1997Rodrigo Antezana Patton[DOOM]A spec-script based on the world renowned computer game. I wrote it in 1997, finished it in April.
D O O MApril, 1997by Rodrigo Antezana Patton1. INT. SITUATION ROOM -WHITE HOUSE -NIGHTIts dark inside, the room is filled with high officials they are watching something on a Tv. Theirfaces are grim, all are worried. Fear can be seen in all, the president looks like thinking solutions.1A. INSERT -TV IMAGESoldiers are shown fighting for their lives. Their faces are disfigured by their desperate shouting.1. BACK TO SCENECLOSE ANGLE the worried face of the president2A. INSERT -TV IMAGESoldiers are still shouting firing intensely1. BACK TO SCENEThe growls of creatures are heard, more intense shooting and a final scream.2B. INSERT -TV IMAGEThe face of an IMP appears on the full screen for an instant.1. BACK TO SCENEA man rises and turns off the Tv. Lights come up.GENERALThats all weve got Mr. President.PRESIDENTAny news since?GENERALNot from them, and we havent sent anymore scouts.PRESIDENTI understand(Pause). Call(to an officer) the Russian president tell them its an emergency. Get meall the NATO heads quickly. (His orders are strong yet he doesnt seem to have much confidenceon their possibilities)2. EXT. NIGHTMARE -FIELD NEAR ALIEN PYRAMID -NIGHTunclear image of: A man is running. Some kind of laser hits him and dies. The face of an angryIMP appears for a brief second.3. INT. MILLERS APARTMENT -MISS COLTONS GUEST HOUSE -MORNINGJONATHAN MILLER wakes ups suddenly from a nightmare. Sweating and highly agitated. He
has a simple white t-shirt and a crucifix around his neck. Father FRANK is sitting besides his bed.MILLER is a tall well build man.F. FRANKYou were screaming again, my son. Miss Colton grew nervous and called me.MILLERIm all right, Father. It was only a nightmare.F. FRANKFreshen up, Ill wait for you outside.Father Frank leaves the room, Jonathan goes to take a shower, a look at the room shows a sternhabitation. Pictures tell us Jonathan used to be a soldier.4. INT. HALLWAY -MISS COLTONS GUEST HOUSE -MORNINGMiss COLTON was outside the room waiting.M. COLTONHe was screaming Father, yelling things about demons, and cried out of getting away fromsomething. He got me scared, it would be best if he leaves.F. FRANKMiss Colton, please, I sent this man to you, not for the price of the room, but for your patience. Beeasy on him, miss Colton, he carries a heavy burden of pain.5. EXT. DEPOSITS DOORWAY - MORNINGMiller is lifting big sacks of flour from a van to the deposit.F. FRANKYou could make this job easier on yourself Jonathan, move the car a little.MILLER now wears bluejeans, a simple white T-shirt and the crucifix around his neck.MILLERI can use the,...humph!...exercise father.F. Frank just raises his shoulders.F. FRANKIts the third day of this dream, what do you think it means?Miller continues to work lifting and carrying the flour sacks, throughout the conversation.MILLERI would rather not think about it, father, it probably doesnt mean anything.
F. FRANKYet you scream in fear from it.MILLERI’m not denying it’s... humph!... scary. It frightens me, but that doesnt give it any meaning, doesit?F. FRANKIt seems to me it’s getting worse.MILLERIt is.(Miller nods, very serious)F. FRANKWant to hear what I think?MILLER(Miller leaves one sack of flour on the deposit. His arms relaxed over the pile of flour sacks) Idont mind, father.F. FRANKI believe your dream is your self punishment for your mistakes in the war.MILLERThere werent any demons in the war, father.F. FRANKThose demons represent the fear you have of being punished for your mistakes. You must stopfeeling guilty about it, as a soldier you knew nothing could be done.MILLER(He gazes into nothing, remembering actions past.) No father, I couldve tried.6. EXT. HELICOPTERS -SUNDOWNThree helicopters hover over the horizon. Its 1991 the war of the gulf.7. INT. AIRBORNE HELICOPTER -SUNDOWNWe see MILLER leading a SEAL team into a mission inside Iraq.8. EXT. LANDING ZONE -SUNDOWNThe helicopters do not touch the ground, the soldiers begin to jump out of them. They gather amoment around MILLER.MILLERThe targets are 6 miles from here, you know what to do, Lets go!9. EXT. DESERT AREA -NIGHT
It is very dark, only shapes are seen from the people. We see a lot of fire mostly from AK-47, andM-16 machine guns. A lot of shouting in iraqi arabic can be heard. V.O. from radios speakenglish. A tank can be heard approaching. We see some people trying to escape, firing back asmuch as they can, running real fast in the rocky desert. Everything is shown as in dream, a bit slowand not all sounds right.SOLDIER 1(Radio V.O.)[...] wrong intelligence, much more soldiers[...]MILLERRoger group one, we are under attack too, head for evac, ASAP.SOLDIER 1(Radio V.O.)[...]negative, negative, way is blocked, way is blocked. Too[...]MILLERRoger group one. Just, leave any way you can, cant get air support, they would get them too.SOLDIER 1[...] roger leader, we will be at emergency LZ, good luck[...]MILLER tells his mean to spread, and they run. Further ahead he sees one of his men fall, rushesto carry him. After grabbing him continues to head for the Landing Zone, at about two hundredmeters away from the LZ, MILLER is spotted by a Tank. The soldier he is carriying has eitherdied or fainted, MILLER cant climb with him, to take cover of the tank, and decides to leave him,climbs the hill and reaches the LZ...10. EXT. LANDING ZONE -NIGHTCLOSE UP of MILLER at the edge of the helicopter, looking towards the fire sounds. Thehelicopters lifts up.11. INT. HEADQUARTERS ROOM -DAYMILLER is standing dressed in full uniform.COMMANDER(V.O.)(Monotonous voice of someone reading.)[...]and its therefore that the marine corps acceptJonathan Millers, mayor of special SEAL forces, resignation[...] FADE TO BLACK CUT TO:12. INT. BAKERY KITCHEN -CHURCH -DAYWe see several people working preparing the most varied range of bakings, from cookies to cakes.Most of the people are religious but some are plain workers. MILLER is preparing a dough tryingto clear his mind from all things.12A. INSERT -BAKING TABLEWe see the dough MILLER is preparing....
CUT TO:12b. INSERT -BAKING TABLECLOSE UP, MILLER toys with the dough until it reaches a humanoid silhouette.It changes suddenly to an IMP.12. BACK TO SCENEMILLER retreats from it violently, the CHIEF COOK sees this and approaches MILLER.MILLER cools and returns to his work, but...CHIEF COOKJonathanan, you dont seem so well, it seems to me you can use some rest and fresh water.MILLERYeah, but...CHIEF COOKCome on, I dont want you sick, go get some rest.(All said in a very gentle, friendly tone.)Miller nods...MILLERThanks.... and leaves.13. INT. TV ROOM -CHURCH -DAYIts a room with a Tv. for working people, no cushioned sits, some bare tables, and a big freezerclose to one of the walls. However all people inside are near the Tv. some sitting others standing,about 8 people in all.REPORTER 1 (V.O.)[...]this is the image of the Russian nuclear satellite that has fallen on the Wyoming area...13a. INSERT -TVWe see the picture of a nuclear powered Russian satellite.14. EXT. WYOMING AREA -TV IMAGE -DAYWe see hundreds of people evacuating, most on their own cars, but some on military trucks withfew personal belongings. There is a lot of soldiers, and Hummers.REPORTER 1(V.O.)People is being evacuated in a very large radious from the satellites touch down. According torecent information it did not destroy on the atmosphere, and therefore no radiation was leaked onits way down. The russian president stated that Russia would run with all expenses, how isbankrupt Russia going to do it? Is a question in all minds. (Pause)The following towns are being currently evacuated[...]
