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DANIEL
LIE
portfolio 2016
Nylon strings, six ravenala
madascariensis plants, a crys-
tal quartz. 10 m X 4m X 7m.
This installation placed in
Tomie O...
Detail, two weeks after the
opening of the show.
daniel lie time trinity edp award’s show
tomie ohtake institute
são paulo...
Time process in the work,
time gap between pictures is
around 3 weeks.
daniel lie time trinity edp award’s show
tomie ohta...
Detail, crystal quartz
suspended by nylon strings
and the installation from a
different point of view, from
the entrance o...
Scrotum, in Portuguese Escro-
to, has a double connotation
in Brazil. In one side the
source of male life, reproduc-
tion....
The installation was entire-
ly suspended by pressure
clamps that were attached to
the sealing structures.
daniel lie scro...
Central structure made by met-
al chain, fruits, metal hook,
rope and a smoke quartz.
This structure counter bal-
anced wi...
Two jackfruits, a crystal
quartz, nylon and pulleys
were placed in a system of
balance. The quartz had the
same weight of ...
Detail, two months after the
opening of the exhibition.
daniel lie transitory gallery
redbull station
when my father donat...
Empty coconuts taken from
the garbage of the beaches
of Rio were placed in a scale
system.
The initial balance between
the...
Project Trilogy is composed
by three simultaneous solo
exhibitions from may to august
of 2015 in São Paulo city.
“Meus Sen...
12 wreath of white flower,
12 easels paintings, tropical
fruits, metal chain, metal
hook, metal clamps and ropes
6 meters ...
View from above and detail.
daniel lie meus sentimentos oficina cultural oswald de
andrade
são paulo, brazil, 2015
Installation in distinct periods
of time, until the collapse of
the structures - two months
and a half after the opening
o...
Lie Liong Khing is the ar-
tist’s first solo show at Casa
Triangulo gallery. The title of
the exhibition is an homage,
mea...
Guilhermina - Esperança
2 plants philodendron bipinna-
tifidum, dyed ropes in gradient
from yellow to red, turmaline
miner...
Five objects in the 1o floor of
the gallery.
From left to right: “Condomí-
nio II”; “Transição”; “Honesti-
dade, Objetivo ...
View from the exhibition and
detail: “My pussy is my pow-
er”. Leather jacket, plastic,
picture, agate, obsidian.172
x 22 ...
10 plants philodendron bip-
innatifidum, 2 tropical fruits
totens (1 vacuum sealed, 1
air sealed), 1 structure with
green ...
Fruit toten, each segment
was plastic sealed and
central structure with green
coconuts.
daniel lie annual program of exhib...
All the structures of the instal-
lation are hanging from the
sealing of the Cultural Center,
these pictures above shows
t...
Once a week, through a
pulley system the plants are
lowed and cultivated. After
the exhibition they started to
permanently...
Rotten show is an installation
that had spetaculous and
rituals features,
The process of the work was
finished with a perf...
Wax devotion objects, sisal
rope and, on the right,
plastic
sheet, sisal rope, iron pan
with smudging amazon herbs,
Açaí l...
Plastic sheet, sisal ropes, palm
tree leaf, rotten fruits, 100kg
of açaí seeds.
belém do pará, pa, br, 2015daniel lie 34th...
Plastic sheet, sisal rope, iron
pan with smudging amazon
herbs, Açaí leaf, rotten fruits,
fresh fruits, Açaí seeds, and,
o...
The installation was exposed
for the period of two months
and a half. At the beginning
the organic matter was rotten,
at t...
55 San Pedro cacti, hemp ro-
pes and fabric, dirt and adobe
paste (catch in the venue and
manure of runners horses).
Insta...
Installation view and installa-
tion prototype.
Ca.Sa. ,yungay district,
santiago, chile, 2016
daniel lie we take on, from...
Finishing of the creative pro-
cess of the work at the exhi-
bition opening. The last step
in the work was to cover the
st...
Detail of the installation after
the adobe covering.
Ca.Sa. ,yungay district,
santiago, chile, 2016
daniel lie we take on,...
daniel lie lindinalva and the balm ccbb.música.performance 4
Installation/performance
made as a homage to the
95 years of ...
90 green coconuts, metal
chain, sisal ropes, Lemom-
grass, Snake Plant, flowers
and Aloe Vera. Dimentions
8m X 1m.
daniel ...
Detail of the performance with
the removal of flowers from
the installation and opening
of the coconuts to deliver for
peo...
Lindinalva at the work.
daniel lie lindinalva and the balm ccbb.música.performance 4 centro cultural banco
do brasil, são ...
