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Media Coursework Q5

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Media Coursework Q5

  1. 1. HOW DID YOU ATTRACT/ADDRESS YOUR AUDIENCE? Jacob O’Neil
  2. 2. Genre  For our film we used the mob genre which is a subgenre of American crime films dealing with organized crime, often specifically with the Mafia. Especially in early mob films, there is considerable overlap with film noir.
  3. 3. Genre  For our film we used the mob genre which is a subgenre of American crime films dealing with organized crime, often specifically with the Mafia. Especially in early mob films, there is considerable overlap with film noir. Film noir is the cinematic term for Hollywood crime thrillers from the early 1940’s to the late 1950’s
  4. 4. Film noir is the cinematic term for Hollywood crime thrillers from the early 1940’s to the late 1950’s Genre  For our film we used the mob genre which is a subgenre of American crime films dealing with organized crime, often specifically with the Mafia. Especially in early mob films, there is considerable overlap with film noir.  For our film we really looked up to some other films that have really been at the top of the Mob genre for
  5. 5. Genre  Crime stories in this genre often highlight the life of a crime figure or a crime's victims or they glorify the rise and fall of a particular criminals, gang, bank robber, murderer or lawbreakers in personal power struggles or conflict with law and order figures, an underling or competitive colleague, or a rival gang
  6. 6. Genre  Crime stories in this genre often highlight the life of a crime figure or a crime's victims or they glorify the rise and fall of a particular criminals, gang, bank robber, murderer or lawbreakers in personal power struggles or conflict with law and order figures, an underling or competitive colleague, or a rival gang  Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films
  7. 7. Genre  Gangster/crime films are usually set in large, crowded cities, to provide a view of the secret world of the criminal: dark nightclubs or streets with lurid neon signs, fast cars, piles of cash, sleazy bars, contraband, seedy living quarters or rooming houses
  8. 8. Genre  Gangster/crime films are usually set in large, crowded cities, to provide a view of the secret world of the criminal: dark nightclubs or streets with lurid neon signs, fast cars, piles of cash, sleazy bars, contraband, seedy living quarters or rooming houses.  Exotic locales for crimes often add an element of adventure and wealth. Writers dreamed up appropriate gangland jargon for the tales, such as "tommy guns" or "molls."
  9. 9. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory
  10. 10. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes through
  11. 11. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes throughEquilibrium
  12. 12. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes throughEquilibrium Disruption of Equilibrium
  13. 13. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes throughEquilibrium Disruption of Equilibrium Recognition of the Equilibrium
  14. 14. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes throughEquilibrium Disruption of Equilibrium Recognition of the Equilibrium Attempt to repair the damage
  15. 15. Narrative  For our film we focused on following Tzvetan Todorov’s Equilibrium Theory  This follows the idea that throughout the duration of the film the ‘Equilibrium’ or the normal is always out of sync, there are 5 stages that it goes throughEquilibrium Disruption of Equilibrium Recognition of the Equilibrium Attempt to repair the damage New Equilibrium

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