13. BACK TO SCENECLOSE UP, MILLER seems to get nervous. CUT TO:15. EXT. OUTSKIRTS OF TOWN CLOSE TO ALIEN PYRAMID -MILLERS MENTALIMAGE -DAYWe see a blury image of people being escorted out of their town by IMPs and DEMONs. Theyreall scared, some are crying, children are among them. A little, young, blond blue eyed girl isamong them, BLONDIE.13. BACK TO SCENEMILLER begins to seem weak, all around him turns into a blur. we faint with him.16. INT. MILLERS APARTMENT -MISS COLTONS GUEST HOUSE -DAYJonathan awakes with Father Frank at his side.F. FRANKAre you sick, Jonathan?MILLERNot that I know.(Still dizzy.)F. FRANKI know youre healthy and strong, Jonathan. (Pause) What is wrong? Do you want a doctor?MILLERNo (Coming back to himself.). For the first time in a long while I know what I need to do.F. FRANKWhat?MILLERI have to go somewhere?F. FRANKYou cant leave now, not like this.MILLERI have to, father. It seems so clear, Its only a hunch, but Ill follow it. Ill come back if it turns outto be nothing.17. EXT. WYOMING ROAD -DAYWe see MILLER driving a jeep, there is some people going against his direction, but not thatmany. He is still away from the evacuation area.MILLER(V.O.)For my sake I hope it is something.
F. FRANK(V.O.)Where are you going?MILLERSomewhere. I thought I needed peace, so I came here. Maybe peace isnt what I needed. CUT TO:18. INT. TV IMAGEWe see a news reporter talking to the camera, on the background there is a caravan of private cars,and one military truck carrying civilians, however the caravan is constantly checked byHUMMERs filled with armed to the teeth soldiers.REPORTER 1I have got more bad news for the citizens of Wyoming it seems the russian satellite did break onthe atmosphere and a lot of radioactive was leaked at high altitude, therefore the Military isextending the ratio of evacuation.The reporter goes to a frame to one side. The studio Reporter appears, female caucasian.REPORTER 2Sorry to hear that. Well be back to you Michael.(Reporter one nods, he dissappears, instead of him the frame changes to a man giving anstatement, its the Russian predident)Now well hear President Yegorovs latest statement.19. INT. DUMA -TV IMAGEWe only see an old man talking in Russian to a microphone, he seems more frightened thanregretful.YEGOROV(In Russian)We hear the voice of the translator.TRANSLATOR[...] Being a mistake of the… our government, it is us, who must pay the damages caused to theUnited States, they must not fear because we will remain true to this compromise. Already... someof our finest scientists are on their way... to help... the former enemy turned friend. That is theofficial position of the Russian government.(Yegorov nods and leaves the stage, he seems very nervous)YEGOROVS CLOSE UP, this guy is in quiet panic.20. EXT. Wyoming ROAD 2 -DAYMILLER finds a large caravan of cars going on the opposite direction, some people look at himwith suspicion.A guarding Hummer comes to him quickly.Jonathan stops, a soldier jumps out of the Hummer.
SOLDIER 1Look sir the area youre heading for has been declared unsafe, you cant go on.MILLERLook, Im here to help.SOLDIER 1Sir, the only way you can help is by leaving.MILLERWhat exactly happened here?SOLDIER 1Dont you hear the news? A russian satellite fell on our heads and there is a radiation leak.MILLERShouldnt you leave also.SOLDIER 1Sure, after all the people is safe. Now, please remove your vehicle.Jonathan nods prepares to join the caravan. A military truck passes by, CLOSE UP of a blondeblue eyed girl on the truck, she is sobbing, very sad. WE return to face MILLER, he has seen thegirl, looks down and moves ahead to join the caravan, however by the look on his eyes whiledriving we know he has made up his mind to see what has happened. FADE TO BLACK CUT TO:21. EXT. WYOMING COUNTRY -NIGHTWe see Millers car arrive, his lights are turned off, he sees a well covered place, parks his car,walks down and continues to move on, we see he is carrying a gun.21A. EXT. FURTHER UPMiller comes over climbs a hill and on the other side sees...22. EXT. AREA NEAR ANOMALY -NIGHTIts an overview of a valley, about two miles from where Miller stands there is a show of lights,you can hear the explosions of tank shells and helicopter rockets, plus weird lights coming fromthings on the ground. We can only see the light show, some lights are clearly alien to ourtechnology.-------Helicopter incident, cockpit trying to get away from the alien fire is finally caught by one ofthem.23. EXT. NEAR TOWN CLOSE TO ANOMALY -NIGHTJonathan is able to approach a tent Close Command Post, the attention of the guards is directedelsewhere. Through a hole he sees what is inside.CLOSE UP of his face watching inside the tent.
24. INT. CLOSE COMMAND TENT -NIGHTWe see two bodies of Imps placed on metallic tables, no one is attending at them.A MAYOR is talking to someone by radio.MAYOR[...]Yes sir, the special NASA team managed to enter the pyramid, but there hasnt been anycommmunication since... no there is no jamming at all... perhaps the structure itself absorvesradiowaves, or theyre dead... Im afraid so sir, a nuclear attack is our only chance, the area is cleanof civilians and all troops can be out of the danger zone in twenty minutes, well destroy the aliensurvivors afterwards... understood sir, well begin to leave now[...]23. BACK TO SCENEJonathan walks away, deciding to leave since everything will be smoke in half an hour. Movessome steps away, and suddenly an image comes into his mind...25. INT. PRISON -ALIEN PYRAMID -MILLERS MENTAL IMAGE -DAYThe blonde, blue eyed girl is struggling against her captors and IMP holds her strongly, she wearschildish pants, she is crying other people are being held captive too, theyre being placed into somesort of vertical, slightly bent inwards, transparent coffins, there are rows of them in this room.23. BACK TO SCENEHe falls to his kneels shocked by the image on his head. He is sad and afraid, but turns towards thepyramid.26. EXT. AREA NEAR ANOMALY -NIGHTThe place has burns of the fighting. However most of the fighting is beyond a hill. A man appersover the hill and hes inmediately struck by a ray beam, red in color, and falls near Miller, heapproaches the dying man.MILLERThe people of the town, where are they?SOLDIER 2Who are you, what are you doing here?... leave.MILLERThe people?SOLDIER 2Captured, taken inside...that thing.(The soldier faints.)Miller grabs the body. Carries him until he hears human voices.Lies the body on the ground.