In Daniel Lie’s practice time
is the central pillar of his
reflection. Since the oldest
and affective memory - brin-
ging ...
2014 - “Expo 14/15” Bolsa
de Arte, São Paulo/BR.
“9th
Residency Redbull Station
Exhibition,” Redbull Station,
São Paulo/BR...
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portfolio daniel lie english version

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daniel's lie portfolio, with his art works that include perfomance, visual arts, installations and sculpture

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portfolio daniel lie english version

  1. 1. DANIEL LIE
  2. 2. portfolio 2016
  3. 3. Nylon strings, six ravenala madascariensis plants, a crys- tal quartz. 10 m X 4m X 7m. This installation placed in Tomie Ohtake Institute had as elements the nylon strings, the traveler’s tree (ravenala madascariensis) and a crystal quartz. Each element em- bodied a specific time: the organic time with the plants, the inorganic time with the quartz and the manufactured time, with the nylon. To enhance the organic time the plants were hanged from the celling of the space and left there with no water, dying with time, as an offering. daniel lie time trinity edp award’s show tomie ohtake institute são paulo, brazil, 2014
  4. 4. Detail, two weeks after the opening of the show. daniel lie time trinity edp award’s show tomie ohtake institute são paulo, brazil, 2014
  5. 5. Time process in the work, time gap between pictures is around 3 weeks. daniel lie time trinity edp award’s show tomie ohtake institute são paulo, brazil, 2014
  6. 6. Detail, crystal quartz suspended by nylon strings and the installation from a different point of view, from the entrance of the hall. daniel lie time trinity edp award’s show tomie ohtake institute são paulo, brazil, 2014
  7. 7. Scrotum, in Portuguese Escro- to, has a double connotation in Brazil. In one side the source of male life, reproduc- tion. In other side, a strong coursing, which means a dishonest person. The plants and objects chosen for this work had a relation with the male world, like the monstera deliciosa plant who is popularly named in Portu- guese as “Adam’s Ribs”. In this installation the plants are cultivated within the pe- riod of exhibition but the fruits are left to rot. The pulleys that gives the installation a balan- ce, are there to enhance the changes of time. As soon as the fruits roots the installation changes its structure. The installation was showed for the period of three months. daniel lie scrotum 9th residency redbull station são paulo, brazil, 2014
  8. 8. The installation was entire- ly suspended by pressure clamps that were attached to the sealing structures. daniel lie scrotum 9th residency redbull station são paulo, brazil, 2014
  9. 9. Central structure made by met- al chain, fruits, metal hook, rope and a smoke quartz. This structure counter bal- anced with the other elements of the installation by a pulley system. Side view and detail of the smoke quartz. daniel lie são paulo, brazil, 2014scrotum 9th residency redbull station
  10. 10. Two jackfruits, a crystal quartz, nylon and pulleys were placed in a system of balance. The quartz had the same weight of the fruits. With the passage of time the jackfruit rot and lost weight. Thus the work changed it’s initial configuration. This work has a relationship with the personal histories of the artist. Two jack fruits, nylon, crystal quartz mineral and pulleys. daniel lie transitory gallery redbull station when my father donated a kidney são paulo, brazil, 2014
  11. 11. Detail, two months after the opening of the exhibition. daniel lie transitory gallery redbull station when my father donated a kidney são paulo, brazil, 2014
  12. 12. Empty coconuts taken from the garbage of the beaches of Rio were placed in a scale system. The initial balance between the opposite sides was shifted when the fruits started to perish, thus altering it’s initial position. daniel lie abre alas 11 gentil carioca gallery speculation of the coconut price II: annual tax reajustment rio de janeiro, brazil, 2015 View and detail: two ladders, a piece of wood, rope, metal chain, industrial plastic seal, brazilian flag made of trans- parent plastic, empty coco- nuts, 2,60 x 2,23 x 60 cm.
