female models. His rigorous approach to artistic composition would almost compare to a science, like mathematics. His style remains however poetic an intimist, with a very distinct and soft range of colors. We no longer know if they are paintings or photos, everything is imbued with delicacy and an unmistakable finesse, little moments of suspended dreams. Louis Treserras also teaches at the academie at Aubenas en Ardéche Gallery Porte heureuse
3. Louis Treserras (French, 1958) Ecole de danse 2011 115x300 2
4. Berit & Louis Treserras Exposition du 10 au 27 novembre 2021 en Galerie de Lyon
5. Louis Treserras (French, 1958)
6. Louis Treserras (French, 1958) P1 2018 100x60cm
8. Louis Treserras (French, 1958) Prune et sa jumelle fantasmée 116x89cm P2 2018 100x70cm
9. Le ballet 100x90 Louis Treserras (French, 1958) La prof de danse
10. Louis Treserras (French, 1958) Nora 100x70cm
11. Louis Treserras (French, 1958) Ecole de danse2 200x220cm Ecole de danse1 100x70cm
12. Louis Treserras (French, 1958) Ecole de danse Alice 120x120cm
13. Louis Treserras (French, 1958) Duo 80x80cm L2 90x30cm
14. Cabine 36 Louis Treserras (French, 1958) Après l'orage 80.1 x 70.1 cm
15. Louis Treserras (French, 1958) Une horindelle a fait le printemps
16. Louis Treserras (French, 1958) Un jour comme un autre 116x89cm
21. Louis Treserras (French, 1958) La libellule Justine 60x60 cm
22. Louis Treserras (French, 1958) Laetitia Huile sur bois 50x50cm
23. Louis Treserras (French, 1958) Margot 2 50x50cm
28. Louis Treserras (French, 1958) Work in progress
31. Anne 70x30cm (fragment) Louis Treserras (French, 1958) Elisa 50x50cm
33. Louis Treserras (French, 1958) Le mystère non encore élucidé de ta beauté
34. Louis Treserras (French, 1958) Angèle
35. Au réveil 64x55cm Louis Treserras (French, 1958) La petite Anglaise 90x70cm
36. Louis Treserras (French, 1958) Apparition 100x90cm Marie (fragment)
37. Coline 1- 65X54cm Louis Treserras (French, 1958) 50x50cm
38. Louis Treserras (French, 1958) Elise 1 50X50 cm
39. Louis Treserras (French, 1958) Elise 80X80 cm
40. Louis Treserras (French, 1958) Elise 80X80 cm
41. Louis Treserras (French, 1958) Un dimanche chez Margaux 80x80 cm
42. Louis Treserras (French, 1958) Un dimanche chez Margaux (fragment)
43. Louis Treserras (French, 1958) Portraits de Melle Lauralou Abattu
44. Louis Treserras (French, 1958) Les yeux de Margaux 80x40 cm
45. Louis Treserras (French, 1958) Mona Laura Lou
46. Sound: Operatica - Mon Amour Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu https://www.slideshare.net/sandafoisoreanu https://ma-planete.com/michaelasanda 2022

Editor's Notes

Maestro Lino Tagliapietra at Schantz Galleries
Lino Tagliapietra’s career is defined by a dedication to workmanship, innovation, and collaboration. Born in 1934 on the renowned glass-blowing island of Murano, Italy, Tagliapietra began his apprenticeship at age 11 with Muranese master Archimede Seguso from whom Tagliapietra achieved the status of Maestro Vetraio by the age of 21. For over forty-two years, Lino worked in various for-profit Murano factories including Vetreria Galliano Ferro, Venini & Co., and finally as the Artistic and Technical Director of Effetre International (1976-1989). Tagliapietra has been an independent artist since 1989, exhibiting in museums around the globe, receiving countless honors, openly sharing his far-reaching knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. As James Yood, adjunct professor of art history at the School of the Art Institute of Chicago and regular contributor to GLASS magazine wrote, “there are probably no two words more respected and honored in the history of modern sculpture in glass than ‘Lino Tagliapietra’; he is the living bridge, the crucial link between the august history of Venetian glass and the ceaseless wonders of what today we call the modern Studio Glass Movement”, (to read more of this essay, refer to Dalle Mani del Maestro, Lino Tagliapietra.)
Lino Tagliapietra has been featured in numerous solo exhibitions and is represented in a global assortment of museums and art institutions, including: Bellevue Art Museum, Bellevue, WA; Bergstrom-Mahler Museum of Glass, Neenah, WI: Venice Biennale, Italy; Carnegie Museum of Art, Pittsburgh, PA; Chrysler Museum; Norfolk, VA; Colby Museum of Art, Waterville, ME; Corning Museum of Glass, NY; The Danish Royal Museum, Copenhagen, Denmark; Glasmuseum, Ebeltoft, Denmark; Hokkaido Museum of Modern Art, Sapporo, Japan; M.H. de Young Memorial Museum, San Francisco, CA; The Metropolitan Museum of Art, New York, NY: Mint Museum of Craft and Design, Charlotte, NC; Musée des Arts Décoratifs, Losanna, Switzerland; Musée des Arts Décoratifs, Paris, France; Museo del Vidrio, Monterrey, Mexico; Museum of Arts and Design, New York, NY; Museum Boymans, Rotterdam, The Netherlands; Museum of Glass, Tacoma, WA; Museum Het Paleis, The Hague, Netherlands; National Museum of Ceramic Art and Glass, Baltimore, MD; Orlando Museum, FL; Palazzo Franchetti, Venice, Italy; Palazzo Grassi, Venice, Italy; Palm Springs Art Museum, CA; Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C.; Seattle Art Museum, WA; Shanghai Museum of Glass, China; Stanford University, Palo Alto, CA; Tokyo National Modern Art Museum, Japan; and the Victoria and Albert Museum, London, UK.

Louis Treserras (French, 1958) Un jour comme un autre Huile sur toile 116X89 cm

Louis Treserras (French, 1958 La libellule Justine Huile sur toile 60x60

Callas with Francesco Albanese, Tenor

Louis Treserras (French, 1958)1

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Louis Treserras (French, 1958)1

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