MILLERHelp!...Help!27. INT. OUTPOST -AREA NEAR ANOMALY -NIGHTSome soldiers hear the shouting and leave the tent to help.26. BACK TO SCENEMiller is taking all the weapons and munitions the soldier has, then he sees the soldiers are comingand leaves. The soldiers see the body.SOLDIER 3Over here!(To soldier 2) You will be all right man, help is on its way. (Takes a closer look,CLOSE UP of soldier 2, he is unconcious).Miller grabs a backpack from one of the dead, and grabs more cartridges, three times, as he movesforward.28. EXT. BATTLE -AREA NEAR ANOMALY -NIGHTA REVENANT throws a plasma ray out of a bionic implant on his arm.We see the plasma charge head for a tank and scores a near miss. The tank fires back and hits theREVENANT blowing it to pieces. Others REVENANTS follow the tanks path with beams andfinally destroy the tank. There is a lot of fire from IMP rays, and M-16, M-60 machine guns. Theman are firing from covered positions, except those following the tank, the IMPs move fast andfire fast taking cover randomly.29. EXT. ENTRANCE PATH -FRONT OF PYRAMID -NIGHTThe floor looks like dirt squashed flat into slabs. Near the entrance there are only two IMPs, theyseem distracted, Miller sneaks on them and kills both without much trouble.MILLERThat wasnt so hard.Aproaching the IMPs Miller sees that the creatures have an incrusted backpack, a cable comes outof it up to a bionic implant on their right hand, through which they fire.30. EXT. ENTRANCE TO THE PYRAMID -NIGHTThe entrance looks very alien, it has two columns before the gate. The gate is opened. Miller takescover in one of the columns takes a glimpse inside and moves inside.31. INT. ENTRANCE CIRCLE -ALIEN PYRAMID -NIGHTThe first chamber is like a circle, and has five separate ways, all heading inside the pyramid, thegate is at the other end making the circle slightly flat on one side. On the floor there is a smallstream of a white, shining, thick liquid. The stream is covered with grated slabs, the stream seemsto be everywhere.As soon as he enters, Miller hears a sound of footsteps. Takes cover on a blind spot. Two creaturesenter the circle, they are a pair of ARMED GUARDs (HEAVY WEAPON DUDEs), but theyretotally black, unlike those on the game. The sight on their helmets shows a human, yet, soulless
look. The creatures leave the pyramid.Miller enters one of the paths, the first to his right.32. INT. CROSSWAY -ALIEN PYRAMID -NIGHTThe stream is a thin line of white in all hallways, and corridors. Miller carefully approaches acrossway. The corridors mix the dantesque and hellish with high technology. On the crosswaythere are two IMPs and one ARMED GUARD. One of the IMPs sees him and shouts, theARMED GUARD turns to shoot at Miller, killing the IMP on its way. Miller hits the ground andfires killing the ARMED GUARD. Taking a look at it, Miller sees its only an empty casket, withsome strange machinery in it. The noise made by the firefight, brings sounds of excitement fromthe left side, Miller heads onward.33. INT. DOOR SECTION -ALIEN PYRAMID -NEAR DAWNMiller moves carefully, trying to hear any threat. Walks up to a door, looks around. Suddenly thedoor OPENS, the gate moves upwards really quick. Miller only has time to turn around, moveaway a Little, and look at the appearing figure. The new creature is obscured by the camera angle,it moves after Miller has turned, and gets it into FOCUS.The creature is a man, wearing a special suit, with a Backpack and a modern looking helmet. Thesuit is burned in several places, and seems very fit for battle. We see the NASA signs plus theamerican flag on his shoulder and breast pocket. He has a modern looking machine gun. Thehelmets sight allows to see his face.34. EXT. TOP OF PYRAMID -NEAR DAWNSeveral IMPs, ARMED GUARDs and REVENANTs are handling a weapon with excitement,several miles above the earth an atomic warhead is about to reach destination. The weapon, sort ofdish with a welded gun, beams a ray to the warhead, it then falls harmlessly to earth.33. BACK TO SCENENEW GUYWho the heck are you!MILLERCall me Doom.NEW GUYIs that a code for something? Are you even supposed to be here?DOOMI doubt youre authorized. Lets move on.35. INT. HALLWAY -PYRAMIDNEW GUYAre you being followed?DOOMMaybe not, but Im not going to risk it.
NEW GUYHow did you get in?DOOMSame as you, through the front door.NEW GUYCut the bull man, what are you doing here?DOOMIt would take too long to explain, all you need to know is that Im here to help. (Pause) Where isthe people of the nearby town?NEW GUYThey are on the third level, placed inside some transparent coffins, with cables on their heads. Iwas on my way to look for help to try rescue them, on the way out my team and I runned into acouple of two legged bulls, (shakes his head) I dont know if someone else made it. Without help itwill be impossible to get the people out.DOOMWell have to try without any help.NEW GUYDamn, why?!(he stops)DOOMThis area was scheduled for a nuclear attack, if Im not wrong the missile already hit us. It mightnot have made an impact on the pyramid but the land outside is probably radioactive. So, we areall this people have.NEW GUYAre we suppose to take them out so that they can die from the fallout, instead of whatever theyredoing to them.DOOMWe could leave the radioactive area quickly, there will be some effects but at least they will bealive. Are you in, or are you out?NEW GUYDoom, thats you, right?DOOMI am now.NEW GUY(Moves his sight upwards) Im lieutenant Michael Corman. I have something you might like.
(Corman shows Doom a holographic map of the pyramid, its an alien gadget. It looks like aminiature round stereo, one end seems fit for an alien socket.)You know, this invasion bridgehead also seems to be a depot of some sort, the place is filled withweapons and gadgets, placed in between the walls. Some are easy to understand like this map, butI wouldnt risk touch other things. In case you want one (Gives a map to Doom)DOOMThanks. Wont you show me how to use it?CORMANSure, (They take cover behind a broad column) Its easy. Theyre simple function buttons, it seemsthose dumb beasts are only pawns. The green button turns it on.35A INSERT -HOLOGRAPHIC MAPThe pyramid is seen, like in an x-ray. Lines red, violet and yellow.CORMAN(V.O)Those buttons (We see a cross of four) move the center, this goes to upper levels ( , the centerimage moves up and down, the pyramid has five levels) those... to the sides ( , moves slightlyto left and right). Once you have centered it you push the blue button (We see the button) and itenlarges the area, up to ten square meters.35B BACK TO SCENEView of them together, seeing the holomap.DOOMOk, now show me where the people is.35C INSERT -HOLOGRAPHIC MAPCorman moves the center to the third level, south side (Right) a big chamber that has rows of longboxes.CORMAN(V.O)(We see his finger pointing out the direction) This is it. There are two ways to get in, east or west,none is guarded but first we would have to get there.DOOMHave you checked both ways?CORMANNo, Ive only seen the western path.DOOMSomeone has to check the other way... Ill do it, either way will be new for me anyhow.
CORMANThat makes sense. After we get there, what do we do?DOOMOnce there well figure what to do.CORMANGreat plan.DOOMI dont think we have many options. The people could come up with ideas.CORMANLets hope they can be set free.DOOMLets hope.They stand, shake hands.DOOMSee you there.CORMANSee you, and good luck. (Doom turns to follow his path, Corman grabs him quickly) Wait, (Pause)whatever you do, dont shoot the sleepers.DOOMSleepers?CORMANBig creatures, mummy like, they seem asleep inserted into the wall, but dont try anything againstthem, theyre some sort of alarm devices, and have a cry so powerful it can knock you out.DOOMThanks for the warning... see you at the prison. (They raise their arms in salute to each other, andquickly leave)36. INT. HALLWAY 2 -ALIEN PYRAMID -DAYDoom speedily walking through it, but alert and careful.37. INT. ARCH VILE PLACE -ALIEN PYRAMID -DAYDoom comes to a place where there is an ARCH-VILE, with its hands crossed over its chest. Likesleeping on a rocky place inserted into the wall. The ARCH-VILE is gray in color, unlike that ofthe game. It doesnt seem to be aware of whats happening around it. Doom faces it with his gunpointing at it, with his back to the wall. Doom moves through the hall.