  13. 13. Project Trilogy is composed by three simultaneous solo exhibitions from may to august of 2015 in São Paulo city. “Meus Sentimentos” at Oficina Cultural Oswald de Andrade,“Covenant with the Future” at Centro Cultural São Paulo and “Lie Liong Khing”at gallery Casa Triângulo. The position of the three shows formed a triangle in São Paulo city. In the pictures, details of the fruit totens of each show, in which had a growth progres- sion, from left to right the sizes are 1,5m, 3m and 4,5m. daniel lie project trilogy são paulo, brazil, 2015
  14. 14. 12 wreath of white flower, 12 easels paintings, tropical fruits, metal chain, metal hook, metal clamps and ropes 6 meters of diameter X 4m. daniel lie meus sentimentos oficina cultural oswald de andrade Meus Sentimentos is a sen- tence that is communally used when someone passes away. It is expresses compassion and sympathy towards the ones that are related with the deceased one. Meus senti- mentos means in English “My Fellings.” são paulo, brazil, 2015
  15. 15. View from above and detail. daniel lie meus sentimentos oficina cultural oswald de andrade são paulo, brazil, 2015
  16. 16. Installation in distinct periods of time, until the collapse of the structures - two months and a half after the opening of the exhibition. daniel lie oficina cultural oswald de andrade meus sentimentos são paulo, brazil, 2015
  17. 17. Lie Liong Khing is the ar- tist’s first solo show at Casa Triangulo gallery. The title of the exhibition is an homage, meaning the name of the artist Indonesian father. The exhibition is composed by the installation Guilhermi- na-Esperança and by a series of objects developed from his personal collection of objects. Frontal view of the exhibition. daniel lie casa triângulo gallerylie liong khing- individual são paulo, brazil, 2015
  18. 18. Guilhermina - Esperança 2 plants philodendron bipinna- tifidum, dyed ropes in gradient from yellow to red, turmaline mineral, tropical fruits vaccum sealed, sacs of oranges, metal chain, metal hook, pulleys, plastic sheets, reflexive tape. The central Toten rots in spa- ce, the plants are cultivated. Installations size: 4,5m X 7,5m X 3m. daniel lie casa triângulo gallerylie liong khing- individual são paulo, brazil, 2015
  19. 19. Five objects in the 1o floor of the gallery. From left to right: “Condomí- nio II”; “Transição”; “Honesti- dade, Objetivo e Intenção”. View from the exhibition and detail: “Honestidade, Objeti- vo e Intenção”. Opal, wood, ametist, gold leaf, picture, reflecive tape, rope, metal hooks, plastic. 109 x 66 cm. daniel lie casa triângulo gallerylie liong khing- individual são paulo, brazil, 2015
  20. 20. View from the exhibition and detail: “My pussy is my pow- er”. Leather jacket, plastic, picture, agate, obsidian.172 x 22 cm. daniel lie casa triângulo gallerylie liong khing- individual são paulo, brazil, 2015 Five objects in the 1o floor of the gallery. From left to right: “Memory Stick ou Pau de memória”; “My pussy is my power”.
  21. 21. 10 plants philodendron bip- innatifidum, 2 tropical fruits totens (1 vacuum sealed, 1 air sealed), 1 structure with green coconuts, 2 structures with minerals( turmaline e dark quartzo), ropes, metal chains, metal hooks, pulley sistem, plastic sheets, reflexive tapes. View from the library floor of the cultural center, approxima- ted dimensions 25m X 30m X 20m. annual program of exhibi- tions, centro cultural sp daniel lie convenant with the future são paulo, brazil, 2015
  22. 22. Fruit toten, each segment was plastic sealed and central structure with green coconuts. daniel lie annual program of exhibi- tions, centro cultural sp convenant with the future são paulo, brazil, 2015
  23. 23. All the structures of the instal- lation are hanging from the sealing of the Cultural Center, these pictures above shows the smoke quartz and black turmaline structure that are hanging at the library level. daniel lie annual program of exhibi- tions, centro cultural sp convenant with the future são paulo, brazil, 2015
  24. 24. Once a week, through a pulley system the plants are lowed and cultivated. After the exhibition they started to permanently live in the gar- dens of the Cultural Center, this plant is Brazilian native and was already part of the landscaping original plans.