When hes nearly out, says:DOOMSome alarm system...38. INT. HALLWAY X -ALIEN PYRAMID -DAYDoom goes on. Always alert.39. INT. HALLWAY WITH SECRET -ALIEN PYRAMID -DAYDoom is moving, when he sees a red big bright button, pushes it and part of the wall slides to theside, revealing a deposit of: EXO-ESKELETONS for the Armed Guards, and the modern lookingmachine guns they have (It is not a gatling-like machine gun, as those in the game, it looks like athick M-16); plus, ANTI-RADIATION suits. Doom wears the ANTI-RADIATION suit, it isntdifficult to do so. He also grabs three alien machine guns, as many as he can carry. At the End of the Hallway there is a door, hes going for it, when it slides open. Notknowing what to do, he just faces the wall besides the door, concealing the guns between his legs.Two BARON-KNIGHTs (Like either BARON of HELL or HELL KNIGHT) enter followed by afliying CACODEMON. The creatures dont seem to notice him, CLOSE UP of the glance one ofthe BARON-KNIGHTs gives Doom, not paying further attention (They think he’s one of thehuman underlings they now have). As soon as they pass him Doom waits for them to move furtherahead, and begins to leave the room. Suddenly the BARON-KNIGHT ahead of the group sees thesecret depot opened and in disorder, therefore turns in anger and points at the already escapingDoom. The BARON-KNIGHTS have bionic implants on their arms too, but theyre lessnoticeable and more powerful. The CACODEMON shoots through the mouth, a purple spit offire. WE see some shots get the door.40. INT. COLUMNS ROOM -ALIEN PYRAMID -DAYDoom jumps inside the room, some small, but colorful explosions happen behind him, at the door.The room has two rows of columns in the middle of it at even distances, it has four entrances andits a very big place. Doom takes cover behind a column.The CACODEMON is the first to enter. CLOSE UP of the glance the CACODEMON gives theplace. The CACODEMON is suddenly pushed forward with great strength, a green plasma rayjust got him. A nervous BARON-KNIGHT fired, the CACODEMON answers the offense in kind,a battle starts between the two BARON-KNIGHTS and the CACODEMON. The CACODEMONdodges some fires.CLOSE UP of Doom watching the confrontation, both amused and startled.The CACODEMON dies and one of the BARON-KNIGHTs too, as soon as that happens Doomemerges from the column firing his weapon, the BARON-KNIGHT only has time to fire at himonce and crumbles. The green plasma misses Doom.Doom sees the bodies...DOOMIll be damn... I dont deserve to be so lucky.Doom leaves the room.41. INT. STAIRS ROOM -ALIEN PYRAMID -DAY
Doom moves up.42. INT. HALLWAY X -ALIEN PYRAMID -DAYThe corridor is shaped like a cross, he is moving through the midle line. At the end of the corridorDoom sees two revenants, tries to avoid them going back into the corner, but the revenants seehim. And doom moves ahead, after firing some rounds.Middle Angle of the two furious REVENANTs coming after doom. Filled with the terrible noisesthey make.43. INT. LONG HALLWAY -ALIEN PYRAMID -DAYThe corridor is shaped like a "T", Doom incoming through the vertical line. At the left end there isa MANCUBUS walking carelessly and slowly, its BACK TO Doom. CLOSE UP Dooms eyes,CLOSE UP the MANCUBUS arm cannons. The right end is clear, Doom looks back an sees theREVENANTS, heads to the left towards the MANCUBUS looking carefully back as to wait forthe REVENANTs entrance. The REVENANTs appear, Doom is close to the MANCUBUS looksat it, turns and fires at the REVENANTs. All very fast:The MANCUBUS hears the shooting and begins to turn.Doom hits the floor.The REVENANTs fire at Doom.The REVENANTs hit the MANCUBUS.The MANCUBUS fires its large arm cannons at the REVENANTs, the fire kills them, theMANCUBUS turns around and continues its calm walk.Doom lifts his head from the floor, looks at the dead Revenants, turns slightly to see the Mancubuswalking away. Doom shakes his head in disbelief. Smiles broadly.44. INT. PRISON -WEST ENTRANCE -ALIEN PYRAMID -DAYMichael is hiding as best he can on the west entrance of the prison area, the entrance doesn’t haveany visible physical obstacle on any side, door, bars, glass, nothing.INSIDE the prison area, two IMPs and a REVENANT are placing a human being into one of thesechambers. The man is so scared he can only groan desesperately. The IMPs hold him tight, theRevenant grabs a cable from a gadget and sticks it into his neck, the man losses balance. The IMPslet him fall, the Revenant grabs the body and places it into the chamber, once inside, (EXTREMEC.U.) the Revenant PUSHES a button, the chamber lid closes on him, (EXTREME C.U.) theRevenant PUSHES another button, cables come from each side of the chamber towards the guyshead, they dont penetrate him, just scratch the surface of the head.45. INT. HALLWAY WITH WINDOW -ALIEN PYRAMID -DAYDoom enters a room looking carefully around, stops and watches the holographic map he has ofthe pyramid. He is way off his route, turns it off and moves forward. He suddenly sees a largewindow, off his angle when he entered the habitation, WE see him approach the window with fearand wonder. He sees...47. EXT. DEMON WORLDWe see a large and very long bridge, made with several thick supports, joined to the alien pyramidfrom their dimension to ours. The bridge is anything but technological, it is surrounded by a largeriver of red lava, far away, we see the mainland, filled with ziggurat and pyramid-like structuresbarely visible. The sky is also red, cloudy with lightning in some areas. The transit on the bridge is
scarce but we see a caravan closing in.Beyond in the horizon, we see at least two other such structures, the front part, of what should bealien pyramids in other worlds, cant be seen, there is only a blur.At the irregular bottom of the bridge, where some land arises from the lava river, we see somepeople working, or at least they look like people. They’re just shadows in the distance.46. BACK TO SCENEDoom looks at them with regret, like saying those cannot be saved.47. CUT TO SCENEThese "people" working at the bottom wear a suit like the one Doom wears now. Above themthere are several CACODEMONs.46. BACK TO SCENEDoom turns away from the window, a little shocked but not less determined. He moves on, almostrunning.48. INT. HALLWAY BACKROOM -ALIEN PYRAMID -DAYDoom enters the place quickly, a strong metallic sound makes him stop. A lot of light comes out ofa room into the hallway. The wall facing that light-room is made of glass with strange decorations,that allows Doom to take shelter behind them and observe the room, he sees...49. INT. CONTROL ROOM -ALIEN PYRAMID -DAYWE see a large Room with a ceiling higher than anywhere else in the pyramid. ACYBERDEMON watches a wall made only of screens showing the battle beyond the pyramid,sometimes he shouts orders in a strange tongue, and with a very base voice.49A. INSERT -SCREEN IMAGEWe see a MANCUBUS attacking a tank, it stands the first round of shots but the second destroysit. Several soldiers fire their antitank weapons at the invaders, some die, the rest charge again.48. BACK TO SCENEDoom moves on.50. INT. PRISON -EAST ENTRANCE -ALIEN PYRAMID -DAYDoom signals at Michael, Michael answers back. Doom checks his place, no one is around. Thenhe enters the prison.The Room has rows and rows of people placed inside some transparent coffins, close to slightlylaid to the wall. Each wall has two rows of coffins, one on each side. The coffins are very tight,beside each coffin there is a small screen showing where their alter ego is working. The panelcontrol is at a high altitude, about 5.8 ft above the floor. The small village had a population of1000 people, about 600 of them are here. Doom walks by looking carefully at the screens.50A. INSERT -SMALL SCREEN IMAGEWe see the alter egos point of view. A hallway...
50. BACK TO SCENEWe see doom watching the small screens.50B. INSERT -SMALL SCREEN IMAGEWe see an alter egos P.O.V. A place near the base of the bridge50. BACK TO SCENEDOOMThe screens!CORMANI saw them too. It seems these people are controlling something on remote. (looking atDoom)Where did you get that outfit?DOOM(Looking at Corman)One of the depots. (Looking back to the screens) I saw what these people arecontrolling.(points to the screen)50C. INSERT -SMALL SCREEN IMAGEWe see the sea of lava at the base of the bridge, it seems these people are hardening the stone withcomplicated machines.DOOM(Continues)They seemed like people, with this very same suit. Do you think they have some of them reallyworking there?CORMANIt would be too big a coincidence, these people are more useful to them as slaves controllingremotes than real workers, those things seem awfully heavy to me (talking about the machinesthey seem to be using on the screens), a real human being wouldnt be able to lift it.DOOMTrue, and I suppose the human shape is used to avoid confusing the brain. But how are theyordered, how do they know what to do?CORMANTheyre drugged before placing them inside. Once there, who knows how they do it...DOOMThose inside must be those human-like guards, with the heavy weapon. I saw a lot ofexoeskeletons in one of those depots, I guess they’re replacements, or awaiting controllers. If wecould only set one of them free...CORMANI think I can do that, but whom do we free?
Flashes of images of several alter egos throughout the base, and their sleepin masters, the faces ofthe people are all the regular midwestern american, there are children among them, kids of aboutsix and eight. Show only two or three in ten or more. After several we see one that seems alone, inan empty corridorDOOM(Voice off)It has to be one away from the lava river, theyre watched closely. One not near to any alien, it hasto be someone alone, or nearly alone, someone we could experiment with...DOOM(Continues)... this one.The chosen one is a white male, aged thirty. His alter ego is alone guarding a hall.CORMANOK. Who is going to take his place?DOOMI will. If something happens, youll know better how to unplug me.CORMANIts agreed then. Watch this fellow, dont let him fall.(Corman looks at the control pad, it has several sockets, pushes the buttons and the man is set free,Doom brings him down carefully.)Ok, Doom. Hop in.DOOM(Slightly nervous enters)What will you do with him?CORMANLeave that to me. Stand still and be prepared, I dont know how much this hurts.DOOMLets do it. (Doom closes his eyes.)CORMAN doesnt close the lid on Doom.51. INT. NORTHERN HALLWAY -ALIEN PYRAMID -ALTER EGOS POINT OF VIEW-DAYWe see Dooms alter ego point of view. We heasr a low base voice speaking in the guturallanguage of the invaders, but the voice is distorted in code like sounds.CORMAN(Voice off)So, how do you feel?DOOM(VO)I can barely sense the cables, and there is a strange sound, like gorilla singing.
CORMAN(VO)Must be the intructions from whoever rules them...51A. INSERT -CONTROL ROOMWe see the Demon on close up, his face reflects arrogance and an incredible selfconfidence.DOOM(VO)I guess so...51. BACK TO SCENEThe point of view shows violent turns and changes of speed. Running, slow walking, steps,running, turning left and right, turning violently around.52. INT. NORTHERN HALLWAY -ALIEN PYRAMID -DAYWe see an Armed Guard act like crazy, movements must indicate that this is the Armed guardcontrolled by Doom.51. BACK TO SCENEDOOM(VO)This thing is easy to control. If I could only know where I am?50. BACK TO SCENECORMANDont do anything too suspicious... Ill take this fellow somewhere safe.(Corman leaves the prison without the man, Goes to the west end checks if its safe, and walksout.)53. INT. SOUTHERN HALL 1 -ALIEN PYRAMID -DAYCorman is overseeing the place with great attention, sees something, pushes a wall, and it SLIDESaside.54. INT. NICE DEPOT -ALIEN PYRAMID -DAYThis depot, unlike that found by Doom previously, is like a room, filled with only small firearmsbut a lot of ammunition. It has plenty of space for twenty people. Corman runs out.55. INT. HALLWAY NORTH -ALIEN PYRAMID -ALTER EGOS POINT OF VIEW -DAYWe see some aliens, the camera moves back a little.55A. INSERT -DOOMS FACE CLOSE UP55. BACK TO SCENEThe camera moves forward, the Armed Guard moves unnoticed.56. INT. HALLWAY NORTH -ALIEN PYRAMID -DAYWe see how the Armed guard controlled by Doom passes by without being noticed by two IMPs.
50A1. SAME SITUATIONCorman walks in and grabs the mans body.54. BACK TO SCENECorman enters with the mans body, takes him to a covered side, and dumps him. Corman checksthe man. Sensing his pulse, and seeing his eyes. After that he runs out again.50A2. SAME SITUATIONCorman walks in.CORMANOk, Doom. Im here.DOOMLet me park this thing, wait... I could try to shoot...CORMANDont risk that now! Do it later.(Doom nods)51B. INT. NORTHERN HALLWAY -ALIEN PYRAMID -ALTER EGOS POINT OF VIEW-DAYWe see the camera approach a corner.DOOMThis will be fine here.57. INT. NORTHERN HALLWAY -ALIEN PYRAMID -DAYWe see the armed guard, walk to a corner, turn and stand still.50A2. SAME SITUATIONDoom jumps out, and kneels. Sits on the floor, his back rests on the wall, inches below the opencoffin.CORMANSo, how was it.DOOMNot as hard as I thought. The drug they use to control them must be strong.CORMANIt must be, now what do we do?DOOMWe have no choice but to wake up as many as we can, try to bring them back to their senses, andcontrol those things to help us get… at least some of them to getaway.CORMAN
Not cheery, hu?DOOMBetter than nothing, those things can fire a good punch, some would have to stay but... what otherchoice do we have.CORMANNone, but what about the fallout outside?DOOMThere is no such thing. The bomb didnt make it.CORMANHow do you know?DOOMI saw the control room.CORMANYou did, we could send information to the forces outside.DOOMThere was nothing of use, nothing that could help things out. Michael, we are not winning outside.(Pause) We are all these people have. They cant get in, but I hope we can get out.There is silence between the twoCORMANI think I know what we could give this people, to get them back in shape...58. INT. NICE DEPOT -ALIEN PYRAMID -DAYWe see a mask over the guys head, he is breathing something Corman had in his backpack. PULLBACK to include Doom and Corman watching him.CORMANIts nearly pure oxygen, back at NASA they thought it could be useful... I dont think theyimagined this use.We see the man, he is getting betterDOOMHes coming back, cut the supply, well need it.Corman takes the helmet off himDOOMDo you know where you are?
GUY 1I... I was a prisoner... the...DOOMYoure still inside the pyramid (The man turns frightened) Now, dont panic, or they will comeback. Do you remember the thing you were controlling...GUY 1Like you remember a bad dream...DOOMWe want you to control it again.GUY 1What?The guy looks at Corman, Corman just nods59. INT. PRISON -ALIEN PYRAMID -DAYWe see the Guy inside the chamber, the lid is open. The cables are connected to his head.CORMANJust try to control it...GUY 1Its harder than you think...DOOMDont worry, just try... if there is anything wrong, tell us quickly. (To Corman) If we could knowwhere those places are exactly. (Doom looks at the control pad, which has three sockets, grabs his3 dimensional map, and plugs it in)59A. INSERT -HOLOGRAPHIC MAPWe see the pyramid, it is transparent and shapes of the background cand be seen through. It is thesame as before, but there is one bright yellow figure in one of the halls, it is a geometric shape.59. BACK TO SCENEDOOMCan you move forward...CORMANDavid.DOOMCan you move forward, David.