 Partial view of the installation. daniel lie annual program of exhibi- tions, centro cultural sp convenant with the future são paulo, brazil, 2015
  25. 25. Rotten show is an installation that had spetaculous and rituals features, The process of the work was finished with a performance with the public, at the open- ing there were smudging, a fruit banquet, strobe lights and pop music. Throughout 2 hour the artist did a performance carrying a 15kg stone that was placed in the work at the end. The work started with rotten fruits that were discarded by supermarkets and 150kg of discarted açaí seeds ( a native Brazilian fruit). Installation placed between six columns of the museum patio. 34th arte pará belém do pará, pa, br, 2015daniel lie rotten show
  26. 26. Wax devotion objects, sisal rope and, on the right,
plastic sheet, sisal rope, iron pan with smudging amazon herbs, Açaí leaf, rotten fruits, fresh fruits, Açaí seeds. daniel lie 34th arte pará belém do pará, pa, br, 2015rotten show
  27. 27. Plastic sheet, sisal ropes, palm tree leaf, rotten fruits, 100kg of açaí seeds. belém do pará, pa, br, 2015daniel lie 34th arte parárotten show
  28. 28. Plastic sheet, sisal rope, iron pan with smudging amazon herbs, Açaí leaf, rotten fruits, fresh fruits, Açaí seeds, and, on the right, sisal rope and a 15kg rock collected at the island of Cotijuba, localted at the Amazon area, near Belem do Pará. belém do pará, pa, br, 2015daniel lie 34th arte parárotten show
  29. 29. The installation was exposed for the period of two months and a half. At the beginning the organic matter was rotten, at the end of the show the seeds in the fruits grew and became plants. belém do pará, pa, br, 2015daniel lie 34th arte parárotten show
  30. 30. 55 San Pedro cacti, hemp ro- pes and fabric, dirt and adobe paste (catch in the venue and manure of runners horses). Installation resulted from resi- dency on Espacio Nave. After the exhibition was finished all the cacti were donated to the residents of Yungay district. 5m X 11m X 1m. Ca.Sa. ,yungay district, santiago, chile, 2016 daniel lie we take on, from now on espacios revelados/ changing places
  31. 31. Installation view and installa- tion prototype. Ca.Sa. ,yungay district, santiago, chile, 2016 daniel lie we take on, from now on espacios revelados/ changing places
  32. 32. Finishing of the creative pro- cess of the work at the exhi- bition opening. The last step in the work was to cover the structure with adobe paste. Ca.Sa. ,yungay district, santiago, chile, 2016 daniel lie we take on, from now on espacios revelados/ changing places
  33. 33. Detail of the installation after the adobe covering. Ca.Sa. ,yungay district, santiago, chile, 2016 daniel lie we take on, from now on espacios revelados/ changing places
  34. 34. daniel lie lindinalva and the balm ccbb.música.performance 4 Installation/performance made as a homage to the 95 years of age of the artist grandmother Lindinalva, from Pernambuco/Brazil she was a migrant and raised a family with more than 40 persons in Sao paulo City. At the performance, the installation was disassembled and the components of it were offered to Lindinalva and the public. centro cultural banco do brasil, são paulo, br, 2016
  35. 35. 90 green coconuts, metal chain, sisal ropes, Lemom- grass, Snake Plant, flowers and Aloe Vera. Dimentions 8m X 1m. daniel lie lindinalva and the balm ccbb.música.performance 4 centro cultural banco do brasil, são paulo, br, 2016
  36. 36. Detail of the performance with the removal of flowers from the installation and opening of the coconuts to deliver for people present at work. daniel lie lindinalva and the balm ccbb.música.performance 4 centro cultural banco do brasil, são paulo, br, 2016
  37. 37. Lindinalva at the work. daniel lie lindinalva and the balm ccbb.música.performance 4 centro cultural banco do brasil, são paulo, br, 2016
  38. 38. In Daniel Lie’s practice time is the central pillar of his reflection. Since the oldest and affective memory - brin- ging family and personal stories - until the time of things in the world; the period of a lifetime, and the duration of the states of the elements. Through installations and objects, using the things as they are, he bases the work on concepts related to per- formance art - an art based on time , ephemerality and presence. To highlight these three instances, elements that have the time contained in itself are set in the space as installations such as plants, rotting fruits and minerals. In his research, the look is facing tensions between science and religion, ancestry and present, shamanism and everyday life. The visual artist , Indonesian - Pernambuca- no , lives and works in São Paulo . biodaniel lie 2016