DAVIDYes, I think I can.59B. INSERT -HOLOGRAPHIC MAPThe bright figure moves forward59. BACK TO SCENEWe see Doom in Middle angle.DOOMThis is it weve got it! (He pushes, the blue button)59C. INSERT -HOLOGRAPHIC MAPWe see appear a lot of bright yellow figures, of a different tone, most of them are moving.59. BACK TO SCENEDOOMThe button functions change (Pushes the blue button again).59D. INSERT -HOLOGRAPHIC MAPWe see appear a bunch of bright red figures, most are moving. The new figures are also geometricfigures, but the sizes, height and thickness, vary greatly, and the speed too.59. BACK TO SCENECORMANIts them, its all of them.DOOMNow we have the advantage, its time to wake them up.Tense, fast and rithmical music begins60A(SEVERAL). INSERT -SMALL SCREEN IMAGE (SEVERAL OF THEM)Some are working, elsewhere handling machines, most of them are guards moving or standingstill, in groups or alone, many are escorts to REVENANTs or BARON KNIGHTs, others followsome IMPs in disorder, those images are combined WITH...60B(SEVERAL). INT. PRISON ROOM -ALIEN PYRAMID -DAYWe see close ups of Doom, nodding when the alter ego (AE) is alone or nearly alone, or shakinghis head when the AE is with other creatures. We see the face of Corman, opening the gates, wealso see the faces of the people, all this combined WITH...60C(SEVERAL). INT. NICE DEPOT -ALIEN PYRAMID -DAYWe see the people being provided oxygen with the helmet on, Corman smiles the results areincredible. We see Doom check on a woman HOLDING her head, she smiles at him. We see a big
man stare at the wall not fully recovered yet. We see a little girl that seems better than some grownups, recovering faster.Music ends61. INT. NICE DEPOT -ALIEN PYRAMID -DAYInside are five people, including one little girl (not Blondie tough).CORMANThe oxygen has an incredible effect. And there is enough to reanimate most of them.DOOMLucky coincidence.CORMANNow whats the plan?DOOMWe place those guards posted all through our escape route, after that well have to gamble, letthem out in groups, well armed groups. It will be easy to find weapons.David enters the Depot running, he is very anxiousDAVIDYouve got to come quick, something is happening!62. INT. PRISON -ALIEN PYRAMID -DAYWe see a general view of the prison room, TRACK left to right, now it has about fifteen people outof the coffins, most are checking the small screens, there are several 3d-maps pluged in the controlpads besides each coffin. Finally we see that Doom is watching the HOLOGRAPHIC MAP,62A. INSERT -HOLOGRAPHIC MAP IMAGEAll the red figures are moving to a Room north of the pyramid, hundreds of them are entering thepyramid from outside, many yellow figures are heading to the main entrance, and thickening thefrontal guard.DOOM (V.O.)Theyve stopped fighting, all the creatures outside are entering the pyramid.62. BACK TO SCENECORMANDo you think they discovered us.DOOMNo, they all head towards this room... (Doom points to the Room with his finger)
62A. INSERT -3D MAPClose up of the room and all the creatures entering it.62. BACK TO SCENEDOOMLunch break.CORMANI wonder what those tall skeletons eat?DOOMA diet high in calcium no doubt... This is it, we cant wait for another chance like this. Get me achamber quickly!LADY 1There is one you can use now, a girl was just set free...DOOMWont there be any problem with the height...CORMANThe cables adapt to whomever is inside, lets go.Corman, Doom and the lady go to where the chamber is. Middle angle of a woman carryingBLONDIE, she is not all right yet. Close up of Dooms face as he moves it watching the girl, he isstartled to find her real.LADY 1Its here. (She signals one of the chamber-coffins)CORMAN(To doom)What are you going to do?DOOM(Entering the coffin like thing) Im going to get some weapons.63. INT. HALLWAY X -ALIEN PYRAMID -DAYAn armed guard is walking in, he moves more livingly than the others previously shown Armedguards.DOOM (V.O)Are you sure Im heading east...CORMAN (V.O)Youre heading east, youre on the second level...
DOOM (V.O)Yes, I recognize the place, its just around the corner...64. INT. HALLWAY WITH SECRET -ALIEN PYRAMID -DAYWe see the depot Doom discovered, it has plenty of machine guns.DOOM (V.O.)Here it is, now how could I make a load with them.Using the antiradiation suits, he makes a large package, and places dozens of machine guns in it.Doom has to pull the lot.64A. INSERT -CORMANS CLOSE UPCORMANDoom, you better hurry something tall and thin has entered [...]64B. INSERT -HOLOGRAPHIC MAPCORMAN (V.O)[...] the pyramid through the east side...DOOM (V.O.)Is it coming this way?64B. INSERT -HOLOGRAPHIC MAPCORMAN (V.O.)Yes, Im afraid its going your way...64. INT. HALLWAY WITH SECRET -ALIEN PYRAMID -DAYMiddle angle of the entering Revenant, it enters through the east side, the camera PULLS BACKuntil we see the Armed Guard controlled by Doom pulling a large lot of machine guns placed overa package made of Anti-radiation suits as if they were sheets. The Revenant looks suspiciously atthe Armed Guard but does nothing more than reduce its pace to follow it. Cautiously the Revenantstays behind Dooms alter ego.65. INT. PRISON ROOM -ALIEN PYRAMID -DAYMany people are concerned on whats going on.DOOMIt is following me...CORMANDestroy it.DOOM
Theyre not as vulnerable as other creatures, it could destroy me. I need more firepower.Out of nowhere a blonde little girl appears, its BlondieBLONDIEWhy doesnt someone sneak behind it and destroys it.CORMAN(Looking at her)Thats a good idea, Doom did you hear that?DOOMI did, lets do it. I will take this guy with me as far away from their dining room, and the prison, aspossible. Guide me, and warn me when youre ready.66. INT. HALLWAY TRAP -ALIEN PYRAMID -DAYDooms Armed Guard takes a turn in a hall, the patient Revenant follows him. We see anotherArmed Guard get active, and approach the place as fast as it can without running. The secondArmed Guard glances into the Hall, aims its weapon at the Revenant.66A. INSERT -CORMANS CLOSE UPCORMANDoom we are ready.DOOMFire when I duck.66. BACK TO SCENEThe armed guard controlled by Doom, ducks.CORMAN (V.O.)Fire!The new Armed Guard (Armed Guard "B") fires intensely at the Revenant from the corner. TheRevenant turns very fast and shoots a slow beam. The beam strikes the corner, because the Guard"B" moved, the Revenant is about to follow it when Dooms A Guard fires its pack. The Revenantturns and fires at Dooms AGuard, Doom rolls managing to avoid being hit, the AGuard "B"appears from the Corner and fires again at the Revenant. The Revenant turns again and fires itsbeam, this time the Guard "B" cant hide as well and falls to the ground, almost hit by the beam. Itrolls back as the Revenant fires again and barely hits the Guard "B", Dooms A Guard fires in themeantime killing the Revenant before its able to fire once more at the Guard "B". Both A.Guards rise at the same time, Dooms A.Guard salutes the other. The A.Guard "B"answers and goes back the way it came from, Doom grabs his package again. Looks at the body ofthe Revenant and sees that its body fluids have entered the slowly moving stream of white liquid.DOOM (V.O.)Well people I hope youre getting ready, our time is running short.
67. INT. PRISON -ALIEN PYRAMID -DAYWe see Corman on Close up.CORMAN (answering DOOM)Dont worry well be ready.The camera pulls back. Until we see that Blondie is inside one of the chambers.CORMAN (Cont.)Congratulate the child for me, she did a wonderful job.68. INT. PRISON -EAST ENTRANCE -ALIEN PYRAMID -DAYMiddle angle of a mature man with an alien machine gun, one of the three Doom brought at first.GUY #2Ill be damn, would you check this out.Someone near him, a man, comes to see too. We see Dooms Armed Guard approach with all themachine guns hes carrying. Dooms AG leaves the package in the middle of the prison.68A. INT. ARCH VILE PLACE -ALIEN PYRAMID -DAYWe see the blood of the Revenant finally arrive at the Arch vile place. Close Up of the Arch vilewe see it open its eyes very slightly.68A1. INT. CIRCLE 2 -ALIEN PYRAMID -DAYThe white liquid begins to blink, three IMPs in the area pay attention to it and move out of theplace.68B. INT. PRISON -ALIEN PYRAMID -DAYThis is where the real Doom is, with Corman and others.DOOMTell the people to grab the weapons... and tell me where do you want me to place this thing.68B. INSERT -HOLOGRAPHIC MAPWe see a finger draw an imaginary line on the Holo map.CORMAN (V.O.)Go west, down the first stairs, entering the first circle on our way out, leave it there...69. INT. CIRCLE 1 -ALIEN PYRAMID -DAYWe see the arrival of the Armed Guard controlled by Doom.70. INT. HALLWAY TRAP -ALIEN PYRAMID -DAYThe three IMPs arrive at the scene, they check everything out, growling and moving their eyessideways. One of them makes a physical gesture of "who cares" after they are certain it was just
another fight between the troop, there is no sign of alien creatures, well, alien to them.71. INT. PRISON -ALIEN PYRAMID -DAYDoom is out alreadyDOOMIt gets to be fun.CORMANYouve been in there for quite a while, dont you feel a headache or something?DOOMIt gets easier the more you use it, but there is that permanent feeling of something giving youorders.CORMANWho cares, if the orders arent followed.DOOMHow many people have fully recovered?CORMANAbout seventy, and, awake, more than 120, five more, five less.DOOMAnd the total number of people?CORMANIt seems there are more than 400. (Doom looks very disappointed)Some of the people are moving the Guards wherever they can be useful. Im really surprised theyhavent noticed us yet.DOOMTheyre strange creatures... You havent touched those working near the lava, have you?CORMANNo. What will we do when that (meaning: the BIG demon in the room, I think) comes here?DOOMNo one can answer that question, me least of all. But it will be far more useful to those outside andfor those inside, if you focus on whats important, these people. Later well find a way out of this,out of all this.CORMANYoure right. In the meantime (to the people near him) lets wake them up!72. INT. DINING ROOM -ALIEN PYRAMID -DAYIt is a very large room, filled with long cavities to the sides. The CACODEMONs fly to those
cavities and food falls from above to their wide opened mouths, WE SEE a CACODEMON cleanits face with its tongue. In the center there is a large block that looks like a wall, this "wall" is filledwith transparent chambers that look like round shaped phone booths. Any creature enters it and isgiven an aura of energy, WE ONLY SEE a blue light gleaming inside, from all directions. Beyondthis "wall" there is a large pool filled with soft, and hard pieces of "something" the juice filling thepool is totally red, there is a lot of what looks like red smashed potatoes. The creatures kneel andgrab as much as they can, making a mess of it all. Some are drinking the juice. The camera showsthose two processes of eating, the energy and the organic food. At the beginning of these escenewe hear:CORMAN (V.O.)(Softly to himself)...and wish those creatures have a very long dinner.Music begins, tense and strong music. A mix of Alice Cooper and Richard Bach.73. INT. PRISON -ALIEN PYRAMID -DAYTRACK from right to left. We see people working in a frenzy, many 3D-maps are plugged to thecontrolpads, people inside the chambers are placing the Armed Guards where they find itconvenient, therefore most lids are opened to have communications between the controlers andthe guides. Some people are being waked up, and someone else takes his place inmediately.74. INT. PRISON -ALIEN PYRAMID -DAYTRACK from right to left. We see that only two or three lids arent opened, fewer people areplacing the Armed Guards, a lot of people is being attended to.LADY HELMET(She places the NASA Helmet on someone) Breathe strongly, aspire... (The person does that, sheplaces the Helmet on someone else)The TRACK comes close to a conversation between Doom and Corman.DOOMHow many are left inside the coffins?CORMANAbout fifty, only those working at the lava point.DOOMIts time to do it.TRACK stops.DOOM (Cont.)The worst ones will get out first. Group number one will have the easiest ride, later on thesepeople will only be a burden.CORMAN
I agree. (As regretful comment) Pity we cant let out all the children first...DOOMWhy not? Arent they part of the weakest?CORMANDidnt you notice? Some of them are the best at handling those things.Close Up of DOOM. He looks towards one of the coffins, with its lid opened. Middle Angle ofBLONDIE she is handling an Armed Guard, and receiving instructions from two guys.75. INT. HALLWAY 10 -ALIEN PYRAMID -DAYMusic begins.The Prison is placed on the southern part of the pyramid, in level three, the dining room is on leveltwo in the north. Therefore the groups way out is east to west, towards the entrance.We see an Armed Guard enter the hallway very quickly, make a sign to those behind him, andthree more Armed Guards appear theyre followed by a group of eighty people plus more thantwenty Armed Guards distributed through the long group.DOOM(V.O)The first group will the largest, all those recently awaked will be with them, later on, it will bemore difficult to get them out.The first escene we see is an Armed Guard (AG) entering a Hall, the AG is followed by two otherAGs. Very quickly we see the people appear behind them, its a very large group, of about seventy,many are being carried by others, theyre joined by more than 20 AGs. They only have to wipe outthree IMPs, once again the fluids fall on the liquid, and arrives at the nearest ARChvile place, thestream gains speed with every dead, the first to check this out is a BARON KNIGHT, he is killedalso but manages to destroy an AG, thats when we see a boy with one eye totally red. As thesecond group passes, one REVENANT and two IMPs come. The third group has to fight against aREVENANT, several IMPs, a BARON KNIGHT and Demons. The heroism of BLONDIE isshown here, she’s an awesome Armed Guard controller. Thats when they decide to gamble, andleave at once with those working at the lava point, one of the WORKER EGO falls, and theCACODEMON shouts: the true battle begins. They are unable to leave and have to retreat, all thepeople remaining are about 70, most are handling the Alter egos the situation gets desperate andDOOM does it.(Well, it seems I switched to narrative starting at this point. I guess the numbering and ANGLESand things were getting on my nerves. Yep, that must’ve been it. No, no, now that I’ve read a Littleof it, I can see it more like a summary of what’s going on, script shorthand if you will)Flashes of the first and second groups, and how as many people as possible are being waked up,people holding 3Dmaps examine them one by one, since nearly all the creatures are in the diningroom, most of them can be set free now, they aren’t watched. <> All the people working near the Cacodemons, on the bridge, (25) werent bothered at all,
they couldnt risk being discovered by the Cacodemons. Every person that awoke was given theoxygen treatment, only a bit was enough to make them react but it took longer to have them totallyconscious, and some, although conscious, were incapable of dominating the alter egos. So the process was the following: a person was awakened and another took his place topark the alter-ego. They knew time was crucial since, now, most of the halls were clear ofcreatures. The most rested persons took the job of controlling the alter-egos, scorting the firstgroup out. Among them was the little blonde blue eyed girl (The one he saw on his dreams not theone in the truck. "Blondie" for short). "Are you sure you can handle this?" asks Doom. "She parked three guards already, other people are tired." Adds mike to the girls nod. "Ok then, be strong girl. Imagine youre in a game." The audience is introduced to the viewfrom the alter-ego once she enters it. For a brief moment of the escapade. The first group, of about 35 people, leaves with no problems at all, the second group of 40has an incident with some Imps. The Imps are wiped out (A group of three). All the time theyve got at least twenty people on control of the alter egos, changing fromalter-ego to the one most useful at the time. Several Armed guards are destroyed once abandoned.People begin to run in a continuous fashion. A little girl is caught in the firefight, her mother lies dead near her, she only screams indespair. The alter-ego controlled by Blondie comes to her help. Grabs her an runs, with her,toward the entrance, other armed-guards come to help. Opposition grows in intensity, good lucktheyve over 350 alter-egos. Before the alter-egos are destroyed, when under attack, the people aredisconnected from them, and a small effect of electrical discharge is produced in the cables. Monotonous scenes of Imps, Demons and Revenants just shooting or being shot at, arecombined with the faces of Doom and Mike over the 3-D map that explains to the audience what ishappening. The Prison-coffins are in the south area, the pyramid is facing West, the bridge is dueEast. And the dining room is in the north area, so their escape route is East-west in the south area1. <> All the people theyve to wake up now are the ones working on the bridge, they carefullyplace 25 people to quickly replace them. Once in control of the alter-egos, they leave the workingarea through the nearest entrance. A Cacodemon observes curious as the working human shapesbegin to leave, then it sees one of them fall and several others "parked", unlike the Armed guardsthose fall to the floor. Then it gives the alarm. The Cacodemon begins an unpleasant cry highlyacute, like morse code sung by a sick shrilly singer. The Morse code is received by the sleepingArch-vile, it connects itself to the white stream of thick liquid present everywhere, the liquidvibrates with different tones of bright-white to black. In every single corner of the pyramid themessage is received: the humans are escaping. All the big creatures: Cacodemons, Mancubus, Baron Knights, and most Revenants were"dining", now that room begins to spit out creatures toward the prison (coffins) area. The creaturesno longer think its only some armed guards gone berserk, now they know it is an attempt toescape. <> Over 25 people are controlling Armed guards and more than seventy are still with them.As many people possible are told to carry the weakest and make a run for it. Blondie doesnt want 1 See graphic at the end.