  39. 39. 2014 - “Expo 14/15” Bolsa de Arte, São Paulo/BR. “9th Residency Redbull Station Exhibition,” Redbull Station, São Paulo/BR “EDP Award Tomie Ohtake” - Institute Tomie Ohtake, São Paulo/BR. “Laço”, Paço das Artes, São Paulo/BR. “Transitional Gallery” - Redbull Station, São Paulo / SP. “Collective” - Tofiq House, São Paulo / SP. “SP in the Street” - installation made in downtown São Paulo/BR. “Ten / propositions” - Hussars space. São Paulo/BR 2013 - “Feira Parte” - gallery 103- Paço das Artes. São Paulo/BR “Projecto Multiplo “ - Centro Cultural São Paulo, São Pau- lo/BR. 2012 - “30th Bienal de São Paulo - Closing / Voodoohop”, St. Paul/BR. “Lote”, Institue of Artes at São Paulo State University. São Paulo / SP. “Laço”, Paço das Artes, São Paulo/BR. “Para todos”, Liceu de Artes e Oficio, São Paulo/BR. “Fabrique à Rêves, Le 6B, Saint Dennis, France. “NEO-TROPICALISM: Brazil- ian art in constant mutation,” Space Camp and Furnace, Liverpool / England. “Fusion Festival”, Müritz Air- park, Larz / Germany. daniel lie 31/05/88 São Paulo/SP Praça Franklin Roosevelt,128, apto 802 – Consolação SP/SP - (11) 99205-9745 liedaniel.art@gmail.com www. cargocollective.com/liedaniel Solo Exhibition 2015 – “Lie Liong Khing”, Casa Triangulo gallery, Sao Paulo/BR. “Covenant with the Future”, Centro Cultural São Paulo, Sao Paulo/BR. “Meus Sentimentos”, Oficina Cultural Oswald de Andrade, Sao Paulo/BR. 2011 - “Âmago”, Institute of Arts at São Paulo State Universi- ty, São Paulo/BR. Group Exhibitions 2016 – “Tropicalypse Now!”, Kampanagel, Hamburg/ Germany. ”All quiet, all for the best” - Projeto Brasil, Hellerau, Dresden/ Germany . ”CCBB.Música.Performan- ce4”, Centro Cultural Banco do Brasil, São Paulo/Brazil. ”Espacios Revelados”, Santia- go/Chile 2015 – “One plus One”, Lubomirov/Angus-Hughes gallery, London, UK. “34o Arte Pará”, Pará State Museum, Belém do Pará/PA. “Abre Alas 11”, A Gentil Cari- oca gallery, Rio de Janeiro/BR. são paulo, brasil, 2016 portfolio design by rosa laura rosalaura.contato@gmail.com resumé “Nova Contemporary Culture Festival” Casa das Caldeiras/ MIS Museum of Image and Sound, São Paulo/ BR. “nós-moçada” - TAZTU” Centro Cultural São Paulo, São Paulo/ BR. “nós-moçada # 2”, Ateliê Veredas, São Paulo/BR. “nós-moçada # 1”, Casa Con- temporânea, São Paulo/BR. 2011 - “GIRA” Pears Del Olmo, Buenos Aires, Argenti- na. “] ENTRE [“, Institute of Arts Gallery, São Paulo State Uni- versity. São Paulo/BR. “Monica Nador with shared authorship,” Pavilion of Brazil- ian Cultures, São Paulo/BR. 2009 - “Workshop of Engrav- ing” Oficina Cultural Oswald de Andrade, São Paulo / SP 2008 - “Poesis Line”, Institute of Arts gallery, São Paulo State University, São Paulo / SP. Education 2014 - 9th artistic residency Redbull Station. 2013 – Teaching Degree in Fine Arts, São Paulo State Uni- versity (UNESP), São Paulo/BR. Residency 6B, Le 6B, Sant Denis / France. Residency LOTE – Fazenda da Serrinha, Braganca Paulista/ BR. 2011 – Bachelor’s in Fine Arts, São Paulo State University (UNESP), São Paulo / SP. Experiencia Itaú Cultural, coor- dinated by Paula Braga, Itaú Cultural, SãoPaulo/BR. 2009 – Etching Residency, Eliane Santos Rocha’s Studio, Porto Alegre / RS. Working Experience 2014 - Coordination of Project “Voodoohop na Xepa da Coruja”, Oficina Cultural Oswald de Andrade Work- shop. Part of project “Nossa Voz”. São Paulo/BR. Costume design for the play “Tragedy: A Tragedy” at SESC Pompeia, São Paulo/BR. Costume design for perfor- mance “BIOMASHUP” directed by choreographer Cris Duarte, Casa do Povo, São Paulo/BR. Costume design for perfor- mance “JAMM 1MM” for opening the SESC Campo Limpo, São Paulo/BR. Artist assistant for El Hadji Sy for 31st Biennial of São Paulo, São Paulo/BR. Artist Assistant for Leda Catun- da (since 2010) . Artist of collective Voodoohop (since 2010). Cultural producer of the Casa do Povo space. São Paulo/BR (since 2013) . 2013 – Fine Arts trainee in school Oswald de Andrade - São Paulo/BR. 2012 - Educational Cultural Action - Centro Cultural São Paulo, São Paulo/BR. Scientific Initiation Scholarship by PIBIC and CNPQ, São Paulo State University, São Paulo/BR. 2011 - Assistant in the assem- bly of the work “Fusca” for artist Sergio Romagnolo for the fair SP.Arte. 2009 - Etching Studio Monitor for the Institute of Arts, São Paulo State University, São Paulo/BR.

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