to leave yet, she wants to stay with the last group. Doom doesnt want to, but mike tells him: "Perhaps she believes this is a game, but she is good at it. Let her do it!" Doom finally agrees and asks Blondies mother to stay, too. <> The creatures are coming. Simple scenes with some Baron Knights (Two) with aMancubus behind and a single Cacodemon, in rapid succession, combined with an impressivenumber of dots in the 3-D map would inspire as much awe, as a more expensive complicated live,with models, scene. Then show the Armed guards firing desesperately and being destroyed so fast peoplereceive the electric shock and are hurt. The little girl is very good at handling Armed guards, sheisnt hurt once. More complicated scenes arent necessary here, when the bunch of creatures iscoming, because: <> Doom realizes something else is needed in order to escape, a big distraction. "Im going to do something, play our last card." "Where are you going?" asks Mike. "To create a distraction." "But what..." "Listen to me, its our only chance. The minute you see these creatures moving awaytowards the east, leave. Most are coming this way, that leaves the escape route with littleopposition, leave as fast as you can. No arguments. I have to meet my doom." <> Doom heads for the Control room, leaving the prison coffins area by the east entrance. Ashe heads towards the C.Room he searches for a better weapon, opening every door he sees. Hefinds a rocket launcher, its used like those rifles of Aliens II. With it Doom opens the giganticdoor of the control room and fires. The Cyberdemon turns to face him and covers himself with his arm an its hit by the rocket,the skin seems irritated and one vein erupts showing red blood, otherwise the Cyberdemon isholding firm. "Human." says the CyberD with a deep voice, really deep, bass. Doom fires another rocket. This time the CyberD strikes it, some debris hits the roof. "Human." repeats, and Doom fires again. The CyberD crosses his arms over his chest,receives the rocket, and moves agressively forward swinging his arm at Dooms rockets. Afterthree more rockets the cartridge is empty, the CyberD tries to squash him. He moves fast enoughto avoid the creaturess foot. "Human, do not mock me. We are the cosmic nightmare. Do not dare pretend you candestroy me. "You are brave, try not to be a fool, surrender now to our might, and Ill reward yourcourage by giving you ten times your power. Make despair and pain yours to give, or die." Doom just stares at the talking two legged bull. "Perhaps, we can work something out...maybe...", he replies. Then instead of talking,heads towards a room beyond, a rocket explodes behind him. Doom continues to run through aroom filled with pillars hearing and feeling the rocket explosions, altough not one touches himdirectly. Reloads the rocket launcher and fires back whenever he can. Finally he is caught againsta column, and fires his last rocket, the CyberD gets it on its shoulder. The CyberD fires at him,Doom manages to move away, but the blast sends him crashing into a wall, its an arms depot like
the others but this one has more powerful weapons, Doom sees the BFG 90002 and waits for theCyberD to get closer in order to use it. "Pityful creature, now its time to meet your doom." Doom quickly grabs the gigantic weapon, the CyberD sees it and aims at Doom. Doomfires and the blast destroys the rocket sent by the CyberD at the last second, and also the CyberD. <> The "death" of the CyberD wakes up the Arch-vile. It shrieks in anger with its arms totallyspread and showing its claws, and it splashes into the white stream of liquid, it swims at greatspeed under it. We see the White liquid through narrow slits on the floor, beneath those there arewide pipes filled with it. <> Mike sees how, after the white liquid shines for a brief second, every single creature begunto move eastwards. "Lets go! Now!" <> Doom moves towards the control room, he sees the Cyberdemons head and it suddenlyawakes. Its eyes pure red rage. "You do not understand our might, our grasp rules in countless suns...our forces conquernations in all corners of the universe..." Doom just continues to move. Suddenly the white liquid erupts with a shriek, its theArch-vile. An it begins to concentrate a great amount of energy around its arms, a blue mist, withflashes of energy, begins to appear. Doom fires the BFG but the Arch-vile enters the liquid beforebeing hit. Doom moves away unable to understand whats going on. Then the Cyberdemon beginsto take shape anew, Doom runs. In front of the control center Doom hears how the Cyberdemonapproaches with a quick and powerful step. Behind him there is a chamber, Doom believes its a teleporter. The Cyberdemon appears, behind it, the wet and angry Arch-vile. Doom fires his weaponat the control panel and runs for the teleport chamber, any place would be better now. In frustrated anger the CyberD fires a missile at Doom, but it misses him. Once inside thechamber Doom presses a big red button, in the blink of an eye he is at the frontal entrance. Its aplace with a nice view of the surrounding area, fit for the CyberD. <> Mike and the rest of the people can be seen beyond still running, taking an occcassionalglance behind hoping to see the friend who saved them from doom. <> The Pyramid is beginning to desintegrate, Doom runs as fast a he can, but he is caught bythe final blast. <> Hummers search through the area. Its covered with ashes two feet thick. Theyre usinginfrared, so its kinda easy. Soldiers jump out of the Hummer. "He is here!" says one of them. They put him unto a stretcher and lift him up to the hummer. Dooms eyes open. "Hes still alive." "Good, this guy saved the whole country." 2 The game’s major weapon.
voyage’), I compiled a book, along with a friend, with Bolivian lovecraftian short stories(Inmigraciones de Arkham, Arkham Immigrations), sort of a homage to H. P. Lovecraft. I’ve beenwriting about movies since, precisely, 1997, in Bolivian newspapers and magazines. I have a blog:mimeme.over-blog.comRight now I’m involved in many things, besides work. I want to do some videos for youtube, inEnglish, I’m going to fix ‘ten movies’ in an equal number of videos; I just uploaded my comicbook to kindle, titled ‘It’s just a river’. If you enjoy dark humor, plus silliness, plus some thought,my bet is you’ll like it. Also, the first part of my second novel is coming up, straight to kindle, inSpanish.And it’s in the process of getting ready for this, that and other things, when my old scripts cameup… and I have two more: ‘Paint my freedom’, and artsy story of personal selfdiscovery; and‘Gesellschaft’, ‘Societies’, a sci-fi flick that I wrote back in 1999 or 2000. I’ll check them againand then I’ll upload them to kindle, otherwise, they’ll just be absent; and I like both works, withflaws and all.